Video Caelos Apertos (For SATB Chorus Unaccompanied) by James Whitbourn was commissioned for the singers of Medina High School Ohio Tyler L. Skidmore conductor to mark their tour to England andtheir visit to St Stephen’s House Oxford.The March 2015 issue of Organist's Review gave Video Caelos Apertos a glowing appraisal stating that it's 'a youthful joyful and positive workwhich succeeds in capturing the visionary quality of the text.'Duration: c. 4 min

And They Shall Beat Their Swords Into Ploughshares is a work by James Davy for Unaccompanied SATB Choir that sets words from Isaiah 2:4 which lasts around 1 and a half minutes.

Réglage de la scène du matin le matin de Noël, James Lavino utilise dissonances subtiles et douces résolutions pour signifier à la fois l'anticipation et l'appréhension qui accompagne les heures avant la naissance de Jésus. Le plus fort dynamique marqué est 'mp' permettant aux chanteurs et conducteur d'explorer les nombreuses couleurs et d'intensités trouvés dans cette gamme dynamique limitée. / Choeur Mixte (SATB) Et A Cappella

Paramètre de James Biery du texte traditionnel XIIIe siècle Ave Maria alterne entre mouvement ondulant et simplicité homophonique tout en vol stationnaire autour d'une pédale-point g. Chacune des deux sections principales de la chanson de dévotion dévoile ces deux idées contrastées. / Choeur Mixte (SATB) A Cappella

Written for unaccompanied SATB choir. Pure river of water of life by James Whitbourn was first performed on May 17th 2008 by the Central Bucks High School-West Doylestown Chamber Choir Choirmaster Dr Joseph Ohrt.This performance was conducted by Charles Bruffy at Trinity Episcopal Cathedral Trenton New Jersey USA.

Reflections from composer Jameson Marvin on a love that is quiet and secure as a result of a life well lived and well loved. And even after many years together the excitement of a love that can still grow is captured inthe musical writing.

He Carried Me Away In The Spirit for mixed SATB chorus a cappella was written for the choir Commotio and their conductor Matthew Berry.This motet is a companion to the short unaccompanied motet PureRiver Of Water Of Life both with texts from the final chapters of Revelation. If performed together He Carried Me Away In The Spirit should be sung first and can segue into Pure River Of Water OfLifeA Piano accompaniment is included for rehearsal purposes.

O magnum mysterium. for high treble solo and SATB unaccompanied Set in four parts, this atmospheric carol unfolds simply, from stillness and silence, in awe and contemplation. The choral writing is punctuated with a high solo voice singing phrases that call to mind fragments of the plainsong chant on the same text, appointed as a Responsary for Christmas Day.

Pièce d'hommage anniversaire la première fois en 2006 dans un restaurant de Glasgow par un quatuor d'étudiants de la Royal Scottish Academy of Music and Drama. Le texte est l'éloge bien connu ' À rire souvent et beaucoup - À gagner le respect des gens intelligents... ', un poème de Bessie Stanley mais souvent attribuée à tort à Ralph Waldo Emerson. Convient pour les artistes interprètes ou exécutants standards intermédiaires. / Choeur Mixte (SATB) A Cappella

Les Motets de Strathclyde sont motets de communion définissant propres de la masse pour divers dimanches et fêtes. Adapté pour les chorales standards intermédiaires. Le Cantique de Zachariah prend chapitre Luke comme son texte : versets 68-79, qui est habituellement parlé dans le cadre de Laudes ou Matins. / Choeur Mixte A Cappella

MacMillan's setting of Psalm 51: 3-21 a penitential text famously set in the 17th century by Gregorio Allegri. Composed in 2009 for The Sixteen and their conductor Harry Christophers MacMillan's work is scored for a single choir with divisi and soli in each voice-part and also chanted passages in close harmony for male and then female voices. Suitable for advanced standard choirs.

Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue

Vocal coach and choral director Mark De-Lisser, who has edited and arranged the highly acclaimed Sing Out! series, here turns his attention to the a cappella repertoire, with five uplifting songs for SATB choir in this sixth pop repertoire book in the series.As before, these songs have each been selected for their positive lyrics and heart-warming feel, making them ideal to teach to adults and children. With an enticing selection of pop songs, including Sigma's Higher, Jess Glynne's Don't Be So Hard on Yourself, Ronnie Laws' Always There, Coldplay's Paradise and James Bay's Hold Back the River, this compilation has something for everyone.Arranged for the first time for SATB choir, this book includes a download card with access to full demonstrations and individual rehearsal tracks of each vocal line recorded by members of ACM Gospel Choir. The scores feature keyboard reductions for ease of learning. Helpful hints for performing the pieces and an introduction to beat-boxing are also included in this book, giving you everything you need to learn these well-loved songs. / Choeur Mixte (SATB)

Bernard Hughes' Psalm 56 for unaccompanied SATB choir. This work was the winner of the Elysian Singers Composition Competition in celebration of the choir's 30th anniversary. It was premiered on 15 October 2016 at St. James's Church Piccadilly London by the Elysian Singers conducted by Sam Laughton. Duration: approx. 3 1/2 minutes.  'It opens with a lively but gritty Dorian melody that the composer then develops suitably reflecting the anger present in the Psalm text. However two unexpected things occur: first the composer sets the original Psalm inscription 'To the chief Musician...' in a kind of remotefaux-bourdon style and then he uses Latin for the final verse together with a slower and more lush choral style'. Choir & Organ December 2017. 'It will be a rare church choir that can negotiate the rhythmic vitality and tonal complexity of Bernard Hughes’s Psalm 56. Unaccompanied and with a text few composers have probably set before (‘mine enemies would daily swallow me up’) it includes the dedication ‘to the chief musician upon Jonath-elem-rechokim Michtam of David’ set to music. Nevertheless this could be most effective in performance'. Sunday By Sunday December 2017