The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre

To najdoskonalsze w ród chopinowskich rond przynosi prób my lenia nie samym tylko brzmieniem fortepianu. Orkiestra sta a si tu dla solisty partnerem wyrazistym i istotnym którego pomini cie nie by oby mo liwe bez utraty pi knej i oryginalnej faktury d wi kowej utworu. Wydanie ród owo-krytyczne zredagowane przez Jana Ekiera i Paw a Kami skiego na podstawie r kopisów kopii zatwierdzonych przez samego Chopina i pierwszych wyda . Jego celem jest przedstawienie twórczo ci Chopina w autentycznym kszta cie. Krakowiak w uk adzie na jeden fortepian znajduje si w tomie 15 A XIVa a wersja z wyci giem fortepianowym wtomie ''Utwory koncertowe'' 32 B VII G osy orkiestrowe s dost pne do wypo yczenia w Bibliotece Materia ów Orkiestrowych PWM w Warszawie.

Arnold Schönberg est la figure centrale dans le monde musical de ce siècle. Sa signification musicale était déjà apparente au cours de sa durée de vie, mais son influence posthume a beaucoup augmenté. Son travail a ouvert la voie à des changements révolutionnaires dans la perception musicale. Cette édition complète aspire à être tout aussi indispensable à la recherche ainsi que pour la performance. L'édition est publiée en deux séries: la série A en format folio contient tous les travaux terminés, tous les scores de piano préparés par le compositeur lui-même et toutes les oeuvres inachevées leur permettant d'assumer, aussi des fragments (de grandes partitions) qui sont mieux adaptés à imprimer dans une telle format. Série B, au format in-quarto, contient les premières versions, des croquis, des idées et des fragments ainsi que la genèse et un commentaire critique. / Orchestre

Clara Wieck?s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that ?it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano?? In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara?s wish by creating a number of musical pieces composed specifically for Piano and Orchestra. Although Schumann?s genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann?s Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann?s compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstück, Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at an affordable price.

La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra a éclipsé tous ses autres travaux et a contribué à leur chute croissante dans l'oubli. Certaines oeuvres telles que , Preciosa ' , Oberon ', et , Euryanthe ', les ouvertures , concertos en solo et sonates pour piano , des lieder et Chamber Works jouissait d'une grande popularité et ont été largement connu en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19e siècle . Cependant, toute chance d'une renaissance de Weber influents etoeuvre considérable a été gaspillé dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, dont Wilhelm Kempff , Hans Pfitzner , Max von Schillings, Fritz Stein et Richard Strauss - a échoué après le troisième volume.Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais comme ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter -allemande, la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières étapes tangibles dans les années 1980. L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et de ne pas séparer sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux intimes et autre production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratique. / Score

Søren Nils Eichberg's Piano Concerto No. 1 - for Piano Solo and Orchestra (2004).  

This is the Piano solo part for Concerto For Saxophone Piano And Orchestra composed by Anders Koppel in 2006.

5 Study scores in a boxed set-Now that all the scores Critical Commentaries and complete performance materials have been published for Beethoven?s five Piano Concertos (BA 9021-9025) Bärenreiter is now presenting the five study score editions in a boxed set. The musical text reflects a judicious study of every surviving source producing an Urtext edition at the very highest level. This is the standard edition of these Beethoven?study scores beautifully engraved and collected in a lavish box set.Rounding off the edition is an informative introduction by Beethoven scholar Barry Cooper on the genesis of the works and a foreword by the renownededitor Jonathan Del Mar describing the sources and the editorial approach.Bärenreiter Urtext editions are at the cutting edge of scholarship presenting wonderfully scholarly editions of masterpieces by masters at affordable prices.The standard edition for pianists students conductors and libraries.

Premiere January 2011 by Marc-Andr? Hamelin Piano and the Indianapolis Symphony Orchestra Gilbert Varga conductor.

Olivier Messiaen's 1941 composition Quartet for the End of Time for B-flat Clarinet Violin Cello and Piano.

A Sonata for Violin and Piano by the great Czech composer. This is Dvorák's only Violin Sonata and is a relaxed almost tranquil affair with the two instruments interlaced and complementing each other.