Par O'NEILL JOHN. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher. 'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold) '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) The Saxophone is, for many, the instrument of jazz and there is an enormous and exciting repertoire waiting to be explored by newcomers to the instrument. 'The Jazz Method for Saxophone' will guide beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver, as well as contributions from leading contemporary jazz players and composers. Backing for all the music-specially recorded for this method is provided on the accompanying CD so that, right from the start, student saxophonists can enjoy an authentic jazz sound, playing in the company of a top-class rhythm section (bass, guitar, drums) used later to support first attempts at improvisation. With step by step instruction and a progression of specially written pieces, the fundamental elements of good saxophone technique-breath control, tone-production, embouchure, tonguing and fingerings-are introduced alongside the rhythmic subtleties of jazz (for example, 'swung' and syncopated rhythms). Improvisation is encouraged from an early stage, given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With additional information on practical matters such as choosing reeds and earing for the instrument, as well as supplementary suggestions for listening and reading, 'The Jazz Method for Saxophone' is ideally suited both to students working alone and those learning with a teacher. / Méthode / Recueil / Saxophone

Par O'NEILL JOHN. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher. 'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold) '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) The Saxophone is, for many, the instrument of jazz and there is an enormous and exciting repertoire waiting to be explored by newcomers to the instrument. 'The Jazz Method for Saxophone' will guide beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver, as well as contributions from leading contemporary jazz players and composers. Backing for all the music-specially recorded for this method is provided on the accompanying CD so that, right from the start, student saxophonists can enjoy an authentic jazz sound, playing in the company of a top-class rhythm section (bass, guitar, drums) used later to support first attempts at improvisation. / Méthode / Méthode / Saxophone

Hip, swinging solos in the swing/bop style as performed by the great Lennie Niehaus while performing with the volume 42 Aebersold Play-A-Long recording. One complete solo for each of the 12 keys and 12 tracks. A great study in jazz sight reading, as well as a fun way to practice. Perfect for Learning your way around The Blues even in the tough keys! Students and teachers alike will enjoy playing these musical, lyrical jazz solos with or without the exhilarating accompaniment of the Vol. 42 Play-A-Long. Books available transposed for Eb, Bb or C instruments.

11 pieces in 11 styles from around the world. Par MOWER MIKE. All aboard for a musical tour of the globe with Mike Mower! Junior Musical Postcards contains eleven sparkling pieces in fascinating world music styles, tailor-made for developing musicians. The trip begins with a boisterous Cajun stomp, and concludes with an elegant Viennese polka, taking in stops in countries as varied as China, Jamaica, and Wales along the way. Available in editions for alto saxophone, flute, clarinet, trumpet and violin, each book contains melody lines with chord symbols to aid improvisation. Every piece is brought to life with a postcard of essential background information and playing tips. A book of keyboard accompaniments is available separately. Spectacular and authentic audio performances and backing tracks of every piece played by bands and musicians from all eleven countries are available online. A professional musician for 40 years, Mike Mower has played in orchestras, big bands, chamber ensembles, shows, jazz bands, and recording sessions around the world in classical, jazz, Latin, and rock styles on flutes, saxophones, and clarinets. He has written concertos for international solo artists and orchestras and concert music for ensembles of all sizes ' in addition to composing, arranging, and producing TV themes and commercial music albums. His fun but challenging educational music has been enjoyed by a generation of younger players. The Musical Postcards and Junior Musical Postcards series (with accompaniment by some international recording artists too famous to mention!) celebrates authentic music genres from all over the globe. / Niveau : Moyen / Date parution : 2024-01-06/ Recueil / Saxophone Alto

Latin Saxophone Soloist by Gabriel Rosati & Darrow Hunt provides an extensive study into the various Latin saxophone styles including: Salsa, Mambo, Merengue, Calypso, Cha Cha etc. These exciting 50 examples will have you spending many enjoyable hours learning the intricacies of Latin saxophone playing. The book is transcribed note for note (for both Bb & Eb instruments) from the superbly recorded audio CD. Each example is recorded twice, the first version with Sax, Piano, Bass and Percussion and the second version with just Piano, Bass and Percussion so that the Sax player can practise along with the rhythm section.

Historical information about Händel's Water Music Suites is limited, but certainly these works were intended for two, possibly three, parties given by King George I on the Thames River, London, between 1715 and 1736. Händel and his orchestra played on a barge. Since then the some twenty-two separate original pieces have been organized into three Suites and nicknamed 'Water Music?, each having a separate key and likely corresponding to these river parties. This transcription of Water Music Suite II for saxophone quartet has two purposes: to make this music available to saxophonists for performance and education, and to provide in one volume the entire Suite II. The exception to the latter, because of the limits of endurance, is the exclusion of the short Adagio, a brief interlude between the fi rst two movements. Included though are the Allegro, Hornpipe, Minuet, Lentement, and Bourree. These works were originally meant for an outdoor performance, and one of the original intentions of the saxophone was to play in French military bands, also an open-air purpose. The original scoring of brass, woodwind, and string instruments (but no continuo) transcribe well for saxophones. Matching the ranges of instruments of the original to the saxophone quartet was a primary objective. In addition, this arrangement strives to disperse melodic material to all four saxophones so as to make the arrangement pleasing to all the members of the quartet while providing variety to an audience. Any dynamic, articulation, and tempo markings are to be taken only as suggestions so as to allow interpretation by the performers. The musical study and performance of all styles while using examples of composition and performance that represent excellence is necessary for saxophonists who wish to be well-rounded musicians. For the above reasons saxophonists are urged to listen to recordings of the original orchestration in order to learn and imitate proper interpretation of Baroque style. There are currently a number of excellent recordings of Handel's Suites on period instruments, such as (but not limited to) those by conductors John Eliot Gardiner, Christopher Hogwood, and the ensemble Tafelmusik. The Lewis-Clark State College Saxophone Quartet has for many years enjoyed performing Suite II for concerts, ceremonies and social settings, and I thank Advance Music for the opportunity to bring these great works to the profession. / 4 Saxophones (SATBar)

Funk and its infectious style remains a popular part of the music we listen to today. Timeless recordings from such artists as James Brown The Commodores Stevie Wonder The Meters The Crusaders Brecker Brothers The Average White Band Sly and the Family Stone Tower of Power Prince The Blackbyrds Manu Dibango Maceo Parker Junior Walker and the All Stars and many more continue to enjoy massive popularity and have had a major influence on contemporary music styles such as Hip-Hop Rap and RandB. The saxophone in Funk music has its place not only in the Horn sections so often heard in this genre but also as a dynamic solo instrument. This bookcontains 92 riifs that showcase the different ways in which the soloist can create a distinct Funk sound to their playing. The audio tracks contains 31 different grooves that accompany each of the riffs influenced by the aforementioned artists and covers a wide range of different Funk styles from the mid-sixties to the present day. The book is intended for the musician who wants to practically develop their playing style and improvisation technique in this genre.

The Jazz Sessions Series is a tremendous collection of Jazz standards classics and original material by contemporary composers Alexander L’Estrange and Tom Pilling. Each book is dedicated to a particular instrument but they are all able to work in conjunction with each other in ensembles and Jazz bands providing an exciting and enjoyable repertoire. A professionally recorded CD accompanies each book and contains play-along backing tracks as a substitute for real life musicians. This allows for practice at an individual’s preferred pace and enables students to get an authentic feel of the style. One of the main purposes of Jazz Sessions is help encourage anddevelop improvisational skills with a full written solo on one page and an alternative extended version for improvising. A great introduction to experimentation and ideal preparation for ABRSM exams. Reflects a variety of Jazz styles including swing Latin gospel and blues. Backing Tracks give opportunity for confident and atmospheric performance. Carefully tailored for intermediate musicians.

From Rio to Red Square, Mike Mower?s Musical Postcards features ten captivating pieces in different musical styles from around the world. Experience the thrill of Puerto Rican salsa, the magic of an Irish reel, the romance of French café music, and much more ?Available in editions for alto saxophone, flute, clarinet, trumpet and violin, each book contains melody lines with chord symbols to aid improvisation.Every piece is brought to life with a postcard of essential background information and playing tips. A book of keyboard accompaniments is available separately.Spectacular and authentic audio performances and backing tracks of every piece played by bands and musicians from all ten countries are available online. A professional musician for 40 years, Mike Mower has played in orchestras, big bands, chamber ensembles, shows, jazz bands, and recording sessions around the world in classical, jazz, Latin, and rock styles on flutes, saxophones, and clarinets.He has written concertos for international solo artists and orchestras and concert music for ensembles of all sizes ? in addition to composing, arranging, and producing TV themes and commercial music albums.His fun but challenging educational music has been enjoyed by a generation of younger players. The Musical Postcards and Junior Musical Postcards series (with accompaniment by some international recording artists too famous to mention!) celebrates authentic music genres from all over the globe.Cuba: Havana cha chaUSA: Flat FivesFrance: Riviera ?62Brazil: SambossaRussia: Cossackaya!Scotland: Upland FlingSpain: Andalusia MoraPuerto Rico: Salsa Con MotoIreland: Dodd?s Odd JobMexico: Mucho Mariachi! / Saxophone / Boosey and Hawkes

Latin Saxophone Soloist by Gabriel Rosati and Darrow Hunt provides an extensive study into the various Latin saxophone styles including: Salsa Mambo Merengue Calypso Cha Cha etc. These exciting 50 examples will have you spending many enjoyable hours learning the intricacies of Latin saxophone playing. The book is transcribed note for note (for both Bb and Eb instruments) from the recorded audio files. Each example is recorded twice the first version with sax piano bass and percussion and the second version with just piano bass and percussion so that the sax player can practice along with the rhythm section.

Make home practice more enjoyable and develop skills much quicker with the motivational Accent On Achievement: E Flat Alto Saxophone Book 1. Accent On Achievement: E Flat Alto Saxophone Book 1 is a comprehensive band method that develops creativity and musicianship. This expertly written book includes exciting original works as well as extended arrangements of classic and folk tunes.The accompanying CD allows you to play along with skilled musicians and hear full recordings of all five performance pieces from the book.