'Hey Brother' 'Levels' and 'Without you' are now available for six-part mixed or female choir. The arrangements offer a wide variety of vocal and choral possibilities and attention has been paid that all parts are of the same musical standard. Whether homophonic or unisono they artfully intertwine from one passage to the next. However for all their sophistication the arrangements remain manageable and easy to learn displaying the typical groove of each Avicii song within a multi-layered texture.

Upbeat and uptempo, this joyous anthem could be used in both worship and concert. Its accessible Vocal writing alternates between unison and harmonic passages and a straightforward Piano part further supports the choir, making this a perfect choice for church or school mixed choirs. / Choeur SSAA Et Piano

(Shout for Joy)-Mendelssohn wrote Psalm 66 Jauchzet Gott alle Lande (Shout For Joy) in 1822 when he was only 13 years old. He wrote it in a similar style to Handel's Messiah full of melismas and very much in a late Baroque style. With a keyboard part realized by Advanced Women's Choir Consortium creator Kathleen Rodde this is a wonderful new offering for college and women's community choirs. ScorePlay - click to view score with recording.

The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a gentle Kyrie funky Gloria ballad-like Sanctus laid-back Benedictus and passionate Agnus Dei this work breathes new life into familiar words perfectly combining the contemporary with the ancient. The stylistic piano part can be played as written or serve as a guide and an optional bass and drum kit part is available separately for jazz trio accompaniment. Ideal for all upper-voice choirs the Nidaros Jazz Mass will make a groovy and soulful addition to any concert programme.This work was commissioned by theNidaros Cathedral Girls' Choir of Trondheim Norway.

Heinrich Poos is not the first composer inspired by Friedrich Gottlieb Klopstock's poem 'Die Auferstehung', as even Gustav Mahler had already used these verses in the fifth movement of his Second Symphony 'Auferstehung'. Mahler was inspired to use a choral movement at the end of his symphony at the funeral of the conductor Hans von Bülow where a choir sang a chorale based on said text by Klopstock. Heinrich Poos wrote his deeply moving choral piece in remembrance of the organist Hubert Schoonbrodt. / Choeur De Femmes (SSAA) A Cappella

The great and legendary arrangement by Bob Chilcott of this classic Beatles song for The King's Singers has been adapted for 4 part choir and piano. Now nearly all SATB choirs can enjoy this iconic arrangement which was for so long limited to choirs who could sing 6 part a cappella music.

This SSAA arrangement by Ryan Brandau of Triptych based closely on the original SATB version by Tarik O’Regan was specially commissioned by Dr. Amanda Quist and the Westminster Choir College Symphonic Choir Women.

Let all the world in every corner sing was commissioned by Colston's Girls' School in Bristol for the Chamber Choir and their Director of Music Matthew Redman, and was written in August 2008 for the service to mark the school's acquisition of Academy status. It is a tour-de-force for upper voices - the organ introduction leads to a tapestry of rich variety, climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout, its time changes dictated by the rhythm and stress of the text. / Choeur SSAA Et Orgue

Søstrene - Suite Fra 'Den Lille Havfrue' for Girl's Choir SSAA was composed by Bent Sørensen in 2006 for the Danish National Girl's Choir. Text by Peter Asmussen based on 'The Little Mermaid' by H. C. Andersen.

Landsby for SSAA Choir was composed by Per Drud Nielsen in 2014. Based on a poem by Mette Moestrup. Alternative version for Mixed Choir SATB available: WH32765

The Grammy®-winning singer Kelly Clarkson scored big with an elegant pitch-perfect and rousing rendition of “The Star-Spangled Banner” at Super Bowl XLVI with choral back-up provided by the Indianapolis Children'sChoir conducted by Henry Leck. Here is the arrangement in two keys the original in G as sung by Kelly and a B-flat edition for use with soprano or tenor soloist or a group of singers. Recorded by the Indianapolis Children'sChoir Rachel Anderson soloist.

True Colors by Billy Steinberg and Tom Kelly arraged for SSAA choir a cappella by Deke Sharon.

A calypso-flavored treatment of the familiar English carol with a fa-la-la chorus fresh harmonies and a cool bass line for the 2nd altos. The Holly And The Ivy arranged for SSAA Choir a cappella by Kirby Shaw.

Now available for SSAA, this exciting mixed-meter festival piece features both Latin and English versions of Psalm 130: 'Out of my depths I have cried to thee, O Lord.? Recording provided by the Virginia District XV High School Women's Honor Choir, directed by Russell Robinson, RonArt Associates Recordings. Optional rental orchestration available at alfred.com/rental. / Choeur SSAA