Howard Shore. Par SHORE HOWARD. The best of the Howard Shore score from the 3 blockbusting Lord of the Rings movies (The Fellowship of the Ring, The Two Towers, Return of the King) arranged for tenor sax. This book comes complete with a CD of backing tracks to help with practice. Suitable for students from Grade 2 upwards. / TV, Film, Comédie musicale / Recueil / Saxophone Ténor

The Tunes for Two series is well established, and is used in so many schools throughout the world, thanks to the fine arrangements of such well-known pieces. There are 30 duets in each book (piano books one and two contain 20 each). An excellent introduction to ensemble playing, the familiar tunes make playing-along a rewarding experience. The versatile C and B flat instruments book has one part for each instrument.ContentsAll these tunes for every instrument:All in a garden green - Traditional English melodyAll through the night - Traditional Welsh melodyAutumn from 'The Four Seasons' - VivaldiBist du bei mir - BachBourrée from 'Water Music' - HandelCountry gardens - Traditional English melodyGreensleeves - 16th-century melodyImpromptu - SchubertLargo from 'New World Symphony' - DvorákMarch - HandelMarche militaire - SchubertMinuet from 'Eine kleine Nachtmusik' - MozartMinuet from 'Water Music' - HandelMy bonny lass she smileth - MorleyNon piu andrai from 'The Marriage of Figaro' - MozartOde to joy - BeethovenPapageno's aria from 'The Magic Flute' - MozartPassion chorale - HasslerPavan - 16th-century melodySkye boat song - Traditional Scottish melodySoldiers' march - SchumannSpring from 'The Four Seasons' - VivaldiSteal away - SpiritualTallis' canon - TallisThe entertainer - JoplinThe silver swan - GibbonsTo a wild rose - MacDowellTrumpet voluntary - ClarkeWere you there - SpiritualWhen the saints go marching in - Spiritual / Musique films - comédies musicales / Kendor

Go for Two for alto saxophone and piano consists of two contrasting movements: Warmly is a lyrical andante followed by a fast rhythmic second movement titled Driving.

Par YI CHEN. Originally commissioned by the American Choral Directors Association Endowment in memory of Raymond W. Brook in 2012, Distance Can't Keep Us Two Apart is scored for a cappella mixed chorus (312-41863). The heartfelt tribute is here adapted for Saxophone Quartet (2019). Listen to the world premiere performance of the a cappella chorus version at YouTube. Originally commissioned by the American Choral Directors Association Endowment in memory of Raymond W. Brook in 2012, Distance Can't Keep Us Two Apart is scored for a cappella mixed chorus (312-41863). The heartfelt tribute is here adapted for Saxophone Quartet (2019). Listen to the world premiere performance of the a cappella chorus version at YouTube./ Répertoire / 4 Saxophones (SATBar)

Par HARRIS PAUL. Two by Two brings you a variety of mixed ability duets for clarinet and alto saxophone arranged and composed by Paul Harris. The collection includes music of various genres and styles such as Hungarian Folk Song, Fiesta, and Tango as well as pieces by Mozart and Purcell./ Répertoire / Clarinette et Saxophone Alto

Par . This collection features 23 Disney hits arranged for duets among two flutes or a flute in combination with clarinet, alto sax, trumpet, or trombone! / Date parution : 2022-06-14/ Recueil / 2 Saxophones Alto

OUTILS PÉDAGOGIQUE POUR TOUS LES JAZZMEN. SÉLÉCTION DE 10 CLASSIQUES ARRANGÉS POUR LES INSTRUMENTS EN BB, EB ET C. LES PARTIES PIANO ET BASSE SONT DÉTACHABLES. SUR LE CD VOUS TROUVEREZ DEUX VERSIONS DE CHAQUE THÈME : UNE AVEC TOUS LES INSTRUMENTS ET UNE AUTRE SANS LA PARTIE SOLO. TITRES : ANGEL EYES BAGS' GROOVE BLOOMDIDO D NATURAL BLUES EVERYDAY I HAVE THE BLUES HAPPY GO LUCKY LOCAL MERCY, MERCY, MERCY SONNYMOON FOR TWO TURNAROUND TWISTED

One of the most successful saxophonists of all time Grover Washington Jr. began his professional life as a preteen and made and recorded beautiful music for over 30 years before his untimely passing in 1999. This folio featuresnote-for-note sax transcriptions of 13 of his finest songs: East River Drive ' In the Name of Love ' It Feels So Good ' Just the Two of Us ' Let It Flow ' Little Black Samba ' Make Me a Memory (SadSamba) ' Mr. Magic ' Passion Flower ' Take Five (Another Take Five) ' Take Me There ' Time Out of Mind ' Winelight. Also includes a biography great photos and a fingering guide.

Par ROLLINS SONNY. The Sonny Rollins Omnibook celebrates the bebop legend that worked with Miles, Monk, MJQ, and many others. His solo work has earned him many accolades, including Grammy Awards, election into the American Academy of Arts and Sciences, an Edward MacDowell Medal, and the Medal of Arts from President Barack Obama. This collection features 50 of his best, including: Airegin - All the Things You Are - Almost like Being in Love - Bouncing with Bud - Doxy - Ev'ry Time We Say Goodbye - I'll Remember April - Just in Time - Namely You - Oleo - On a Slow Boat to China - St. Thomas - Solid - Sonnymoon for Two - Vierd Blues - Woodyn' You - and more./ Recueil / Instruments en Sib

The Bluesier Side of Jazz for Alto Saxophone and Eb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students Andrew teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvisedsolo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The package includes: Book or PDF file 30 audio tracks to play on your CD player or computer Over 200 mp3 files Over 200 MIDI files/ Recueil / Saxophone Alto

Historical information about Händel's Water Music Suites is limited, but certainly these works were intended for two, possibly three, parties given by King George I on the Thames River, London, between 1715 and 1736. Händel and his orchestra played on a barge. Since then the some twenty-two separate original pieces have been organized into three Suites and nicknamed 'Water Music?, each having a separate key and likely corresponding to these river parties. This transcription of Water Music Suite II for saxophone quartet has two purposes: to make this music available to saxophonists for performance and education, and to provide in one volume the entire Suite II. The exception to the latter, because of the limits of endurance, is the exclusion of the short Adagio, a brief interlude between the fi rst two movements. Included though are the Allegro, Hornpipe, Minuet, Lentement, and Bourree. These works were originally meant for an outdoor performance, and one of the original intentions of the saxophone was to play in French military bands, also an open-air purpose. The original scoring of brass, woodwind, and string instruments (but no continuo) transcribe well for saxophones. Matching the ranges of instruments of the original to the saxophone quartet was a primary objective. In addition, this arrangement strives to disperse melodic material to all four saxophones so as to make the arrangement pleasing to all the members of the quartet while providing variety to an audience. Any dynamic, articulation, and tempo markings are to be taken only as suggestions so as to allow interpretation by the performers. The musical study and performance of all styles while using examples of composition and performance that represent excellence is necessary for saxophonists who wish to be well-rounded musicians. For the above reasons saxophonists are urged to listen to recordings of the original orchestration in order to learn and imitate proper interpretation of Baroque style. There are currently a number of excellent recordings of Handel's Suites on period instruments, such as (but not limited to) those by conductors John Eliot Gardiner, Christopher Hogwood, and the ensemble Tafelmusik. The Lewis-Clark State College Saxophone Quartet has for many years enjoyed performing Suite II for concerts, ceremonies and social settings, and I thank Advance Music for the opportunity to bring these great works to the profession. / 4 Saxophones (SATBar)

Détails du produit d'occasion : Petite trace de café dans un des coins. Le produit n'est pas abimé, les partitions sont lisibles.1 seul produit disponibleDescriptif valable uniquement pour le modèle vendu neuf.In the last few years several publications have been devoted to advanced playing techniques for wind instruments in contemporary music. Despite this, players have continued to request a more comprehensive resource with a better systematic approach, using practical examples from the repertoire.Following the enormous success of books on oboe and flute techniques, which have quickly become standard reference works, two renowned authors have written a further volume in the series, now for saxophone. The book is intended for both performers and composers and therefore it was natural that two experts came together to work on it ? the saxophonist Marcus Weiss and the composer Giorgio Netti . The most important playing, fingering and technical possibilities in sound for soprano, alto, tenor and baritone saxophone are systematically explained. These techniques are illustrated with the help of appropriate examples and practice instructions, and at the same time any special notational features are explained. Links to sound clips on the internet specially compiled for this book enable players to compare their own results with Marcus Weiss?s recording.The book is an essential, practical performing tool for interpreters, teachers and composers.- Comprehensive, systematic description of all important playing techniques for contemporary music on the saxophone- Clear explanation of special tonal effects and practice tips to try out- With internet links to all important sound excerpts- Tried and tested on all common makes of soprano, alto, tenor and baritone saxophones- Text in two languages (Ger/Eng) / Saxophone / Barenreiter