|
| Joseph Phibbs: Gaudeamus
Omnes: SATB: Vocal Score
Chorale SSATB
SSATB A Cappella
Boosey and Hawkes
Introit for the feast of All Saints-'This short celebratory setting originally...(+)
Introit for the feast of All Saints-'This short celebratory setting originally composed as an introit for the Wells Cathedral Girl Choristers was arranged for SSATB in 2010 (the upper parts unaltered) for the Exon Singes Festival. The text ('Let us all rejoice') exists in a number of versions and here honours 'all the saints at whose solemnly the angels rejoice'. The texture essentially imitative is governed by a syncopated melodic phrase which gives way to softer material in the middle section. The return of the opening idea drives the piece towards a broad jubilant conclusion.'John Phibbs
|
|
|
| John Tavener: The Fool
(Chorus Part): Mixed
Choir: Vocal Score
Chorale SSATBB [Partition]
Chester
Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint ...(+)
Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint the highest of all who discards everything for Christ's sake. He discards all convention all decency all wealth actual and spiritual and turns himself into a figure of fun - defying all acceptable behaviour - and all religious decency. He stands in the square and lets down his trousers - he stuffs himself with food on Good Friday - he gets drunk - he 'appears'to fornicate wildly. There is a faint possibility (in not the highest of 'Fools') of gaining worldly popularity by such flagrant denial of all moral behaviour. Can such behaviour be too interesting? The true fool however embraces all of this and also (unseen) shrinks before the face of his God. By his behaviour he plucks out all hypocrisy false piety and corruption. He is a figure much needed in our times!!! The way I have tried to tacklethis extraordinary subject is to show him in seven stages from an obscene huge fat traditional clown who is drunk fornicating etc. through a stumbling frail agonized figure to a sallow-faced gaunt business man in a formalsuit staring at an empty glass. Having first revered him then mocked him the 'people' while they get drunk and jabber away at 'Christmas' and at the Feast of Feasts 'Easter' are no longer aware of him. But the audience seeshim - a tiny ragged scrap of mortality lying in a corner and faintly so faintly the voice of the Fool the true Fool for Christ's sake sings above the ribald crowd. 'He has given His life'. The Gogmagogs are the 'people' 'priests' 'singers' etc. and one male singer who can 'create' or 'uncreate' this vast role (singing and acting miming etc.) John Tavener Arranged for SSATBB chorus. Date of composition 2000. Chorus part only.
|
|
|
| Messe brève
Chorale SSATB
SSATB, Orgue [Partition]
Symétrie
Par CASTAGNET YVES. J?ai composé cette messe dans les premières années de ma ...(+)
Par CASTAGNET YVES. J?ai composé cette messe dans les premières années de ma présence à Notre-Dame, avant la création de l?association Musique sacrée à Notre-Dame de Paris et la restructuration de la maîtrise sous sa forme actuelle. La maîtrise existait déjà, bien sûr ; on enseigne en effet le chant en ce lieu depuis le Moyen-Âge, à l?époque où la cathédrale était encore en construction, il y a plus de 850 ans.
À la fin des années 1980, la maîtrise était bien différente de ce qu?elle est devenue maintenant. Elle était alors dirigée par le chanoine Jehan Revert, maître de chapelle, qui fut pour moi un véritable guide, et dont la mémoire restera toujours dans le c?ur des musiciens de Notre-Dame.
C?est donc à cette époque que j?ai composé cette messe qui fut à la fois ma première composition et ma première ?uvre liturgique. Elle est volontairement très courte, d?où son titre, pour répondre du mieux possible aux contraintes liturgiques. Elle est aussi le reflet de mon profond attachement à ce lieu unique et tellement inspirant pour le jeune musicien que j?étais alors.
Yves Castagnet / Date parution : 2024-01-10/ Répertoire / Ch?ur Mixte SSATB et Orgue
Délais: En Stock |
|
|
| Little Drummer Boy, The
SSATB A Cap
Chorale SSATB
SSATB A Cappella
Alfred Publishing
No Christmas season would be complete without hearing this well-loved song. Kern...(+)
No Christmas season would be complete without hearing this well-loved song. Kern's fresh a cappella approach, featuring a world-rhythm drum part, really makes the classic shine. 'Pa-rum-pum-pum-pum!? / Choeur Mixte (SSATB) A Cappella
Délais: 2-5 jours - En Stock Fournisseur |
|
|
| Te Deum In B-Flat Major
Hwv 281 (HAENDEL GEORG
FRIEDRICH)
Chorale SSATB
SSATB, Orchestre, Basse continue [Partition]
Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te D...(+)
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre
Délais: 2-5 jours - En Stock Fournisseur |
|
|
| Virginalia. Laudes
Aeternae Virginis Mariae
(Dillingen 1607)
Chorale SSATB
Ut Orpheus
6. Virgo, Cui Post Dolores Cordis Et Fletum Natum Reperire/ Recueil / 5 Voix (SS...(+)
6. Virgo, Cui Post Dolores Cordis Et Fletum Natum Reperire/ Recueil / 5 Voix (SSATB)
Délais: 2-5 jours - En Stock Fournisseur |
|
|
| Henri Duparc: La vie
antérieure: Mixed Choir:
Vocal Score
Chorale SSATB
SSATB, Piano
Carus Verlag
The harmonic turns and piano configurations in La vie ant?rieure ??? the ???form...(+)
The harmonic turns and piano configurations in La vie ant?rieure ??? the ???former life??? ??? seem almost exuberantly lyrical. At the beginning the archaic sounds and words of the male choir conjure up a dream world that is soon flooded with the power of the waves and the rich polyphonic harmony of the choir and the piano. With the outcry ???C???est l? que j???ai v?cu!??? [I have lived there] which expresses the fervent yearning to return to a past life the collective desperately reinforces the longing for the past. Once more the women???s choir conjures up this lost paradise in an undulating soft sound before the desolate sadness is pierced by the power of the music of the piano postlude creating a moment that is completely in the present.
|
|
|
| Karl Jenkins: Cantate
Domino: SATB: Vocal Score
Chorale SSATB
SSATB A Cappella
Boosey and Hawkes
A cappella motet from Adiemus: Songs Of Sanctury-Motets is a set of intimate and...(+)
A cappella motet from Adiemus: Songs Of Sanctury-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers.Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH 12937) all 19 separate motets are also available as single pieces.Motets was recorded on Deutsche Grammophon 0289 479 3232 by Stephen Layton and Polyphony.
Délais: En Stock |
|
|
| POPCHOIRCLASSICS The
Beatles: Let It Be
(BEATLES THE)
Chorale SSATB
Bosworth
Par BEATLES THE. / Date parution : 2022-04-26/ Répertoire / Choeur SSATB
Délais: En Stock |
|
|
| Come Let Us Sing
Chorale SSATB
Schott
4.40 EUR - vendu par LMI-partitions
Délais: 2-5 jours - En Stock Fournisseur |
|
|
| O Let Me At Thy Footstool
Fall (PEERSON MARTIN)
Chorale SSATB
Schott
Par PEERSON MARTIN. Format: 16, 5 x 23, 4/ Répertoire / Choeur Mixte (SSATB)
Délais: 2-5 jours - En Stock Fournisseur |
|
|
| Also Werden Die Letzten
Die Ersten Sein (RASELIUS
ANDREAS)
Chorale SSATB [Partition]
Carus Verlag
Aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. Tonalité ...(+)
Aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. Tonalité : d-Moll - / Mottet / Répertoire / Choeur SSATB
Délais: 2-5 jours - En Stock Fournisseur |
|
|
| Herr, Deine Letzten Worte
(REGER MAX / DECIUS
NIKOLAUS)
Chorale SSATB [Partition]
Carus Verlag
Aus: Vierzehn Choralbearbeitungen. Par REGER MAX / DECIUS NIKOLAUS. with alterna...(+)
Aus: Vierzehn Choralbearbeitungen. Par REGER MAX / DECIUS NIKOLAUS. with alternative text 'O Lamm Gottes unschuldig' [text: Nikolaus Decius]/ Répertoire / Choeur SSATB
Délais: 2-5 jours - En Stock Fournisseur |
|
|
| Feritevi, Ferite
(Verletzt Euch,
Verletzet)
Chorale SSATB [Partition]
Carus Verlag
Guerra Di Baci. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : F-...(+)
Guerra Di Baci. Aus: Italienische Madrigale. Par SCHUTZ HEINRICH. Tonalité : F-Dur - SWV 9 (op. 1 #9)/ Répertoire / Choeur SSATB
Délais: 2-5 jours - En Stock Fournisseur |
|
