Try assigning the first 32 digits of Pi to a scale degree to create five melodies that flow together, and you'll have a start to this awesome composition. With a light jazzy feel, driving accompaniments, and features of all sections, here's another creative hit from the master. (4:20) / Orchestre A Cordes

Par ALBENIZ ISAAC. A spell-binding exploration of the music of Spain, Fantasía Española features four exciting yet contrasting sections and challenging parts for all players. Three of Spain's most famous composers are represented in this medley arranged by Bob Phillips. The piece begins with an exciting, driving excerpt from 'Asturias (Leyenda)', by Isaac Albéniz, which, though written for piano, is most often heard on guitar. The setting of this section allows the violins and violas a display of virtuosity with its unrelenting rhythmic drive. Beautiful, lyric, and emotional, 'Tango in D,' also by Albéniz, will showcase the musicianship of the entire orchestra. Originally written for piano, the strings will shine in this second section of the arrangement. The third section is the slow and lyric, 'Adelita.' Drawn from the deep treasure of Spanish guitar music and written by the father of classical guitar, Francisco Tárrega, this piece is simply beautiful. The medley concludes with 'Danza Ritual del Fuego' from the ballet El Amor Brujo. Written by Manuel de Falla for full orchestra, the string setting drives to a fabulous and dramatic finish.(5:45) / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes

This fast and energetic overture features driving propulsive rhythms and a syncopated melody. Fun and challenging parts for all sections in the orchestra makes this piece a great concert opener. (3:00) / Orchestre A Cordes

Capture the thrill and excitement of soaring high above in this dramatic work! Written in the keys of B minor and E minor, in 4/4 time, with a steady driving tempo throughout, key elements are rich chordal textures, pleasing melody lines, and the use of arpeggios and divisi. Each player's part contributes equally to the power and energy of this piece, creating a musically satisfying experience for both performers and audience. (3:30) / Orchestre A Cordes

This symphonic treatment of three Canadian folk songs has exciting parts for all instruments. A hauntingly beautiful setting of She’s Like the Swallow is contrasted with the driving energy of the outer tunes Old Sod Shanty and Saint-Malo beau port de mer. Toward the end an easy fugue sets up a powerful ostinato in the upper strings before the piece drives to an exciting conclusion.

A driving rhythmic melody is supported by unilateral 'hits' in the lower voices to generate a great deal of intensity in this overture for strings. As the 'momentum' begins to slow your first violin has a brief opportunity to show off some beautiful lyrical playing over pizzicato strings. The haunting melody moves toward a glorious key change before regaining momentum into the opening material. Very accessible and a great addition to your next concert!

One of the best spy themes ever and it never seems to lose its appeal. The driving feel in a minor key and distinctive sleuthy half steps make it fun to play. Dur: 2:00

An iconic song from the legendary showman of pop rock Elton John. Robert Longfield's arrangement has the driving eighth note feel and all the vocal hooks that have made this a classic amongst all age groups. Dur: 2:45

Bob Seger's signature song has become a rock and roll icon with its bluesy melody and driving rock groove. Larry Moore's solid arrangement makes it fun and playable for your string players' pop performances.

Once again Lady Gaga has struck a nerve with this driving and catchy blockbuster hit. This up-tempo rock arrangement is characterized by a syncopated rhythmic pulse and tuneful melody.

From the pen of veteran composer and music educator Robert Longfield Turning Point is a bold overture-style original work for strings designed for festival or contest use. A solemn opening is following by a rhythmic modaltheme contrastedwith a expressive middle section. The movement returns to the driving “A” theme and then into an impressive full ensemble coda.

A new edition of one of Berkeley's most frequently performed works in this the composer's centenary year. This work is a classic in the repertoire of British Music for this medium. The first movement has the sparkling elegance ofMozart whom Berkeley idolised but also the driving rhythm of a Bach Brandenburg Concerto; the second is a serenade; the third a kind of scherzo; but the final movement seems to reflect the tragic war years with a slowreminiscence of the opening theme at the very end. A critical commentary by Berkeley expert Peter Dickinson is provided.

Recorded by OneRepublic-The band OneRepublic performs music that reflects many musical influences from rock to pop to indie and more. This recent hit has a driving rhythm and unforgettable chorus.

From this year's standout musical drama film This Is Me celebrates the spirit that was P.T. Barnum and recognizes the birth of show business. A driving rock tune from Broadway sensations Pasek and Paul makes terrific pop programming for today's string ensembles.