Solo organ - Difficulty: medium SKU: JU.00-GSOC00076 Composed by Johann P...(+)
Solo organ - Difficulty:
medium
SKU:
JU.00-GSOC00076
Composed by Johann
Pachelbel. Masterworks;
Organ Solo. H. W. Gray
Publications. Baroque.
Organ solo single. With
organ notation. 4 pages.
H. W. Gray #00-GSOC00076.
Published by H. W. Gray
(JU.00-GSOC00076).
UPC: 029156066869.
9x12 inches. Key: D
major. English.
Arranged.
Looking
for an
intermediate-level,
tasteful arrangement of
the popular Pachabel
Canon in D? Here's your
answer. Tucker has
arranged this famous
melody with weddings in
mind. It works well for
both a processional or
pre-service selection.
Easily learned, this
arrangement sounds more
difficult to play than it
actually is. A top
seller!
Organ SKU: SU.80101509 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101509
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101509.
Published by Zimbel Press
(SU.80101509).
Three Canonic
Pieces (2022) contains
Prelude and Canon, Toll
and Canon, and
Introduction and Canon.
Each is based on canonic
principles. They were
conceived and written as
three independent pieces,
although they can also be
played as group of three
or as any subset of
two.Organ Duration: 15'
Composed: 2022 Published
by: Zimbel Press.
Orgelwerke, Band 2. Urtext der Neuen Bach-ausgabe - Organ Works Volume 2. By Joh...(+)
Orgelwerke, Band 2.
Urtext der Neuen
Bach-ausgabe - Organ
Works Volume 2. By Johann
Sebastian Bach. Edited by
Hans Klotz. For Organ.
Playing Score; Urtext
Edition (paperbound).
Published by
Baerenreiter-Ausgaben
(German import).
Teil 2. 4 zweistimmige Kanons, 2 Spiegelfugen, unvollendete Fuge mit 3 Themen, O...(+)
Teil 2. 4 zweistimmige
Kanons, 2 Spiegelfugen,
unvollendete Fuge mit 3
Themen, Orgelchoral
"Wenn wir in
hochsten Noten (Vor
deinen Thron)". By
Johann Sebastian Bach.
Edited by Schurich, Hans.
For Organ. Playing Score
(paperbound). BWV 1080.
Published by
Soeddeutscher Musikverlag
(German import).
Organ SKU: SU.80101468 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101468
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101468.
Published by Zimbel Press
(SU.80101468).
Fantasia
canonica (2019) was
commissioned in
celebration of the
installation of Charissa
Simmons as Canon for
Children and Families,
Trinity Episcopal
Cathedral, Portland,
Oregon, October 6, 2019.
The festive piece is
built entirely from a
theme derived from the
letters of the
dedicatee's name
converted to musical
notes. Instrumentation:
Organ Duration: 6'
Composed: 2019 Published
by: Zimbel Press.
Organ solo SKU: FZ.2632 Composed by Anonymous. Edited by Guy Marissal. Th...(+)
Organ solo
SKU:
FZ.2632
Composed by
Anonymous. Edited by Guy
Marissal. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Published by
Anne Fuzeau Productions -
France (FZ.2632).
ISBN
9790230626323. 24.50 x
33.50 cm
inches.
This
manuscript is in
facsimile on French
classical music
collection. Anonyme -
Limoges organ book -
Organ. Edition:
Unpublished manuscript.
It contains several
pieces by A. Raison, G.
Julien and G. Corrette.
Most of the pieces are
new and of very fine
quality. Preface by Guy
Marissal. Time
signatures, notation,
tonalities, terminology,
registrations, tempi,
fingerings, attributions
[1er ton : concerns the
first pieces, the other
tons are not indicated].
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the
Municipal Library of
Limoges (France).
Arranged by Mark L. Williams. For Organ. FJH Classical Organ Library. Contents: ...(+)
Arranged by Mark L.
Williams. For Organ. FJH
Classical Organ Library.
Contents: Arioso from
Contata No. 156 (Bach);
Air from Water Music
Suite (Handel); Andantino
from Rosamunde
(Schubert); Nocturne from
A Midsummer Night's Dream
(Mendelssohn); O Perfect
Love; Bist du bei Mir
(Bach); Canon in D
(Pachelbel); Largo from
Xerxes (Handel); Where'er
You Walk (Handel); A
Nuptual Blessing;
Pastoral Symphony from
Messiah (Handel); Jesu,
Joy of Man's Desiring
(Bach); He Shall Feed His
Flock From Messiah
(Handel); Bridal Chorus
from Lohengrin (Wagner);
Trumpet Voluntary;
Wedding March from A
Midsummer Night's Dream
(Mendelssohn); Trumpet
Tune; Allegro Maestoso
from Water Music Suite
(Handel); March from
Richard the First
(Handel); Rondeau from
Sinfonies de Fanfares
(Mouret); Prelude to Te
Deum
Organ Works Orgue [Score|Solo Part|Part] Barenreiter
Organ Chorales from Miscellaneous Sources. By Johann Sebastian Bach. Edited by R...(+)
Organ Chorales from
Miscellaneous Sources. By
Johann Sebastian Bach.
Edited by Reinmar Emans.
For Organ. This edition:
Urtext of the New Bach
Edition. Mit separater
Tromba-Stimme zu 'Wachet
auf, ruft uns die
Stimme'. Score; Single
Part. 177 pages.
Published by Baerenreiter
Verlag (German import).
Organ SKU: M7.DOHR-20488 Composed by Vincent d'Indy. Edited by Otto Depen...(+)
Organ
SKU:
M7.DOHR-20488
Composed by Vincent
d'Indy. Edited by Otto
Depenheuer. Sheet music.
Score. 24 pages. MDS
(Music Distribution
Services) #DOHR 20488.
Published by MDS (Music
Distribution Services)
(M7.DOHR-20488).
Solo Male Solo Voice (Solo Baritone or Stage Chorus), Organ SKU: CA.632500(+)
Solo Male Solo Voice
(Solo Baritone or Stage
Chorus), Organ
SKU:
CA.632500
Composed by
Josef Michel. German
title: Kommet Her Zu Mir
Alle (2). Sacred vocal
music, New year, Easter
and Eastertide. Full
score. Composed 1971. 2
pages. Carus Verlag #CV
06.325/00. Published by
Carus Verlag (CA.632500).
Composed by Various. Arranged by Brent Jorgensen. Difficulty Medium, Organ Chain...(+)
Composed by Various.
Arranged by Brent
Jorgensen. Difficulty
Medium, Organ Chains,
Organ Postludes, Organ
Preludes, Organ Solos,
Seasonal Music Christmas,
Christmas. Christmas.
Jackman Music Corporation
#01176. Published by
Jackman Music Corporation
SATB choir, cornetto, 3 trombones, organ SKU: CA.3550300 Arranged by J...(+)
SATB choir, cornetto, 3
trombones, organ
SKU:
CA.3550300
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
Arranged by Johann
Sebastian Bach. This
edition: urtext. Edition
Bach-Archiv Leipzig -
Musical Monuments. Sacred
vocal music, Masses,
Latin. Full score. Carus
Verlag #CV 35.503/00.
Published by Carus Verlag
(CA.3550300).
ISBN
9790007165161. Text
language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass.
SATB choir, cornetto, 3 trombones, organ SKU: CA.3550305 Arranged by J...(+)
SATB choir, cornetto, 3
trombones, organ
SKU:
CA.3550305
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
Arranged by Johann
Sebastian Bach. This
edition: urtext. Edition
Bach-Archiv Leipzig -
Musical Monuments. Sacred
vocal music, Masses,
Latin. Choral Score. 12
pages. Carus Verlag #CV
35.503/05. Published by
Carus Verlag
(CA.3550305).
ISBN
9790007165222. Text
language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score
available separately -
see item CA.3550300.
Organ SKU: HL.49046723 Organ. Composed by Naji Hakim. Organ Collec...(+)
Organ
SKU:
HL.49046723
Organ. Composed by
Naji Hakim. Organ
Collection. Canon,
Classical, Variations.
Softcover. 16 pages.
Duration 660 seconds.
Schott Music #ED23510.
Published by Schott Music
(HL.49046723).
UPC:
842819115625.
These
variations are based on
the choral Freu dich
sehr, o meine Seele.
Variation I, Maestoso,
presents a solemn,
canonic statement of the
theme enveloped by dense,
closely-knit harmonies.
Variation II, Allegro, is
clothed in polyphonic
lines reminiscentof
Bach's Orgelbuchlein
chorales. Variation III,
Vivace, is a playful
bicinium with the cantus
firmus featured in the
soprano line, as the bass
bounces along in a
staccato duet. Variation
IV, Adagio, displays rich
chromatic harmonies which
form a lush backdrop for
the pedal solo. Variation
V, Vivace, features the
chorale in detached left
hand notes while the
right hand and pedal
provide a playful
accompaniment. In
Variation VI, Andante,
the melody vacillates
between minor and major
keys as syncopated left
hand chords and pizzicato
bass accompany the
cantilena. In the
concluding Variation VII,
Presto, the left hand
proclaims the theme in
block chords as the right
hand provides an
exuberant garland of
sixteenth notes while the
pedal provides rhythmic
drive with tympanic
accents.
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
Organ SKU: HL.48184602 Composed by Johann Sebastian Bach. Leduc. Baroque....(+)
Organ
SKU:
HL.48184602
Composed
by Johann Sebastian Bach.
Leduc. Baroque.
Softcover. 64 pages.
Alphonse Leduc #AL27724.
Published by Alphonse
Leduc (HL.48184602).
UPC: 888680853921.
9.0x12.0x0.204
inches.
Part of the
Organ collection by J. S.
Bach, this first book of
the Volume X Three
Chorals Transcriptions,
Three partitas and
canonical variations,
book 1 (BWV 645, 646,
647, 766, 767, 768)
contains six pieces and
is completed by the
second book. The six
pieces that feature in
this book are three
choral-transcriptions and
three chorals with
variations: 1. Awake, The
Watchmen ery out 2.
Whither shall I flee 3.
He that suffereth God to
guide him 4. Partite on
?Christ, Thou who Art the
light of the day? 5.
Partite on ?O God, Thou
Holy God? 6. Partite on
?Hail to Thee merciful
Jesus? This volume is
translated in English and
French and features the
annotation of Marcel
Dupre, a French Organist,
to help the performer get
the most our of the sheet
music. The preface is
also well written, with
explanations of the
comments and descriptions
of the techniques to use
for an accomplished
interpretation of this
work. .
Mixed Choir [SATB], Chamber Orchestra or Organ SKU: BT.PMC3367 For Cho...(+)
Mixed Choir [SATB],
Chamber Orchestra or
Organ
SKU:
BT.PMC3367
For
Chorus and Chamber
Orchestra or Organ- Organ
Score. Composed by
Morten Lauridsen. Vocal
Score. Composed 1997. 56
pages. Peermusic
Classical #PMC3367.
Published by Peermusic
Classical (BT.PMC3367).
Each of the
five connected movements
in this choral cycle
contains references to
'Light,' assembled from
various sacred Latin
texts. I composed Lux
Aeterna in response to my
mother's final illness
and found great personal
comfortand solace in
setting to music these
timeless and wondrous
words about Light, a
universal symbol of
illumination at all
levels - spiritual,
artistic and
intellectual. The work
opens and closes with the
beginning and ending of
theRequiem Mass, with the
central three movements
drawn respectively from
the Te Deum, O Nata Lux
and Veni, Sancte
Spiritus. The opening
Introitus introduces
several themes that recur
later in the work and
includes an extended
canonon et lux perpetua.
In Te, Domine, Speravi
contains, among other
musical elements, the
cantus firmus
Herzliebster Jesu (from
the Nuremburg Songbook,
1677) and a lengthy
inverted canon on fiat
misericordia. O Nata Lux
and Veni,Sancte Spiritus
are paired songs, the
former an a cappella
motet at the center of
the work and the latter a
spirited, jubilant
canticle. A quiet setting
of the Agnus Dei precedes
the final Lux Aeterna,
which reprises the
openingsection of the
Introitus and concludes
with a joyful celebratory
Alleluia. --Morten
Lauridsen.