La référence AL17055 de l'éditeur Leduc dont l'auteur célèbre est Albeniz, qui a pour titre Chant D'Amour, a été écrite et composée pour Clarinette et plus particulièrement pour Clarinette Et Piano. Cette partition musicale appartient à la catégorie Classique. / Clarinette Et Piano / Partition

Cette pièce s'adresse à des élèves de 2e ou 3e année de 1er cycle.Elle sollicite un travail sur les douzièmes ascendantes, sur le ?passage?, le legato, dans un ambitus qui va du mi2 au la4.Le titre invite le jeune clarinettiste à imaginer un voyage à travers de vastes paysages, s'ouvrant vers de larges horizons. / Clarinette Et Piano

Un arrangement charmant de cette chanson de l'opéra célèbres de Bizet, Carmen. / Clarinette Et Piano / niveau : Elementaire / Partition

Le compositeur grec Nickos Harizanos, né en 1969, a obtenu un prix au Concours Harald Genzmer Composition 2010 pour ce travail. Ecrit dans la tonalité libre et extrêmement enrichissante pour le clarinettiste, cette pièce comble le fossé entre la composition et l'improvisation. Cette approche improvisée ('une petite clé') est la clé pour comprendre et interpréter l'oeuvre qui devient facilement accessible grâce à l'air d'improvisation ('déverrouille une porte lourde'). / Clarinette Et Piano

Franz Reizenstein's Sonatina for Clarinet and Piano is included as part of the 2018 - 2021 ABRSM Clarinet syllabus. This work is a rewarding addition to the advanced Clarinettists repertoire.

Claribel is a piece for Clarinet and Piano composed by Eugène Bozza. Written for upper intermediate players as quite challenging this melodic work is dedicated to Henri Dubois a French professor at the Valenciennes Conservatoire. Divided into seven distinctive parts Claribel begins with the Piano the parts being in the following order:  - Moderato - Andantino - Piu vivo - Vivo - Allegro Vivo – on the last measures of the Clarinet Solo - Meno Mosso - Allegro Vivo – for the final It also features a Clarinet solo startingat the number 11. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

Par SCHUMANN ROBERT. Le 19ème siècle a été non seulement l'ère de grandes formes, des symphonies et des sonates monumentales mélodieuse, non, les compositeurs romantiques s'est avéré être polyvalent et très imaginatif sur le champ de pièces peu de musique aussi. Robert Schumann a été un maître de la pièce de caractère pour 'son' instrument, le piano. De trente de ces miniatures poétiques, il a sélectionné treize en 1838 pour ses 'Scènes de l'enfance', opus 15, le septième, à savoir le droit celui du milieu, d'être 'Dreaming', le plus célèbre parmi les compositions de Schumann. Il est un petit bijou romantique de la mélodie accrocheuse qui ne sortira pas de la tête. Le cadre magnifique contenues dans la présente édition peut être joué, même par des non-pianistes. / Répertoire / Clarinette et Piano

Par SEMLER-COLLERY. French composer, conductor and teacher, Jules Semler-Collery (1902-1988) was born to a musical father. He studied at the Paris Conservatoire where he won many prizes. Semler-Collery 's works have been successful, with many of his concertos being included in the Conservatoire's list of compulsory works. Rêverie Et Scherzo for Clarinet and Piano is no exception to the composer's success. Published in 1950, Semler-Collery 's Rêverie is marked Andantino Cantabile and is in 6/8 meter. Both the Clarinet solo line and Piano accompaniment are virtousic, exploiting rhythm, tonality andharmony. A cadenza-like passage is heard towards the end. The Scherzo is marked Molta Leggiero and is staccato in 3/4 meter. Quaver and semiquaver passages are heard with the speed accelerating to a dramatic finale. For all advanced clarinetists, Semler-Collery 's Rêverie Et Scherzo provides an exciting performance work for performers and audiences alike./ Répertoire / Clarinette en Sib et Piano

Introduction, Thème et Variations, op. 8 (David, F)
Allegretto, op. 116/1 (Godard, B)
Arioso de BWV 1056 (Bach, JS)
Berceuse (Faure, Sol)
Bourrée (Haendel, GF)
Calme comme la nuit (Bohm, C)
Clarinette sur la ville (Hermann, R)
Concertino (Stuart, HM)
Concertino (Guilhand, sol)
Entr'acte de Carmen (Bizet, G)
Étude op. 10/3 (Chopin, Fa)
Giga (Haendel, GF)
Gigue (Corelli, A)
Gymnopédie n°2 (Satie, E)
Invocation (Donjon, J)
Berceuse (Langenus, G)
Méditation (Gounod, C)
Mont Vernon Menuet (Langenus, G)
Moment Musical (Schubert, F)
Sérénade nocturne (Morra, G)
Nocturne (Bassi, L)
Prélude (Siegmeister, Mi)
Rêverie (Caplet, A)
Romance, op. 94 (Schumann, R)
Scène et Air (Bergson, M)
Sérénade, op. 41 (Beethoven, L)
Sérénade (Haydn, FJ)
Siciliano de la Sonate no. 2, BWV 1031 (Bach, JS)
Sicilienne de Pelléas et Mélisande (Fauré, G)
Sonate en fa majeur (Marcello, si)
Sonatine (Weber, CM)
Chanson à l'étoile du soir (Wagner, R)
Tambourin (Gossec, FJ)
Thème et Variations (Mozart, WA)
Traumerei (Schumann, R)
/ Partitions classique / Bois / Clarinette / CARL FISCHER

Par KILAR. 'The Pianist'' is a story of W adys aw Szpilman, pianist and composer who lived in Warsaw during the war and escaped from train to Auschwitz. ''It is my most personal movie'' - said Roman Pola ski. ''The Pianist'' won a main prize ''Golden Palm'' at Cannes Festival as well and was awarded in 7 categories by ''Cesar'' in France including music). Roman Pola ski and Wojciech Kilar has met twice in the past and worked together at making ''Death and a Maiden'' (1994) and ''The Ninth Gate'' (2000). / TV, Film, Comédie musicale / Recueil / Clarinette et Piano

for Clarinet and Piano-La chaleur de la journée s?atténue peu à peu alors que le soleil plonge lentement derrière l?horizon. Un éblouissant spectacle met en scène des jaunes vibrants des oranges lumineux et des rouges brûlants qui illuminent le début de soirée alors quedéjà apparaissent les premières nuances bleutées et pourpres synonymes de fraîcheur. Ces inoubliables couchers de soleil ont inspiré Jan de Haan lorsqu?il a composé cette pièce pour instrument à vent diverses et piano.

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences  Bucolique for Clarinet and Piano being no exception. This Bozza piece for Clarinet is expressive and virtuosic displaying the entire range of the instrument accompanied by rhythmic and spread chords in the Piano. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.' Bucolique for Clarinet and Piano is suitable to the advanced clarinetist's repertoire.

Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community. / Clarinette Et Piano

Arrangeur: Timofei Dokschizer. Par SARASATE PABLO DE. / Niveau : Confirmé / Répertoire / Clarinette et Piano