Composed by Georg Philipp
Telemann. Edited by Brit
Reipsch. 1x 39.137/18
viola da gamba, 1x
39.137/21 flute 1, 1x
39.137/22 flute 2, 1x
39.137/23 oboe 1, 1x
39.137/24 oboe 2, 1x
39.137/25 bassoon, 1x
39.137/31 trumpet. Die
Tageszeiten Neuausgabe
Reipsch. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. TVWV
20:39. 30 pages. Duration
55 minutes. Carus Verlag
#CV 39.137/09. Published
by Carus Verlag
(CA.3913709).
ISBN
9790007216078. Language:
German.
The cantata
cycle Die Tageszeiten,
which was composed in
Hamburg in 1757, is one
of the outstanding late
works of Georg Philipp
Telemann. A Symphonie and
four cantatas (each of
which consists of an
aria, accompagnato, aria,
and chorus) portray, in a
richly sensitive manner,
the course of a day,
beginning with the
awakening of nature to
the sunset. The poetry of
Friedrich Wilhelm
Zachariae and Telemann's
music herald the beauty
of nature, as well as the
greatness of God revealed
within it. Colorful
instrumentation and
pictures in sound
corresponding to each
time of the day, delicate
compositional structure,
and an ingenious
realization of the text
characterize this work,
whose musical idiom is at
times reminiscent of
Haydn. Score and parts
available separately -
see item CA.3913700.
Orchestra (Score) SKU: HL.14000908 Composed by Hans Abrahamsen. Music Sal...(+)
Orchestra (Score)
SKU:
HL.14000908
Composed
by Hans Abrahamsen. Music
Sales America. Classical.
Score. 126 pages. Music
Sales #KP00206. Published
by Music Sales
(HL.14000908).
ISBN
9788759854648.
12.0x16.0x0.677 inches.
English.
The title
Marchenbilder, or
Fairy-tale Pictures,
borrowed from Schumann,
awakens notions of music
which in itself has a
pictorial quality. In
all, the score comprises
six Fairytale Pictures,
the first three of which
form the first movement,
the next two the second,
whilst the sixth forms
the last movement which
is linked with the second
without a break. The
first two pictures have
the same duration - one
minute each - whilst the
remainder hesitantly
inerease in length until
the final picture is
almost five minutes long.
For 14 instruments.
Composed by Georg Philipp
Telemann. Edited by Brit
Reipsch. This edition:
Paperbound. Die
Tageszeiten Neuausgabe
Reipsch. Sacred vocal
music, Cantatas. Study
score. TVWV 20:39.
Duration 55 minutes.
Carus Verlag #CV
39.137/07. Published by
Carus Verlag
(CA.3913707).
ISBN
9790007135652. Language:
German.
The cantata
cycle Die Tageszeiten,
which was composed in
Hamburg in 1757, is one
of the outstanding late
works of Georg Philipp
Telemann. A Symphonie and
four cantatas (each of
which consists of an
aria, accompagnato, aria,
and chorus) portray, in a
richly sensitive manner,
the course of a day,
beginning with the
awakening of nature to
the sunset. The poetry of
Friedrich Wilhelm
Zachariae and Telemann's
music herald the beauty
of nature, as well as the
greatness of God revealed
within it. Colorful
instrumentation and
pictures in sound
corresponding to each
time of the day, delicate
compositional structure,
and an ingenious
realization of the text
characterize this work,
whose musical idiom is at
times reminiscent of
Haydn. Score available
separately - see item
CA.3913700.
Composed by Georg Philipp
Telemann. Edited by Brit
Reipsch. Die Tageszeiten
Neuausgabe Reipsch.
Sacred vocal music,
Cantatas. Choral Score.
TVWV 20:39. Duration 55
minutes. Carus Verlag #CV
39.137/05. Published by
Carus Verlag
(CA.3913705).
ISBN
9790007129187. Language:
German.
The cantata
cycle Die Tageszeiten,
which was composed in
Hamburg in 1757, is one
of the outstanding late
works of Georg Philipp
Telemann. A Symphonie and
four cantatas (each of
which consists of an
aria, accompagnato, aria,
and chorus) portray, in a
richly sensitive manner,
the course of a day,
beginning with the
awakening of nature to
the sunset. The poetry of
Friedrich Wilhelm
Zachariae and Telemann's
music herald the beauty
of nature, as well as the
greatness of God revealed
within it. Colorful
instrumentation and
pictures in sound
corresponding to each
time of the day, delicate
compositional structure,
and an ingenious
realization of the text
characterize this work,
whose musical idiom is at
times reminiscent of
Haydn. Score available
separately - see item
CA.3913700.
Composed by Georg Philipp
Telemann. Edited by Brit
Reipsch. German title:
Die Tageszeiten
Neuausgabe Reipsch.
Sacred vocal music,
Cantatas. Single Part,
Viola da gamba. TVWV
20:39. 4 pages. Duration
55 minutes. Carus Verlag
#CV 39.137/18. Published
by Carus Verlag
(CA.3913718).
ISBN
9790007216122. Language:
German.
The cantata
cycle Die Tageszeiten,
which was composed in
Hamburg in 1757, is one
of the outstanding late
works of Georg Philipp
Telemann. A Symphonie and
four cantatas (each of
which consists of an
aria, accompagnato, aria,
and chorus) portray, in a
richly sensitive manner,
the course of a day,
beginning with the
awakening of nature to
the sunset. The poetry of
Friedrich Wilhelm
Zachariae and Telemann's
music herald the beauty
of nature, as well as the
greatness of God revealed
within it. Colorful
instrumentation and
pictures in sound
corresponding to each
time of the day, delicate
compositional structure,
and an ingenious
realization of the text
characterize this work,
whose musical idiom is at
times reminiscent of
Haydn. Score and part
available separately -
see item CA.3913700.
Flute SKU: CL.074-6037-04 Composed by J. W. Allen. Orchestra Book/Folio (...(+)
Flute
SKU:
CL.074-6037-04
Composed by J. W. Allen.
Orchestra Book/Folio
(Concert). Flute book.
Composed 1910. C.L.
Barnhouse #074-6037-04.
Published by C.L.
Barnhouse
(CL.074-6037-04).
CONTENTS: *
Romaine March * Majestic
March * Coronation
Overture * One Sweetly
Solemn Thought * Cast Thy
Burden Upon The Lord *
March from Athalia * O
Lamb Of God * Spring's
Awakening * The Glory of
God in Nature * Lotus
Flower, The * The
Messenger March * Holy,
Holy, Holy * The Star
Spangled Banner *
Missionary Overture *
Flee As A Bird *.
Spring Orchestre d'harmonie - Intermédiaire/avancé Amstel Music
(Overture for Wind Orchestra). Composed by Johan De Meij. For Concert Band (Scor...(+)
(Overture for Wind
Orchestra). Composed by
Johan De Meij. For
Concert Band (Score).
Amstel Music. Grade 4.
Guitar tablature. 50
pages. Amstel Music
#AM113. Published by
Amstel Music
Rhythm-O-Rama! Eveil Musical [Partition + Accès audio] Alfred Publishing
Featuring Pop Hits, Movie Themes, and Showtunes Arranged for Classroom Percus...(+)
Featuring Pop Hits, Movie
Themes, and Showtunes
Arranged for Classroom
Percussion Instruments.
Composed by Mari Schay.
Classroom Resources;
Classroom/Pre-School;
Orff;
Orff School Orchestra;
Reproducible. Broadway;
Movie; Pop. Book. 68
pages.
Alfred Music #00-47916.
Published by Alfred Music
Composed by Ludwig van Beethoven (1770-1827). Arranged by Christina Hans. Achiev...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Christina
Hans. Achievement Series.
Full set. Published by
Wingert-Jones
Publications
(WJ.3035311).
Ollie and Me Flûte traversière et Piano [Reduction] Theodore Presser Co.
For Flute and Piano. Composed by Gary Schocker. Solo part with piano redu...(+)
For Flute and
Piano. Composed by
Gary Schocker. Solo part
with piano reduction.
With Standard notation.
10 pages. Duration 4
minutes. Theodore Presser
Company #114-41363.
Published by Theodore
Presser Company
(PR.114413630).
Composed by Geraldine Green. For bass clarinet and piano. Classical; 21st centur...(+)
Composed by Geraldine
Green. For bass clarinet
and piano. Classical;
21st century. Solo part
and piano reduction.
Composed 1992. Duration
23 minutes. Published by
Alea Publishing
Arranged by Ludwig Minkus
and ed./arr. by William
McDermott/ Libretto by
Sergei Khudekov. Full
Orchestra, Conductor
Score. Kalmus Ballet
Library. Score.
LudwigMasters
Publications #36-A888801.
Published by
LudwigMasters
Publications
(AP.36-A888801).
ISBN
9798888529911. UPC:
659359989490.
English.
The ballet
La Bayadère (The
Temple Dancer or The
Temple Maiden) was
created in 1877 for famed
French choreographer
Marius Petipa to music by
Ludwig Minkus
(1826-1917). In four act
and seven tableaux, the
ballet tells the story of
the bayadère Nikiya
and the warrior Solor,
lovers who are beset by
jealous rivals, arranged
marriages beyond their
control, murder, an
opium-fueled
hallucination of the
afterlife, and a vengeful
god that destroys the
temple and everybody in
it as revenge for
Nikiya's murder. It was
first performed on
February 4, 1877, by the
Imperial Ballet in St.
Petersburg, Russia. It
was hailed as a success
and masterpiece
immediately after the
premiere, particularly
The Kingdom of the Shades
scene in Act II, an
excerpt which remains a
major standalone work for
the ballet repertoire.
Modern performances of La
Bayadère are almost
always derived from a
1941 version sated for
the Kirov/Mariinsky
Ballet by Vladimir
Ponomarev and Vakhtang
Chabukiani, which
incorporates additional
music by Minkus, Drigo,
and Pugni. Act II takes
place after Nikiya is
killed by a concealed
venomous snake. A
depressed Solor smokes
opium, resulting in a
vision of Nikiya's spirit
dwelling in the Kingdom
of the Shades, a nirvana
in the Himalayas. The two
lovers reconcile among
the shades of other
bayadères in a Pas de
deux, then Solor is
awakened just in time for
his arranged marriage to
another woman. This
orchestration of Act II
has been completed by
William McDermott.
Instrumentation: 2.2.2.2:
4.2.3.0: Timp.Perc(2):
Harp: Str (4-4-3-3-3 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.