For E Flat Alto Saxophone and Piano. By Henry Eccles. Arranged by Sigurd Rascher. For Alto Saxophone, Piano. Baroque. Soft Cover. 8 pages. Published by Theodore Presser Company.

By Warren Benson. For A Saxophone, Piano. Solo Part with Piano Reduction. Duration 12:0. Published by Theodore Presser Company.

Composed by Johann Sebastian Bach (1685-1750), arranged by Larry Teal. Collection for saxophone duet (2 Eb Alto Saxophones, or 1 Eb Alto Saxophone and 1 Bb Tenor Saxophone). With introductory text and performance notes. 41 pages. Published by Theodore Presser Company.

For A.A.T.B. (or S.A.T.B.) Saxophone Quartet. By Johann Pachelbel. Arranged by Daniel Dorff. For Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Alto Saxophone. Score and parts. Composed 2003. 4 pages. Duration 5:00. Published by Theodore Presser Company.

(for Two Eb Alto Saxophones and Piano). Composed by Johann Pachelbel (1653-1706). Arranged by Daniel Dorff. For alto saxophone duet and piano. Baroque. Score and parts. Duration 4 minutes. Theodore Presser Company #114-41782. Published by Theodore Presser Company

By Stacy Garrop. For Eb alto saxophone and piano. Standard notation. Published by Theodore Presser Company

(Concerto For Alto/Soprano Saxophone And Orchestra). By Narong Prangcharoen. For alto saxophone/soprano saxophone, piano. Contemporary. Solo part with piano reduction. Standard notation. 36 pages. Duration 17 minutes. Published by Theodore Presser Company

(Alto Saxophone and Piano). By James Matheson. Solo instrument with accompaniment. For Alto Saxophone in Eb, Piano. Contemporary. Advanced. Solo part with piano reduction. Standard notation. 13 + pages. Duration 6 minutes. Published by Theodore Presser Company

For Alto Saxophone and Piano. Composed by Lauren Bernofsky (1967-). Premiere: Marc Goldstick, English horn, and Maria Letona, piano; Tuesday Night Music, Jordan Hall, New England Conservatory. Contemporary. Solo part with piano reduction. With Standard notation. Composed 1992. 20 pages. Duration 12 minutes, 10 seconds. Theodore Presser Company #144-40618. Published by Theodore Presser Company (PR.144406180).

By Eric Ewazen. Saxophone quartet. For Bb Soprano Saxophone, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone. Contemporary. Score and part(s). Standard notation. 24+8+ pages. Duration 9 minutes. Published by Theodore Presser Company

(For Soprano Saxophone and Piano). By Chen Yi. Solo instrument with accompaniment. For Soprano Saxophone, Piano. This edition: New Version for Soprano Saxophone and Piano (2010). Premiere: Prof. Carrie Koffman, Hartt School of Music. Contemporary. Solo part with piano reduction. Standard notation. Duration 8 minutes. Published by Theodore Presser Company

For E-Flat Alto Saxophone and Piano. By Gary Schocker. For Alto Saxophone Solo, Piano. Solo part with piano reduction. Composed 1999. 35 pages. Duration 15:00. Published by Theodore Presser Company.

35 Favorite Christmas Songs and Carols in Easy Arrangements. By Ruth L. Zimmerman. For Eb A Saxophone (Eb Horn). Part. Published by Theodore Presser Company.

By George Frideric Handel. Arranged by Sigurd M. Rascher. For A Saxophone, Piano. Published by Theodore Presser Company.

35 Favorite Christmas Songs and Carols in Easy Arrangements. By Ruth L. Zimmerman. For BB Tenor Saxophone (Baritone Treble). Part. Published by Theodore Presser Company.

For Eb Alto Saxophone and Piano. By Anton Bilotti. For Alto Saxophone Solo, Piano. Classical. Solo part with piano reduction. 28 pages. Published by Theodore Presser Company.

For E-Flat Alto Saxophone and Piano. By Samuel Adler. For Alto Saxophone Solo, Piano. Premiered by John Sampen and Marilyn Shrude at the 11th World Saxophone Congress in Valencia, Spain, September 30, 1997, in a Series on Seven Pieces Titled Postcards from America. Solo part with piano reduction. Composed 1997. 6 pages. Duration 7:00. Published by Theodore Presser Company.

Composed by Gary Schocker. For alto saxophone and piano. Score and part. 8 pages. Duration 4 minutes, 30 seconds. Published by Theodore Presser Company

Composed by Gary Schocker. Arranged by Yo Matsushita. For 2 saxophones. Contemporary. Score and parts. Standard notation. 36 pages. Duration 8 minutes, 30 seconds. Published by Theodore Presser Company

(For Alto Saxophone and Piano). By Marshall W. Turkin. Arranged by Sigurd M. Rascher. Solo instrument with accompaniment. For Alto Saxophone, Piano. Contemporary. Score and part(s). Standard notation. 28 pages. Published by Theodore Presser Company (PR. score and part(s) contemporary

By Vincent Persichetti. For A Saxophone. Solo Part. Opus 123. Duration 7:. Published by Theodore Presser Company.

By Johann Sebastian Bach. Arranged by J. Michael Leonard. For Soprano Saxophone or Tenor Saxophone, Piano. Duration 10:30. Published by Theodore Presser Company.

By Johann Sebastian Pachelbel. Arranged by Daniel Dorff. For A Saxophone, Piano. Duration 4:0. Published by Theodore Presser Company.

For Alto Saxophone and String Quartet. By Warren Benson. Mixed chamber ensemble. For Alto Saxophone, Violin I, Violin II, Viola, Cello. Premiered May 23, 1975 at Lutken Hall, Northwestern University, Evanston, Illinois - Frederick Hemke, saxophone, and the Eckstein Quartet with Samuel Magad, violin, Edgar Muenzer, violin, Robert Swan, viola, Dudley Powers, cello. Score and parts. 28 pages. Published by Theodore Presser Company.

(A Song Cycle for Baritone and Piano). By Ellen Taaffe Zwilich (1939-). For Baritone Saxophone Solo, Piano. Piano/Vocal Score. Standard notation. Composed 1971. 20 pages

Chamber Music Piano, soprano Saxophone

SKU: PR.114419290

Composed by Chen Yi. Edited by Chen Yi. Arranged by Wong Tak Chiu. Sws. Score and parts. 44 pages. Duration 20 minutes. Theodore Presser Company #114-41929. Published by Theodore Presser Company (PR.114419290).

ISBN 9781491135235. UPC: 680160676118. 9 x 12 inches.

Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, my Chinese Folk Dance Suite is written for violin solo and orchestra, and premiered by The Women's Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco. Inspired by various Chinese traditional folk dances, I've composed three movements in the suite: 1) Lion Dance. Traditionally, people dance with richly decorated hand made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In the composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from traditional Guangdong Music tune and Chaozhou Music tune ; 2) YangKo. Originated in northern China, it's a major folk dance form in mass performance popularized in the country. In YangKo performance, people always play rhythmic patterns on the drums hung around their waists while singing and dancing. In my second movement, I have imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members in the orchestra sing the non-pitch syllables in different layers as the soft background, to imitate the percussion sound which produces the ever going pulse. 3) Muqam. It is a large scale traditional music and dance form from Uygur nationality in Xinjiang province, originated in the 15th century. In my third movement, I keep the meter of seven eight and the melodic style of Muqam music. The fiery dancing gesture cumulates the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines. Scored for 2 flutes (2nd doubling piccolo), 2 oboes, 2 clarinets in Bb, 2 bassoons, 4 French horns in F, 2 trumpets in Bb, 3 trombones, percussion 1 (3 congas, low tom-tom, temple block, paddle castanets), percussion 2 (snare drum, 6 small Beijing opera gong, 12 big Beijing opera gong, crotales, tambourine), percussion 3 (suspended cymbal, a pair of 6 Chinese cymbals, bass drum), solo violin, violins I, violins II, violas, cellos and double basses. Duration is about 16 minutes. The work is recorded on Bis [CD-1352] and released in 2003, performed by Cho-Liang Lin and the Singapore Symphony Orchestra, cond. by Lan Shui. Reduction for B-flat soprano saxophone and piano by Wong Tak Chiu (2017) and edited by Chen Yi (2018) The second movement YangKo is premiered by Dr. Wong and Korak Lerpibulchai at the Singapore Saxophone Symposium on 8/13/2017. The American premiere of the saxophone and piano reduction version of Chinese Folk Dance Suite is given by Chi Him Chik and Hao Yin at the Society for American Music National Conference in Kansas City, MO on 3/2/2018.

Chamber Music Piano, alto Saxophone

SKU: PR.114423490

Composed by Stacy Garrop. Sws. Score and parts. 10 pages. Duration 5 minutes. Theodore Presser Company #114-42349. Published by Theodore Presser Company (PR.114423490).

UPC: 680160687398. 9 x 12 inches.

Chamber Music alto Saxophone

SKU: PR.114424200

Composed by Stacy Garrop. Sws. Performance Score. 20 pages. Duration 12 minutes. Theodore Presser Company #114-42420. Published by Theodore Presser Company (PR.114424200).

UPC: 680160624683. 9 x 12 inches.

Chamber Music alto Saxophone

SKU: PR.114424540

Composed by Carter Pann. Sws. Score. Theodore Presser Company #114-42454. Published by Theodore Presser Company (PR.114424540).

ISBN 9781491138106. UPC: 680160693498.

THE WHITE HORSE explores the idea of extremes, composed to shine a light on the musicianship and raw virtuosity of the performer above any other of its properties. Pann writes that he was inspired by a 1980s dance music video whose energy expresses “the effect of a drug-induced euphoric frenzy in its seeming randomness at times, but also in its immediate back-and-forth between pyrotechnics and more subdued, blissed moments.”  .
THE WHITE HORSE is a single-movement solo for alto saxophone which explores the idea of extremes. My greatest hope is that it shines a light on the musicianship and raw virtuosity of the performer above any other of its properties. When I was first asked to write this work, my thoughts went to a 1983 music video by the Danish band, Laid Back. Their song “White Horse” is about using (or riding) the drug heroin. In this way, I wanted to write a single-movement piece that has the effect of a drug-induced euphoric frenzy in its seeming randomness at times, but also in its immediate back-and-forth between pyrotechnics and more subdued, blissed moments. Also, I simply like the phrase “The White Horse” and think it will lend the work some appropriate intrigue.  .