Let the Earth Resound by Sally K. Albrecht. Choir Secular. 2-Part Choir; Women's...(+)
Let the Earth Resound by
Sally K. Albrecht. Choir
Secular. 2-Part Choir;
Women's Choir. Choral
Octavo. Choral Designs.
Earth Day; Graduation;
Spring. Choral Octavo. 16
pages. Published by
Alfred Music
Arrangements by Sally Hawley. For Hammered Dulcimer. Songbook. Acoustic Music. L...(+)
Arrangements by Sally
Hawley. For Hammered
Dulcimer. Songbook.
Acoustic Music. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
256 pages. Published by
Mel Bay Publications,
Inc.
Statement Ensemble de Percussions [Conducteur et Parties séparées] Theodore Presser Co.
For Percussion. By Matthew Hopkins. Percussion ensemble. For Tenor Drum, Bass Dr...(+)
For Percussion. By
Matthew Hopkins.
Percussion ensemble. For
Tenor Drum, Bass Drum,
Suspended Cymbal,
Xylophone, Vibraphone,
Suspended Cymbal II,
Timpani. Score and parts.
4 pages. Duration 2:30.
Published by Theodore
Presser Company.
I The sun, the sea - II The earth: her dance - III Clouds, winds, skies. Comp...(+)
I The sun, the sea - II
The
earth: her dance - III
Clouds, winds, skies.
Composed by Christian
Mason.
Breitkopf and Haertel #EB
9334. Published by
Breitkopf
and Haertel
Composed by Daniel Dorff. Premiered by Joan Sparks, flute, and Anne Sullivan, ha...(+)
Composed by Daniel Dorff.
Premiered by Joan Sparks,
flute, and Anne Sullivan,
harp. Contemporary. Score
and part(s). With
Standard notation.
Composed 2015. 44 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41769. Published by
Theodore Presser Company
(PR.114417690).
(For 3 Trombones And Orchestra). Composed by Eric Ewazen. For brass trio (2 Teno...(+)
(For 3 Trombones And
Orchestra). Composed by
Eric Ewazen. For brass
trio (2 Tenor Trombones,
Bass Trombone), Piano.
Contemporary. Soli parts
with piano reduction.
Standard notation.
Duration 24 minutes.
Theodore Presser Company
#114-41565. Published by
Theodore Presser Company
Composed by Benjamin Yeo.
Folio. Cps. Set of Score
and Parts.
8+2+8+8+2+4+4+4+4+2+4+4+4
+4+6+6+4+4+8+2+2+1+4+1+2+
24 pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CPS245.
Published by Carl Fischer
Music (CF.CPS245).
ISBN 9781491158128.
UPC: 680160916726. 9 x 12
inches.
ABOUT THE
MUSIC Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this anew ideaa needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE MUSIC
Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this 'new idea' needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE
MUSICFuture of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang.Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this
work.EDUCATIONAL
NOTESKey: Eb
MajorSECTIONBARSEVENT /
SCORING /
SUGGESTIONSIntroduction1-
4Opens in Eb major with
dotted rhythm motif.1st
Strain5-20Take note of
melodic phrasing above
the (light) oom-pah
ostinato;melody repeats
at m. 13 with the
addition of countermelody
in the inner lines;
although written at mf
dynamic, this ‘new
idea’ needs to be
heard clearly for
contrast with the
previous statement.2nd
Strain21-36C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29.Trio37-56Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.Break
Strain57-62Excerpt from
Rasa Sayang with some
play in tonality and
instrumental dialogue;
quasi grandioso-style
before the final
strain.Final
Strain63-82Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79.NOTE TO THE
CONDUCTORThis march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece.This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets.I wish you the best
in the performance of
this work.- Benjamin
Yeo.
Accordion - very easy to easy SKU: HL.49045119 Book 1 - BK/CD. Com...(+)
Accordion - very easy to
easy
SKU:
HL.49045119
Book 1
- BK/CD. Composed by
Hans-Guenther Koelz and
Sabine Koelz. This
edition: Saddle
stitching. Sheet music
with CD. Woodwind Solo.
Zur zweibandigen Schule
Akkordeon spielen - mein
schonstes Hobby erscheint
nun das erste Spielbuch
mit vielen schonen und
beliebten Stucken fur den
Unterricht und das
gemeinsame Musizieren.
Classical. Softcover with
CD. 68 pages. Schott
Music #ED22316. Published
by Schott Music
(HL.49045119).
ISBN
9783795744472.
9.25x12.0x0.212
inches.
Akkordeon
spielen - mein schonstes
Hobby is a practical
method that aims at young
people and adults who
wish to get to know the
whole multifaceted world
of accordion music.
Suitable for beginners
and false beginners.After
Vol. 1 (ED 20951) and
Vol. 2 (ED 20952) of the
method, Schott now
publishes tune book No. 1
with many beautiful songs
and pieces for lessons,
ensemble playing at home
or auditions. The level
of difficulty of the
pieces has been adjusted
to the progression of the
volumes of the method.
Many songs come with an
accompanying part for the
teacher or other
accordion players. The
enclosed CD serves as an
acoustic learning aid and
shall motivate the
student to practise and
play.
Score Only Concert Band (Score) - Grade 3 SKU: HL.4006633 Composed by Ric...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4006633
Composed
by Richard L. Saucedo.
MusicWorks Grade 3.
Contest, Festival.
Softcover. 32 pages.
Duration 850 seconds.
Published by Hal Leonard
(HL.4006633).
UPC:
840126924978.
9.0x12.0x0.088
inches.
Richard's
exciting overture
captures feelings of
adventure and daring as
we look towards a new
frontier and flourishing
future. The percussion
section is featured at
the start, as layers of
patterns build up to a
vibrant full band
statement of the main
theme. The lyric middle
section features short
solos for clarinet and
trumpet accompanied by
lush background harmonies
from the ensemble. The
fast pace returns
introduced by a playful
baritone sax solo
followed by a full band
recap of the opening
theme and a rousing
finish.
Sonata For Piano Piano seul [Partie séparée] Theodore Presser Co.
Composed by Steven Stucky (1949-2016). Premiered by Gloria Cheng, Piano, at Herb...(+)
Composed by Steven Stucky
(1949-2016). Premiered by
Gloria Cheng, Piano, at
Herbert Zipper
Auditorium, The Colburn
School, Los Angeles, CA.
Contemporary. Solo part.
With Standard notation.
Composed 2014. 24 pages.
Duration 14 minutes.
Theodore Presser Company
#140-40118. Published by
Theodore Presser Company
(PR.140401180).
Composed by Richard Nichols. Fred Bock Publications. Anthem, A Cappella, Pente...(+)
Composed by Richard
Nichols. Fred Bock
Publications. Anthem, A
Cappella, Pentecost,
Sacred. Octavo. 8 pages.
Fred Bock Music Company
#BG2637. Published by
Fred Bock Music Company
(HL.203447).
(The Music of Tower of Power, Part 3). By Emilio Castillo, Stephen Kupka, and Da...(+)
(The Music of Tower of
Power, Part 3). By Emilio
Castillo, Stephen Kupka,
and David Garibaldi
[Tower of Power].
Arranged by Victor
López. Marching Band.
Marching Band; Part(s);
Score. Mega Sounds for
Marching Band. Funk;
Jazz. Grade 3.5.
Published by Alfred Music
The Mystery of Years Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
By Dan Forrest. For SATB choir, piano (with optional instrumental accompaniment)...(+)
By Dan Forrest. For SATB
choir, piano (with
optional instrumental
accompaniment). Sacred
Anthem, Christ the King,
Eastertide, General.
Octavo. Published by
Lorenz Publishing Company
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS22 Composed by...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS22
Composed by
Larry Clark. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS22. Published
by Carl Fischer Music
(CF.CAS22).
ISBN
9780825858208. UPC:
798408058203. 8.5 X 11
inches. Key: G
major.
The fast
paced rondo has a Dorian
flavored melody with
hints of quartel (based
on an interval of a
fourth) harmony to give
it a contemporary sound
The players are presented
with solo opportunities
as well as harmonic turns
and twists that will keep
them. Rondo in the
Nick of Time was
originally the third
movement for a woodwind
quintet piece that I
wrote in 1990. I have
always been fond of this
little piece and felt
that it would adapt well
to larger ensembles. I
have also scored this
piece for band as part of
a suite called Upon a
New Horizon.The main
theme is based on the
Dorian Mode. The use of
quartal harmony makes up
most of the harmonic
material. Each statement
of the theme is followed
by an episode that
increases in length each
time. There is a sudden
change of style and tempo
in the middle of the
piece, where fragments of
the theme are developed.
The title is a
play-on-words, since the
work contains hemiola
effects that alter the
feel of the time.As with
all of my pieces for
strings, the bowings are
given only as a
reference. Feel free to
alter them to fit the
needs of your students. I
have indicated a rather
fast tempo for the piece.
I really like the piece
to fly, but it will work
and sound fine at a
slower tempo as well.
Just endeavor to keep
their energy moving
forward.It has been my
pleasure to have the
opportunity to write this
piece. I hope that you
and your students enjoy
it and find it useful in
your program.-Larry
ClarkLakeland, FL.
2005.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Beyond the Summit Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
By Brian Balmages. Arranged by Brian Balmages. Concert Band/Wind Ensemble. FJH ...(+)
By Brian Balmages.
Arranged by Brian
Balmages. Concert
Band/Wind Ensemble. FJH
Concert Band. Opening
with a soft rhythmic
motive in the percussion,
the piece builds to a
grand thematic statement.
A beautiful lyrical
section includes several
melodic statements that
are then intertwined in
the powerful concluding
material. Experience the
musical and emotional
intensity you've come to
expect from Brian
Balmages! Score for this
title: B1237S. Extra part
for this title: B1237P.
Concert Band. Level:
Grade 4. Score and Set of
Parts. Published by The
FJH Music Company Inc.
Marching Band (Score) SKU: HL.3746551 Composed by Michael Giacchino. Arra...(+)
Marching Band (Score)
SKU: HL.3746551
Composed by Michael
Giacchino. Arranged by
Jack Holt and Matt
Conaway. Contemporary
Marching Band. Movies.
Softcover. 12 pages.
Published by Hal Leonard
(HL.3746551).
UPC:
196288065005.
6.75x10.5x0.029
inches.
Featured in
Spider-Man: Homecoming
and Spider-Man: Far from
Home in addition to No
Way Home, the main theme
by Michael Giacchino is
dramatic and instantly
recognizable. Make a
powerful statement with
this one!
The All-American Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
By Chris Sharp. Concert Band/Wind Ensemble. FJH Concert Band. Score for this tit...(+)
By Chris Sharp. Concert
Band/Wind Ensemble. FJH
Concert Band. Score for
this title: B1285S. Extra
part for this title:
B1285P. Concert Band.
Level: Grade 3.5. Score
and Set of Parts.
Published by The FJH
Music Company Inc.
Score Only Concert Band (Score) - Grade 3 SKU: HL.4003385 Composed by Ric...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4003385
Composed
by Richard L. Saucedo.
MusicWorks Grade 3.
Published by Hal Leonard
(HL.4003385).
UPC:
884088885083.
9.0x12.0x0.147
inches.
As implied
by the title, the meter
of 5/4 is an important
structural component of
this creative and
energetic work for band.
After the intense opening
statement, a brief lyric
and calm middle section
builds to a full ensemble
climax before returning
to the fast main theme.
Blending extended
jazz-like harmonies with
an exciting rhythmic
drive, this piece is sure
to stir the interest of
players and listeners
alike. Dur: 4:25.