(For the Later Beginner). Arranged by Tom Gerou. For Piano. Book; Graded Standar...(+)
(For the Later Beginner).
Arranged by Tom Gerou.
For Piano. Book; Graded
Standard Repertoire;
Method/Instruction; Piano
- Alfred's Basic Piano
Library. Alfred's Basic
Piano Library. Broadway;
Children; Movie; Pop.
Beginner. 40 pages.
Published by Alfred Music
Study Guide for Preparation, Practice and Performance. Composed by Ingrid Ja...(+)
Study Guide for
Preparation,
Practice and Performance.
Composed by Ingrid
Jacobson
Clarfield and Phyllis
Alpert
Lehrer. Book; Graded
Standard Repertoire;
Masterworks; Piano
Collection. Classics for
the
Developing Pianist.
Masterwork. 56 pages.
Published by Alfred Music
Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB -...(+)
Chorus (with soloists)
and piano (solos:
SMezMez(A)ATTBarBBB -
choir: SSAATTBB -
picc.2.2.2.2. - 4.2.3.0.
- timp - hp - str)
SKU: BR.DV-6081
Lyrical Opera in 3
Acts. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Manfred Koerth / Wo
Ebermann. Arranged by M.
Koerth and W. Ebermann.
Choir; Softbound.
Deutscher Verlag. Opera;
Music theatre; Romantic.
Piano/Vocal Score. 300
pages. Deutscher Verlag
fur Musik #DV 6081.
Published by Deutscher
Verlag fur Musik
(BR.DV-6081).
ISBN
9790200460032. 9.5 x 12
inches.
Duration:
full evening Translation
: German (W. Ebermann/M.
Koerth), Engl. (D.
Llyod-Jones), French (M.
Delines) Place and
time: Partly on the
estate, partly in
Petersburg, in 20ies of
the 19th
Century
Characters
: Larina, Owner of the
Estate (mezzo-soprano) -
Tatiana (soprano) and
Olga (alto), her
Daughters - Filipjewna,
Wet Nurse
(mezzo-soprano/alto) -
Eugen Onegin (baritone) -
Lenskij (tenor) - Prince
Gremin (bass) - A
Commander (bass) -
Saretzkij (bass) -
Triquet, a French Man
(tenor) - Guillot, a
Valet (silent part) -
Country Folk, Ball
Guests, Squire, Officers
(chorus) - Waltz,
mazurka, polonaise and
Russian dance (Ballet
)
There is an
interesting parallel
between the subject of
the opera and
Tchaikovsky's life during
the year he wrote the
work (1877): in each
case, a letter provokes
fateful developments in
the lives of the
protagonists. In the
opera, Tatyana's love
letter to Eugene sets off
the tragedy, whereas in
real life, the love
letter of a pupil led the
composer into a marriage,
which lasted all of ...
three months. Tchaikovsky
took this doomed decision
without love, solely
because the circumstances
want it and because I
cannot act differently.
Certain allusions made,
for example, in a letter
of January 1878 to
Taneyev suggest that the
composer's personal
situation also flowed
into the work: I did not
want anything to do with
the so-called 'grand
opera.' I am looking for
an intimate but powerful
drama which is built on
the conflict of
circumstances which I
myself have seen and
experienced, a conflict
which truly moves me.
Partly for this reason
the composer decided to
call the work not an
opera but lyrical
scenes.Eugene Onegin,
conceived by Tchaikovsky
for limited resources and
a small stage, is the
most frequently performed
Russian opera today along
with Mussorgsky's Boris
Godunov, which represents
a completely contrary
aesthetic stance.
Tschaikowskys
letzte Oper - auf ein
Libretto seines Bruders
Modest nach der
Dramenvorlage des
danischen Schriftstellers
Henrik Hertz - lebt von
den poetischen Momenten
und den symbolbeladenen
Charakterportrats der
Hauptfiguren: Die junge
blinde Jolanthe wird von
ihrem Vater aus Sorge um
ihren Makel und zum
Schutz ihrer
Jungfraulichkeit und vor
den Widrigkeiten der Welt
in einen paradiesischen
Garten gesperrt. Er
befielt zu ihrem Schutz
sie um ihre Blindheit
unwissend zu lassen. Ein
Arzt warnt sehen werde
sie nur konnen wenn sie
es selbst wolle gleich
welche Angste aus der
vollstandigen Erkenntnis
der Welt erwachsen. Als
der junge Vaudemont in
ihre Abgeschiedenheit
einbricht und sich beide
ineinander verlieben
befreit er sie von ihrer
Unwissenheit erklart was
Farbe und Licht bedeuten.
Erst die Liebe zu ihm
macht sie sehend.
Die dunkle Welt
der Jolanthe zeichnet
Tschaikowsky zu Beginn
musikalisch durch eine
Introduktion
ausschliesslich fur
Blaser. Erst mit dem
Eintritt in die
unbekannte Welt der Liebe
und des Sehens verwendet
Tschaikowsky einen warmen
Streicherklang. Gerade
dadurch stiess die Oper
wohl bei Zeitgenossen auf
Verstorung. Tschaikowskys
,,Jolanthe nimmt in
seinem Opernschaffen eine
Sonderstellung ein: neben
dem glucklichen Ende
einer Apotheose des
Lichts und der Liebe mit
einem religios gepragten
Schlusschoral ist es
eines der wenigen
Buhnenwerke Tschaikowskys
ohne Bezug zur russischen
Geschichte. Der
ausgepragte Lyrismus des
Werks verweist
stattdessen auf
Tschaikowskys Nahe zur
franzosischen Kultur die
im 19. Jahrhundert einen
starken Einfluss auf
Russland hatte. Die Oper
wurde 1892 am
Mariinsky-Theater in
Sankt Petersburg als
Auftragswerk zusammen mit
seinem Ballett ,,Der
Nussknacker
uraufgefuhrt.
Nebe
n der Produktion des
Munchner
Rundfunkorchesters wurde
,,Jolanthe szenisch
erfolgreich bei den
Festspielen Baden-Baden
mit Anna Netrebko und
Piotr Beczala als
Liebespaar rehabilitiert.
Ausserhalb Deutschlands
lief die Opernraritat in
Toulouse Tokyo San
Sebastian und Monte
Carlo. Zuletzt erneut die
,,Suddeutsche Zeitung:
,,Jolanthe ist eine
Opernausgrabung die
,,wirklich zu Unrecht
vergessen ist.
Tchaikovsky's last opera
- on a libretto by the
composer's brother Modest
based on the drama by the
Danish author Henrik
Hertz - derives its
life-blood from its
poetic moments and the
symbol-laden portraits of
the leading characters:
the blind young Yolanta
is kept prisoner in a
paradisiacal garden by
her father who fears for
her purity and her
virginity and seeks to
protect her from the
adversities of the world.
To do so he orders
everyone to keep her
ignorant of the fact that
she is blind. A doctor
warns that she will only
be able to see when she
is ready to do so herself
no matter what fears
might result from a
complete experience of
the world. When the young
Vaudemont breaks into her
secluded world and the
two fall in love he frees
her from her ignorance
and explains the
significance of color and
light. It is through her
love for him that she is
finally able to see. At
the beginning of the work
Tchaikovsky depicts
Yolanta's dark world with
an introduction scored
exclusively for winds. It
is not until her
discovery of the unknown
world of love and sight
that Tchaikovsky uses a
warm string sound. This
is what many of the
composer's contemporaries
found disturbing about
the
opera.
Tchaikovsky
's Yolanta occupies a
special place in the
composer's operatic
oeuvre: for one it has a
happy ending an
apotheosis of light and
love with a religiously
stamped closing chorale;
for another it is one of
Tchaikovsky's few stage
works without any
reference to Russian
history. Instead the
work's pronounced
lyricism points to the
composer's closeness to
French culture. which
exerted a strong
influence on Russia in
the 19th
century.
The opera
was given its world
premiere at the Mariinsky
Theater in St. Petersburg
in 1892. It had been
commissioned along with
the ballet The
Nutcracker. Next to the
production by the
Munchner
Rundfunkorchester Yolanta
was also successfully
rehabilitated in a recent
staged production at the
Baden-Baden Festival with
Anna Netrebko and Piotr
Beczala as the lovers.
Outside of Germany the
operatic rarity was
performed in Toulouse
Tokyo San Sebastian and
Monte Carlo.
In
closing another quote
from the Suddeutsche
Zeitung: 'Yolanta' is an
operatic rediscovery of a
work that was truly
'wrongly forgotten'.
The Romantic Era Piano seul [Partition + Accès audio] - Intermédiaire Hal Leonard
(Book with Online Audio Access Intermediate Level). Composed by Various. Edi...(+)
(Book with Online Audio
Access
Intermediate Level).
Composed
by Various. Edited by
Richard
Walters. For Piano.
Schirmer
Performance Editions.
Intermediate. Softcover
Audio
Online. 76 pages.
Published by
G. Schirmer
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(Schirmer's Library of Musical Classics Volume 2116). Composed by Peter Ilyich T...(+)
(Schirmer's Library of
Musical Classics Volume
2116). Composed by Peter
Ilyich Tchaikovsky
(1840-1893). For Piano.
Piano Collection.
Softcover. 170 pages. G.
Schirmer #LB2116.
Published by G. Schirmer
Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Douglas E. Wagner....(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Douglas E.
Wagner. Classics,
Christmas, Sacred,
General Worship. Handbell
score. 8 pages. Hope
Publishing Company #1330.
Published by Hope
Publishing Company
(HP.1330).
Piano seul [Partition + Accès audio] - Intermédiaire Faber Piano Adventures
Developing Artist Original Keyboard Classics. Edited by Nancy Faber and Randall ...(+)
Developing Artist
Original Keyboard
Classics. Edited by Nancy
Faber and Randall Faber.
Faber Piano Adventures.
Classical, Supplementary.
Softcover Audio Online.
128 pages. Faber Piano
Adventures #FF1282.
Published by Faber Piano
Adventure
SKU: SU.00220263 Composed by Alexander Glazunov, Antonin Dvorak, and Pete...(+)
SKU: SU.00220263
Composed by Alexander
Glazunov, Antonin Dvorak,
and Peter Ilyich
Tchaikovsky. Chamber
Music, String
Trio/Quartet/Quintet. CD
(PDF Scores). CD Sheet
Music #00220263.
Published by CD Sheet
Music (SU.00220263).
This CD Sheet
Musicâ„¢ collection
makes available full
scores and parts for
string quartets by 19th C
Slavic masters Dvorák,
Glazunov and Tchaikovsky.
DVORÃK: String
Quartets No. 2 in B-flat
major (parts only); No. 5
in F minor, Op. 9 (parts
only); No. 7 in A minor,
Op. 16 (parts only); No.
8 in E major, Op. 80; No.
9, Op. 34; No. 10 in
E-flat major, Op. 51
Slavonic; No. 11 in C
major, Op. 61; No. 12 in
F major, Op. 96 American;
No. 13 in G major, Op.
106; No. 14 in A-flat
major, Op. 105 GLAZUNOV:
String Quartets No. 1 in
D Major, Op. 1; No. 2 in
F Major, Op. 10; No. 3 in
G major, Op. 26, Quartet
Slave; No. 4 in A Minor,
Op. 64; No. 5 in D Minor,
Op. 70; No. 6 in Bb
Major, Op. 106; Suite in
C Major for String
Quartet, Op. 35; 5
Novelettes for String
Quartet, Op. 15
TCHAIKOVSKY: String
Quartet, No 1 in D major;
Op. 11; No. 2 in F major,
Op. 22; No. 3 in E-flat
minor, Op. 30 Also
includes composer bios
and relevant articles
from the 1911 edition of
Grove's Dictionary of
Music and Musicians 2000+
pages
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Charles Decker. Br...(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Charles
Decker. Brass quintet.
For 2 Bb trumpets, horn
in F, trombone, and tuba.
Grade 4. Score and parts.
Duration 5 minutes, 15
seconds. Published by
Kendor Music Inc
Violin and Piano. Composed by Peter Ilyich Tchaikovsky (1840-1893). Edite...(+)
Violin and Piano.
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Edited by Alexander
Komarov. Henle Music
Folios. Classical.
Softcover. 16 pages. G.
Henle #HN1274. Published
by G. Henle
(HL.51481274).
Viola (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.OB-5558-19
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 24 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-19.
Published by Breitkopf
and Haertel
(BR.OB-5558-19).
ISBN
9790004344675. 10 x 12.5
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Cello; Guitar - easy SKU: HL.49010921 Composed by Peter Ilyich Tchaikovsk...(+)
Cello; Guitar - easy
SKU: HL.49010921
Composed by Peter Ilyich
Tchaikovsky. Edited by
Konrad Ragossnig.
Arranged by Konrad
Ragossnig. This edition:
Saddle stitching. Sheet
music. Gitarren-Archiv
(Guitar Archive).
Classical. Op. 51/6. 6
pages. Schott Music #GA
506. Published by Schott
Music (HL.49010921).
ISBN 9790001097567.
UPC: 073999377347.
9.0x12.0x0.04
inches.
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Ernst Herttrich.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic. Part.
16 pages. Duration 33'.
Breitkopf and Haertel #OB
15115-19. Published by
Breitkopf and Haertel
(BR.OB-15115-19).
ISBN
9790004340660. 10 x 12.5
inches.
Tchaikovsky
had the printing of his
epoch-making violin
concerto supervised with
great care, and he even
examined the proofs
himself for the
publication of the
version for violin and
piano in 1878, which was
followed by the
orchestral parts the
following year and the
score in 1888. After many
editions and respective
arrangements by Leopold
Auer in 1899, Fritz
Kreisler in 1939 and,
most recently, by
Konstantin G. Mostras and
David Oistrakh, based on
Auer comes an Urtext
edition that takes into
account all surviving
sources and critically
evaluates them, a matter
of great importance for
both scholars and
performing artists.
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Ernst Herttrich.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic. Part.
12 pages. Duration 33'.
Breitkopf and Haertel #OB
15115-27. Published by
Breitkopf and Haertel
(BR.OB-15115-27).
ISBN
9790004340684. 10 x 12.5
inches.
Tchaikovsky
had the printing of his
epoch-making violin
concerto supervised with
great care, and he even
examined the proofs
himself for the
publication of the
version for violin and
piano in 1878, which was
followed by the
orchestral parts the
following year and the
score in 1888. After many
editions and respective
arrangements by Leopold
Auer in 1899, Fritz
Kreisler in 1939 and,
most recently, by
Konstantin G. Mostras and
David Oistrakh, based on
Auer comes an Urtext
edition that takes into
account all surviving
sources and critically
evaluates them, a matter
of great importance for
both scholars and
performing artists.
Trumpet and Piano - intermediate SKU: BT.AMP-385-400 Trumpet and Piano...(+)
Trumpet and Piano -
intermediate
SKU:
BT.AMP-385-400
Trumpet and Piano.
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2014. 16 pages.
Anglo Music Press #AMP
385-400. Published by
Anglo Music Press
(BT.AMP-385-400).
ISBN
9789043135832. 9x12
inches.
English-German-French-Dut
ch.
Part of the
ANGLO MUSIC PLAY-ALONG
Series, Philip Sparkes 15
INTERMEDIATE CLASSICAL
SOLOS is aimed at the
young instrumentalist who
can play about an octave
and a half and follows on
from Sparkes 15 EASY
CLASSICAL SOLOS.
Specifically tailored to
suitthe individual
instrument, this book
introduces the developing
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range.
The
carefully selected pieces
include music from the
17th to the 19th century
and cover a wide variety
of styles, from Handel to
Tchaikovsky and from
Clementi to
Brahms.
The book
will provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15
Intermediate Classical
Solos, onderdeel van
de Anglo Music
Play-Along Series, is
bedoeld voor de jonge
instrumentalist die
ongeveer anderhalf octaaf
kan spelen. Het boek is
een vervolg op
Sparkeâ??s 15
EasyClassical Solos
en het sluit qua
instrumentaal bereik en
gebruikte toonsoorten aan
bij het Expert Level van
Hal Leonards Essential
Elements ®, maar
het kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën,
diespecifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen: van Handel tot
Tsjaikovski en van
Clementi tot Brahms.Het
boek bevat waardevol
materiaal ter aanvulling
op elke lesmethode en
wordt geleverd
metpianobegeleiding en
een cd met demo- en
meespeeltracks.
15
INTERMEDIATE CLASSICAL
SOLOS ist als
Ergänzung zur
bewährten ANGLO MUSIC
PLAY-ALONG Reihe gedacht
und richtet sich an
Schüler, die
ungefähr einen
Tonumfang von eineinhalb
Oktaven beherrschen. Es
schlieÃ?t an Sparkes 15
EASY CLASSICAL SOLOS an
undentspricht dem Niveau
des Expert Levels der
ESSENTIAL ELEMENTS
Methode von Hal Leonard,
kann aber auch
unabhängig davon
verwendet werden.
Genau auf jedes
Instrument zugeschnitten,
ermöglichen die
sorgfältig
ausgewählten Melodien
noch mehr Spielerfahrung
mit klassischer Musik.
Die Stücke umfassen
verschiedene
Stilrichtungen und
Komponisten wie z.B.
Händel, Tschaikowsky,
Clementi undBrahms.
Jeder Band bietet
wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15
Intermediate Classical
Solos is aimed at the
young instrumentalist who
can play about an octave
and a half and follows on
from Sparkeâ??s 15
Easy Classical
Solos.Specifically
tailored to suit the
individual instrument,
this book introduces the
developing player to the
world of the classics by
using simple yet
attractive melodies that
fit their limited range.
The carefully selected
pieces include music
fromthe 17th to the 19th
century and cover a wide
variety of styles, from
Handel to Tchaikovsky and
from Clementi to
Brahms.The book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and
ademo/play-along CD.
Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Gr...(+)
Quintet Flute, Oboe,
Clarinet, Horn in F, and
Bassoon opt. Bb Bass
Clarinet - Grade 4
SKU: KN.16758
Composed by Various.
Arranged by Frank
Halferty. Ensemble.
Kendor Ensemble Series.
Kendor Music Inc #16758.
Published by Kendor Music
Inc (KN.16758).
UPC:
822795167580.
This
collection of treasured
selections are arranged
here for grade 3-3+
woodwind quintets. From
Bach to Tschaikowsky,
you'll find it to be a
resource for practically
any type of performance.
Contents: Fant
asy On Ode To Joy; In The
Hall Of The Mountain King
(Grieg); March (from The
Nutcracker Suite)
(Tschaikowsky); La
Rejouissance (Handel);
Prelude In E Minor
(Chopin); March (from
Anna Magdalena's
Notebook) (Bach); Menuets
(from Music For The Royal
Fireworks) (Handel);
Simple Gifts; Sheep May
Safely Graze (Bach);
Trepak (from The
Nutcracker Suite)
(Tschaikowsky); Wie Shon
Leuchtet Der Morgenstern
(Bach); Kind In
Einschlummern (Schumann);
and Habanera (from
Carmen) (Bizet).
Easy Piano - Easy SKU: SP.TS180 Composed by Jonathon Robbins. Arranged by...(+)
Easy Piano - Easy
SKU:
SP.TS180
Composed by
Jonathon Robbins.
Arranged by Jonathon
Robbins. Collection;
Popular. Book and CD.
Santorella Publications
#TS180. Published by
Santorella Publications
(SP.TS180).
ISBN
9781585604623. UPC:
649571101800.
Varie
ty lies at the core of 83
Classified Piano Solos
published by Santorella
Publications. It combines
eighty-three songs from
seven different genres to
form an incredibly unique
product. From Hymns to
Marches, Waltzes to Folk
songs and Classics to
Boogie, 83 Classified
Piano Solos has
everything that a
beginning piano student
needs. Boredom is a major
obstacle to learning
which students and
teachers have
encountered. They have
found it extremely
difficult to maintain
interest when using a
single resource. Often,
supplemental materials
are needed to keep study
interesting and exciting
since it is nearly
impossible to find
adequately diverse books.
This adds a significant
and unnecessary financial
burden on both parties.
83 Classified Piano Solos
from Santorella
Publications is
different. This
best-selling easy piano
title eliminates the need
for costly supplemental
materials while exploring
many composers in varied
genres and keeping study
fun and interesting. To
take full advantage of
the variety, we strongly
urge that you jump around
from section to section
and explore all that 83
Classified Piano Solos
has to offer. This
Jonathon Robbins best
seller from Santorella
Publications includes a
performance CD which
serves as a great tool
for the beginning
student. He or she can
listen to a performance
of each piece performed
at the appropriate
tempos, dynamics and
stylings, then emulate
this during their own
performance, practice or
study sessions. Just take
a look at the incredibly
diverse range of titles
found in this great
Santorella title: WALTZES
- WALTZ (From, The
Sleeping Beauty) -
Tchaikovsky - EMPEROR
WALTZ - Strauss - WALTZ
IN A MINOR - Chopin,
WALTZ IN Bb - Schubert -
WALTZ IN C - Schubert -
WALTZ IN C - Brahms -
WAVES OF THE DANUBE -
Ivanovici - WALTZ OF THE
FLOWERS (From, The
Nutcracker) - Tchaikovsky
COWBOY MUSIC RED RIVER
VALLEY - HOME ON THE
RANGE - POOR, LONESOME
COWBOY - GOOD BYE OLD
PAINT - BIG ROCK CANDY
MOUNTAIN - I'D LIKE TO BE
IN TEXAS - THE COLORADO
TRAIL - TO BURY ME NOT ON
THE LONE PRAIRIE -
WHOOPIE TI-YI-YO! (Git
Along Little Dogies!)
HYMNS ABIDE WITH ME - I
NEED THEE EVERY HOUR -
WHAT A FRIEND WE HAVE IN
JESUS - ETERNAL FATHER -
STRONG TO SAVE - HEAR OUR
PRAYER - O LORD - I LOVE
TO TELL THE STORY - ROCK
OF AGES - COME, THOU
ALMIGHTY KING - MY FAITH
LOOKS UP TO THEE -
NEARER, MY GOD TO THEE -
HE LEADETH ME - ALL HAIL
THE POWER OF JESUS' NAME
- HOLY, HOLY, HOLY -
SWEET HOUR OF PRAYER - IN
THE SWEET BYE AND BYE -
FAITH OF OUR FATHERS FOLK
MUSIC BILLYBOY - ALOUETTE
- ON TOP OF OLD SMOKY -
CRAWDAD SONG - TURKEY IN
THE STRAW - THE FARMER IN
THE DELL - SKIP TO MY LOU
- SHE'LL BE COMIN''ROUND
THE MOUNTAIN - PUT YOUR
LITTLE FOOT - JOHN PEEL -
OH, WHERE HAS MY LITTLE
DOG GONE - MARY HAD A
LITTLE LAMB - FOR HE'S A
JOLLY GOOD FELLOW - POLLY
WOLLY DOODLE MARCHES THE
STARS AND STRIPES FOREVER
- AMERICAN PATROL - MARCH
OF THE PRIESTS (From,
Athalia) - GRAND MARCH
(From the Opera, Aida) -
DIXIE - THE MARINES' HYMN
- SOLDIER'S CHORUS (From
the Opera, Faust) - HAIL
TO THE CHIEF - ANCHORS
AWEIGH - THE THUNDERER
CLASSICS CRADLE SONG -
Brahms - TURKISH MARCH
(From, The Ruins of
Athens) - Beethoven,
NOCTURNE IN F - Chopin -
MINUET IN G - Bach -
MUSETTE - Bach - FANTASIE
IMPROMTU - Chopin - GAITE
PARISIENNE (Can Can) -
Offenbach - THEME FROM
SURPRISE SYMPHONY - Haydn
- MARCHE MILITAIRE -
Schubert - UNFINISHED
SYMPHONY THEME - Schubert
- LARGO (From the Opera,
Xerxes) - Handel -
TOREADOR SONG (From the
Opera, Carmen) - Bizet -
JUNE - Tchaikovsky -
BRIDAL CHORUS (From the
Opera, Lohengrin) -
Wagner - BARCAROLLE
(From, The Tales of
Hoffman) - Offenbach,
HALLELUJAH CHORUS (From,
The Messiah) - Handel -
LA DONNA E MOBILE (From
the Opera, Rigoletto) -
Verdi. BOOGIE WOOGIES
(Jonathon Robbins) BOOGIE
WOOGIE BLUES - DOODLIN'-
RIDE THE BOOGIE WOOGIE
TRAIN - THE LAZY BOOGIE
WOOGIE - ONE NOTE BOOGIE
- MR. BOOGIE WOOGIE - THE
NON-STOP BOOGIE - THE
HORSE BACK BOOGIE.