Par REGER MAX. Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works.Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's choral symphonic works which were prepared between 1903 and 1914: Gesang der Verklärten (Song of the Transfigured) op. 71, Psalm 100 op. 106, Die Nonnen (The Nuns) op. 112, Der Einsiedler (The Hermit) op. 144a, Requiem op. 144b, and Weihegesang WoO V/6 for alto, mixed choir, and winds. / Date parution : 2023-06-01/ Répertoire / SSATB et Piano

Cette amusante, rapide salsa a été créé comme un morceau de fusion, mêlant salsa de New York avec urbaine funk, et tel que décrit par les compositeurs 'un morceau hip Latino.' Le texte est touchante à propos de la puissance des rêves, écrit en utilisant à la fois l'anglais et espagnol. / Choeur SSAB Et Piano

Par BACH JOHANN SEBASTIAN. Ausgaben Für Die Praxis Nach Der Neuen Bach-Ausgabe. Urtext/ Répertoire / Solistes (SSATB), Choeur Mixte (SSATB) et Orchestr

This full-sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for school chorals . . . and a great festival work, too. Note: The SSAB edition is excellent for choirs with few men. / Choeur Mixte (SSATB) A Cappella

A cappella motet from Adiemus: Songs Of Sanctury-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers.Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH 12937) all 19 separate motets are also available as single pieces.Motets was recorded on Deutsche Grammophon 0289 479 3232 by Stephen Layton and Polyphony.

For Passion in 1680 Dieterich Buxtehude composed his largest work in the style of an oratorio the cantata cycle Membra Jesu nostri and he dedicated it to his friend the Swedish Court Music Director Gustav Düben. In each of the seven separate cantatas which in principle follow the scheme ?instrumental introduction ? choral movement with biblical texts ? vocal soli (aria) with a sacred text from the Middle Ages ? repetition of the choral movement ? the feet knees hands side chest heart and face of the crucified Christ are interpreted allegorically. The original scoring for strings in No. VI ('Ad Cor') consists of a consort of five gambas. If this group of instruments isnot available then violins I/II can be substituted for gamba I/II and the gamba V parts can be played by the violone (the music for these substitute parts is contained in each respective parts) so that in this case only two gambas (III IV) are needed. For such a performance only two copies of the Gamba performance score (Carus 36.013/16) are required.

From Heaven Distilled a Clemency is the third movement of Triptych a cantata for choir and string orchestra. The aspirational text is underpinned by rhythmically-driving strings allowing the voices to soar excitedly overheard.