A lovely arrangement of Sting's 1993 hit single Fields Of Gold. Arranged here for SATB Chorus and Piano by Roger Emerson. ShowTrax CD available (HL08201584).

The golden colours of a summer sunset and the depth of human feelings are the basis of this simple and lovely song by Sting in a gently undulating setting for unaccompanied mixed voices. Stunning!

This Celtic flavoured pop tune by Sting is artfully arranged for SATB a cappella and creates a magical atmosphere of shifting vocal textures and rich harmonies.

Explore vocal textures and tone colors with this reggae flavored a cappella setting of Sting's famous 1979 hit. Great for pop/jazz groups or concert groups looking for a change of pace! Duration: ca. 4:30.

This collection brings together eight hugely popular hits into one handy volume. Arranged for SATB choir and Piano accompaniment it will quickly bring your choir's repertoire up-to-date.From Snow Patrol's Run (a huge hit for Leona Lewis) to Leonard Cohen's Hallelujah (also covered by Jeff Buckley Rufus Wainwright Alexandra Burke amongst others) to Sting's Fields Of Gold (Famously recorded by Eva Cassidy) Take That's Rule The World and Bob Dylan's Make You Feel My Love (also covered by Billy Joel and Adele) there is not one song in this book which has not seen enormous success and broad appeal.A classic collection of hit songswhich are both completely contemporary and enduringly popular.

from The Hunger Games-From the breathtaking book series The Hunger Games now also a film this simple and beautiful lullaby expresses an emotional impact that truly touches the heart. Choirs of all ages will enjoy the pure melodies and rich harmonies of this setting sung by Katniss in the film and based on the recording by Sting. Available separately SATB SAB SSA and ShowTrax CD. Duration: ca. 3:20.

Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe versions of the 1739 and 1756'7 performances The distinguishing feature of our new edition is that it reproduces Israel in Egypt in its complete three-part form: The Lamentation of the Israelites for the Death of Joseph Exodus and Moses' Song. It was in this form that the work was given at its London premiere on 4 April 1739. Handel made extensive changes for the second performance. The reason is often said to have been the audience's dissatisfaction with the work's unusual design. However he may possibly only have wanted to satisfy the whims of asoprano who felt under-represented with solo material. Israel in Egypt is made up of a series of contrasting and artfully constructed choruses separated only by a few numbers for solo voice. Part 1 is entirely given to the chorus Part 2 largely so and Part 3 while containing most of the solo numbers still gives ample room to the chorus. Handel shortened several choral numbers and may have taken the opportunity to alter the opening of Exodus. He also added five arias and a recitative for the soprano Elisabeth Duparc. These arias had already been written for insertion in other works of the 1730s and two of them had been sung a short while previously in An Oratorio (1738). There is no libretto containing the changes introduced at the second performance. All the insert arias are reproduced in Appendix 1 of Volume I/14 of the complete edition. The next performance of the piece did not occur until 1756. Handel now compiled an entirely new Part 1 containing a balanced proportion of choral and solo numbers by selecting items from Solomon the Occasional Oratorio and the Peace Anthem. The two other parts retained their original form apart from a few cuts in the choruses and the addition in Part 3 of the aria 'Hope hope a pure and lasting treasure' from the second version of Esther (for both 1756 and 1757) and the aria 'Toss'd from thought to thought' from Alexander Balus (for 1757). Our new edition makes it possible for the first time to perform Israel in Egypt in three different versions: that of the premiere

Edward Elgar’s The Dream Of Gerontius is a splendid oratorio for Mezzo-soprano Tenor and Bass with Chorus and Orchestra. It is based on the epic poem The Dream of Gerontius by John Henry Newman written in 1865. The original vocal score of Gerontius was actually printed before Elgar's had even finalised or completed his final orchestration and as such it was printed without many of the markings that were added in the later full score. This new edition brings vocal and full scores into agreement for the first time having been authentically and effectively edited by Hywel Davies and Bruce Wood and also includes helpful notes on thebackground to the work as well as an outline of the editorial procedure and list of sources. This New Novello Choral Edition of the Vocal score with Piano reduction of the orchestral materialincludes a detailed foreword listing history sources and editorial proceedure.

Par L'ESTRANGE ALEXANDER. La série acclamée par la chorale Programme est très appréciée par les chefs de choeur pour sa largeur de répertoire et de pratique pour l'optimisation éditions. La série a été re-conçue et offre maintenant un nouveau look élégant sur toute la gamme. Chaque volume est publié à une plus petite et plus maniable ' in-octavo 'taille (254x176mm) et coloris distinctif aider à distinguer entre le genre et l'accordage supérieure et inférieure. Cinq nouvelles publications élargir maintenant l'immense étendue du répertoire./ Recueil / SATB

Arch Gwyn (Arranger). Par ARCH GWYN. La série acclamée par la chorale Programme est très appréciée par les chefs de choeur pour sa largeur de répertoire et de pratiques pour l'optimisation éditions. La série a été re-conçue et offre maintenant un nouveau look élégant sur toute la gamme. Chaque volume est publié à une taille plus petite et plus maniable in-octavo (254x176mm) et coloris distinctifs aider à distinguer entre genre et accordage supérieure et inférieure. Cinq nouvelles publications maintenant étendre davantage l'immense étendue du répertoire./ Feuillet / SATB

The Vocal Score for Tarik O'Regan's 2004 composition Threnody forms a part of the larger cantata Triptych but works beautifully as a piece in its own right. Lasting around five minutes Threnody was commissioned with funds from The RVW Trust for the Choir of London's inaugural concert in Christ Church Spitalfields on the 18th of December 2004. The work is arranged for SATB Chorus and String Orchestra and this item is the Vocal Score. Taking the lyrics from a diverse range of literary sources including William Blake's Auguries of Innocence William Penn and Psalm133 the solemn beauty of these texts is matched by the dynamism of the vocal performances in conjunction with the staccato rhythms of the orchestra. Crescendos and diminuendos give a sense of urgency and excitement to the vocals the harmonies of which are expertly composed.

Hymn-Anthem on the Tune Moseley-For The Beauty Of The Earth is a work by John Joubert for SATB Choir and Organ (or Piano) Accompaniment. Subtitled Hymn-anthem on the tune 'Moseley' the work sets text by F.S. Pierpoint with a full performance lasting around 3 minutes.