Hymnes et des cantiques pour le culte est une collection de certains des plus beaux hymnes de la planète et chants, délicieusement disposées dans les milieux frais. Ecrit avec le chanteur intermédiaire à l'esprit, ce produit est conçu pour être accessible, pourtant intéressant. Le CD d'accompagnement (inclu dans le livre solo) offre une performance de démonstration de chaque solo. Il permet également le chanteur du groupe de pratique ou effectuer avec le CD lorsqu'un accompagnateur n'est pas disponible. Il y a 2 versions de chaque piste d'accompagnement - un dans la clé publié dans le livre et l'autre dans un registre plus élevé. / Voix Et Piano / 52 pages / Partition Cd

Par SILVERMAN JERRY. This book presents 375 of J.S. Bach's surviving chorale harmonizations with singable English translations of the original German text by choral conductor Henry S. Drinker. Printed in an easy-to-read format, this edition was designed to facilitate both analysis of Bach's musical genius in voice leading and renewed performance of these works by congregations. It is hoped that this user-friendly edition will inspire students and congregations alike to take a fresh look at this priceless musical treasure. Today they remain some of the finest examples of voice leading and harmonic movement, making them appropriate study material for any student of music theory and harmony. Chorales are also the root of traditional hymnody, especially from the Lutheran tradition. The chorales were originally text and melody sung a cappella, and were for congregational singing. Chorales were set in four parts for choir use, and are still appropriate for performance in worship services today. Many of the melodies will be familiar to those who sing traditional hymns. Choirs will love singing these beautifully written settings. / Niveau : Débutant à Intermédiaire / Classic - Songbooks / Recueil / Chant et Piano

An original and exciting collection of anthems and other choral pieces written for the Orthodox Church and inspired by the Church in Russia, selected by Ralph Allwood. Partly because of the re-emergence of the Church in the former Soviet Union, interest in Christian musical sources alternative to the great body of the Anglican and other Western Christian traditions has grown sharply in recent years. Though the works presented here may be unfamiliar, they are all masterly. Designed to appeal to choirs of various levels, the collection includes a Kontakion and Ikos for the funeral service, anthems by Great Russian Romantics: Tchaikovsky, Rachmaninov, Grechaninov - and composers from our age: Stravinsky, Schnittke, or Arvo Part speaking for a tradition outside the Orthodox Church, as well as settings of the Lord's Prayer in both Russian and English by John Tavener. / Chant Et Piano

164 easy arrangements with chords of carols from around the world complete with lyrics in the original language as well as English. This special collection also includes historical background information on the observance of Christmas through the years and notes about specific carols to give added understanding. Songs are included from England Italy Latin America Spain Scandinavia Poland Czech Republic and more.Note on the arrangements:'We have worked to make this book both flexible and useful. The Piano accompaniments have been kept simple but much effort has gone into making them musically interesting and satisfying. Chordindications are given for every carol so that the accompaniments may be played on Chord Organs Accordions Guitars Ukuleles and other fretted instruments. A detailed chart demonstrating how to finger chords for fretted instruments is given at the back of the book.We have been careful to keep the voice ranges of the songs comfortable and the texts singable. Since harmony parts always add much pleasure to singing we have retained traditional four-part arrangements of the most familiar carols and hymns. For the others we have provided a second part to go along with the melody (printed in smaller notes) that may be sung or played on the Recorder Flute Violin or on other non-transposing instruments.' - Walter Ehret George K. Evans