With 'The Techniques of Trombone Playing', Mike Svoboda has written a book conceived as a valuable guide for composers and trombonists. It familiarises composers with contemporary trombone techniques and shows how to put them to creative use. Furthermore it helps trombonists to view and employ their versatile instrument as a multi-functional sound generator. Together with composer Michel Roth, Mike Svoboda explores what might today be called 'the unlimited expansion of new performance possibilities': micro-intervals, multiphonics and the combination of the trombone sound with the human voice ' all accurately described and illustrated with many annotated music examples. ' Includes many tables and music examples on the basics and expanded techniques of trombone playing ' Practical information on mutes, repertoire, etc. ' With 92 sound files and 5 newly composed études which can be downloaded from the Bärenreiter website The authors Since September 2007 Mike Svoboda has been professor of trombone and contemporary chamber music at the Basel Academy of Music (Switzerland). Of formative importance to his artistic development was his nearly 11-year collaboration with Karlheinz Stockhausen in the 1980s and 1990s. His exchanges with Stockhausen and other composers, such as Peter Eötvös, Beat Furrer, Helmut Lachenmann, Wolfgang Rihm and Frank Zappa, allowed him to premiere more than 400 works over the last 30 years. Michel Roth is professor of composition and music theory at the Basel Academy of Music and a member of their research department. As a composer, he has been a regular guest at various international music festivals and more recently particularly in the area of music theatre. Numerous radio and CD productions document his compositional output for which he has also been awarded the composition prize by Music Viva, Munich. In addition Roth also researches and publishes on subjects concerned with music and art theory.

Soloist: Sergio de Jesus tromboneBrazilian and Afro-Cuban Jazz Conception is the new exciting series of play-along books by award-winning Brazilian flutist and composer Fernando Brandão and features fifteen original tunes in various Brazilian and Afro-Cuban styles. This edition clearly aims at being more than a simple play-along collection. For each of the tunes a thorough analysis and additional exercises are given. An extensive introduction into the various styles and rhythms of Brazilian and Afro-Cuban music makes these books even more valuable. The rhythm section and soloists are among the most prestigious musicians in contemporary Brazilian music.Rhythm Section: LeandroBraga - piano Adriano Giffoni - bass Xande Figueiredo - drums Zero - percussion.

Conceived for upper-intermediate players and written in 1921 André Lafosse?s Complete method of Slide Trombone ? Volume 3 is the last volume of this series with comments and explanation for Slide Trombone. Including various exercises and studies this complete method will also guide the player with the right positions to adopt and direct him to produce a clean sound on the instrument. Complete method of Slide Trombone has been written in three volumes the two first one in 1921 and the last one in 1946 and the bass Trombone is covered in an appendix of three pages. AndréLafosse (1890-1975) was a Trombonist and a professor at Paris Conservatoire. He also composed a suite for brass quintet called Suite Breve and recorded with Stravinsky.

Conceived for beginners and written in 1921 André Lafosse’s Complete method of Slide Trombone – Volume 1 is an introductory method with comments and explanation for Slide Trombone. Including various exercises and studies this complete method will also guide the player with the right positions to adopt and direct him to produce a clean sound on the instrument. Complete method of Slide Trombone has been written in three volumes the first two in 1921 and the last one in 1946 and the Bass Trombone is covered in an appendix of three pages. André Lafosse (1890-1975) was aTrombonist and a professor at Paris Conservatoire. He also composed a suite for brass quintet called 'Suite Breve' and recorded with Stravinsky.