Gabriel Fauré's Nocturnes nos. 1-8. Gabriel Fauré was born in Pamiers (Ariège) on 12 May 1845. Owing to his precocious musical gifts he was able at the age of nine to enter the celebrated Niedermeyer School founded in Paris to train organists and choirmasters. For about ten years he received instruction of great quality centred mainly on the study of sacred music and the great classic masterpieces into which he was initiated notably by Camille Saint-Saëns his Piano teacher. As soon as he left the school Fauré began a brilliant career as an organist. In 1896 he succeededThéodore Dubois as an organist at the Church of the Madeleine in Paris and was appointed professor of composition at the Conservatory where his pupils included Ravel Koechlin Enesco and Schmitt. Meanwhile he had met Liszt in Weimar and had been initiated into Wagner’s art which however never really influenced him. Appointed director of the Conservatory in 1905 after Théodore Dubois’ resignation a member of the French Institute and music critic Fauré spent his last years in solitude suffering from an irreversible deafness that obliged him to resign from the Conservatory in 1920. He died in Paris on 4 th November 1924. The music of this sometimes misunderstood composer who wrote in nearly all genres (except Organ music) is of great refinement. An enemy of bombast Fauré put his elegant counterpoint a highly individual harmonic style unpredictable turns of phrase and the secret of an unusual musical sensitivity at the service of music that is both varied and of very high quality.  

Par DVORAK ANTONIN. Arranged for congregational singing with accompaniments for Organ and Brass Quartet(Two Trumpets, Two Trombones). Includes: Jesus Christ Is Risen Today Easter Hymn/Lyra Davidica/Worgan He Is Risen! He Is Risen Neander/Unser Herrscher The Strife Is O'er Victory/Palestrina Parts include: Trumpets I and II Trombones I and II Note: Purchase of Parts Packet entitles purchaser to duplicate copies of instrumental parts - for purchaser's needs only - as necessary for rehearsal and performance./ Répertoire / Piano

2nd Edition-Piano Adventures - Level 1 continues the intervallic orientation to reading across the full range of the Grand Staff. The 5-finger position approach is presented here in a fresh musically appealing way.This lesson book organises materials into units which represent major concepts and skills and revises and reinforces concepts introduced earlier. The pieces represented in this book also cover a range of styles.This method truly brings a sense of adventure to learning the piano and encourages and motivates studentâ??s to learn with its diverse range of repertoire and resources. CD of backing tracks with orchestrations by Edwin McLean.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d'oeuvres classiques, allant de la Renaissance à l'époque moderne.Proposer tout à la fois des 'incontournables' du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d'une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l'unité, a fait l'objet d'un travail éditorial attentif, tant sur le plan de l'établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces oeuvres.Les partitions sont proposées sous la forme d'ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.Créées à Saint-Pétersbourg, en version de concert sous la direction de Rimski-Korsakov, les Danses polovtsiennes d'Alexandre Borodine font partie des pièces les plus célèbres du compositeur russe.Dans l'opéra Prince Igor, cette scène achève le deuxième acte: le khan polovtsien emprisonne le prince Igor et afin de distraire ce dernier, organise des danses auxquelles participent de jeunes esclaves.La danse #17 est également connue sous le nom de danse des jeunes filles aux mouvements ondulants. / Piano Solo

50 Witty and 50 Wise Ways to Inspire Aspiring Musicians-In this delightful book of reflections Suzanne Guy shares witty sayings and wise truths gathered over 45 years of teaching piano. From daily chuckles to profound thoughts the rich imagery and concepts presented here sparkle like musical gems offering the perfect dose of inspiration. About the Author: Suzanne Guy has presented workshops and master classes at colleges conventions and professional organizations throughout the United States. Guy holds the MTNA Master Teacher Certificate and was also selected to be a Mobil Ambassador teacher at the ninth Van Cliburn Competition. Guy holds a degree in piano performance from Agnes Scott College and taught piano pedagogy at bothPeabody Conservatory and George Mason University.

Arrangeur: Franz Liszt. Par LISZT FRANZ. Franz Liszt's transcriptions of other composers' music are as highly regarded as his original piano works. First acquainted with Bach through his piano studies, Liszt further explored the earlier composer's works in his career as a virtuoso performer. His piano interpretations of Bach's Organ Music are executed in a simple and straightforward manner, and they rapidly became the classic models for all future works in this genre. This compilation features Six Organ Preludes and Fugues (BWV 543-548) and the Fantasia and Fugue in G Minor (BWV 542). Franz Liszt's transcriptions of other composers' music are as highly regarded as his original piano works. First acquainted with Bach through his piano studies, Liszt further explored the earlier composer's works in his career as a virtuoso performer. His piano interpretations of Bach's Organ Music are executed in a simple and straightforward manner, and they rapidly became the classic models for all future works in this genre. This compilation features Six Organ Preludes and Fugues (BWV 543-548) and the Fantasia and Fugue in G Minor (BWV 542)./ Répertoire / Piano

Arr. Andrew D. Gordon. Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on funk Keyboard styles such as: ; 60 Of The Funkiest Keyboard Riffs Known To Mankind, ; Funky Organ Grooves, ; Outta Sight Funk & R& B Riffs For Piano/Keyboards which have been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Gordon 's, he has written this instructional book 100 Ultimate Soul, Funk and R& B Grooves based on the influences of the great Funk, Soul and R& B artists such as: James Brown, Herbie Hancock, TheCrusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG's, MFSB, Billy Preston etc. Besides the afore-mentioned styles Gordon has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Keyboard part playing along with a rhythm section of Guitar, Bass, Drums, Organ and, in many of the grooves, Percussion. There is also a three minute Play-Along track for each of the 100 grooves minus the keyboard part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-Along tracks. A Spotify playlist containing the songs that have influenced the grooves can also be listened to. ' Andrew has a great flair for a large variety of grooves. These exercises if practiced can really help ones musicianship and feel and I wish I had them when I grew up. To be able to read them and hear them played is extremely valuable '. - Mike Garson, Keyboard player for David Bowie Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on funk Keyboard styles such as: ; 60 Of The Funkiest Keyboard Riffs Known To Mankind, ; Funky Organ Grooves, ; Outta Sight Funk & R& B Riffs For Piano/Keyboards which have been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Gordon 's, he has written this instructional book 100 Ultimate Soul, Funk and R& B Grooves based on the influences of the great Funk, Soul and R& B artists such as: JamesBrown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG's, MFSB, Billy Preston etc. Besides the afore-mentioned styles Gordon has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Keyboard part playing along with a rhythm section of Guitar, Bass, Drums, Organ and, in many of the grooves, Percussion. There is also a three minute Play-Along track for each of the 100 grooves minus the keyboard part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-Along tracks. A Spotify playlist containing the songs that have influenced the grooves can also be listened to. ' Andrew has a great flair for a large variety of grooves. These exercises if practiced can really help ones musicianship and feel and I wish I had them when I grew up. To be able to read them and hear them played is extremely valuable '. - Mike Garson, Keyboard player for David Bowie/ Recueil / Piano ou Clavier

Par GREENSILL MIKE. Playing For Singers by Mike Greensill explores in depth the art of accompaniment for the jazz or cabaret pianist. A comprehensive resource for everyone ? from the beginning jazz pianist, to the crusty old pro needing a tune-up for his/her next accompanying gig ? it covers all the fundamentals of playing for vocalists, especially as it applies to the performance of the ?Great American Songbook?. Including accompaniment philosophies and tricks of the trade from the great accompanists ? Norman Simmons, Jimmy Rowles, Bill Charlap, Christian Jacob, Tedd Firth, Sir Richard Rodney Bennett, and more ? this 121-oage book is also useful for singers, as well as pianists, since it sheds much light on the intimate relationship between the two. Topics covered include: how to accompany singers as a solo pianist; Duo and Trio accompaniment and what happens when we add bass and drums; teh art of ?out of tempo? accompaniment; The accompanist as arranger/composer, including the skills needed to put together readable, good looking charts; and the accompanist as music director, from conducting the band, to running rehearsals, to helping write and organize vocalist\'s shows. / Methods and Tutors / Etude / Piano

Ferruccio Busoni Préludes de chorals (Johann Sebastian Bach) Editeur: Christian Schaper, Ullrich Scheideler Doigtés: Marc-André Hamelin Les dix Préludes de chorals sont, avec la Chaconne pour violon seul, les transcriptions pour piano d''uvres de J. S. Bach les plus connues de la main de Busoni. Contrairement à la Chaconne que Busoni destina au concert, il transcrivit les Préludes de chorals en «style de chambre». Une grande partie de ce cosmos organo-pianistique convient aussi aux pianistes amateurs avancés. Nous publions pour la première fois la version de dernière main de Busoni en édition Urtext moderne, à laquelle s'ajoutent les précieux doigtés de Marc-André Hamelin. L'annexe contient en plus un onzième Prélude de choral, jamais publié auparavant: la tentative de Busoni de transcrire «Aus tiefer Not». Le compositeur lui-même déclara que l'exécution de cette polyphonie à six voix «exige le maximum de l'interprète» ' mais jugez vous-même!

Par GORDON ANDREW D.. Gospel Riffs God Would Love To Hear by Andrew D. Gordon is a compendium of Gospel riffs for Piano and Keyboard players to learn the art of Gospel stylings. The book has the Piano right and left hands notated as well as a separate Organ part. There are also examples of some traditional Gospel songs showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound. Gospel Riffs God Would Love To Hear by Andrew D. Gordon is a compendium of Gospel riffs for Piano and Keyboard players to learn the art of Gospel stylings. The book has the Piano right and left hands notated as well as a separate Organ part. There are also examples of some traditional Gospel songs showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound. / Niveau : 4 / Recueil / Piano

Par GORDON ANDREW D.. The Blues Scale by Andrew Gordon is a very important book because of the nature of the blues scale and how it is used to improvise in many styles of contemporary music. Inside both the Blues scale and relative minor Blues scale are explained in detail and how they are used either separately or together in the patterns for each style. Each of the 20 grooves in this book contains over 150 patterns in total, using notes solely from the blues scale. Each of the 20 grooves utilizes a chord progression that is commonly used for that style of music. The audio files contain recordings of all the blues patterns that are notated in the book recorded along with a rhythm section of Piano, Organ, Guitar, Bass and Drums and on certain grooves Percussion. Also included are extended 2-3 minute play-a-long mp3 files of all 20 grooves enabling you to practice playing the blues patterns or creating your own for an extended period of time. Watch the video below for more information. The Blues Scale by Andrew Gordon is a very important book because of the nature of the blues scale and how it is used to improvise in many styles of contemporary music. Inside both the Blues scale and relative minor Blues scale are explained in detail and how they are used either separately or together in the patterns for each style. Each of the 20 grooves in this book contains over 150 patterns in total, using notes solely from the blues scale. Each of the 20 grooves utilizes a chord progression that is commonly used for that style of music. The audio files contain recordings of all the blues patterns that are notated inthe book recorded along with a rhythm section of Piano, Organ, Guitar, Bass and Drums and on certain grooves Percussion. Also included are extended 2-3 minute play-a-long mp3 files of all 20 grooves enabling you to practice playing the blues patterns or creating your own for an extended period of time. Watch the video below for more information. / Niveau : 2 / Etudes et exercices / Etude / Piano ou Clavier

Piano/Organ Duets-9 songs arranged for piano and organ duet including: Fairest Lord Jesus £ Holy Holy Holy £ In the Garden £ O Sacred Head Now Wounded £ and more. 2 books provided one for each player.

Foreword by Chuck Leavell-The authentic guide to traditional and modern blues keyboard playing with rhythm and soloing concepts for piano and organ. Build your blues vocabulary with ideas for ensemble playing; intros turnarounds licks and endings; piano and organ accompaniment; phrasing and soloing; and much more. Written by Marty Sammon the keyboardist in Buddy Guy's acclaimed band. This book includes access to audio demonstration tracks online for download or streaming featuring Marty and his band playing the examples in the book.

Ce ' troisième édition 'contient quarante huit pages d'arrangé magistralement classiques jazz qui auront vous chante, taraudage et danser en peu de temps. Ce qui est de la bluesy ' Bye Bye Blackbird 'pour le somptueux, ' Maria Elena', ces solos jazz grands 13 sera un ajout fantastique à votre répertoire jazz nouvellement créé. Vous allez aimer non seulement ces livres seul, mais maintenant vous pouvez écouter, apprendre and jouer le jeu. Chaque édition est également disponible avec un CD de performance enregistré par l'extrêmement talentueux, Craig Stevens. Depuis sa sortie initiale, Cocktails de Piano Jazz de Publications de Santorella a été sélectionné par l'organisation NYSSMA respecté comme un texte audition requise pour tous les étudiants de piano jazz en compétition dans les limites de cette région ainsi que tout autre secteur géographique qui reconnaît que l'intégrité de cette très estimé NYSSMA manuel./ Recueil / Piano

 ?Voici une Pièce pour piano en un seul mouvement revêtant un caractère d'improvisation, organisée en trois parties ABA, La première en ' tempo rubato ' toute en arpèges et dialoguant avec des notes thématiques, Elle prépare la deuxième qui se fait plus rythmée et dansante, rappelant des rythmes latino-américain, Puis l'idée du début est reprise avec des harmonies amplifiées et un développement des notes thématiques de la partie A, / Piano