Composed by Andrew D. Gordon. Saddle stitch. Blues, instructional. Book and Downloadable audio. Duration 80 minutes.

Guidelines For Jazz Articulation And Style. Composed by Jerry Tolson. Jazz improvisation method. Book with digital audio. Published by Kendor Music Inc

Written by Linda Foley. For hammered dulcimer. Format: excercise book. With instructional text. Technique. 16 pages. 9x12 inches.

By Dave and Jean Perry. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. Multicultural; World. Choral Octavo. 12 pages

By Ted Huggens. For Concert Band. Original Works Light Music Repertoire / Light Pieces / Slow Movements and Solemn Works / Novelties. Original Pieces. Grade 2. Score. Duration 5 minutes, 20 seconds. Published by Molenaar Edition . Score.

By Allen Pote. (SATB). Call To Worship, Hymntune, Hymntune and Sacred. Print Music (SATB). 8 pages. Published by Hope Publishing Company.

By Jeremiah Clarke (1674-1707). Arranged by Bob Phillips. Orchestra. For full (timpani, Snare drum, bass drum, triangle, vln3). Full Orchestra; Masterworks; Part(s); Score. Beginning Full Orchestra. Form: March; Transcription. Baroque; Masterwork Arrangement. Grade 1.5. 118 pages. Published by Alfred Music Publishing

By Katherine Curatolo. For cello. Saddle-stitched. Wedding Music. Intermediate-Advanced. Book. 32 pages. Published by Mel Bay Publications, Inc

Bass Clarinet and Orchestra

SKU: HL.14001122

Composed by Asbjorn Schaathun. Music Sales America. Classical. Score. Music Sales #KP00663. Published by Music Sales (HL.14001122).

ISBN 9788759855669. Danish.

ACTIONS, INTERPOLATIONS AND ANALYSES, symphonies for bass-clarinet and large ensemble (1987-90), is what is commonly termed a work in progress. So far Schaathun has completed three of five parts. The is the composer's first large-scale attempt to investigate possible connections between ostensibly unrelated material. Explained in simple terms, it involves taking two of Schaathun's own type of texture (composed by means of different techniques) and letting them rotate around a familiar musical object (in this case a short excerpt from Stravinskij's Symphonies of Wind instruments in which he employs the famous frozen chords). In the course of the piece the elements takes over various characteristics from one another and the form progresses from fairly clear-cut textures to a situation where the various textures are superimposed, creating a dramatic flow. On a more advanced level, the piece is about trying to mediate between different musical textures as metaphors for the different levels of the sound itself. One of the main questions in this context is; What is size in music? Is it possible to take a small chord(i.e. narrow register, few instruments, simple tone colours) and then blow it up (wide register, many instruments, advanced mixtures) in such a way that the listener still perceives it as the same chord? You have simply moved closer to the sound. At any rate, when Schaathun composed the piece, he himself travellig into the sound, as if were viewing a texture from a distance. He then recomposed the same situation and drew closer, and then recompose it a third time and simply get close enough to discover the world of sounds that thus emerged. A world of sounds capable of travelling at a tremendous speed... However, like all concertos, the piece is of course about the individual and his relationship to his surroundings (society). Schaathun has often pondered on the reason for this preoccupation wih solo concertos. The answer derives from his firm conviction that nothing would ever happen if it weren't for the initiative, the Action, of the individual.

Handbells

SKU: GI.G-003418

Easter, [Category]. Sacred. Handbell score. GIA Publications #003418. Published by GIA Publications (GI.G-003418).

Performance Notes: The handbell arrangements in this collection have been composed for use specifically with the We Celebrate hymnal published by WLP. The hymn tunes used, as well as their harmonizations, are commonly found in same form in many hymnals. The bell peal is intended to be used as part of an introduction to the hymn. The pattern may be repeated as many times as necessary, and is to be followed by an organ/instrumental introduction that leads to the singing of the hymn. The peal could be rung from a stationary position, or could be a processional (movement) by a small group of ringers. For processionals, parts enter from lowest to highest, or in any preferred order. Each part may be repeated as needed before the next part enters. The final chord is rung together when the procession is completed.

(A Totally Different, Fun Way to Learn). By Joe Bouchard. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. The New Basics. Rock. Beginner. 48 pages. Published by Alfred Music Publishing

Jazz Ensemble standard jazz ensemble (for 10-17 players) with opt. flute, clarinet, F horn, tuba & vibes - Grade 2

SKU: KN.60930

Composed by Jon Phelps. Jazz Gateway. Funk. Score and set of parts. Duration 3 minutes, 55 seconds. Kendor Music Inc #60930. Published by Kendor Music Inc (KN.60930).

UPC: 822795609301.

This accessible R&B original features a variety of rhythmic figures commonly used in rock and funk charts, with lush harmonies that support the memorable melody to give your developing band a very sophisticated sound. The solo section features alto and tenor sax playing as-written or ad lib lines. A guitar chord chart by Jim Greeson is included in each set. Duration 3:55. Available in SmartMusic.

Organ - Late Intermediate

SKU: MN.10-568

Composed by Andrew Clarke. Preludes. MorningStar Music Publishers #10-568. Published by MorningStar Music Publishers (MN.10-568).

UPC: 688670105685.

A quiet, six-minute composition of four variations on the German chorale tune MUNICH, adapted by Mendelssohn, that is commonly associated with the text O Word of God Incarnate. Written in D Major, the melody is first presented on a soft solo reed in meter. A chromatic variation without pedal in B minor is next, followed by one in which each phrase is repeated an octave higher, and finally by a return to the solo stop that augments and embellishes the melody. The harmonies are pleasing and the tune easy to follow.

Method, Saddle-stitched. Fingerpicking. Book. 28 pages. Mel Bay Publications, Inc #30758. Published by Mel Bay Publications, Inc

Composed by Malcolm Archer. For SA choir and organ. Sacred. Octavo. Duration 4 minutes. Published by Oxford University Press

Composed by Melissa Dunphy. Octavo. E.C. Schirmer Publishing #8931. Published by E.C. Schirmer Publishing

Arranged by David Marlatt. For Score. Brass Ensemble - Quintet. Eighth Note Publications. Love; Wedding. Score. 36 pages. Published by Eighth Note Publications

Chamber Music soprano Saxophone 1, soprano Saxophone 2, soprano Saxophone 3

SKU: PR.114419960

Composed by Stacy Garrop. Set of Score and Parts. 20+8+8+8 pages. Duration 12 minutes. Theodore Presser Company #114-41996. Published by Theodore Presser Company (PR.114419960).

ISBN 9781491135037. UPC: 680160683130.

I have always been fascinated with the concept of archangels - huge, supernatural beings with gigantic wings who visit earth to carry out their heavenly tasks. Archangels are the chief angels in Judeo-Christian and Islamic religions. The precise number of these high-ranking celestial beings varies from one religious source to another (typically from four to seven). The three movements of Archangels depict Michael, Raphael, and Gabriel - the three archangels most commonly referenced. Michael is a warrior who is ever vigilant to march into battle against forces of evil. In art, he is often portrayed with his wings spread open in mid-flight and wielding a large sword that is raised into an attack position. The first movement begins in darkness with the foreboding sound of his large, beating wings. Suddenly, Michael appears in all of his terrible glory and wreaks havoc on an army of demons. Raphael is a Hebraic name that translates to God heals, and he is in charge of all manners of healing. Artwork of Raphael typically shows him holding a staff, and he is often pictured with the round cheeks associated with a young cherub. In this quiet middle movement, Raphael gently makes his rounds to tend to the sick. Gabriel is the heralder of news. In Christianity, Gabriel's purpose is quite significant: he appears to Zechariah to announce the forthcoming birth of John the Baptist, and to Mary to announce the forthcoming birth of Jesus. Gabriel is often depicted holding a scepter, a stem of lilies, or an unfurled scroll. In this final movement of the piece, Gabriel trumpets his news for all to hear. -S.G.

Guidelines For Jazz Articulation And Style. Composed by Jerry Tolson. Jazz improvisation method. Book with digital audio. Published by Kendor Music Inc

By Various. Arranged by David Marlatt. For F Horn and Keyboard. Brass - French Horn Method or Collection. Renaissance. Book

(4 Classics Arranged for Orchestra Bells, Vibraphone and Marimba). By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Brian Slawson. For Mallet Percussion. Book; Percussion - Mallet Instrument Trio; Trio. Alfred's Keyboard Percussion Series. Masterwork