This huge collection offers instrumentalists the chance to play 101 classical themes, including: Ave Maria (Bach/Gounod and Schubert) - Bist du bei mir (You Are with Me) (Stözel) - Canon in D (Pachelbel) - Clair de Lune (Debussy) - Dance of the Sugar Plum Fairy (Txhaikovsky) - 1812 Overture (Tchaikovsky) - Eine Kleine Nachtmusik (' Serenade”), First Movement Excerpt (Mozart) - The Flight of the Bumble Bee (Rimsky-Korsakov) - Funeral March of a Marionette (Gounod) - Für Elise (Beethoven) - Gymnopedie No. 1 (Satie) - Jesu, Joy of Mans Desiring (Bach) - Lullaby (Brahms) - Minuet in G (Bach) - Ode to Joy (Beethoven) - Piano Sonata in C (Mozart) - Pie Jesu (Fauré) - Rondeau (Mouret) - Swan Lake (Tchaikovsky) - Wedding March (Mendelssohn) - William Tell Overture (Rossini) - and many more./ Recueil / Saxophone Alto

The complete resource for the Grade 4 saxophonist. Par . La série Grade By Grade (De degré par degré) explore le catalogue riche et diversifié des répertoires classique, contemporain et pédagogique dont dispose Boosey and Hawkes et met l?accent sur des compositeurs tels que Serge Prokofiev, Dimitri Chostakovitch, Karl Jenkins, Carol Barratt et Christopher Norton, à côté d?arrangements de musiques traditionnelles du monde entier réalisé, entre autres, par Peter Wastall et Vera Gray. Compilée minutieusement par Janet Way, cette anthologie pratique fournit un répertoire complet à l?apprenti saxophoniste de niveau 4 et constitue un ensemble idéal regroupant démarche pédagogique, préparation aux examens et pièces de concert. Chaque volume contient : un choix de morceaux, et d?études brèves, complété de conseils pour la pratique et l?interprétation les gammes et arpèges correspondent au répertoire de chaque niveau détaillés dans des exercices spécifiques de tous nouveaux exercices de déchiffrage e d?improvisation des pratiques inédites de formation auditive un cahier d?accompagnements de piano Des démonstrations interprétatives complètes, des pistes d?accompagnement de piano et des ressources de sensibilisation auditive pour différents niveaux sont disponibles en streaming ou téléchargement. nterprète réputée et pédagogue émérite, Janet Way est professeur à la section LRAM (Licenciate of the Royal Academy of Music) du département des bois de la Royal Academy of Music. Elle a exercé les fonctions de conseillère et d?examinatrice de l?Associated Board of the Royal Schools of Music. Elle dirige l?Oxford Flute Summer School (Académie d?été de flûte d?Oxford) de renommée mondiale, dont elle est la fondatrice. / Niveau : Facile / Date parution : 2024-01-06/ Recueil / Saxophone Alto et Piano

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

Instrumental Solos-This series offers a versatile selection of hit movie and TV music for flute clarinet alto sax tenor sax trumpet horn in F trombone violin viola cello and mallet percussion. Each book contains carefully edited arrangements appropriate to each instrument and well suited for level 2--3 students. The CD includes a fully orchestrated demo track of each song which features a live instrumental solo performance followed by a play-along track. Also included are PDFs of piano accompaniments and Alfred's Tempo Changer Software. Titles include: Amazons of Themyscira (Wonder Woman) Another Day of Sun (La La Land) Beauty and the Beast (Beauty and the Beast) City of Stars (La La Land) Everything Is Awesome (The LEGO® Movie) Ghostbusters (Ghostbusters) Heathens (Suicide Squad) Just Like Fire (Alice Through the Looking Glass) Kowalski Rag (Fantastic Beasts and Where to Find Them) A Man and His Beasts (Fantastic Beasts and Where to Find Them) Mia and Sebastian's Theme (La La Land) Newt Says Goodbye to Tina / Jacob's Bakery (Fantastic Beasts and Where to Find Them) Runnin' Home to You (The Flash) Westworld: Opening Theme (Westworld).

Maintenant vous pouvez jouer comme soliste sur des arrangements Jazz spécialement enregistrés huit ! Le plomb est une série intégrée pour piano, flute, clarinette, saxophone alto, saxophone ténor, trompette et violon. Dans l'édition toutes les chansons sont sur le même terrain de concert, ainsi tous les instruments peuvent jouer ensemble. Chaque chanson est soigneusement slelected et édité, symboles de la corde sont au concert pitch utilisés par piano et guitare. Le CD contient le soutien total pistes, exprimer arrangé et enregistré et aident les enregistrements de la démonstration complète dans l'apprentissage des chansons./ Recueil / Saxophone Ténor et Piano

Prélude Cadence Et Finale is a piece for Alto Saxophone and Piano written by Alfred Desenclos in 1956 as a Paris Conservatoire Contest piece. Dedicated to Marcel Mule the famous French Saxophonist Prélude Cadence et Finale is divided into three parts and presents many compositional techniques characteristic of the Impressionist period. Prélude the first section introduces recurring rhythmic parts and develops themes that will reappear throughout the piece. The second section Cadence corresponds to a dynamic Saxophone cadenza. The Finale is quite dramatic and uses some of the elementsthat previously appeared in the piece. Alfred Desenclos (1912-1961) is a French Composer who won the Prix de Rome in 1942. He also composed masses such as Messe de Requiem and other pieces for Double Bass Harp Flute Trumpet or French Horn.

Easy Popular Movie Instrumental Solos is an accessible selection of movie hits for the beginning student, with simple notation and a play-along CD. Available for flute, clarinet, alto saxophone, tenor saxophone, trumpet, horn in F, trombone, violin, viola, cello and piano accompaniment. Believe (The Polar Express); Come So Far (Hairspray); Gonna Fly Now (Rocky Balboa); Hedwig's Theme (Harry Potter and The Sorcerer's Stone); In Dreams (Lord of the Rings: The Fellowship of the Ring); James Bond Theme (Casino Royale); Over the Rainbow (The Wizard of Oz); The Pink Panther Theme (The Pink Panther); Raiders' March (Raiders of the Lost Ark); Way Back Into Love (Music and Lyrics)

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Par DIVERS AUTEURS (ARR.MARTIN TOURISH). Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in four formats, each with complete recordings and backing tracks on CD: as solo versions for violin, flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Saxophone Alto et Ténor

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.'Take the Lead Ballads' features arrangements of popular ballads from the nineties including 'My Heart Will Go On' and 'The Wind Beneath My Wings' Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these idiomatic arrangements will boost players' confidence and are ideal for the end of term concert.Contents: Amazed; Get Here; I Don't Want To Miss A Thing; My Heart Will Go On; Swear It Again; The Rose; The Wind Beneath My Wings

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.\'Take the Lead Smash Hits\' contains arrangements of chart hits encompassing a broad range of songs in a variety of styles Including hits by Westlife, Nelly Furtado Christina Aguilera and Hear Say. This is an excellent opportunity for young players to play their favourite chart hits, providing excellent concert repertoire as well as encouraging technical progression. With a choice of backing CD accompaniment or playing along with guitar or piano \'Take the Lead\' offers both teacher and student ultimate flexibility.Contents: I\'m Like A Bird; It\'s Raining Men; Lady Marmalade; Out Of Reach; There You\'ll Be; Uptown Girl; The Way To Your Love; Whole Again

The Bob Wilber All-Stars-Performed by Hal McKusick alto saxophone Accompaniment: The Bob Wilber All-Stars: Bob Wilber soprano sax/clarinet; Hal McCusick alto sax; Frank Wess tenor sax/clarinet/flute; Joel Kaye baritone sax and bass clarinet; Bernie Leighton piano; George Duvivier bass; Bill Goodwin drums Big-band and jazz legend Bob Wilber brings together a stylish set of classics scored for sax quartet piano and rhythm section. The four-part voicing a departure from the traditional big-band era five-man section makes each voice all the more important and will enhance your pleasure in performing the missing part. This classy collection is not to be missed! Includes printed musical score forE-flat instruments and a compact disc featuring recordings of the complete version of each piece and a second performance of the accompaniments only.

This collection of five original pieces has been composed to give saxophonists of moderate ability the experience of playing duets in the jazz idiom. Both parts are of equal importance and difficulty but written in 'comfortable' keys. They can either be played by two saxophones in the same key (i.e. two altos two tenors alto and baritone tenor and soprano etc.) or by using the transposed second part alto and tenor. These pieces provide interesting material for both practice and performance. The 'Jazzy Duet Series' was written to provide players of moderate abilities with experience of the syncopated patterns of jazz and is available for flute clarinet saxophone flute & clarinet piano and violin.

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.'Take the Lead Grease' contains all of the big hits from this popular musical including 'Summer Nights', 'We Go Together' and 'You're the one that I want'. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these idiomatic arrangements will boost players confidence and go down a storm in concert.