Selected from Bach Sonatas and Partitas for Unaccompanied Violin. By Johann Seba...(+)
Selected from Bach
Sonatas and Partitas for
Unaccompanied Violin. By
Johann Sebastian Bach.
For Harp Solo.
Bach-Grandjany.
Classical. Soft Cover. 63
pages. Published by Carl
Fischer.
Harp SKU: HL.14045624 Composed by Johann Sebastian Bach. CARISCH - MUSIC ...(+)
Harp
SKU:
HL.14045624
Composed
by Johann Sebastian Bach.
CARISCH - MUSIC SALES.
Classical. General
Merchandise. Real Musical
#MK16563. Published by
Real Musical
(HL.14045624).
Harp SKU: UT.HS-200 Composed by Elias Parish Alvars. Edited by Floraleda ...(+)
Harp
SKU:
UT.HS-200
Composed by
Elias Parish Alvars.
Edited by Floraleda
Sacchi. Saddle stitching.
Classical. 16 pages. Ut
Orpheus #HS 200.
Published by Ut Orpheus
(UT.HS-200).
ISBN
9790215320161. 9 x 12
inches.
Traum am
Bache Op. 71;
Gretchen’s Gebet
vor dem Bilde der Mater
Dolorosa
For Harp Solo. Composed by Johann Sebastian Bach (1685- 1750). Leduc. Baroque. ...(+)
For Harp Solo. Composed
by
Johann Sebastian Bach
(1685-
1750). Leduc. Baroque.
Softcover. 23 pages.
Alphonse
Leduc #AL20006. Published
by
Alphonse Leduc
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720).
UPC:
680160001316.
I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler.
By Johann Sebastian Bach (1685-1750). Arranged by Chaloupka. For Two Harps. Two ...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Chaloupka. For Two Harps.
Two Harps. 3 songs.
Traditional. Advanced.
Published by Fatrock Ink
Music Publishers
By Johann Sebastian Bach; May Hogan Cambern; Michael Praetorius. Arranged by Ano...(+)
By Johann Sebastian Bach;
May Hogan Cambern;
Michael Praetorius.
Arranged by Anonymous;
May Hogan Cambern. For
Harp. Classical. Soft
Cover. 20 pages.
Published by Carl
Fischer.
(Suites I - II). By Johann Sebastian Bach (1685-1750). Edited by Anne Ricquebour...(+)
(Suites I - II). By
Johann Sebastian Bach
(1685-1750). Edited by
Anne Ricquebourg.
Arranged by Sabine
Chefson. For Harp. This
edition: Original for
Cello. Collection Anne
Ricquebourg.
Intermediate. BWV
1007-1008
Harp SKU: UT.HS-284 Composed by Pellegrino Santucci. Edited by Giuseppe M...(+)
Harp
SKU:
UT.HS-284
Composed by
Pellegrino Santucci.
Edited by Giuseppe
Monari. Saddle stitching.
Classical. Ut Orpheus #HS
284. Published by Ut
Orpheus (UT.HS-284).
ISBN 9790215326460. 9
x 12
inches.
Melodia
for Solo Harp/ Alleluja
Modo II - Wachet auf for
Harp and
Organ
This
publication gathers
together in these three
pieces the only
compositions by Santucci
devoted to the harp, both
as a solo instrument and
in dialogue with the
organ, his favourite
instrument. The little
Melodia per arpa,
a simple piece having an
apparently didactic
purpose, does not show
the date of composition
but, judging by the
handwriting of the
manuscript, it probably
dates back to the period
between 1980 and 1990. No
other information has
reached us as to why the
piece was
composed. The two
pieces Alleluja Modo
II and Wachet
auf, both dated 20
March 1993, composed for
the unusual duo of harp
and organ, are dedicated
to Anna Maria Restani,
first harp in the
orchestra of the Teatro
Comunale of Bologna from
1965 to 2002, and to her
son Wladimir Matesic,
organist and now teacher
at the Conservatoire in
Trieste. Gregorian chant
is the protagonist of the
first piece, evoking a
Gothic and rarefied
atmosphere. The second is
instead a blatant tribute
to Johann Sebastian Bach
(right from the first
bars the reference to
Prelude no. 1 of the
Well-Tempered
Clavier is clear),
through one of his most
famous chorales
(Wachet auf, ruft uns
die stimme), also
used by Santucci for
numerous other
compositions, including
Il corteo dei Magi
[for trumpet, organ,
orchestra and choir,
1986, ms.], still
performed in the
Christmas concerts in
Bologna. (Giuseppe
Monari).
By Yolanda Kondonassis. harp. Published by Carl Fischer. A collection of over th...(+)
By Yolanda Kondonassis.
harp. Published by Carl
Fischer. A collection of
over thirty harp solos,
this new book features
Kondonassis' most popular
transcriptions and
compositions, including
those found on her many
critically acclaimed
recordings. Highlights of
the collection include
Liquid Shadows, an
original composition by
Kondonassis, a
comprehensive assortment
of works by Claude
Debussy, her arrangements
of Puccini's Quando men
vo from La Boheme, and
the Chinese folksong,
Small River Flowing. This
volume offers the reader:
" A wide variety of
selections from Bach,
Handel, Telemann,
Scarlatti, and Vivaldi,
to Chopin, Mendelssohn,
Sibelius, Puccini, Satie,
Faure, Debussy, and
Respighi " Complete
editorial markings "
Extensive performer's
notes With a reputation
as one of the preeminent
harpists and
transcribers, Kondonnasis
shares the wealth of her
artistic gifts in this
volume that is essential
to every harpist's
library.
Harp SKU: KU.OCT-10019_HARF Composed by Johann Baptist Krumpholtz. Edited...(+)
Harp
SKU:
KU.OCT-10019_HARF
Composed by Johann
Baptist Krumpholtz.
Edited by Felix
Schroeder. Bach format
(230 x 302). Staple
Bound. Part. Op. 4/2. 31
pages. Edition Kunzelmann
#OCT-10019_HARF.
Published by Edition
Kunzelmann
(KU.OCT-10019_HARF).
(Harp) SKU: HL.50564132 Harp Solo. Composed by Johann Sebastian Ba...(+)
(Harp)
SKU:
HL.50564132
Harp
Solo. Composed by
Johann Sebastian Bach.
Edited by Marcel
Grandjany. Editions
Durand. Classical. Book
only. 4 pages. Editions
Durand #DF1210000.
Published by Editions
Durand (HL.50564132).
Harp SKU: UT.MAG-241 Composed by Charles Francois Gounod. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-241
Composed
by Charles Francois
Gounod. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Transcription for Harp by
Karl Oberthur. Classical.
12 pages. Ut Orpheus #MAG
241. Published by Ut
Orpheus (UT.MAG-241).
By Johann Sebastian Bach (1685-1750). Arranged by Chaloupka. For Two Harps. Two ...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Chaloupka. For Two Harps.
Two Harps. 1 song.
Traditional. Advanced.
Published by Fatrock Ink
Music Publishers
By Marcello / J.S. Bach. Arranged by Chaloupka. For Two Harps. Two Harps. 3 song...(+)
By Marcello / J.S. Bach.
Arranged by Chaloupka.
For Two Harps. Two Harps.
3 songs. Traditional.
Intermediate. Published
by Fatrock Ink Music
Publishers
Harp SKU: PR.ZM29960 From the Suite E major. Composed by Johann Se...(+)
Harp
SKU:
PR.ZM29960
From
the Suite E major.
Composed by Johann
Sebastian Bach. Fur
Harfe. With Standard
notation. BWV 1066a.
Zimmermann #ZM29960.
Published by Zimmermann
(PR.ZM29960).
Chamber Music harp SKU: CF.H68SB Transcriptions, Arrangements and Orig...(+)
Chamber Music harp
SKU: CF.H68SB
Transcriptions,
Arrangements and Original
Works for Harp.
Composed by Various.
Arranged by Yolanda
Kondonassis. Spiral.
Collection. With Standard
notation. 144 pages. Carl
Fischer Music #H68SB.
Published by Carl Fischer
Music (CF.H68SB).
ISBN
9781491149669. UPC:
680160907168. 9 x 12
inches.
World
renowned harpist Yolanda
Kondonnassis shares the
wealth of her artistic
gifts in this
spiral-bound collection
of over thirty harp
solos. Complete with
editorial markings and
extensive performer's
notes, this volume offers
a wide variety of
selections from Bach,
Handel, Telemann,
Scarlatti, Vivaldi,
Chopin, Mendelssohn,
Sibelius, Puccini, Satie,
Faure, Debussy, and
Respighi, making it an
essential addition to any
harpist's library.