| There Is a Green Hill Far Away Cloches - Facile Hope Publishing Company
Handbells 3-5 octave handbell choir - Level 2 SKU: HP.1426 Arranged by Cy...(+)
Handbells 3-5 octave
handbell choir - Level 2
SKU: HP.1426
Arranged by Cynthia
Dobrinski. General
Worship, Sacred. Handbell
score. 8 pages. Hope
Publishing Company #1426.
Published by Hope
Publishing Company
(HP.1426). UPC:
763628114268. Angli
can hymn Bass ringers
enjoy this piece because
they ring the melody on
the second stanza.
Rhythmically easy, the
arrangement begins and
end quietly but builds to
a big climax just before
the conclusion. Use as a
general musical offering
or during Lent. $6.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| This Is My Story CD Chorale Hope Publishing Company
Choir; rhythm SKU: HP.C5477C Composed by Jack Schrader. Spirituals & Gosp...(+)
Choir; rhythm SKU:
HP.C5477C Composed by
Jack Schrader. Spirituals
& Gospel, Hymntune,
Commemoration, General
Worship, Trust & Unity,
Worship, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C5477C.
Published by Hope
Publishing Company
(HP.C5477C). UPC:
763628954772. Psalms
100:1-5, Psalms 150:1-6,
Isaiah 6:3, Acts 2:41-47,
Romans
8:12-17. Original
anthem Set in a mildly
blues-gospel style, this
original anthem by Jack
Schrader celebrates the
dynamics and joys of
corporate worship. The
chorus is a quote from
Phoebe Knapp and Fanny
Crosby's Blessed
Assurance, and before the
tempo kicks back in for
the big climax, there is
a moment of prayerful
worship and devotion.
Rhythm parts include:
Piano, Guitar, Bass, Drum
Kit, Synthesizer, and B3
Organ. $29.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Kneipenhocker Ligne De Mélodie, (Paroles) et Accords [Partition + CD] Musikverlag Monika Hildner
Melody, Lyrics and Chords SKU: BT.MVH10001031 230 Lumpenlieder, SpaÃÅ...(+)
Melody, Lyrics and Chords
SKU:
BT.MVH10001031 230
Lumpenlieder,
Spaßlieder,
Trinklieder & frivole
Lieder für die
fröhliche Runde.
Arranged by Gerhard
Hildner. Book with CD.
303 pages. Musikverlag
Monika Hildner
#MVH10001031. Published
by Musikverlag Monika
Hildner (BT.MVH10001031).
ISBN
9783932839597. 230
songs to sing in the pub,
or at a party or other
social gathering. This
songbook contains a
selection of traditional
German songs that are
joyful and fun to play.
All songs are arranged in
a melody line, lyrics and
chords format. This book
is accompanied by 3 CDs
that contain the first
verse and the chorus of
every title to enable the
player to become
acquainted with them.
Die 230 besten
Lumpenlieder,
Spaßlieder,
Trinklieder und frivolen
Lieder für die
gesellige Runde und
fürs Wirtshaus-Singen.
Dank des besonderen
Formats DIN A5 maxi (+ 20
%) ist die Schrift sehr
gut lesbar. Die einzelnen
Titel sind jeweils
arrangiert mit
Melodiezeile, den
Akkorden und Text zum
Spielen mit Keyboard und
Gitarre sowie zur
Gesangsbegleitung. Als
Begleitung zum Buch
erhalten Sie 3 CDs zum
Kennenlernen aller im
Buch enthaltenen Lieder
und zum Mitsingen. Der 1.
Vers und der Refrain
werden dabei angespielt,
Gesangsbegleitung
inklusive. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On the Beaten Path Jazz Batterie [Partition + CD] Alfred Publishing
(The Drummer's Guide to the Genre and the Legends Who Defined It). By Rich Lacko...(+)
(The Drummer's Guide to
the Genre and the Legends
Who Defined It). By Rich
Lackowski and John
O'Reilly, Jr.. For
Drumset.
Artist/Personality; Book;
CD; Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path. Jazz.
108 pages. Published by
Alfred Music Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On the Beaten Path Batterie [Partition + CD] Alfred Publishing
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich ...(+)
The Drummer's Guide to
Musical Styles and the
Legends Who Defined Them.
By Rich Lackowski. For
Drum Set. Percussion -
Drum Set Method or
Collection. Instructional
Book and Examples CD. 244
pages. Published by
Alfred Publishing.
(1)$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Little Ultimate Broadway Fake Book - 4th Edition Fake Book [Fake Book] - Intermédiaire Hal Leonard
Fake Book (Includes melody line and chords). Size 6.7x10.5 inches. 640 pages. Pu...(+)
Fake Book (Includes
melody line and chords).
Size 6.7x10.5 inches. 640
pages. Published by Hal
Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Broadway Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 640 pages. Publis...(+)
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 640
pages. Published by Hal
Leonard.
(5)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963S Composed
by Chen Yi. Full score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963S.
Published by Theodore
Presser Company
(PR.11641963S). UPC:
680160684472. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963SP
Composed by Chen Yi.
Part. 11 pages. Duration
20 minutes. Theodore
Presser Company
#116-41963SP. Published
by Theodore Presser
Company (PR.11641963SP).
UPC:
680160684496. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963L Composed
by Chen Yi. Large Score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963L.
Published by Theodore
Presser Company
(PR.11641963L). UPC:
680160684489. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Grateful Tail Orchestre Subito Music
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra SKU:
SU.91580100 For
Orchestra. Composed
by Steven Mercurio.
Vocal/Choral, Opera. CD
(Audio). Subito Music
Corporation #91580100.
Published by Subito Music
Corporation
(SU.91580100).
A Grateful Tail
- Movement by Movement
Siriusly, Dog Star
Sirius, the brightest
star in the night sky,
has been used by
travelers and navigators
for thousands of years as
a guiding star and so it
is here as the opening
movement for the
symphony. Sirius, the
cornerstone to the
constellation Canis
Maggiore or Big Dog sits
at the foot of Orion, the
hunter, leading the way.
Highly cinematic, the
movement evokes both a
musical and visual sense
of the mythological and
mysterious elements of
Sirius and its Dog
Godstar secrets. From the
clarion call of the
opening, Sirius theme,
the sound is buoyant and
frisky emulating the
nature of doggy playtime.
Puppy pleasures abound as
a doggy four-step, my
turn on the traditional
American two-step dance,
is introduced. The
movement transforms into
an actual orchestrated
frolic of small, large
and medium dog barks
beginning with the winds
(smaller dogs) and
ultimately, the big dog,
brass. The movement
climaxes with the coda
or, Dog Park, where the
winds and the brass bark
and play together over
the, doggy ostinato
four-step rhythm,
culminating with the
final call of the Sirius
theme. Let Sleeping Dogs
Lie, Peacefully It's all
in a dog's day and life.
Tranquility presides over
this supremely gentle,
intermezzo-like movement.
After a day of play,
every dog needs rest. Let
Sleeping Dogs Lie, is a
lyrical andante inspired
by the profound serenity
and beauty of a dog at
rest. The Last Will and
Testament of Silverdene
Emblem O'Neill Based on a
powerful piece of prose
written by the American
playwright, Eugene
O'Neill this text was
intended as a consolation
piece for Carlotta, his
wife, who had become
grief-stricken over the
loss of their beloved
dog, the Dalmatian known
as Blemie.Written for a
singing actor who
personifies the role of
Blemie, a dog at the end
of his life, the movement
plays like a one act,
musical drama as we
follow Blemie through a
wonderfully
three-dimensional,
emotional and
psychological journey
writing his Last Will and
Testament, for those who
have loved him. Wagging
the Tail: Ossia Fido's
Lament A life-affirming
rumba/samba using
Blemie's final words from
O'Neill's text, this
final movement employs
the most unique American
musical invention, the
gospel choir. In order to
make the dances come
alive, this movement also
calls upon the colors of
a rhythm section.
Creating the spirit of an
Irish Funeral, the
movement is a joyful and
revival-like celebration
of a dog's life as its
spirit lives on forever
in the hearts and minds
of dog lovers everywhere.
Remember Me, remember me!
My spirit is wagging a
grateful tail. Published
by: Subito Music
Publishing Release Date:
July 9, 2013. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Maria Wiegenlied For Soprano And Chamber Orchestra Parts Only - Intermédiaire Schott
Soprano voice and chamber orchestra (Flote, Oboe, Klarinette in B, Fagott, Horn ...(+)
Soprano voice and chamber
orchestra (Flote, Oboe,
Klarinette in B, Fagott,
Horn in F, Pauken,
Violine 1, Violine 2,
Viola, Violoncello,
Kontrabass) -
intermediate SKU:
HL.49015661 Aus
Schlichte Weisen.
Composed by Max Reger.
Edited by Wolfgang
Birtel. Sheet music.
Edition Schott. Set of
parts, Fl., Ob., Cl.,
Bn., Hr., Pk. Str.
(5.5.4.3.2). Op. 76/52.
Duration 6'. Schott Music
#ED20029-10. Published by
Schott Music
(HL.49015661). ISBN
9790001144858.
9.25x12.0x0.224 inches.
German. The vocal
ouvre of Max Reger is
quite comprehensive but
only few of his more than
300 works have become
firmly established in the
concert repertoire.One
song, however, was to
become a real big seller:
Maria Wiegenlied in which
the composer had woven
the old Christmas carol
Joseph, lieber Joseph
mein. Because of its huge
success, Max Reger
recommended to his
publisher an
instrumentation which he
actually realized later:
This gem for piano was
turned into an
atmospheric piece of
pastoral music for voice
and chamber
orchestra. $62.00 - Voir plus => Acheter | | |
| God's Not Dead - Fun Kit Chorale Unison - Facile Word Music
Unison choir - Easy SKU: WD.679143059499 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.679143059499 An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Christmas. Fun
kit. Duration 30 minutes.
Word Music #679143059499.
Published by Word Music
(WD.679143059499).
UPC:
679143059499. Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths... These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs. Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level! Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Not Dead - DVD Preview Pak Chorale Unison - Facile Word Music
Unison choir - Easy SKU: WD.080689558399 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.080689558399 An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Eastertide. DVD
preview pak. Duration 30
minutes. Word Music
#080689558399. Published
by Word Music
(WD.080689558399).
UPC:
080689558399. Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths... These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs. Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level! Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Not Dead - Short Sleeve T-shirt - Adult XXXLarge Chorale Unison - Facile Word Music
Unison choir - Easy SKU: WD.679143059482 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.679143059482 An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Adult xxxlarge.
Duration 30 minutes. Word
Music #679143059482.
Published by Word Music
(WD.679143059482).
UPC:
679143059482. Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths... These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs. Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level! Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz. $11.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Not Dead - Accompaniment CD (Split) CD Chorale - Facile Word Music
Unison choir - Easy SKU: WD.080689919121 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.080689919121 An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Accompaniment
CD (split). Duration 30
minutes. Word Music
#080689919121. Published
by Word Music
(WD.080689919121).
UPC:
080689919121. Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths... These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs. Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level! Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz. $79.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Not Dead - Posters (12-pak) Chorale Unison - Facile Word Music
Unison choir - Easy SKU: WD.080689456770 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.080689456770 An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Posters
(12-pak). Duration 30
minutes. Word Music
#080689456770. Published
by Word Music
(WD.080689456770).
UPC:
080689456770. Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths... These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs. Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level! Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz. $25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Not Dead - Bulk CD (10-pak) Chorale Unison - Facile Word Music
Unison choir - Easy SKU: WD.080689813726 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.080689813726 An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Bulk CD
(10-pak). Duration 30
minutes. Word Music
#080689813726. Published
by Word Music
(WD.080689813726).
UPC:
080689813726. Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths... These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs. Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level! Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz. $69.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Not Dead - Listening CD CD Chorale - Facile Word Music
Unison choir - Easy SKU: WD.080689888229 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.080689888229 An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Christmas.
Listening CD. Duration 30
minutes. Word Music
#080689888229. Published
by Word Music
(WD.080689888229).
UPC:
080689888229. Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths... These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs. Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level! Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz. $15.98 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Not Dead - Short Sleeve T-shirt - Adult XLarge Chorale Unison - Facile Word Music
Unison choir - Easy SKU: WD.679143059468 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.679143059468 An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Christmas.
Adult xlarge. Duration 30
minutes. Word Music
#679143059468. Published
by Word Music
(WD.679143059468).
UPC:
679143059468. Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths... These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs. Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level! Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz. $9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Not Dead - Short Sleeve T-shirt - Adult XXLarge Chorale Unison - Facile Word Music
Unison choir - Easy SKU: WD.679143059475 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.679143059475 An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Adult xxlarge.
Duration 30 minutes. Word
Music #679143059475.
Published by Word Music
(WD.679143059475).
UPC:
679143059475. Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths... These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs. Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level! Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz. $11.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Not Dead - Bulletins (100-pak) Chorale Unison - Facile Word Music
Unison choir - Easy SKU: WD.080689457777 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.080689457777 An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Eastertide.
Bulletins (100-pak).
Duration 30 minutes. Word
Music #080689457777.
Published by Word Music
(WD.080689457777).
UPC:
080689457777. Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths... These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs. Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level! Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz. $25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wedding Dances Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Concert Band Alto Saxophone I, Alto Saxophone II, Baritone Saxophone, Bass Clari...(+)
Concert Band Alto
Saxophone I, Alto
Saxophone II, Baritone
Saxophone, Bass Clarinet
(in Bb), Bassoon,
Clarinet I, Clarinet II,
Clarinet III, Flute, Horn
I, Horn II, Horn III,
Horn IV, Oboe, Piccolo,
Teno, Tenor Saxophone,
Trumpet I, Trumpet II,
Trumpet III, Trumpet IV -
Grade 4 and up SKU:
CF.SPS5 From
Bandanna. Composed by
Daron Hagen. Arranged by
Mark Spede. This edition:
complete set. FS-SWS.
Carl Fischer Symphonic
Performance Series.
Classical. Score and Set
of Parts. With Standard
notation. Composed 1998.
Carl Fischer Music #SPS5.
Published by Carl Fischer
Music (CF.SPS5). ISBN
9780825837302. UPC:
798408037307. 9 X 12
inches. Key: C
minor. A concert
version of the dance
music from the second act
of the sensational opera
for voices and wind
ensemble by Daron Aric
Hagen (see Overture
above), this varied and
colorful piece will be a
brilliant addition to the
program of a Grade Four
band. The music
dramatically reflects the
growing conflicts of the
story (based on Othello)
and climaxes with a
powerful setting of the
big tune associated with
the idea of crossing over
from Mexico to the U.S.,
and from Life to Death.
This piece is a major
addition to the serious
band repertoire and has
been added to the Texas
UIL Prescribed Music
List. Duration: 7'. $125.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Soul Sister Ensemble Jazz [Conducteur] - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.032-2600-01 Composed by D. Sebesky. Arranged by A. Clark....(+)
Grade 3 SKU:
CL.032-2600-01
Composed by D. Sebesky.
Arranged by A. Clark.
Jazz Ensemble. Extra full
score. Composed 1994.
C.L. Barnhouse
#032-2600-01. Published
by C.L. Barnhouse
(CL.032-2600-01).
Absolutely one
of the funkiest big band
charts ever written. This
Andy Clark arrangement of
a great Don Sebesky
original is loaded with
appeal! Includes an open
section for solos by any
instrument and a drum
solo section which
climaxes with a terrific
dogfight between the
drums and the entire
band! The ranges
aren’t extreme,
but it does require a
solid trumpet section and
a rhythm section that can
play really funky to pull
it off. $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Buskers Fake Book All Time Hit Piano seul Music Sales
| | |
| Kings & Queens Fanfare - Facile Alfred Publishing
Marching Band - Grade 2 SKU: AP.49232 As Recorded by Ava Max. Comp...(+)
Marching Band - Grade 2
SKU: AP.49232
As Recorded by Ava
Max. Composed by
Amanda Koci, Brett
Mclaughlin, Desmond
Child, Henry Walter,
Hillary Bernstein, Jakob
Erixson, Madison Love,
Mimoza Blison, and Nadir
Khayat. Arranged by Mike
Story. Marching Band;
Performance Music
Ensemble; Single Titles.
Big and Easy. Pop; Rock.
Score and Part(s). 68
pages. Duration 1:32.
Alfred Music #00-49232.
Published by Alfred Music
(AP.49232). ISBN
9781470647353. UPC:
038081566580.
English. With its
catchy melody and driving
percussion, singer Ava
Max's anthem to Girl
Power is a natural for
marching band. Kings &
Queens is a powerful
scoring by writer Mike
Story will make any band
sound twice its size!
(1:32). $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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