Cristal de temps, pour saxophone soprano et orgue (2009), n'est pas tout à fait un duo : les deux instruments n'y sont ni entièrement différents, ni entièrement semblables. L'oeuvre explore la rencontre de ces deux timbres et toutes les nuances possibles de leurs relations, jusqu'au point où le saxophone se fait orgue, et réciproquement, et en en déduisant également la conduite dramatique de la pièce et toute une poétique particulière. N'est-ce pas là l'idéal de toute musique de chambre ? L'orgue y prend un visage très spécifique (même un tout petit instrument de quelques jeux est suffisant), restant entièrement inclus dans la tessiture du saxophone. La virtuosité des deux protagonistes n'est pas mise de côté, mais elle semble d'abord au service de l'expansion polyphonique et du son spécifique qui en résulte. Cette pièce est conçue comme un prolongement d'Agencement-Rhizome, pour orgue seul (2004). Elle peut également être interprétée séparément.Dédiée au saxophoniste Lars Mlekusch et à l'organiste Tobias Willi, elle est le fruit d'une commande du Festival de Feldkirch (Autriche), réalisée avec le soutien de l'Institut Français de Vienne. / Saxophone Sib Et Piano

Traditional. Par GRAEF FRIEDEMANN. This collection of pieces for saxophone and organ or piano is designed for use in concert performances as well as for church services and other ceremonies. It contains the traditional American spirituals extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of personal experience with these tunes and chord changes, from a saxophonist to other saxophonists. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages. These passages are marked. There is a transposed part for B flat and E flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound./ Recueil / Saxophone Alto et Orgue

Variations on a dance from El Maestro by Luis de Milán / alto saxophone (clarinet in Bb, trumpet in Bb, cor anglais) and organ

Considered by Gramophone magazine as 'one of the most astounding players of the day?, saxophonist Theodore Kerkezos divides his time between a brilliant soloist career and educational activities that include teaching at the Athens Conservatoire and providing master classes around the globe. Drawing on his long experience, the Greek musician is publishing his Etudes for high and low notes on the Saxophone to help students overcome one of the major learning difficulties: mastering the upper registers. Organised according to a step-by-step plan, the Etudes provide a variety of learning options in terms of melodics, rhythm and dynamics, some of which offer a valuable bonus: the choice between several fingerings. The problem of different attacks, often related to repertoire type, is given particular attention. Recommended by masters like Jean-Marie Londeix and Christian Lauba, this 'extraordinary? collection will delight saxophonists who dream of achieving precise intonation and roundness of tone in both the high and low ranges. / Saxophone

Par HENRY JEAN-CLAUDE. Jean-Claude Henry studied at the Paris Conservatoire, notably with Olivier Messiaen for analysis, Tony Aubin for composition, and Rolande Falcinelli for organ and improvisation. Winner of the Munich International Organ Competition in 1959, Organist at the church of Saint-Pierre in Neuilly-sur-Seine from 1970 to 1990, he gave concerts in France and Europe. Awarded the Prix de Rome for composition in 1960 and appointed to teach writing at the Paris Conservatoire in 1967, he is the author of works for organ, chamber music and for various instrumental ensembles./ Répertoire / Saxophone Ténor

Tous niveaux.
Nothing beats the thumpin' sound and feel of the Hammond B3 Organ. People from the great Jimmy Smith to the young and exciting Joey DeFrancesco have demonstrated its unique ability to swing hard! Now, for the first time, you can take advantage of the opportunity to play along with two of Jazz's finest. Once you try it, you'll be hooked! The song selection is perfect for the organ, as many have an inherent bluesy sound. You'll find playing lyrically much easier and you'll love the heavy blues flavoring. Don't miss this one!
For more outstanding B-3 Play-a-alongs, see Related Items below.

Standards with the Joey DeFrancesco Trio, Play-a-long With B3 Organ! Another super-groove play-a-long featuring Joey with his trio accompanying you on Blues and some of the greatest standards ever written. Rhythm Section: Joey DeFrancesco (Organ). Paul Bollenback (Guitar). Byron Langham (Drums)Now's The Time - Four On Six - The More I See You - Mercy, Mercy, Mercy - Luch Portion - I Fall In Love Too Easily - Bye, Bye, Blackbird - Gee, Baby Ain't I Good To You - Indiana - February 14th - Anthropology - Summertime - I'm Getting Sentimental Over You - Slow Blues in Bb - Obama Nation
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Piano / Keyboard / Organ optional. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / 2 Saxophones Alto et Piano ou Orgue

Piano / Keyboard / Organ optional. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / 2 Saxophones Ténor

Piano, [Keyboard / Organ], Percussion optional. Par MOURET JEAN-JOSEPH. / Niveau : Elémentaire / Répertoire / 4 Saxophones (Soprano, Alto, Ténor, Baryton) et Pi

Piano, [Keyboard / Organ], Percussion optional. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / 4 Saxophones (Soprano, Alto, Ténor, Baryton) et Pi

Piano / Keyboard / Organ optional. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / Saxophone Alto et Ténor

Piano / Keyboard / Organ optional. Par SCHUMANN ROBERT. / Niveau : Elémentaire / Répertoire / 2 Saxophones Ténor et Piano ou Orgue

Piano / Keyboard / Organ optional. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / 2 Saxophones Ténor

Piano / Keyboard / Organ optional. Par MOURET JEAN-JOSEPH. / Niveau : Elémentaire / Répertoire / 3 Saxophones (Alto, Ténor) et Piano ou Clavier