Francois Daneels, pédagogue de renom, a réuni pour les débutants des collections d'exercices techniques simples et de petites études qui, classés par ordre de difficulté, représentent un complément idéal de toutes les méthodes instrumentales.Instrument : saxophonePages : 32Niveau : très facile - facileLangue : German - English - French / Saxophone / Schott

From best-selling author, John O'Neill, The Saxophone Method is a complete course for the beginner to intermediate saxophonist. Start by mastering the essential foundation skills required to be a great player in any style. With a wide range of tunes from all over the world you will be exposed to a great variety of musical styles to motivate and inspire.The mp3 backing tracks, available as free downloads, feature top professional musicians and will give you the feeling of playing in a great band from the very beginning.The Saxophone Method is supplemented by two Repertoire Books to give you even more music to practice and enjoy. By the end of the method you will be able to:- understand the fundamentals of good playing technique- have explored the full range of the instrument- be familiar with the most common rhythms- have a solid grounding in music theory- have the confidence to play with a real band in many different styles

Improvisation - Musicianship - Techniques. Par O'NEILL JOHN. Since it was first published in 1992, The Jazz Method for Saxophone has guided thousands of beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including pieces by contemporary composers. Based on the tried and tested format of the original method (with step-by-step guidance and a number of pieces specially written for this series), the revised edition is packed with updated content. It also comes complete with exciting new tunes, a re-recorded audio CD and over 2 hours of demo tracks available as free MP3 downloads. Now there is also a greater emphasis on the development of improvisational and listening skills. Thanks to additional suggestions for listening and reading as well as an appendix with all chord sequences for the 'live' accompaniment of the melodies, the 'Jazz Methods' are ideal for both pupils studying by themselves and for pupils learning with a teacher. '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) 'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold) '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) / Pédagogie / Méthode / Saxophone Ténor

Cet ouvrage est le son saxophone parfait. D'une manière décontractée, mais néanmoins exacte, Dirko Juchem explique tous les effets qu'un saxophoniste devrait être capable de maître sur son instrument : professionnel de respiration, embouchure, intonation, vibrato, growl, subtone, fausses doigtés, notes hautes, Lauba, jazz et le phrasé de roche sont tous attaquer en détail et démontrée sur le CD qui l'accompagne. Session supplémentaire pistes offrent la possibilité de mettre les connaissances acquises en pratique immédiatement 'avec une bande'.En raison de la façon décontractée de transmettre les connaissances fondamentales, ' Saxophon-Sound ' est un ajout précieux enseignements instrumental et même le saxophoniste expérimenté trouveront les techniques avancées, telles que les doigtés fausses ou des notes élevées, à être professionnel pratiquant matériel. ' Saxophon-Sound ' est idéal pour des leçons de saxophone et peut être utilisé comme matériau accompagnement motivant à toute méthode coutumier.Nouvelle édition 2005 / Saxophone

These methods provide complete courses for players off all ages guiding students from their first note to 'classics' together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start students can enjoy authentic jazz sounds playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice onear-training and chord patterns. With supplementary suggestions for listening and reading and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes The Jazz Methods are ideally suited to both students working alone and those learning with a teacher. John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials. (Jamey Aebersold) ...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library. (Lee Konitz international jazz saxophone soloist) Following on from the best-selling Jazz Method for Saxophone Developing Jazz Technique for Saxophone will help intermediate players take their jazz skills to a new level. The 22 pieces are written in a variety of jazz styles including reggae jazz waltz bossa nova calypso New Orleans South African salsa samba blues and swing. Special emphasis is given to helping students improvise over chord sequences such as the II-V-I progression. Idiomatic effects such as vibrato subtone glissandi and ?bending? notes are dealt with and there is a special chapter on overtones. Several new scales are introduced including the whole tone and diminished scales and a special section on patterns contains many ideas for

An introduction to blues saxophone styles techniques and improvisation-The latest addition to this popular series is designed for the intermediate saxophonist looking for an introduction to the blues. Experienced saxophone teacher and performer Nick Beston presents straightforward explanations of different playing styles and techniques and covers topics such as basic blues harmony chords riffs and effects like glissando and 'growling'. Original compositions support each chapter and 'sax advice' sections offer guidance on the finer points of saxophone playing. High-quality demos and backing tracks on the accompanying CD encourage the reader to apply these techniques to their own improvisations.

Saxophone Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading.Sight-reading in some form should become a regular part of a student's routine each time they get out the saxophone and this book aims to establish the habit early in a student's learning process. There are 8 sections which in a logical sequence gradually introduce new notes rhythms articulations dynamics and Italian terms - much as you would find in a beginner's saxophone method. The emphasis is on providing idiomatic tunes and structures rather than sterile sight-reading exercises. Each sectioncontains several solo examples beginning with only three notes and concludes with duets and accompanied pieces allowing the student to gain experience of sight-reading within the context of ensemble playing.

Vol. 2-From best-selling author John O'Neill The Saxophone Method is a complete course for the beginner to intermediate saxophonist. Start by mastering the essential foundation skills required to be a great player in any style. With a wide range of tunes from all over the world you will be exposed to a great variety of musical styles to motivate and inspire.The mp3 backing tracks available as free downloads feature top professional musicians and will give you the feeling of playing in a great band from the very beginning.The Saxophone Method is supplemented by two Repertoire Books to give you even more music to practice and enjoy.By the end of the method you willbe able to:understand the fundamentals of good playing techniquehave explored the full range of the instrumentbe familiar with the most common rhythmshave a solid grounding in music theoryhave the confidence to play with a real band in many different styles