This collection of oboe music written by living composers is an invaluable res...(+)
This collection of oboe music written by living composers is an invaluable resource for any oboist of Grade 8 and conservatoire standard who is curious about widening their repertoire and exploring the various languages ofmodern music. The term 'modern music' can alienate many minds who may think it will be too difficult technically; aurally unknown and therefore unsatisfying; harmful or damaging to their musical sensibility. To all these pointsthis volume has the answers. Every one of these pieces requires challenging technical skills demanded of any of the more traditional oboe repertoire and additionally they will improve technique. Each piece portrays a characterand language that is approachable and compelling. Far from damaging musical sensibility these musical types will open the ear and enrich the spirit. Some are physically demanding and require very good breath control others needpatience in learning new fingerings and timbres and some travel to extreme registers. But in all cases the effort will be rewarding and not only that the knowledge gained about the oboe and how it works will be equallyentertaining and stimulating.
Master Solos book/CD packs are a fresh source of solo literature in a comprehens...(+)
Master Solos book/CD packs are a fresh source of solo literature in a comprehensive package for developing instrumentalists. The collections for the various instruments were personally selected and performed by world-famousperforming artists and educators (see below) and each features a specially prepared lesson. Every Master Solos pack includes 8 selections by renowned composers ? different for each instrument ? and a pianoaccompaniment book. The accompanying CDs are uniquely designed to serve in practice and performance situations and offer immeasurable benefits for the intermediate soloist and for the instrumental instructor. The first trackfeatures the solo performance with piano accompaniment providing tempo and musical style and the second track is the piano accompaniment only designed for rehearsal. The recorded accompaniment can also be used inperformances. Flute by Gary Sigurdson Oboe by Don Jaeger Bassoon by Leonard Sharrow Bb Clarinet by Ramon Kireilis Eb Alto Saxophone by Larry Teal Bb Trumpet/Cornet by Robert Getchell Horn by Louis Stout Trombone byBuddy Baker Baritone Horn by Larry Campbell Tuba by Daniel Perantoni Percussion by Peter Magadini. All books edited by Linda Rutherford.
on Themes by Gluck-Freely adapted from various movements from Six Sonatas for tw...(+)
on Themes by Gluck-Freely adapted from various movements from Six Sonatas for two violins and figured bass published in London 1746.The edition is part of the ABRSM syllabus (grade 5 7).
'The genesis of Aubade is a piece for Piano which I wrote in the spring of 2015 ...(+)
'The genesis of Aubade is a piece for Piano which I wrote in the spring of 2015 and which I afterwards thought might go rather well on the Oboe. As I warmed to this idea and a piece for Oboe began to develop Irealised that I was constantly thinking about Oboist friends with whom I had had such pleasure when playing in various wind ensembles. Aubade is therefore in a way a celebration of those friends. There is nospecial significance in the title but it seems to me to be appropriate.' - Michael Walshe
