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| HENRIK WIESE - THE
PICCOLO AUDITION
Flûte traversière
UNIVERSAL EDITION
Henrik Wiese once again draws on his wealth of experience as a flutist and pedag...(+)
Henrik Wiese once again draws on his wealth of experience as a flutist and pedagogue: with his book “The Piccolo & Alto Flute Audition“, he has compiled a total of 207 audition excerpts in a carefully edited and clearly arranged compendium. In alphabetical order, it contains standard passages from orchestral works of various genres throughout music history, both common and less frequently requested. This up-to-date collection is a reliable companion and indispensable for optimal preparation for international auditions of all kinds at the opera, with symphony or chamber orchestras.
Easy-to-read, uniform and modern layout make the edition convenient to use. The critical report and chronological list of audition excerpts for quicker stylistic classification make the editor a comprehensive coach for flutists. Numerous other tips and remarks gained by Wiese from his practical experience and exchange with colleagues and students complete the book. International demand is fulfilled by the texts being in three languages (German, French, English), thus making “The Piccolo & Alto Flute Audition“ the equivalent of the already established edition “The Flute Audition“.
Bartók Béla: III. Pe loc aus Rumünische Volkstänze
Bartók Béla: III. Elegia aus Concerto for Orchestra
Bartók Béla: V. Finale aus Concerto for Orchestra
Beethoven Ludwig van: 4. Satz aus Symphonie Nr. 5
Beethoven Ludwig van: 4. Satz aus Symphonie Nr. 9
Berg Alban: 1. Akt, 4. Szene aus Wozzeck
Berg Alban: 2. Akt, 2. Szene aus Wozzeck
Berlioz Hector: 3. Teil, Szene XII. Meuet des Follets aus La damnation de Faust
Berlioz Hector: V. Songe d'une nuit du Sabbat aus Symphonie fantastique
Bizet Georges: 1. Akt, Nr. 2 Marche et choeur des gamins aus Carmen
Bizet Georges: 3. Akt, Nr. 18 Introduction aus Carmen
Borodin Alexander: Allegro vivo und Presto aus Polowetzer Tänze
Brahms Johannes: Variation V aus Variationen über ein Thema von Haydn
Brahms Johannes: Variation VIII aus Variationen über ein Thema von Haydn
Brahms Johannes: 4. Satz aus Klavierkonzert Nr. 2
Brahms Johannes: 3. Satz aus Symphonie Nr. 4
Britten Benjamin: II. Sunday Morning aus Four Sea Interludes
Britten Benjamin: IV. Storm aus Four Sea Interludes
Britten Benjamin: Variation A aus The Young Person's Guide to the Orchestra
Britten Benjamin: Fugue aus The Young Person's Guide to the Orchestra
Delibes Léo: 2. Akt, Nr. 11 Musique des automates aus Coppélia
Donizetti Gaetano: Sinfonia aus Don Pasquale
Donizetti Gaetano: Nr. 7 Scena e Quartetto aus Don Pasquale
Dukas Paul: Scherzo, Poco animando und Vif aus L'Apprenti sorcier
Dvorák Antonín: 3. Satz aus Symphonie Nr. 6
Dvorák Antonín: 1. Satz aus Symphonie Nr. 9
Händel Georg Friedrich: 1. Akt, Nr. 11 Aria Augelletti, che cantate (Almirena) aus Rinaldo
Hindemith Paul: II. Marsch und Pastorale aus Nobilissima Visione
Holst Gustav: III. Merkur aus Die Planeten
Holst Gustav: Dance of the spirits of water aus der Ballettmusik The Perfect Fool
Ippolitov-Ivanov Michail: Nr. 4 Procession of the Sardar aus Suite Nr. 1 Caucasian Sketches
Janácek Leoš: 3. Satz The Queen's Monastery, Brno aus Sinfonietta
Kodály Zoltán: Marosszéker Tänze
Kodály Zoltán: Tänze aus Galánta
Ljadow Anatoli: VII. Dancing Song aus Acht russische Volkslieder
Mahler Gustav: III. Von der Jugend aus Das Lied von der Erde
Mahler Gustav: IV. Urlicht aus Symphonie Nr. 2 Auferstehung
Mahler Gustav: V. Der große Appell aus Symphonie Nr. 2 Auferstehung
Mozart Wolfgang Amadeus: 2. Akt, Nr. 13 Aria Alles fühlt der Liebe Freuden (Monostatos) aus Die Zauberflöte
Ponchielli Amilcare: 3. Akt Danza delle Ore, Finale aus La Gioconda
Prokofieff Sergei: I. The Birth of Kijé aus der Suite Leutnant Kishe
Prokofieff Sergei: IV. Troika aus der Suite Leutnant Kishe
Puccini Giacomo: Suor Angelica
Puccini Giacomo: 3. Akt, 1. Szene aus Turandot
Ravel Maurice: II. Malagueña aus Rapsodie espagnole
Ravel Maurice: IV.Feria aus Rapsodie espagnole
Ravel Maurice: II. Petit Poucet aus My mère l'Oye
Ravel Maurice: III. Laideromette, Imperatrice des Pagodes aus My mère l'Oye
Ravel Maurice: Lever du jour aus der Suite Daphnis et Chloé
Ravel Maurice: Pantomime aus der Suite Daphnis et Chloé
Ravel Maurice: Danse générale aus der Suite Daphnis et Chloé
Ravel Maurice: Boléro
Ravel Maurice: 1. Satz aus Klavierkonzert G-Dur
Ravel Maurice: 3. Satz aus Klavierkonzert G-Dur
Rimski-Korsakow Nikolaj: 3. Satz The Young Prince and The Young Princess aus Sheherazade
Rimski-Korsakow Nikolaj: 4. Satz Festiva at Baghdad aus Sheherazade
Rossini Gioachino: Sinfonia aus der Ouverture zu La scala di seta
Rossini Gioachino: Sinfonia aus der Ouverture zu L'Italiana in Algeri
Rossini Gioachino: 1. Akt, Nr. 2 Cavatina Largo al Factotum (Figaro) aus Il barbiere di Siviglia
Rossini Gioachino: 1. Akt, Nr. 8 Finale 1, Stretta aus Il barbiere di Siviglia
Rossini Gioachino: Sinfonia aus der Ouverture zu La gazza ladra
Rossini Gioachino: Sinfonia aus der Ouverture zu Semiramide
Rossini Gioachino: Sinfonia aus der Ouverture zu Wilhelm Tell
Schönberg Arnold: Nr. 18 Der Mondfleck aus Pierrot lunaire
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 5
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 5
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 6
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 6
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 7
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 8
Schostakowitsch Dmitri: 4. Satz aus Symphonie Nr. 8
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 3. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 5. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 10
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 10
Schostakowitsch Dmitri: 3. Satz aus Symphonie Nr. 10
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 15
Sibelius Jean: III. Alla marcia aus der Suite Karelia
Smetana Bedrich: Vivacissimo aus Die verkaufte Braut
Sousa Filipe de: March aus The Stars and Stripes Forever
Strauß Johann (Sohn): Ouverutre aus Die Fledermaus
Strawinsky Igor: Variation de l'oiseau de feu aus der Suite L'Oiseau de Feu
Strawinsky Igor: Ronde des princesses (Khorovode) aus der Suite L'Oiseau de Feu
Tschaikowsky Peter Iljitsch: 3. Satz aus Symphonie Nr. 4
Tschaikowsky Peter Iljitsch: 4. Satz aus Symphonie Nr. 4
Tschaikowsky Peter Iljitsch: 2. Akt, Nr. 12 Divertissement, c) Le thé (Danse chinoise) aus Der Nussknacker
Tschaikowsky Peter Iljitsch: 3. Satz aus Symphonie Nr. 6
Verdi Giuseppe: 2. Akt Ballabile aus der Oper Aida
Verdi Giuseppe: 1. Akt Coro Fuoco di goia aus der Oper Otello
Verdi Giuseppe: 3. Akt Ballettmusik aus der Oper Otello
Verdi Giuseppe: 1. Akt, 2. Teil aus der Oper Falstaff
Verdi Giuseppe: 1. Akt, Nr. 2 Introduzione aus der Oper La traviata
Verdi Giuseppe: 1. Teil, 1. Szene, Nr. 4 Coro di Zingari e Canzone aus der Oper Il trovatore
Verdi Giuseppe: 3. Akt, Nr. 13 Scena, Terzetto e Tempesta aus der Oper Rigoletto
Wagner Richard: 3. Szene aus der Oper Das Rheingold
Wagner Richard: 3. Akt, 2. Szene Feuerzauber aus der Oper Die Walküre
Holst Gustav: V. Saturn, the Bringer of Old Age aus Die Planeten
Holst Gustav: VII. Neptun, the Mystic aus Die Planeten
Ravel Maurice: 1. Teil Danse religieuse aus Daphnis et Chloé
Ravel Maurice: 1. Teil Danse générale aus Daphnis et Chloé
Ravel Maurice: 2. Teil Danse guerrière aus Daphnis et Chloé
Ravel Maurice: 3. Teil Lever du jour aus Daphnis et Chloé
Ravel Maurice: 3. Teil Pantomime aus Daphnis et Chloé
Ravel Maurice: 3. Teil Danse générale aus Daphnis et Chloé
Strawinsky Igor: 1. Teil L'Adoration de la terre aus Le sacre du printemps
Strawinsky Igor: 1. Teil Danses des adolescentes aus Le sacre du printemps
Strawinsky Igor: 1. Teil Rondes printanières aus Le sacre du printemps
Strawinsky Igor: 2. Teil Le sacrifice, Introduction aus Le sacre du printemps
Strawinsky Igor: 2. Teil Le sacrifice, Cercle mystérieux des adolescentes aus Le sacre du printemps
Strawinsky Igor: 2. Teil Le sacrifice, Action rituelle des ancêtres aus Le sacre du printemps / Partitions classique / Bois / Flûte traversière / UNIVERSAL EDITION
Délais: Sur commande |
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| Illustrated Method
(SHERIDON STOKES)
Flûte traversière - Débutant
Mel Bay
Par SHERIDON STOKES. Unlike many flute books which give long series of exercises...(+)
Par SHERIDON STOKES. Unlike many flute books which give long series of exercises, but no instruction on how to play the flute, the Illustrated Method for Flute uses the resources of language, illustration, and photography to help you to learn to play the flute quickly and successfully. It is based not only on the musical and teaching experience of its authors, but also on current research in the physics of sound production in the flute and physiological and anatomical aspects of flute playing. Great care was taken to carefully describe the workings of the muscles, the breathing aperture, the acoustical principles, and the common phenomena (such as vibrato) associated with the flute. The Illustrated Method For Flute also includes five brilliantly written etudes and a fingering chart for easy reference. / Niveau : Débutant / All Styles - Methods / Méthode / Flûte Traversière
Délais: 2-5 jours - En Stock Fournisseur |
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| The Christmas Flutist: 20
Songs And Carols
(NISHIMURA JUDY)
Flûte traversière
Alry Publications
Par NISHIMURA JUDY. The Christmas Flutist is a collection of 20 Songs and Carols...(+)
Par NISHIMURA JUDY. The Christmas Flutist is a collection of 20 Songs and Carols arranged for solo flute by Judy Nishimura. The perfect companion for a flutist looking for music to play at a church service, a solo gig, or just to enjoy at home. Additionally, each arrangement has retained the key signature most commonly associated with the tune, thus they can easily be used as a prelude or introduction to the same titles used during a church service./ Recueil / Flûte Traversière
Délais: 2-5 jours - En Stock Fournisseur |
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| Larry Clark: The Complete
Scale Compendium for
Flute: Flute:
Instrumental
Flûte traversière
Carl Fischer
Larry Clark's The Complete Scale Compendium focuses on what is most common in th...(+)
Larry Clark's The Complete Scale Compendium focuses on what is most common in the study of classical music: core major and minor scales as well as chromatic pentatonic whole-tone and blues scales.The mastery of scales and scale patterns has long been established as the best way to improve technical abilities on all instruments. With this book students will learn the construction of these scales while practicing unique patterns enriching their technique. Specific slurs and articulations have been left off of the exercises so that a multitude of different articulation and slur patterns can be used. The exercises are presentedin two ways: by scale pattern and by key.The Complete Scale Compendium is available for Flute Clarinet Alto Saxophone Trumpet Trombone and Violin.
Délais: En Stock |
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| Clarissa Payne: Restart
Flute: Flute:
Instrumental Tutor
Flûte traversière [Partition + CD]
Amsco Wise Publications
Restart Flute guides returning players through 12 specially selected tracks to b...(+)
Restart Flute guides returning players through 12 specially selected tracks to bring them successfully back up to speed with the flute at their own enjoyable pace.With additional exercises tips and theoryreminders latent flautists will find the learning curve engaging and rewarding yet flexible with special focus paid to common issues such as hand position breathing and posture and remastering the embouchure.TheRestart series of books are written by specialist practising teachers for people rediscovering the joy of playing music again. Each title comes complete with an accompanying CD of popular and classical backing tracks andonline support materials.
Délais: En Stock |
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| 100 Ultimate Jazz Riffs:
Flute: Instrumental Album
Flûte traversière [Partition + Accès audio] - Intermédiaire
ADG productions
100 Ultimate Jazz Riffs for Flute by Andrew D. Gordon consists of as the title ...(+)
100 Ultimate Jazz Riffs for Flute by Andrew D. Gordon consists of as the title suggests 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing Jazz Ballad Jazz Funk Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard Blue Moon; showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this techniqueyou can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the flute playing the melody line along with a rhythm section of piano bass and drums. All the examples are recorded with the flute and the rhythm section as well as the rhythm section without the flute and with the more difficult examples the rhythm section is recorded at a slowed down tempo. An absolute must for musicians learning and playing various jazz styles.
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| Gabriel Fauré: Pavane:
Flute: Instrumental Work
Flûte traversière
XYZ Uitgeverij
The delightful Pavane Op.50 by Gabriel Faure expertly arranged by Jack Gently f...(+)
The delightful Pavane Op.50 by Gabriel Faure expertly arranged by Jack Gently for Flute and Piano.The Pavane is a stately Renaissance dance that was common in Europe during the 16th Century and Faure’s processional alludes to these origins. His characteristic alluring harmonies are complimented by a meandering languid and somnambular rhythm and have led to its popularity. A widely played and well known orchestral piece in a beautiful and effective setting for Flute and Piano.
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| Dehnhard Tilmann: Jazz
Studies: Flute:
Instrumental Album
Flûte traversière [Partition + CD] - Facile
Universal Edition
Tilmann Dehnhard composed this collection of original pieces whilst working with...(+)
Tilmann Dehnhard composed this collection of original pieces whilst working with classically trained flautists who wanted to play jazz. He addresses such questions as: How can I play melodies over chord progressions? What style of articulation should I use to make sure the music grooves? Each piece on the CD is presented in three versions: two full recordings at differing tempi for playing-along and a version providing the accompaniment only for playing-along with full confidence. Notes and explanations are provided on symbols commonly found in jazz notation swing rhythm off-beat articulation and other conventions often encountered in the playing of jazz.
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| Jazz Flute Scales
Levels/Grades 1-5: Flute:
Instrumental Reference
Flûte traversière - Facile
ABRSM Publishing
This book of jazz scales will develop the skills required in playing jazz. It in...(+)
This book of jazz scales will develop the skills required in playing jazz. It introduces patterns characteristic of the idiom such as modes the blues scale and the minor pentatonic and explores these on roots and in key centres commonly found in jazz.
Délais: En Stock |
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| Ryan Janus: Flute Scale
Chart: Reference
Flûte traversière
Mel Bay
Ryan Janus: Flute Scale Chart is a concise chart containing the most commonly us...(+)
Ryan Janus: Flute Scale Chart is a concise chart containing the most commonly used scales. Use for practice reference or pedagogy. Contains all major harmonic minor melodic minor chromatic whole-tone anddiminished scales.
Délais: En Stock |
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| Bishko Andrew - First
Lessons Native American
Flute - How To Sit On A
Rock - Flute
Flûte traversière [Partition + CD] - Facile
Mel Bay
Description New owners of the Native American Flute are often told to go sit ...(+)
Description New owners of the Native American Flute are often told to go sit on a rock and teach themselves how to play. Through eight lessons introducing the technique and theory of both the outer and inner game of Native American Flute improvisation, players of all levels learn to express the music growing inside themselves. The exercises in this volume are presented in fingering diagrams and Nakai TAB-an easy-to-learn derivative of standard music notation most commonly used for Native American Flute. Audio included.
Délais: Sur commande |
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| Andrew Bishko: First
Lessons Native American
Flute: Flute:
Instrumental Tutor
Flûte traversière [Partition + Accès audio]
Mel Bay
How To Sit On A Rock-New owners of the Native American Flute are often told to g...(+)
How To Sit On A Rock-New owners of the Native American Flute are often told to go 'sit on a rock' and teach themselves how to play. Through eight lessons introducing the technique and theory of both the outer and inner 'game' of Native AmericanFlute improvisation players of all levels learn to express the music growing inside themselves.The exercises in this volume are presented in fingering diagrams and Nakai TAB-an easy-to-learn derivative of standard musicnotation most commonly used for Native American Flute. Access to online audio included.
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| Bluesier Side Of Jazz:
Flute: Instrumental Tutor
Flûte traversière
ADG productions
The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students...(+)
The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon Yumiko Yoko Eunice Sooji Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues and Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man' 'Blue Monk' 'Tenor Madness' 'Route 66' 'Blue Trane' 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.
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| The Blues Scale For
Flute: Flute:
Instrumental Tutor
Flûte traversière [Partition + Accès audio] - Intermédiaire
ADG productions
The Blues Scale For Flute by Andrew D. Gordon is an invaluable guide to the blue...(+)
The Blues Scale For Flute by Andrew D. Gordon is an invaluable guide to the blues scale explaining how it is used to improvise in many styles of contemporary music.This book contains 20 grooves in 13 styles:Pop: 2 GroovesRock: 3 GroovesBlues: 2 GroovesJazz-Swing: 1 GrooveFunk: 3 GroovesRandB: 1 GrooveLatin: 1 GrooveGospel: 2 GroovesNew Age: 1 GrooveReggae: 1 GrooveCalypso: 1 GrooveAcid-Jazz: 1 GrooveCountry: 1 GrooveIn The Blues Scale For Flute the blues scale and relative minor blues scaleare covered in detail. This book explains how they are used either separately or together in the patterns for each style (the relative minor blues scale is generally not used in minor keys).Each of the 20 grooves in this book contains over 150 patterns in total using notes solely from the blues scale. Each groove utilizes a chord progression that is commonly used for that style of music. The patterns generally start off fairly simply and become more complex as the groove progresses.The audio files contain recordings of all the blues patterns that are notated in the book featuring a rhythm section of Piano Organ Guitar Bass and Drums.Also included are extended 2-3 minute play-a-long MP3 files of all 20 grooves enabling you to practice playing the blues patterns or creating your own for an extended period of time. MIDI files are also available.Watch the video below for more information.
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