By George Frideric Handel (1685-1759). For Violin and Harpsichord. Baroque; Chamber. Intermediate. Full score, part and 2 Play-Along CDs. Published by Recorder JP

Violin and Piano

SKU: HL.50485297

Composed by Arcangelo Corelli. Baroque. EMB. Book Only. Op. 5, No. 8. Editio Musica Budapest #Z13474. Published by Editio Musica Budapest (HL.50485297).

ISBN 9790080134740. Bach (23 x 30,2 cm) inches. Arcangelo Corelli; Istvan Homolya; Sandor Devich.

For Violin and Harpsichord. Baroque; Chamber. Intermediate. Full score, part and 2 Play-Along CDs. Published by Recorder JP

By Arcangelo Corelli (1653-1713). For Violin and Harpsichord. Baroque, Chamber. Intermediate. Full score, part and 2 Play-Along CDs. Published by Recorder JP

By Giuseppe Torelli. Edited by Michael Talbot. For 2 Violins, basso continuo. Full score and parts. Duration 7 minutes. Published by Edition HH Music Publishers (U.K. Import).

By Marco Uccellini (1603-1680). Edited by Alessandro Bares. For 3 violins and basso continuo. This edition: Paperback. Concerto de' varii stromenti. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Composed by Giovanni Stefano Carbonelli. Edited by Michael Talbot. For Violin and basso continuo. Full score and parts. 85 40 28(xix) pages. Published by Edition HH Music Publishers

By Giovanni Stefano Carbonelli. Edited by Michael Talbot. For violin and basso continuo. Full score and parts. 74 32 24(xxi) pages. Published by Edition HH Music Publishers

By Giovanni Legrenzi (1626-1690). Edited by Alessandro Bares. For 1 or 2 violins, cello (violone or bassoon) and basso continuo. This edition: Paperback. Concerto de' varii stromenti. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

(Konzerte fur Violine solo, Streicher und Basso continuo). By Georg Philipp Telemann (1681-1767). Edited by Siegfried Kross. For violin solo/strings/basso continuo. This edition: Linen, Edition of selected works, Urtext edition. Telemann Musikalische Werke, Band 23. Score, Anthology. Published by Baerenreiter Verlag

Rekonstruktion nach BWV 1052 - Reconstructed from BWV 1052. By Johann Sebastian Bach. Edited by Fischer, Wilfried; Sommer, Jurgen. For Violin Solo, strings, basso continuo. Piano Reduction/Vocal Score; Urtext Edition. Duration 25. Published by Baerenreiter-Ausgaben (German import). (BA5144 90)

7 Trio-S0tze von J.S.Bach, Goldberg, Pergolesi, Telemann und G.J. Werner. Edited by Strauch, Alexander. For Violin 1/ Flute, Violin 2, Basso continuo. Nagels Musik-Archiv. Playing Score; Set of Parts. Published by Nagels Musik-Archiv (German import).

Composed by Georg Philipp Telemann (1681-1767). Henle Music Folios. Softcover. 194 pages. G. Henle #HN1266. Published by G. Henle (HL.51481266).

By Heinrich Ignaz Franz Biber. Edited by Alessandro Bares. For violin in scordatura and basso continuo. This edition: Paperback. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

(BWV 1021, BWV 1023, BWV 1026) Composed by Johann Sebastian Bach (1685-1750), arranged by Meniker Zvi, edited by Andrew Manze, Peter Wollny. Score; Set of Parts; Urtext Edition for violin and basso continuo. Published by Baerenreiter-Ausgaben (German import).

Urtext der Telemann-Ausgabe. By Georg Philipp Telemann. Edited by Johann P. Hinnenthal. For Flute, Violin, Basso continuo. Playing Score; Set of Parts; Urtext Edition. TWV 42:E 2. Published by Baerenreiter-Ausgaben (German import).

By Vitali, Tomaso Antonio. Edited by Diethard Hellmann. For Violin, Basso continuo. Hortus Musicus. Playing Score; Single Part. Published by Hortus Musicus (German import).

Kleine Besetzung: 2 Soloinstrumente und Basso continuo. Grosse Besetzung: 2 Soloinstrumente, Streicher und Basso continuo. By Joseph Bodin de Boismortier. Edited by Hugo Ruf. For Flute, Vsolo, Strings, Basso Continuo. Hortus Musicus. Playing Score; Set of Parts. Op. 21/4. Published by Hortus Musicus (German import).

By Johann Gottlieb Goldberg. Edited by Alfred Durr. For Violin (2), Basso continuo. Nagels Musik-Archiv. Playing Score; Set of Parts. Published by Nagels Musik-Archiv (German import).

By Pietro degli Antonii. Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

By Marco Uccellini (1603-1680). Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

By Giuseppe Colombi. Edited by Vittoria Rosapane. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

By Giovanni Battista Fontana. Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Critical Edition, Paperback Basso Continuo; Violin (Violin)

SKU: HL.50606939

Critical Edition $19.99 Subscriber price. Composed by Antonio Vivaldi. Arranged by ñ, Fabrizio Ammetto, Javier Lupiá, and ez. CRITICAL EDITIONS. Classical. Softcover. 56 pages. Ricordi #PR1457. Published by Ricordi (HL.50606939).

ISBN 9788881921225. UPC: 196288207344. 8.0x10.75x0.159 inches.

In a miscellaneous manuscript in the Este Music Collection belonging to the Österreichische Nationalbibliothek in Vienna, a new sonata for violin and basso continuo by Antonio Vivaldi has recently been identified. Although it has until now been attributed by default to the Bolognese Giuseppe Aldrovandini, by virtue of a heading written (but subsequently rubbed out) by the copyist of the manuscript on one of the pages of the violin part, this sonata has been recognized as an authentic composition by the Red Priest. This work - which can be placed chronologically no later than the middle of the 1710s - represents the most clear-cut example in Vivaldi's music of a “Sonate auf Concertenart”: more specifically, a kind of solo sonata for violin that the Red Priest could perform in order to show off his prowess on that instrument, as signalled by the presence of many passages featuring double stoppingor the use of the ultra-high register.