Oratorio fragament.
Part I: The Birth of
Christ; Part II: The
Passion of Christ.
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn.
Christus-Oratorium
(Fragment). Innovative
practice aids, Sacred
vocal music, Oratorios,
Lent and Passiontide,
Holy Week, Christmas.
Single Part, Double Bass.
Composed 1847. Op. 97,
MWV A 26. 2 pages.
Duration 21 minutes.
Carus Verlag #CV
40.169/15. Published by
Carus Verlag
(CA.4016915).
ISBN
9790007063573. Language:
German/English.
Men
delssohns unfinished 3rd
oratorio in its first
critical edition. The
parts Die Geburt Christi
and Das Leiden Christi
are presented with full
orchestration. In 1852,
five years after
Mendelsohn's death, two
independently-performable
fragments of an
unfinished oratorio were
published under the title
Christus. The second
fragment, The Suffering
of Jesus, comes from the
middle of the Passion
story: the scene Jesus
before Pilot is presented
with rapid, dramatic
alternation between the
recitatives of the
evangelist (tenor) and
choruses of the people. A
contemplative choral
movement closes the
fragment.
Composed by Felix
Bernard. Arranged by
Kirby Shaw. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Christmas;
Holiday Pops; Secular;
Winter. Choral Octavo. 12
pages. Alfred Music
#00-48901. Published by
Alfred Music (AP.48901).
Sinfonische
Kantate. Composed by
Georg Ducker. German
title: Weihnachten.
Sinfon. Liedkantate Zu
Weih. Sacred vocal music,
Christmas. Single Part,
Double Bass. 8 pages.
Duration 40 minutes.
Carus Verlag #CV
10.383/15. Published by
Carus Verlag
(CA.1038315).
ISBN
9790007191139. Language:
Latin/English/German.
Composed
by Johann Ernst Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas.
Set of Orchestra Parts.
Duration 15 minutes.
Carus Verlag #CV
30.301/19. Published by
Carus Verlag
(CA.3030119).
ISBN
9790007204044. Language:
German/English.
Sco
re and parts available
separately - see item
CA.3030100.
By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For violin solo...(+)
By Ludwig van Beethoven
(1770-1827). Edited by
Jonathan Del Mar. For
violin solo/orchestra
(solo violin/flute/2
oboes/2 bassoons/2
horns/2
violins/viola/cello/doubl
e bass). This edition:
Stapled, Urtext edition.
Score, Anthology. Text
Language: English/German.
Opus 50, 40. 38 pages.
Published by Baerenreiter
Verlag
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Beginning
SKU: MN.56-0106
Composed by Howard
Goodall. Lent, Holy Week,
Triduum/Three Days,
Tenebrae, 21st Century.
Score & instrument parts.
Duration 6 minutes, 47
seconds. MorningStar
Music Publishers
#56-0106. Published by
MorningStar Music
Publishers (MN.56-0106).
UPC: 688670221231.
English,
Latin.
Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
movement, scored for
soprano solo, SATB choir
and piano, expresses the
unimaginable pain felt by
a mother seeing her child
torn away from her at a
slave auction. To this
harrowing account are
appended the words of
William Wilberforce,
spoken in the House of
Commons on 18th April
1791, “You may
choose to look the other
way but you can never say
again that you did not
know.†Duration
6:47.
Arabian Sandscapes Orchestre d'harmonie - Intermédiaire Alfred Publishing
Concert Band - Grade 4 SKU: AP.49114S Composed by Rossano Galante. Concer...(+)
Concert Band - Grade 4
SKU: AP.49114S
Composed by Rossano
Galante. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble. Alfred Concert
Band. Multicultural.
Score. 40 pages. Duration
5:20. Alfred Music
#00-49114S. Published by
Alfred Music (AP.49114S).
ISBN 9781470646394.
UPC: 038081564739.
English.
Arabian
Sandscapes by Rossano
Galante is a stunning
work that opens with a
bold, unison statement of
the main theme by the
brasses. After the
introduction, a rhythmic
ostinato follows in the
winds, which, by adding
the horns and trumpets,
creates an even more
heroic feel. The piece
then yields to a lyrical,
plaintive theme for a
contrasting section of
this emotional work. A
recapitulation of the
main theme drives the
piece to a riveting
climax depicting the
faraway lands of Arabia.
(5:20) This title
available in MakeMusic
Cloud.
(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelsso...(+)
(O! Come let us worship
and kneel before the
Lord). By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by R. Larry Todd.
For Soli SST, SATB Choir,
2 Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Cello,
Contrabass, Organ.
Stuttgart Urtext
editions. Score available
separately - see item
CA.4007300. Cantatas,
Psalms, German, Praise
and thanks, Psalms. Part:
cello. Language:
German/English. Composed
1838. Opus 46. 12 pages.
Duration 28 min.
Published by Carus Verlag
Marcho Brioso Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Brass Band - Grade 4 SKU: BT.AMP-335-030 Composed by Philip Sparke. Cerem...(+)
Brass Band - Grade 4
SKU:
BT.AMP-335-030
Composed by Philip
Sparke. Ceremonial
Series. March. Set (Score
& Parts). Composed 2012.
Anglo Music Press #AMP
335-030. Published by
Anglo Music Press
(BT.AMP-335-030).
9x12
inches.
English-German-French-Dut
ch.
Marcho
Brioso was
commissioned by The
Brioso Brass, a
British-style brass band
from Hokkaido, Japan.
They gave the first
performance in January
2012.The commission was
for a bright and breezy
march that the band could
use as their theme tune,
so Marcho Brioso
falls into the
composer’s series
of Broadway-style
marches, which includes
Slipstream, The
Bandwagon and
Jubiloso. After a
short introduction a solo
cornet plays the main
theme, accompanied by a
euphonium counter-melody.
A secondary phrase from
the horns and baritones
leads to a tutti version
of the main theme which
is followed by the
traditional
‘bass’
strain. A change of key
heralds thetrio section,
which features a
cantabile melody on
euphonium; this is then
taken up by the full band
after a short bridge
passage and further
change of key.This takes
us back to the home key
which sees a quiet
staccato version of the
main theme lead to a
recapitulation and a
short coda which brings
the march to a close.
Marcho
Brioso is geschreven
in opdracht van The
Brioso Brass, een
brassband in Britse stijl
uit Hokkaido in Japan. De
première vond plaats
in januari 2012.De
componist kreeg het
verzoek een vrolijke,
luchtige mars te
schrijven die de band als
herkenningstune zou
kunnen gebruiken.
Marcho Brioso past
daarom uitstekend in
Philip Sparke’s
serie van marsen in
Broadwaystijl - waarin
ook Slipstream,
The Bandwagon en
Jubiloso
thuishoren.
Mar
cho Brioso wurde von
The Brioso Brass,
einer britisch
geprägten Brass Band
aus Hokkaido in Japan, in
Auftrag gegeben. Das
Stück wurde von der
Band im Januar 2012
uraufgeführt.Gewüns
cht war ein heiterer,
flotter Marsch, welcher
sich als
Erkennungsmelodie der
Brass Band eignen sollte.
So fällt Marcho
Brioso in die Reihe
der Märsche des
Komponisten im
Broadway-Stil, zu denen
auch Slipstream, The
Bandwagon und
Jubiloso
zählen.Nach einer
kurzen Einleitung spielt
ein Solo-Cornet das
Hauptthema, begleitet von
einer Gegenmelodie im
Euphonium. Die
Nebenphrase in den
Hörnern und Baritonen
führen zu einer
Tutti-Version des
Hauptthemas, die
vomtraditionellen
Bass“-Solo
abgelöst wird. Ein
Tonartwechsel kündigt
den Trio-Teil an, der
eine cantabile gespielte
Melodie auf dem Euphonium
enthält; diese
wiederum wird nach einer
kurzen Ãœberleitung und
einem weiteren
Tonartwechsel von der
gesamten Band
aufgegriffen.Der letzte
Wechsel führt
zurück zur
ursprünglichen Tonart,
in welcher dann eine
Staccato-Version des
Hauptthemas eine
Rekapitulation
hervorbringt sowie eine
Coda, die den Marsch zu
seinem Ende führt.
Soprano solo, SATB choir, piano, organ and brass ensemble (Horns I and II in F, ...(+)
Soprano solo, SATB choir,
piano, organ and brass
ensemble (Horns I and II
in F, B-flat Trumpets I
and II, Trombones I and
II, Tuba, Piano, Organ
(or digital keyboard if a
tuned pipe organ is
unavailable)) -
Intermediate
SKU:
MN.56-0125
Composed
by Howard Goodall.
MorningStar Music
Publishers #56-0125.
Published by MorningStar
Music Publishers
(MN.56-0125).
UPC:
688670221538.
English.
A
challenge to look ahead
to the future in the way
that Noah looked for a
new world after the
flood. The sixth movement
in the larger work
Unconditional Love..
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Gunter
Graulich. This edition:
urtext. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein;
Stuttgart Urtext Edition:
Mendelssohn. German
title: Ach Gott, vom
Himmel sieh darein.
Sacred vocal music,
Cantatas. Full score.
Composed 1832. MWV A 13.
56 pages. Duration 14
minutes. Carus Verlag #CV
40.185/00. Published by
Carus Verlag
(CA.4018500).
ISBN
9790007064273. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Ascension. Set of
Orchestra Parts. Composed
1725. BWV 128. Duration
22 minutes. Carus Verlag
#CV 31.128/19. Published
by Carus Verlag
(CA.3112819).
ISBN
9790007140199. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
parts available
separately - see item
CA.3112800.
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). For bari...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). For baritone
voice solo, SATB choir, 2
oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, timpani, 2
violins, viola,
cello/contrabass. This
edition: Paperbound.
German title: Ach Gott,
vom Himmel sieh darein.
Level 3. Study score.
Language: German/English.
Composed 1832. A 13.
Duration 14 minutes.
Published by Carus Verlag
Oratorio. Composed
by Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext. Stuttgart Urtext
Edition: Mendelssohn.
Innovative practice aids,
Sacred vocal music,
Oratorios. Choral Score.
Composed 1834-1836. Op.
36, MWV A 14. Duration
145 minutes. Carus Verlag
#CV 40.129/05. Published
by Carus Verlag
(CA.4012905).
ISBN
9790007186524. Text
language:
German/English.
Men
delssohn composed his
first oratorio Paulus
under the impression of
his own revival of J. S.
Bach's St. Matthew
Passion in 1829. He
integrated chorale
settings into St. Paul,
for which he was accused
by his contemporaries of
making a stylistic break,
using an element
unsuitable to church
music. In spite of these
reservations, during
Mendelssohn's lifetime
St. Paul was one of his
most popular works, which
received numerous
performances throughout
Europe. Robert Schuman
praised the
inextinguishable color of
the instrumentation and
the brilliant play with
all the forms of
composition. He described
it as a jewel of the
present.. Score available
separately - see item
CA.4012900.
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Ascension. Single Part,
Organ. Composed 1725. BWV
128. 12 pages. Duration
22 minutes. Carus Verlag
#CV 31.128/49. Published
by Carus Verlag
(CA.3112849).
ISBN
9790007207755. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score and
part available separately
- see item
CA.3112800.
Composed
by Wilhelm Friedrich
Ernst Bach. German title:
Vater unser. Sacred vocal
music, Our Father. Choral
Score. Duration 15
minutes. Carus Verlag #CV
30.901/05. Published by
Carus Verlag
(CA.3090105).
ISBN
9790007041120. Language:
German/English.
Sco
re available separately -
see item CA.3090100.
Sinfonische
Kantate. Composed by
Georg Ducker. This
edition: Paperbound.
German title:
Weihnachten. Sinfon.
Liedkantate Zu Weih.
Sacred vocal music,
Christmas. Full score.
118 pages. Duration 40
minutes. Carus Verlag #CV
10.383/00. Published by
Carus Verlag
(CA.1038300).
ISBN
9790007094874. Language:
Latin/English/German.
Aurora Ensemble Jazz - Intermédiaire/avancé Belwin
Jazz Ensemble - Grade 6 SKU: AP.43713 Composed by Patrick Williams. Jazz ...(+)
Jazz Ensemble - Grade 6
SKU: AP.43713
Composed by Patrick
Williams. Jazz Ensemble;
Performance Music
Ensemble; Single Titles.
Belwin Jazz: The Patrick
Williams Series. Jazz.
Score and Part(s). 84
pages. Duration 2:00.
Belwin Music #00-43713.
Published by Belwin Music
(AP.43713).
UPC:
038081493787.
English.
A superior
chart in every way!
Patrick Williams' Aurora
is a samba at 120 BPM
that features optional
horns in F, and full
instrumentation with two
auxiliary percussion
parts. There is plenty of
solo space for a variety
of instruments and a huge
shout chorus. Check this
chart out! (2:00).
Cantata
for the Feast of
Ascension. Composed
by Johann Sebastian Bach.
Edited by Julia Ronge.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Ascension. Choral Score.
Composed 1725. BWV 128. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.128/05. Published by
Carus Verlag
(CA.3112805).
ISBN
9790007161927. Text
language: German/English.
Text: von Ziegler,
Christiane Mariane. Text
by Christiane Mariane von
Ziegler.
After
breaking off the annual
cantata cycle at the end
of March 1725 Bach set a
series of cantata texts
by the Leipzig poet
Christiana Mariana von
Ziegler, who maintained
one of the first
literary-musical salons.
The large scale chorale
chorus ties this work to
the chorale cantatas. The
central bass aria
Auf,auf, mit hellem
Schall with solo trumpet
is note-worthy since in
place of a middle section
in the aria, here Bach
employs an accompagnato
recitative. Score
available separately -
see item CA.3112800.
Composed
by Johannes Brahms.
German title: Ave Maria
op.12. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Double Bass. Composed
1858. Op. 12. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 40.180/15.
Published by Carus Verlag
(CA.4018015).
ISBN
9790007064099. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score and part
available separately -
see item CA.4018000.
An
Oratorio Based on the old
Testament Text.
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext.
Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition; Carus sheet
music series: Vocal
scores XL. German title:
Elias. Innovative
practice aids, Oratorios.
Set of Orchestra Parts.
Composed 1845-1846. MWV A
25, Op. 70. Duration 130
minutes. Carus Verlag #CV
40.130/19. Published by
Carus Verlag
(CA.4013019).
ISBN
9790007097165. Language:
German/English.
Eli
jah is regarded as a
milestone in
Mendelssohn's
compositional output and
as a high point in the
oratorio literature of
the 19th century.
Mendelssohn composed his
second great oratorio
just a year before his
premature death. This
excitingly dramatic work
also expresses a fervent
belief in God, a belief
which in the 19th century
was no longer
self-evident. Mendelssohn
transposed the visible
world of the Old
Testament into numerous
musical expressive
possibilities in which
Old Testament texts,
including psalm texts and
commentaries from the
words of the Prophets,
were shaped into biblical
dramas. For a subject
like Elijah ... the drama
must reign supreme ...
the characters must be
introduced speaking and
acting like living people
... a quite vivid world
of the sort we find in
every chapter of the Old
Testament. Mendelssohn to
his librettist. Score and
parts available
separately - see item
CA.4013000.
Composed
by Johannes Brahms.
German title: Ave Maria
op.12. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 2. Composed 1858.
Op. 12. 2 pages. Duration
5 minutes. Carus Verlag
#CV 40.180/12. Published
by Carus Verlag
(CA.4018012).
ISBN
9790007064068. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score and part
available separately -
see item CA.4018000.