Ultimate Rock Drumming by Jim McCall is the ultimate guide for learning the beats and fills used in today's music. There are over 16, 000 possible rhythmic possibilities that will be explored when studying this book. Ultimate Rock Drumming addresses all the different elements of rock 'n' roll including R& B, shuffles, 12/8 blues, pop, country, Latin and rock. Students will become quite the experts and develop a high level of skill after completing Ultimate Rock Drumming./ Recueil / Guitare

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument intermediate players can use it for training and theoretical work and advanced players can explore the sections on advanced theory extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm.Part 1 (pitch) begins withthe properties of string harmonics and tuning systems. It then moves methodically through pitch information beginning with locating all versions of a single pitch building pentatonic heptatonic and all possible symmetricalscales. This is followed by a study of intervals with all possible locations of every two pitches and a long study that moves through every possible fingering of three pitches with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation.Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation with a focus on efficiency accuracy speed dynamics and groove. It is followed by a study of legato playing working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse playing two simultaneous tempos.The book concludes with a study of polyrhythm playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described

House of Blues Learn to Play Series-House of Blues and The Rock House Method® join together to bring you this unique and comprehensive beginner acoustic program. Jam-packed with a complete spectrum of techniques and components that will have you playing today.The one-on-one lessons with world renowned instructor and guitarist Kevin McCreery start with the basics of holding and tuning your guitar then guide you step-by-step through chords strum patterns scales song rhythms fingerpicking and more. Play along with the included full bass and drum backing tracks. Also have fun while learning about the history and famous pioneers of acoustic guitar.Each Rock House product includes free lifetimemembership to Rock House's online lesson support system. Enhance your learning experience links with instructors download backing tracks access message boards and much more. You'll connect with a community of musicians aroundthe world learning to play music using The Rock House Method.

Le Singin' with the Jazz offre une variété de 10 grands standards pour le chanteur solo avec un combo de neuf ou dix pièces --- idéal pour le chanteur qui a besoin d'arrangements pour un petit ensemble. L'instrumentation combo est trompette, sax alto, saxophone ténor, trombone, guitare, basse, drumset, et le piano avec des indices conducteurs pour les cornes. Une partie de baryton sax option ajoute de la couleur et de la texture supplémentaire. Superbement organisé par Dave Wolpe, les chansons sont dans une variété de styles et de tempos pour offrir une flexibilité dans tous les milieux musicaux. / Guitare

Par BERNSTEIN PETER. Captured at the New York jazz club Smoke, the Peter Bernstein Trio, featuring jazz-guitarist Peter Bernstein, organist Larry Goldings and drummer Bill Stewart, lays it all out on everything from lush ballads to intense grooves. / Niveau : Tous Niveaux / Jazz - Concert/Documentary / Accessoire / Guitare

Jimmy Bruno (Performed). Par JIMMY BRUNO. Featuring: Jimmy Bruno, guitar - Chris Farr, tenor sax - Daniel Monaghan, drums - Lucas Brown, organ and keyboard bass Jimmy Bruno is one of the finest jazz guitarists of our time. From the first note of every performance he captures audiences with his electricity and presence. This most recent performance, filmed live at Chris' Café in Philadelphia, PA, presents the unique opportunity to witness Jimmy in an intimate jazz setting, while playing to a home town crowd. This new DVD features eight jazz standards performed live by Jimmy Bruno with a tenor sax/drums/organ quartet and includes an up-close and personal interview with the master himself. / Jazz - Concert/Documentary / Accessoire / Guitare

Worship Band Playalong Volume 1-The Worship Band Play-Along series is a flexible tool for worship leaders and bands. Each volume offers five separate correlated book/CD packs: Guitar Keyboard Bass Drumset and Vocal.Bands can use the printed music and chord charts to play live together and members can rehearse at home with the CD tracks. Worship Leaders without a band can play/sing along with the CD for a fuller sound. The eight songs in each volume follow a similar theme for easy set selection and the straightforward arrangements are perfect for bands of any level.

Filmed at the New York jazz club Smoke Rodney Jones enlightens us with his flavorful originals like 'Groove Bone' and 'One Turnip Green ' while he indulges us with the classics such as 'Stella by Starlight ' and'Morning of the Carnival.'For Live At Smoke his first DVD as a leader Rodney Jones selected material from every stage of his career including tunes he had not previously recorded. The result isan exquisite juxtaposition of traditional and progressive works including sultry ballads floor-pounding grooves and everything in between.A gifted solo artist and an A-list sideman for Dizzy Gillespie James Brown LenaHorne and other top performers Rodney is also a dedicated educator serving on the faculty of the Manhattan School of Music since 1988.Featuring: Brian Charette on Organ Lonnie Plaxico on Bass and Ray Marchica onDrums.

Par VIGNOLA FRANK. On his 12th CD as a leader, guitarist and native New Yorker Frank Vignola demonstrates his remarkable versatility while paying affectionate tribute to the Great American Songbook. With Joe Ascione on drums, Tom Kennedy on bass, and Corey Christiansen on rhythm guitar, Vignola Plays Gershwin features fresh interpretations of 14 classic tunes. / Jazz - Concert/Documentary / Accessoire / Guitare

Par RAINEY CHUCK. by Mike Diliddo. Presented here is written and recorded guitar accompaniment to the entire volume 54 CD. This long awaited book includes easy-to-read music, chord symbols, and guitar frames above each example for the non-reading guitarist. Also included is a CD of Mike playing the voicings with the 'Maiden Voyage' play-a-long. Special CD stereo separation allows you to eliminate the guitarist and sit in with just the bass and drums. These voicings are 'real world' authentic chord voicings, not simplified sterile examples. It's a great opportunity to not only learn great jazz voicings, but to see how these voicings can be used to navigate blues, rhythm, and great standards. Banddirectors will love this one because now ALL members of the rhythm section can practice their comping with this world famous play-a-long. / Méthode en anglais / Méthode / Guitare

Following on from his hugely successful Justinguitar.com Beginner’s Course and his songbooks for Guitar celebrated Guitar tutor Justin Sandercoe and his drummer friend alsocalled Justin (Scott) have created a complete progressive and easy-to-follow guide to mastering rhythm reading. This book focuses on learning how to read (and play) rhythmic notation an often overlooked part oflearning how to read music and of great benefit to most guitarists. It is aimed at beginner to intermediate level and will help students to write read and really understand rhythmic notation which has the added benefit ofimproving the students sense of rhythm and time in all aspects of their playing. This book contains an extensive series of gradually progressive practical exercises for students to work through and detailed lessons to help themmake easy and solid progress to rhythm mastery!

Recorded in concert at the Smithsonian Jazz Café - November 11 2005 Vic Juris and Corey Christiansen two of the first guitarists on Mel Bay Records joined bassist Bill Moring and drummer Tim Horner on this remarkable set ofstandards and originals.Awakening Corey's first CD as well as the first release on Mel Bay Records was hailed by jazz critics and radio programmers as an unusually impressive debut recording. Widely recognized as abrilliant musician and composer Vic has worked with an extensive roster of jazz legends since the early 1970s. A Second Look his first CD on Mel Bay Records was released in April of 2005 to great critical acclaim.Assenior editor for Mel Bay Publications Corey was given the opportunity to produce Vic's CD. In the process they discovered their musical styles compliment each other so well that it was only natural for them to record together. Live At The Smithsonian Jazz Café clearly demonstrates the wisdom of that decision.

Filmed at the Smithsonian Jazz Cafe Randy Johnston makes the classics soar with his performances of Body and Soul Here's That Rainy Day and If Ever I Would Leave You. The jazz times never stop onthis classic 12 track DVD.On March 18th 2005 with his latest CD approaching the pinnacle of the jazz chart Randy Johnston captured the energy of the moment in front of a packed house at the Smithsonian JazzCafe. Bassist Tom Pietrycha and drummer Tony Leone joined Randy on this exhilarating blend of originals and covers including John Coltrane’s Impressions and Don Militello's Seems Like Times Are Changin.Aseasoned professional with several world tours under his belt Randy has performed and recorded with Lou Donaldson Dr. Lonnie Smith Houston Person Etta Jones Lionel Hampton Brother Jack McDuff Warne Marsh Lee Konitz JoeyDeFrancesco Tom Harrell Irene Reid Rashid Ali and other jazz notables. Born in Detroit Randy studied at the University of Miami before moving to New York City in the early 1980s.