| Royal Coronation Dances Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| La Traviata Highlights Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053773-010 Composed by Giuse...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1053773-010
Composed by Giuseppe
Verdi. Arranged by Wil
van der Beek. The Great
Classics. Transcription.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053773-010. Published by
De Haske Publications
(BT.DHP-1053773-010).
English-German-French-
Dutch. La Traviata
is one of the most
well-known operas by
Giuseppe Verdi.The story
of the opera depicts the
conflict between free
love and bourgeois
morality. The young poet
Alfredo and the Parisian
courtesan Violetta fall
in love with each other.
They are happy together
for a while, but Violetta
gives up Alfredo, at the
request of his father, to
save the honor of his
family. Only when
it’s too late are
the two reunited, with
Violetta suffering from
tuberculosis and dying in
the arms of her lover. La
Traviata Highlights
consists of three
movements, which can be
performed as one large
work, but can also be
played separately. It
makes use of many
beautiful dance melodies
and delightfulmoving
arias from this
captivating opera.
La Traviata is
een van de bekendste
opera’s van
Giuseppe Verdi. Het
verhaal geeft het
conflict tussen vrije
liefde en de burgerlijke
moraal weer. De jonge
dichter Alfredo en de
Parijse courtisane
Violetta worden verliefd
op elkaar.Ze zijn een
tijdlang gelukkig samen,
maar Violetta geeft
Alfredo op verzoek van
diens vader op om de eer
van zijn familie te
redden. Pas als het te
laat is, worden de
geliefden
herenigd:Violetta lijdt
aan tbc en sterft in de
armenvan haar minnaar. La
Traviata Highlights
bestaat uit drie delen,
die uitvoerbaar zijn als
één groot werk,
maar ook afzonderlijk
kunnen worden gespeeld.
Er zijn veel mooie
dansmelodieën, evenals
een aantal prachtige,
ontroerendearia’s
uit de opera La Traviata
in verwerkt.
La
Traviata Highlights
besteht aus drei
Sätzen, die als ein
langes Werk, aber auch
getrennt voneinander
gespielt werden
können. Im ersten Satz
folgt auf eine
stürmische
Einführung eine Art
Tarantella - diese Musik
stammt aus dem Finale des
zweiten Akts der Oper.
Der zweite Satz ist das
weltberühmte Vorspiel
zum ersten Akt; es weist
einen vertraulichen und
etwas rührenden
Charakter auf. Den
Schluss dieser
Bearbeitung bildet das
berühmte Trinklied aus
dem ersten Akt mit seiner
fröhlichen,
eingängigen Musik
voller Lebensfreude.Ein
echtes Highlight für
Ihr Konzert!
La
Traviata, un des plus
célèbres opéras
de Giuseppe Verdi, est
inspiré du drame La
Dame aux camélias
d’Alexandre Dumas
fils. Jalonnée de
superbes mélodies et
d’airs sublimes,
la musique de La Traviata
possède un charme
intemporel. La Traviata
Highlights reprend
quelques-uns des plus
grands moments de
l’opéra dont le
Prélude de
l’Acte I, une
tarentelle extraite du
Finale de l’Acte
II, et la célèbre
chanson boire Brindisi
qui clôt
l’oeuvre dans la
joie, la brillance et
l’exubérance.
p>
$181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| La Traviata Highlights Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053773-140 Composed by Giuse...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1053773-140
Composed by Giuseppe
Verdi. Arranged by Wil
van der Beek. The Great
Classics. Transcription.
Score Only. Composed
2005. 47 pages. De Haske
Publications #DHP
1053773-140. Published by
De Haske Publications
(BT.DHP-1053773-140).
English-German-French-
Dutch. La Traviata
is one of the most
well-known operas by
Giuseppe Verdi.The story
of the opera depicts the
conflict between free
love and bourgeois
morality. The young poet
Alfredo and the Parisian
courtesan Violetta fall
in love with each other.
They are happy together
for a while, but Violetta
gives up Alfredo, at the
request of his father, to
save the honor of his
family. Only when
it’s too late are
the two reunited, with
Violetta suffering from
tuberculosis and dying in
the arms of her lover. La
Traviata Highlights
consists of three
movements, which can be
performed as one large
work, but can also be
played separately. It
makes use of many
beautiful dance melodies
and delightfulmoving
arias from this
captivating opera.
La Traviata is
een van de bekendste
opera’s van
Giuseppe Verdi. Het
verhaal geeft het
conflict tussen vrije
liefde en de burgerlijke
moraal weer. De jonge
dichter Alfredo en de
Parijse courtisane
Violetta worden verliefd
op elkaar.Ze zijn een
tijdlang gelukkig samen,
maar Violetta geeft
Alfredo op verzoek van
diens vader op om de eer
van zijn familie te
redden. Pas als het te
laat is, worden de
geliefden
herenigd:Violetta lijdt
aan tbc en sterft in de
armenvan haar minnaar. La
Traviata Highlights
bestaat uit drie delen,
die uitvoerbaar zijn als
één groot werk,
maar ook afzonderlijk
kunnen worden gespeeld.
Er zijn veel mooie
dansmelodieën, evenals
een aantal prachtige,
ontroerendearia’s
uit de opera La Traviata
in verwerkt.
La
Traviata Highlights
besteht aus drei
Sätzen, die als ein
langes Werk, aber auch
getrennt voneinander
gespielt werden
können. Im ersten Satz
folgt auf eine
stürmische
Einführung eine Art
Tarantella - diese Musik
stammt aus dem Finale des
zweiten Akts der Oper.
Der zweite Satz ist das
weltberühmte Vorspiel
zum ersten Akt; es weist
einen vertraulichen und
etwas rührenden
Charakter auf. Den
Schluss dieser
Bearbeitung bildet das
berühmte Trinklied aus
dem ersten Akt mit seiner
fröhlichen,
eingängigen Musik
voller Lebensfreude.Ein
echtes Highlight für
Ihr Konzert!
La
Traviata, un des plus
célèbres opéras
de Giuseppe Verdi, est
inspiré du drame La
Dame aux camélias
d’Alexandre Dumas
fils. Jalonnée de
superbes mélodies et
d’airs sublimes,
la musique de La Traviata
possède un charme
intemporel. La Traviata
Highlights reprend
quelques-uns des plus
grands moments de
l’opéra dont le
Prélude de
l’Acte I, une
tarentelle extraite du
Finale de l’Acte
II, et la célèbre
chanson boire Brindisi
qui clôt
l’oeuvre dans la
joie, la brillance et
l’exubérance.
p>
$31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| To a Friend Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.DHP-1216293-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Score Only.
Composed 2021. 8 pages.
De Haske Publications
#DHP 1216293-140.
Published by De Haske
Publications
(BT.DHP-1216293-140).
English-German-French-
Dutch. When you
have been playing in a
band for a long time, you
will know that music
belongs to the most
beautiful moments in
life, but also to the
roughest times. Making
music together can give
you strength when things
are difficult.To a
Friend is a
wonderfully comforting
work for anyone going
through a dark time.
Jacob de Haan composed
the work for his father
in law, Gerard Bosch, a
musician to the core. The
piece received its first
performance justweeks
before his passing. On a
sun-kissed evening, his
friends, the musicians of
his two music societies
Oefening Baart Kunst
(Practice Makes Perfect)
Otterlo, and the
Reünie Orkest
Artillerie
Trompetterkorps (Reunion
BandArtillery Trumpet
Corps) played the work
for Gerard - an unknowing
yet beautiful
goodbye.
Wanneer
je al lang samen in een
orkest speelt, weet je
dat muziek hoort bij de
mooiste momenten in het
leven, maar ook bij de
diepste dalen. Samen
muziek maken kan je
kracht geven wanneer je
het moeilijk hebt. To
a Friendis een
prachtig troostrijk werk
voor iedereen die donkere
tijden meemaakt. Jacob de
Haan componeerde het werk
voor zijn schoonvader,
Gerard Bosch, een
muzikant in hart en
nieren. Een paar weken
voor diens overlijden was
het klaarom te worden
uitgevoerd. Op een
zonovergoten avond
speelden zijn vrienden,
de muzikanten van zijn
beide muziekverenigingen
Oefening Baart Kunst
Otterlo en het Reünie
Orkest Artillerie
Trompetterkorps het voor
Gerard. Eenprachtig
afscheid.
Wer
lange in einem Orchester
gespielt hat, der
weiß, dass Musik zu
den schönsten Momenten
im Leben gehört, aber
auch zu den schwersten.
Gemeinsames Musizieren
kann einem in schwierigen
Zeiten Kraft geben. To
a Friend istein
wunderbar tröstliches
Werk für jeden, der
eine schwere Zeit
durchlebt. Jacob de Haan
komponierte das Werk
für seinen
Schwiegervater Gerard
Bosch, der Musiker durch
und durch war. Das
Stück wurde nur wenige
Wochen vor seinemTod
uraufgeführt. An einem
sonnigen Abend spielten
seine Freunde, die
Musiker seiner beiden
Musikvereine Oefening
Baart Kunst (Ãœbung
macht den Meister“)
Otterlo und das Reünie
Orkest Artillerie
Trompetterkorps (Reunion
BandArtillerie Trompet
Corps) , das Werk für
Gerard. Ein unbewusster
und zugleich schöner
Abschied.
Lorsquâ
€™on joue dans un
orchestre depuis
longtemps, on sait que la
musique fait partie des
plus beaux moments de la
vie, mais aussi
d’instants très
ardus. Jouer ensemble
peut donner de la force
lorsque les choses sont
difficiles.To a
Friend est une
Å“uvre
merveilleusement
réconfortante pour
toute personne
confrontée une
période sombre. Jacob
de Haan a composé
cette pièce pour son
beau-père, Gerard
Bosch, lui-même
musicien passionné.
Elle a
étécréée
quelques semaines avant
son décès. Lors
d’une fin de
journée
ensoleillée, ses amis,
les musiciens de ses deux
sociétés musicales
(Oefening Baart Kunst
Otterlo et le Reünie
Orkest Artillerie
Trompetterkorps ), ont
interprétéla
nouvelle composition pour
Gerard. Ils
l’ignoraient
alors, mais ce petit
concert constitua un
adieu merveilleux. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| To a Friend Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.DHP-1216293-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Set (Score &
Parts). Composed 2021. De
Haske Publications #DHP
1216293-010. Published by
De Haske Publications
(BT.DHP-1216293-010).
English-German-French-
Dutch. When you
have been playing in a
band for a long time, you
will know that music
belongs to the most
beautiful moments in
life, but also to the
roughest times. Making
music together can give
you strength when things
are difficult.To a
Friend is a
wonderfully comforting
work for anyone going
through a dark time.
Jacob de Haan composed
the work for his father
in law, Gerard Bosch, a
musician to the core. The
piece received its first
performance justweeks
before his passing. On a
sun-kissed evening, his
friends, the musicians of
his two music societies
Oefening Baart Kunst
(Practice Makes Perfect)
Otterlo, and the
Reünie Orkest
Artillerie
Trompetterkorps (Reunion
BandArtillery Trumpet
Corps) played the work
for Gerard - an unknowing
yet beautiful
goodbye.
Wanneer
je al lang samen in een
orkest speelt, weet je
dat muziek hoort bij de
mooiste momenten in het
leven, maar ook bij de
diepste dalen. Samen
muziek maken kan je
kracht geven wanneer je
het moeilijk hebt. To
a Friendis een
prachtig troostrijk werk
voor iedereen die donkere
tijden meemaakt. Jacob de
Haan componeerde het werk
voor zijn schoonvader,
Gerard Bosch, een
muzikant in hart en
nieren. Een paar weken
voor diens overlijden was
het klaarom te worden
uitgevoerd. Op een
zonovergoten avond
speelden zijn vrienden,
de muzikanten van zijn
beide muziekverenigingen
Oefening Baart Kunst
Otterlo en het Reünie
Orkest Artillerie
Trompetterkorps het voor
Gerard. Eenprachtig
afscheid.
Wer
lange in einem Orchester
gespielt hat, der
weiß, dass Musik zu
den schönsten Momenten
im Leben gehört, aber
auch zu den schwersten.
Gemeinsames Musizieren
kann einem in schwierigen
Zeiten Kraft geben. To
a Friend istein
wunderbar tröstliches
Werk für jeden, der
eine schwere Zeit
durchlebt. Jacob de Haan
komponierte das Werk
für seinen
Schwiegervater Gerard
Bosch, der Musiker durch
und durch war. Das
Stück wurde nur wenige
Wochen vor seinemTod
uraufgeführt. An einem
sonnigen Abend spielten
seine Freunde, die
Musiker seiner beiden
Musikvereine Oefening
Baart Kunst (Ãœbung
macht den Meister“)
Otterlo und das Reünie
Orkest Artillerie
Trompetterkorps (Reunion
BandArtillerie Trompet
Corps) , das Werk für
Gerard. Ein unbewusster
und zugleich schöner
Abschied.
Lorsquâ
€™on joue dans un
orchestre depuis
longtemps, on sait que la
musique fait partie des
plus beaux moments de la
vie, mais aussi
d’instants très
ardus. Jouer ensemble
peut donner de la force
lorsque les choses sont
difficiles.To a
Friend est une
Å“uvre
merveilleusement
réconfortante pour
toute personne
confrontée une
période sombre. Jacob
de Haan a composé
cette pièce pour son
beau-père, Gerard
Bosch, lui-même
musicien passionné.
Elle a
étécréée
quelques semaines avant
son décès. Lors
d’une fin de
journée
ensoleillée, ses amis,
les musiciens de ses deux
sociétés musicales
(Oefening Baart Kunst
Otterlo et le Reünie
Orkest Artillerie
Trompetterkorps ), ont
interprétéla
nouvelle composition pour
Gerard. Ils
l’ignoraient
alors, mais ce petit
concert constitua un
adieu merveilleux. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Three Miniature Nutcrackers Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
I. March, II. Dance of the Reed Flutes, III. Russian Dance (Trepak). Comp...(+)
I. March, II. Dance of
the Reed Flutes, III.
Russian Dance
(Trepak). Composed by
Peter Ilyich Tchaikovsky
(1840-1893). Arranged by
Michael Story. Concert
Band; Masterworks;
Part(s); Score. Belwin
Beginning Band. Form:
Suite. Christmas;
Masterwork Arrangement;
Romantic; Secular;
Winter. 272 pages.
Published by Belwin Music
(AP.44889).
$56.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Book of Urizen - Symphony No. 1 (CD incl.) Orchestre d'harmonie [Conducteur et Parties séparées + CD] - Intermédiaire De Haske Publications
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
En 1794,
l’écrivain,
peintre, graveur,
enlumineur, visionnaire
et philosophe mystique
anglais William Blake
(1757-1827) dénonce
dans The Book of Urizen
(Le Livre
d’Urizen), la loi
de fer du monde moderne.
Dans The Book
ofUrizen - la
première symphonie de
Jacob de Haan pour
Orchestre
d’Harmonie,
Soprano et un récitant
- des collages sonores
sont utilisés. The
Vision, la
première partie et
The Creation, la
deuxième partie de
TheBook of Urizen
sont disponibles sous le
numéro
d'éditionsuivant: DHP
1043551. The Web,
la troisième partie de
The Book of Urizen
est disponible sous le
numéro d'édition
suivant: DHP 1125252.
Télécharger
lesextraits audio ici:
track 1, track 2, track
3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
$533.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| All Together Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-1145612-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3 SKU:
BT.DHP-1145612-015
Composed by Peter Kleine
Schaars. De Haske Easy
Band Series. Set (Score &
Parts). Composed 2014. De
Haske Publications #DHP
1145612-015. Published by
De Haske Publications
(BT.DHP-1145612-015).
English-German-French-
Dutch. All
Together is a
sparkling piece that is
suitable for various
playing levels, and
offers the ideal
motivation for young
musicians within your
society. Peter Kleine
Schaars wrote this
composition especially
for (combined) ensembles
withdifferent playing
skills. Musicians can
display their abilities
at their own level and in
between, they all play
together. The
‘grade three
parts’ contain all
levels in cues, so that
this composition can also
be played by the large
band only.
Een
spetterend stuk dat voor
meerdere speelniveaus
geschikt is en bovendien
de ideale motivatie biedt
aan jonge muzikanten van
uw vereniging: dat is
All Together.
Peter Kleine Schaars
schreef deze compositie
speciaal voor
(gecombineerde)ensembles
met uiteenlopende
speelvaardigheid. Dankzij
separate partijen voor de
blokfluitklas, het
jeugdorkest en het grote
orkest kunnen alle
muzikanten op hun eigen
niveau spelen en
tussendoor gezamenlijk
muziek maken!
Ein
prächtiges Stück,
das sich für mehrere
Spielniveaus eignet und
obendrein der ideale
Motivationsschub für
die jungen Musiker Ihres
Vereins ist: das ist
All Together.
Peter Kleine Schaars
schrieb diese Komposition
speziell für
(kombinierte)Ensembles
auf unterschiedlichen
Spielniveaus. Dank
separater Stimmen für
die Blockflötengruppe,
das Jugendorchester und
das große Orchester
können alle Musiker
ihre jeweiligen
Fertigkeiten zu Gehör
bringen und zwischendurch
gemeinsam
spielen!
All
Together (Tous
ensemble) est une
pièce rayonnante de
bonne humeur, écrite
plus précisément
pour les ensembles
composés d’une
mosa que de
compétences multiples.
L’œuvre de
Peter Kleine Schaars
apportera la motivation
idéale aux
jeunesmusiciens de votre
orchestre, et conviendra
parfaitement toute
ouverture ou clôture
de concert, mettant
toutes les formations de
votre société sous
les feux de la
rampe.
All
Together è un
brano che trasuda buon
umore, un brano scritto
espressamente per
ensemble composti da un
mosaico di musicisti di
livello diverso.
L’opera di Peter
Kleine Schaars dar la
giusta motivazione ai
giovani musicisti della
vostrabanda. All
Together si presta in
modo ideale ad essere
eseguito
all’inizio o alla
fine del vostro
concerto. $118.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sleep, My Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465. A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sleep, My Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, alto Saxophone and
more. - Grade 2 SKU:
CF.YPS208 Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208). ISBN
9781491152287. UPC:
680160909780. Key: D
minor. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Love Is All You Need (A Tribute to the Beatles) Orchestre d'harmonie [Conducteur et Parties séparées] Hal Leonard
(Deluxe Score). Arranged by Bruce Healey. Symphony Pops. Grade 5-6. 87 pages. Pu...(+)
(Deluxe Score). Arranged
by Bruce Healey. Symphony
Pops. Grade 5-6. 87
pages. Published by Hal
Leonard
$48.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tuba Concerto Orchestre d'harmonie - Avancé Anglo Music
Concert Band/Harmonie and Tuba Solo - Grade 5 SKU: BT.AMP-173-140 Compose...(+)
Concert Band/Harmonie and
Tuba Solo - Grade 5
SKU:
BT.AMP-173-140
Composed by Philip
Sparke. Elite Series.
Solo & Concerto. Score
Only. Composed 2007. 56
pages. Anglo Music Press
#AMP 173-140. Published
by Anglo Music Press
(BT.AMP-173-140). 9x12
inches.
English-German-French-Dut
ch. When writing
his tuba concerto, Philip
Sparke wanted to create a
work which explored the
many aspects of the
instrument’s
technical and vocal
qualities but without
resorting to caricature.
The result is a concerto
in two joined movements,
which can both be
programmed individually,
that contains both many
lyrical lines together
with stunning virtuosic
passages. An outstanding
concerto that tuba
players and brass band
audiences alike will
enjoy and
applaud.
De
technische en lyrische
eigenschappen van het
instrument komen in deze
compositie optimaal tot
hun recht. De componist
wilde er namelijk zeker
van zijn dat het werk
écht een concerto voor
tuba zou worden en dat de
muziek zou passenbij het
instrument in de
solistenrol. De solostem
in het tweedelige Tuba
Concerto bestrijkt
bijna drieënhalf
octaaf. Beide delen
kunnen afzonderlijk
worden geprogrammeerd:
een langzaam deel en een
scherzo.
Philip
Sparke schuf mit seinem
Tuba Concerto ganz
bewusst ein Stück, das
der Tuba als
Soloinstrument voll und
ganz gerecht wird. Aus
diesem Grund deckt die
Solostimme fast
dreieinhalb Oktaven ab
und nutzt die technischen
und klanglichen
Qualitäten des
Instruments voll und ganz
aus. Das Konzert besteht
aus zwei
zusammenhängenden
Sätzen, die beide
einzeln aufgeführt
werden können: einem
langsamen Satz und einem
Scherzo. Noten für
eine Aufführung mit
Tuba und Klavier sind
ebenfalls
erhältlich.
Tuba Concerto est une
œuvre de commande
pour le facteur allemand
Miraphone,
spécialisé dans les
cuivres. Philip Sparke a
composé et dédié
cette pièce Markus
Theinert, un ami de
longue date, qui en a
assuré la création
le 30 avril 2006
Sigmaringen en Allemagne
accompagné par le
Brass Band
Oberschwaben-Allgäu.L
۪id̩e
d’un concerto pour
tuba a été
longuement discutée
entre le soliste et le
compositeur dont le souci
était de créer un
véritable concerto
développant un
matériau parfaitement
adapté au rôle
solistique de
l’instrument, sans
tomber dans la
caricature. Ainsi, la
partie soliste couvre
trois octaves et demie et
exploite pleinement les
qualitéstechniques et
expressives de
l’instrument.Tu
ba Concerto est une
composition en deux
mouvements joints qui
peuvent également
être joués
séparément. Le
premier mouvement
débute lentement puis
s’accélère
progressivement. La
cadence annonce la
réexposition du
matériel thématique
initial. Le second
mouvement, écrit en
forme de scherzo, semble
plus résolu mais
chemine vers plus de
légèreté. La
reprise du matériel
thématique initial
offre une conclusion
efficace et
puissante.Ce concerto
est également
disponible dans une
version pour Tuba solo et
Brass Band (AMP 173-030)
et Tuba solo et Piano
(AMP 187-401). $65.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tuba Concerto Orchestre d'harmonie - Avancé Anglo Music
Concert Band/Harmonie and Tuba Solo - Grade 5 SKU: BT.AMP-173-010 Compose...(+)
Concert Band/Harmonie and
Tuba Solo - Grade 5
SKU:
BT.AMP-173-010
Composed by Philip
Sparke. Elite Series.
Solo & Concerto. Set
(Score & Parts). Composed
2007. Anglo Music Press
#AMP 173-010. Published
by Anglo Music Press
(BT.AMP-173-010). 9x12
inches.
English-German-French-Dut
ch. When writing
his tuba concerto, Philip
Sparke wanted to create a
work which explored the
many aspects of the
instrument’s
technical and vocal
qualities but without
resorting to caricature.
The result is a concerto
in two joined movements,
which can both be
programmed individually,
that contains both many
lyrical lines together
with stunning virtuosic
passages. An outstanding
concerto that tuba
players and brass band
audiences alike will
enjoy and
applaud.
De
technische en lyrische
eigenschappen van het
instrument komen in deze
compositie optimaal tot
hun recht. De componist
wilde er namelijk zeker
van zijn dat het werk
écht een concerto voor
tuba zou worden en dat de
muziek zou passenbij het
instrument in de
solistenrol. De solostem
in het tweedelige Tuba
Concerto bestrijkt
bijna drieënhalf
octaaf. Beide delen
kunnen afzonderlijk
worden geprogrammeerd:
een langzaam deel en een
scherzo.
Philip
Sparke schuf mit seinem
Tuba Concerto ganz
bewusst ein Stück, das
der Tuba als
Soloinstrument voll und
ganz gerecht wird. Aus
diesem Grund deckt die
Solostimme fast
dreieinhalb Oktaven ab
und nutzt die technischen
und klanglichen
Qualitäten des
Instruments voll und ganz
aus. Das Konzert besteht
aus zwei
zusammenhängenden
Sätzen, die beide
einzeln aufgeführt
werden können: einem
langsamen Satz und einem
Scherzo. Noten für
eine Aufführung mit
Tuba und Klavier sind
ebenfalls
erhältlich.
Tuba Concerto est une
œuvre de commande
pour le facteur allemand
Miraphone,
spécialisé dans les
cuivres. Philip Sparke a
composé et dédié
cette pièce Markus
Theinert, un ami de
longue date, qui en a
assuré la création
le 30 avril 2006
Sigmaringen en Allemagne
accompagné par le
Brass Band
Oberschwaben-Allgäu.L
۪id̩e
d’un concerto pour
tuba a été
longuement discutée
entre le soliste et le
compositeur dont le souci
était de créer un
véritable concerto
développant un
matériau parfaitement
adapté au rôle
solistique de
l’instrument, sans
tomber dans la
caricature. Ainsi, la
partie soliste couvre
trois octaves et demie et
exploite pleinement les
qualitéstechniques et
expressives de
l’instrument.Tu
ba Concerto est une
composition en deux
mouvements joints qui
peuvent également
être joués
séparément. Le
premier mouvement
débute lentement puis
s’accélère
progressivement. La
cadence annonce la
réexposition du
matériel thématique
initial. Le second
mouvement, écrit en
forme de scherzo, semble
plus résolu mais
chemine vers plus de
légèreté. La
reprise du matériel
thématique initial
offre une conclusion
efficace et
puissante.Ce concerto
est également
disponible dans une
version pour Tuba solo et
Brass Band (AMP 173-030)
et Tuba solo et Piano
(AMP 187-401). $357.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Heartbeat of a City Orchestre d'harmonie - Intermédiaire Hal Leonard
Score and Parts Concert Band Set (Score & Parts) - Level 3.5 SKU: HL.4008300<...(+)
Score and Parts Concert
Band Set (Score & Parts)
- Level 3.5 SKU:
HL.4008300 For
Concert Band, Grade 3.5
9:10 Score and Parts.
Composed by Otto Schwarz.
Symphonic Dimensions.
Concert. Softcover.
Duration 550 seconds. Hal
Leonard #SDP1042102.
Published by Hal Leonard
(HL.4008300). ISBN
9781705197059. UPC:
196288145219. A
city is
founded—– it
has a heart that beats.
But visible achievements
such as buildings and
infrastructure merely
bear witness to what its
true heart is made
of—the people who
have lived, and still
live, in the city. The
pulse of the city,
brought to life by
itsheartbeat, changes
over time. Who hasn't
seen those time-lapse
images showing twinkling
lines of car lights as
people make their wayto
work, while others stand
at traffic lights, only
moving as if at the push
of a button? These are
like life flowing in the
veins, driven by a strong
heart. Leonardo da Vinci
had already imagined the
rivers as the blood
vessels of the Earth. In
any city, though, it's
not the rivers but the
movement and activities
of the people who live
there. The heart doesn't
always beat steadily,
however, but its rhythm
can be influenced by joy,
fear, and many other
things. Every city has
its own pulse. This is
also true of the
university city of
Marburg, where people
from over 100 nations now
live together in a
cosmopolitan and tolerant
community. This work
describes the city from
its founding in 1222, and
the charity of Saint
Elizabeth, all the way to
the present day. $178.00 - Voir plus => Acheter | | |
| Heartbeat of a City Orchestre d'harmonie - Intermédiaire Hal Leonard
Concert Band (Score) - Level 3.5 SKU: HL.4008301 For Concert Band, Gra...(+)
Concert Band (Score) -
Level 3.5 SKU:
HL.4008301 For
Concert Band, Grade 3.5
9:10 Score. Composed
by Otto Schwarz.
Symphonic Dimensions.
Concert. Softcover. 48
pages. Duration 550
seconds. Hal Leonard
#SDP1042101. Published by
Hal Leonard (HL.4008301).
UPC:
196288145226. A
city is
founded—– it
has a heart that beats.
But visible achievements
such as buildings and
infrastructure merely
bear witness to what its
true heart is made
of—the people who
have lived, and still
live, in the city. The
pulse of the city,
brought to life by
itsheartbeat, changes
over time. Who hasn't
seen those time-lapse
images showing twinkling
lines of car lights as
people make their wayto
work, while others stand
at traffic lights, only
moving as if at the push
of a button? These are
like life flowing in the
veins, driven by a strong
heart. Leonardo da Vinci
had already imagined the
rivers as the blood
vessels of the Earth. In
any city, though, it's
not the rivers but the
movement and activities
of the people who live
there. The heart doesn't
always beat steadily,
however, but its rhythm
can be influenced by joy,
fear, and many other
things. Every city has
its own pulse. This is
also true of the
university city of
Marburg, where people
from over 100 nations now
live together in a
cosmopolitan and tolerant
community. This work
describes the city from
its founding in 1222, and
the charity of Saint
Elizabeth, all the way to
the present day. $34.00 - Voir plus => Acheter | | |
| Three Miniature Nutcrackers Orchestre d'harmonie - Débutant Belwin
Concert Band - Grade 1 SKU: AP.44889S I. March, II. Dance of the Reed ...(+)
Concert Band - Grade 1
SKU: AP.44889S
I. March, II. Dance of
the Reed Flutes, III.
Russian Dance
(Trepak). Composed by
Peter Ilyich Tchaikovsky.
Arranged by Michael
Story. Concert Band;
Masterworks; Performance
Music Ensemble; Single
Titles. Belwin Beginning
Band. Form: Suite.
Christmas; Masterwork
Arrangement; Romantic;
Secular; Winter. Score.
32 pages. Duration 3:45.
Belwin Music #00-44889S.
Published by Belwin Music
(AP.44889S). UPC:
038081516080.
English. Based on
Alexander Dumas'
adaptation of E. T. A.
Hoffman's story The
Nutcracker and the Mouse
King, the ballet
premiered in December of
1892 in St. Petersburg,
Russia. Tchaikovsky
selected eight pieces
from the ballet and
created The Nutcracker
Suite, which became an
immediate success and to
this day remains one of
the most popular ballets,
and contains some of the
best-loved Christmas
music. This suite of
three selected short
movements scored
especially for beginners
includes March, Dance of
the Reed Flutes, and
Russian Dance (Trepak).
The movements can be
performed individually or
together. A superb
classical transcription
for teaching and
performance to be
programmed during the
holidays or any time of
the year. (3:45). $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| New Sounds in Disco! Orchestre d'harmonie - Intermédiaire/avancé Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1750-10-010-MS Arranged by Naohir...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.1750-10-010-MS
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Pop & Rock. Set
(Score & Parts). Composed
2010. Music Sales
#1750-10-010 MS.
Published by Music Sales
(BT.1750-10-010-MS).
9x12 inches.
English-German-French-Dut
ch. Four
unforgettable disco songs
come together in one
stunning medley. Up fi
rst is the 1979 dance
floor hit I’m in
the Mood for Dancing by
The Nolans. Next the
medley quiets down with a
charming love song,
Lovin’ You, a song
Minnie Riperton dedicated
to her daughter. You
Can’t Hurry Love
was a huge success for
The Supremes in 1966 and
Phil Collins repeated
their success in 1983
making the song immortal.
This exciting medley ends
with Olivia
Newton-John’s
hit-song Xanadu, from her
1980 musical of the same
name.
Vier
disco-evergreens in
één medley voor
harmonieorkest. Het
begint gelijk al goed!
I’m in the Mood
for Dancing van de
gezusters Nolans uit
1979. In alle windstreken
kregen zij met dit nummer
mensen de dansvloer op.
Hiernavolgt de
betoverende lovesong
Lovin’ You.
Minnie Riperton droeg het
in 1975 op aan haar toen
tweejarige dochtertje.
You Can’t Hurry
Love was zowel voor
de Supremes in 1966 als
voor Phil Collins een
geweldige hit.
Xanaduvan Olivia
Newton-John uit de
gelijknamige musical van
1980 besluit deze
boeiende medley van
Naohiro Iwai. Dat wordt
swingen!
Vier
Evergreens aus der
Disco-Ära in einem
Blasorchester-Medley: Den
Anfang macht
I’m in the Mood
for Dancing, mit dem
die Geschwister- Combo
The Nolans 1979 auf vier
Kontinenten die Menschen
auf die Tanzflächen
jagte. Danach folgt als
Ruhepunkt das bezaubernde
Liebeslied
Lovin’ You,
das Minnie Riperton 1975
ihrer kleinen Tochter
widmete. You
Can’t Hurry
Love war in der
Originalversion von 1966
für die Supremes
ein Riesenhit - Phil
Collins wiederholte
diesen Erfolg 1983 und
machte den Song
unsterblich. Den
Abschluss von Naohiro
Iwais mitreißendem
Medley bildet Olivia
Newton-Johns Hit
Xanadu aus dem
gleichnamigen Musical von
1980.
Ce medley
tonique, signé Naohiro
Iwai, réunit quatre
standards des années
disco. I’m in
the Mood for Dancing,
des sœurs Nolan (The
Nolans Sisters), ouvre la
série. Sortie en 1979,
cette chanson a fait
bouger des
générations de
danseurs. La musique
s’apaise sur les
notes délicieuses de
la ballade
Lovin’ You,
que Minnie Ripperton
dédia sa fille. Au
cours de
l’été 1966,
The Supremes connaissent
la gloire, avec la
version originale du
titre You Can’t
Hurry Love. En 1983,
Phil Collins renouvelle
le succès des Supremes
et rend la chanson
immortelle. Pour clore
son medley, Naohiro Iwai
a choisi Xanadu
(1980), la chanson phare
de la comédiemusicale
éponyme, qui prolongea
le succès d'Olivia
Newton-John.
Questo medley
racchiude quattro
standard degli anni della
musica disco: I’m
in the Mood for Dancing
delle Nolan Sisters
anticipa le deliziose
note della ballata
Lovin’ You di
Minnie Ripperton. Nel
1966, The Supremes
conoscono la gloria con
la versione originale di
Can’t Hurry Love.
Nel 1983, Phil Collins
replica il successo dei
Supremes e rende la
canzone immortale. Per
concludere il suo medley,
Naohiro Iwai ha scelto
Xanadu (1980) la canzone
della commedia musicale
interpretata da Olivia
Newton John. $161.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| New Sounds in Disco! Orchestre d'harmonie - Intermédiaire/avancé Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1750-10-140-MS Arranged by Naohir...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.1750-10-140-MS
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Pop & Rock. Score
Only. Composed 2010. 44
pages. Music Sales
#1750-10-140 MS.
Published by Music Sales
(BT.1750-10-140-MS).
9x12 inches.
English-German-French-Dut
ch. Four
unforgettable disco songs
come together in one
stunning medley. Up fi
rst is the 1979 dance
floor hit I’m in
the Mood for Dancing by
The Nolans. Next the
medley quiets down with a
charming love song,
Lovin’ You, a song
Minnie Riperton dedicated
to her daughter. You
Can’t Hurry Love
was a huge success for
The Supremes in 1966 and
Phil Collins repeated
their success in 1983
making the song immortal.
This exciting medley ends
with Olivia
Newton-John’s
hit-song Xanadu, from her
1980 musical of the same
name.
Vier
disco-evergreens in
één medley voor
harmonieorkest. Het
begint gelijk al goed!
I’m in the Mood
for Dancing van de
gezusters Nolans uit
1979. In alle windstreken
kregen zij met dit nummer
mensen de dansvloer op.
Hiernavolgt de
betoverende lovesong
Lovin’ You.
Minnie Riperton droeg het
in 1975 op aan haar toen
tweejarige dochtertje.
You Can’t Hurry
Love was zowel voor
de Supremes in 1966 als
voor Phil Collins een
geweldige hit.
Xanaduvan Olivia
Newton-John uit de
gelijknamige musical van
1980 besluit deze
boeiende medley van
Naohiro Iwai. Dat wordt
swingen!
Vier
Evergreens aus der
Disco-Ära in einem
Blasorchester-Medley: Den
Anfang macht
I’m in the Mood
for Dancing, mit dem
die Geschwister- Combo
The Nolans 1979 auf vier
Kontinenten die Menschen
auf die Tanzflächen
jagte. Danach folgt als
Ruhepunkt das bezaubernde
Liebeslied
Lovin’ You,
das Minnie Riperton 1975
ihrer kleinen Tochter
widmete. You
Can’t Hurry
Love war in der
Originalversion von 1966
für die Supremes
ein Riesenhit - Phil
Collins wiederholte
diesen Erfolg 1983 und
machte den Song
unsterblich. Den
Abschluss von Naohiro
Iwais mitreißendem
Medley bildet Olivia
Newton-Johns Hit
Xanadu aus dem
gleichnamigen Musical von
1980.
Ce medley
tonique, signé Naohiro
Iwai, réunit quatre
standards des années
disco. I’m in
the Mood for Dancing,
des sœurs Nolan (The
Nolans Sisters), ouvre la
série. Sortie en 1979,
cette chanson a fait
bouger des
générations de
danseurs. La musique
s’apaise sur les
notes délicieuses de
la ballade
Lovin’ You,
que Minnie Ripperton
dédia sa fille. Au
cours de
l’été 1966,
The Supremes connaissent
la gloire, avec la
version originale du
titre You Can’t
Hurry Love. En 1983,
Phil Collins renouvelle
le succès des Supremes
et rend la chanson
immortelle. Pour clore
son medley, Naohiro Iwai
a choisi Xanadu
(1980), la chanson phare
de la comédiemusicale
éponyme, qui prolongea
le succès d'Olivia
Newton-John.
Questo medley
racchiude quattro
standard degli anni della
musica disco: I’m
in the Mood for Dancing
delle Nolan Sisters
anticipa le deliziose
note della ballata
Lovin’ You di
Minnie Ripperton. Nel
1966, The Supremes
conoscono la gloria con
la versione originale di
Can’t Hurry Love.
Nel 1983, Phil Collins
replica il successo dei
Supremes e rende la
canzone immortale. Per
concludere il suo medley,
Naohiro Iwai ha scelto
Xanadu (1980) la canzone
della commedia musicale
interpretata da Olivia
Newton John. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cyrano Orchestre d'harmonie - Intermédiaire/avancé Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.4008944 Concert Band, Grade 4 8...(+)
Concert Band (Score) -
Grade 4 SKU:
HL.4008944 Concert
Band, Grade 4 8:30
Score. Composed by
Otto M. Schwarz.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 510
seconds. Hal Leonard
#SDP165-22-01. Published
by Hal Leonard
(HL.4008944). UPC:
196288281719. What
are the true qualities of
a person? Outward beauty
or inner values? Or
perhaps a balance of the
two? This question has
probably been posed by
everyone at some time or
another, and the answer
is as challenging as it
is subjective. This is
also the theme of this
work. The poet and
soldier Cyrano de
Bergerac is known for his
big nose and his great
intellect. The 17th
century novelist harbours
feelings for the
beautiful Roxane but is
sure that this love will
never be reciprocated.
Roxane herself falls in
love with the cadet
Christian de Neuvillette,
who is certainly handsome
but could be described as
stupid. Cyrano de
Bergerac writes love
poems on behalf of
Christian to win
Roxanes heart. And then
there is the Count
Guiche, who is married
but also wants to make
her is mistress.
Christian and Roxane
eventually marry and the
furious Count Guiche
sends Christian and
Cyrano, who serve
together in the Captains
of Gascony regiment, to
the front and, some
months later, on a
suicide mission. Shortly
before the battle, Roxane
confesses to her husband
that she no longer loves
him so much for his
beauty as for his inner
values. Christian is
dismayed and begs Cyrano
to tell Roxane the truth,
but he cant bring
himself to do so.
Christian de Neuvillette
dies in battle and Cyrano
de Bergerac remains
silent about the true
provenance of the
letters. Only much later
does the truth come to
light: scarred by the
war, Cyrano visits Roxane
in the convent where she
has been living since
Christians death and
confesses his love for
her. He ultimately dies
in Roxanes arms. $36.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Gipsy Baron Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053860-010 Overture 'Der ...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1053860-010
Overture 'Der
Zigeunerbaron'. The
Great Classics.
Transcription. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053860-010.
Published by De Haske
Publications
(BT.DHP-1053860-010).
English-German-French-
Dutch. The operetta
The Gipsy Baron is,
together with Die
Fledermaus (The Bat), the
most famous theatre work
by Johann Strauss Jr. A
libretto full of romance,
original musical ideas,
compelling Viennese
dances, fiery rhythmic
Hungarian music and
beautiful arias, were
just some of the
ingredients that lead to
its huge success. The
Gipsy Baron can also be
thought of as a comic
opera. The main motif of
this overture won first
prize in a contest that
was to provide a new
Hungarian anthem, however
because Strauss did not
have Hungarian
nationality, another
melody was chosen. A
great transcription to
bring a Hungarian twist
to any
programme.
De
operette Der
Zigeunerbaron is,
samen met Die
Fledermaus, het
beroemdste theaterwerk
van Johann Strauss jr.
Een libretto vol
romantiek, originele
muzikale ideeën,
meeslepende Weense
dansen, vurig ritmische
Hongaarsemuziek,
uitgewerkte
aria’s: al deze
ingrediënten moesten
wel tot succes leiden.
Het geheel is van een
dusdanig hoog niveau dat
Der Zigeunerbaron
ook een komische opera
genoemd mag worden. De
ouverture is niet een
bonte verzamelingvan
‘succesmotievenâ
™ uit de operette. Ze
is een (geslaagde) poging
om het publiek in de
sfeer te brengen van het
land waar de handeling
plaatsvindt:
Hongarije.
Die
Operette Der
Zigeunerbaron ist
eines der berühmtesten
Bühnenwerke von Johann
Strauss (Sohn). Ein
Libretto voll von
Romantik, originellen
musikalischen Ideen,
bezaubernden Wiener
Tänzen, feuriger
ungarischer Musik und
wunderschönen Arien
waren die Zutaten, die
zum Erfolg führten.
Die Ouvertüre ist
keine abwechslungsreiche
Sammlung der schönsten
Motive aus der Operette.
Sie ist ganz klar ein
(erfolgreicher) Versuch,
dem Publikum die
Atmosphäre des
Handlungsortes Ungarn
nahe zu bringen. Dies
gelingt auch Ihrem
Blasorchester mit Wil van
der Beeks
Transkription.
mi-chemin entre
l’opérette et
l’opéra-comique
, Le Baron tzigane
de Johann Strauss
renferme tous les
ingrédients
d’un succès
annoncé : un livret
romanesque souhait, des
idées musicales
originales, des airs
merveilleux et une
adroite fusion entre les
sublimes danses
viennoises et les rythmes
pétillants de la
musique hongroise.
L’Ouverture
plonge le public dans
l’univers musical
du pays où se
déroule
l’intrigue : la
Hongrie.
A met
tra l’operetta e
l’opera comica,
Il Barone Gitano
di Johann Strauss
contiene tutti gli
ingredienti del successo
annunciato: un libretto
romanzesco, idee musicali
originali, arie
meravigliose e
un’abile fusione
tra le sublimi danze
viennesi ed i ritmi
sfavillanti della musica
ungherese.
L’Ouverture
accompagna il pubblico
nell’universo
musicale
dell’Ungheria,
paese dove si svolge
l’intrigo. $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Gipsy Baron Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053860-140 Overture 'Der ...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1053860-140
Overture 'Der
Zigeunerbaron'. The
Great Classics.
Transcription. Score
Only. Composed 2005. 48
pages. De Haske
Publications #DHP
1053860-140. Published by
De Haske Publications
(BT.DHP-1053860-140).
English-German-French-
Dutch. The operetta
The Gipsy Baron is,
together with Die
Fledermaus (The Bat), the
most famous theatre work
by Johann Strauss Jr. A
libretto full of romance,
original musical ideas,
compelling Viennese
dances, fiery rhythmic
Hungarian music and
beautiful arias, were
just some of the
ingredients that lead to
its huge success. The
Gipsy Baron can also be
thought of as a comic
opera. The main motif of
this overture won first
prize in a contest that
was to provide a new
Hungarian anthem, however
because Strauss did not
have Hungarian
nationality, another
melody was chosen. A
great transcription to
bring a Hungarian twist
to any
programme.
De
operette Der
Zigeunerbaron is,
samen met Die
Fledermaus, het
beroemdste theaterwerk
van Johann Strauss jr.
Een libretto vol
romantiek, originele
muzikale ideeën,
meeslepende Weense
dansen, vurig ritmische
Hongaarsemuziek,
uitgewerkte
aria’s: al deze
ingrediënten moesten
wel tot succes leiden.
Het geheel is van een
dusdanig hoog niveau dat
Der Zigeunerbaron
ook een komische opera
genoemd mag worden. De
ouverture is niet een
bonte verzamelingvan
‘succesmotievenâ
™ uit de operette. Ze
is een (geslaagde) poging
om het publiek in de
sfeer te brengen van het
land waar de handeling
plaatsvindt:
Hongarije.
Die
Operette Der
Zigeunerbaron ist
eines der berühmtesten
Bühnenwerke von Johann
Strauss (Sohn). Ein
Libretto voll von
Romantik, originellen
musikalischen Ideen,
bezaubernden Wiener
Tänzen, feuriger
ungarischer Musik und
wunderschönen Arien
waren die Zutaten, die
zum Erfolg führten.
Die Ouvertüre ist
keine abwechslungsreiche
Sammlung der schönsten
Motive aus der Operette.
Sie ist ganz klar ein
(erfolgreicher) Versuch,
dem Publikum die
Atmosphäre des
Handlungsortes Ungarn
nahe zu bringen. Dies
gelingt auch Ihrem
Blasorchester mit Wil van
der Beeks
Transkription.
mi-chemin entre
l’opérette et
l’opéra-comique
, Le Baron tzigane
de Johann Strauss
renferme tous les
ingrédients
d’un succès
annoncé : un livret
romanesque souhait, des
idées musicales
originales, des airs
merveilleux et une
adroite fusion entre les
sublimes danses
viennoises et les rythmes
pétillants de la
musique hongroise.
L’Ouverture
plonge le public dans
l’univers musical
du pays où se
déroule
l’intrigue : la
Hongrie.
A met
tra l’operetta e
l’opera comica,
Il Barone Gitano
di Johann Strauss
contiene tutti gli
ingredienti del successo
annunciato: un libretto
romanzesco, idee musicali
originali, arie
meravigliose e
un’abile fusione
tra le sublimi danze
viennesi ed i ritmi
sfavillanti della musica
ungherese.
L’Ouverture
accompagna il pubblico
nell’universo
musicale
dell’Ungheria,
paese dove si svolge
l’intrigo. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Gipsy Baron Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-1053860-040 Overture 'Der Zigeunerb...(+)
Concert Band - Grade 4
SKU:
BT.DHP-1053860-040
Overture 'Der
Zigeunerbaron'. The
Great Classics.
Transcription. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053860-040.
Published by De Haske
Publications
(BT.DHP-1053860-040).
English-German-French-
Dutch. The operetta
The Gipsy Baron is,
together with Die
Fledermaus (The Bat), the
most famous theatre work
by Johann Strauss Jr. A
libretto full of romance,
original musical ideas,
compelling Viennese
dances, fiery rhythmic
Hungarian music and
beautiful arias, were
just some of the
ingredients that lead to
its huge success. The
Gipsy Baron can also be
thought of as a comic
opera. The main motif of
this overture won first
prize in a contest that
was to provide a new
Hungarian anthem, however
because Strauss did not
have Hungarian
nationality, another
melody was chosen. A
great transcription to
bring a Hungarian twist
to any
programme.
Die
Operette Der
Zigeunerbaron ist
eines der berühmtesten
Bühnenwerke von Johann
Strauss (Sohn). Ein
Libretto voll von
Romantik, originellen
musikalischen Ideen,
bezaubernden Wiener
Tänzen, feuriger
ungarischer Musik und
wunderschönen Arien
waren die Zutaten, die
zum Erfolg führten.
Die Ouvertüre ist
keine abwechslungsreiche
Sammlung der schönsten
Motive aus der Operette.
Sie ist ganz klar ein
(erfolgreicher) Versuch,
dem Publikum die
Atmosphäre des
Handlungsortes Ungarn
nahe zu bringen. Dies
gelingt auch Ihrem
Blasorchester mit Wil van
der Beeks
Transkription.
mi-chemin entre
l’opérette et
l’opéra-comique
, Le Baron tzigane
de Johann Strauss
renferme tous les
ingrédients
d’un succès
annoncé : un livret
romanesque souhait, des
idées musicales
originales, des airs
merveilleux et une
adroite fusion entre les
sublimes danses
viennoises et les rythmes
pétillants de la
musique hongroise.
L’Ouverture
plonge le public dans
l’univers musical
du pays où se
déroule
l’intrigue : la
Hongrie.
A met
tra l’operetta e
l’opera comica,
Il Barone Gitano
di Johann Strauss
contiene tutti gli
ingredienti del successo
annunciato: un libretto
romanzesco, idee musicali
originali, arie
meravigliose e
un’abile fusione
tra le sublimi danze
viennesi ed i ritmi
sfavillanti della musica
ungherese.
L’Ouverture
accompagna il pubblico
nell’universo
musicale
dell’Ungheria,
paese dove si svolge
l’intrigo. $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Little Suite Orchestre d'harmonie - Intermédiaire/avancé EMB (Editio Musica Budapest)
Concert Band - Grade 4 SKU: BT.EMBZ14493 Score for Symphonic Band....(+)
Concert Band - Grade 4
SKU: BT.EMBZ14493
Score for Symphonic
Band. Composed by
László Dubrovay.
EMB Concert Band Series.
Concert Piece. Score
Only. Composed 2010. 56
pages. Editio Musica
Budapest #EMBZ14493.
Published by Editio
Musica Budapest
(BT.EMBZ14493). 9x12
inches.
English-Hungarian.
This work was written in
2005, prompted by the
composer's determination
that young members of
junior, music school and
conservatoire wind
ensembles should not be
limited to transcriptions
for lack of original
compositions, especially
contemporary ones. The
new devices used in the
Little Suite are suitable
for student players to
try out. Indeed, they
enjoy them - for
instance, purring or
whistling into the
instrument. Each of the
three-or-four-minute
movements of this
four-movement work can
also be performed
separately. The titles of
the movements are the
following: 1. In cheerful
mood, 2. Song, 3. Joke,
4. March. This music in
modern idiom, full
ofinteresting new
effects, offers young
players an opportunity
for enjoyable
music-making together,
and at the same time
prepares them for playing
more difficult
contemporary works.
Dieses Werk
schrieb der Komponist
2005, für
Jugendblasorchester.
Jeder der vier Sätze
dieser Komposition
lässt sich auch
einzeln vortragen. Die
Titel der Sätze sind:
1. Gutgelaunt, 2. Lied,
3. Spass, 4. Marsch. Die
in moderner Sprache
gehaltene, mit vielen
interessanten neuen
Effekten bereicherte
Musik bietet den jungen
Instrumentalisten
Möglichkeiten zum
heiteren, gutgelaunten
Musizieren in der
Gemeinschaft und bereitet
sie auch auf das Spielen
schwierigerer
zeitgenössischer Musik
vor.
Little Suite
(In Cheerful Mood, Song,
Joke, March) pour
musiciens
décomplexés
s’adresse aux
Orchestres Juniors de
niveau avancé, ainsi
qu’aux formations
la recherche de nouvelles
expériences musicales.
Il va falloir, siffl er,
souffl er, ronronner,
etc. Chacun des quatre
mouvements (durée
individuelle : 3-4 min.)
peut être
interprété
séparément.
Little Suite si
presta per essere
eseguito da banda di
livello avanzato come
anche per tutte le
formazioni desiderose di
suonare un brano
originale moderno con
effetti sorprendenti. I
quattro movimenti di
questa piccola suite, In
Cheerful Mood, Song, Joke
e March, possono essere
eseguiti
separatamente. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Little Suite Orchestre d'harmonie - Intermédiaire/avancé EMB (Editio Musica Budapest)
Concert Band - Grade 4 SKU: BT.EMBZ14493SET Score and parts for Sympho...(+)
Concert Band - Grade 4
SKU:
BT.EMBZ14493SET
Score and parts for
Symphonic Band.
Composed by László
Dubrovay. EMB Concert
Band Series. Concert
Piece. Set (Score &
Parts). Composed 2010.
304 pages. Editio Musica
Budapest #EMBZ14493SET.
Published by Editio
Musica Budapest
(BT.EMBZ14493SET).
9x12
inches. This work
was written in 2005,
prompted by the
composer's determination
that young members of
junior, music school and
conservatoire wind
ensembles should not be
limited to transcriptions
for lack of original
compositions, especially
contemporary ones. The
new devices used in the
Little Suite are suitable
for student players to
try out. Indeed, they
enjoy them - for
instance, purring or
whistling into the
instrument. Each of the
three-or-four-minute
movements of this
four-movement work can
also be performed
separately. The titles of
the movements are the
following: 1. In cheerful
mood, 2. Song, 3. Joke,
4. March. This music in
modern idiom, full
ofinteresting new
effects, offers young
players an opportunity
for enjoyable
music-making together,
and at the same time
prepares them for playing
more difficult
contemporary works.
Little Suite
eignet sich für
junge fortgeschrittene
Blasorchester sowie alle
experimentierfreudigen
Ensembles, denen noch ein
modernes originales
Blasorchesterwerk mit
überraschenden
Effekten im Repertoire
fehlt. In Little Suite
können die Musiker
viel ausprobieren,
beispielsweise auf ihren
Instrumenten zu schnurren
oder zu pfeifen. Jeder
der drei- bis
vierminütigen
Sätze dieses Werkes
kann separat
aufgeführt werden:
In Cheerful Mood, Song,
Joke,
March.
Little
Suite (In Cheerful Mood,
Song, Joke, March) pour
musiciens
décomplexés
s’adresse aux
Orchestres Juniors de
niveau avancé, ainsi
qu’aux formations
la recherche de nouvelles
expériences musicales.
Il va falloir, siffl er,
souffl er, ronronner,
etc. Chacun des quatre
mouvements (durée
individuelle : 3-4 min.)
peut être
interprété
séparément.
Little Suite si
presta per essere
eseguito da banda di
livello avanzato come
anche per tutte le
formazioni desiderose di
suonare un brano
originale moderno con
effetti sorprendenti. I
quattro movimenti di
questa piccola suite, In
Cheerful Mood, Song, Joke
e March, possono essere
eseguiti
separatamente. $132.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Et in terra Pax Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0981118-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-0981118-010
Composed by Jan Van der
Roost. Inspiration
Series. Set (Score &
Parts). Composed 1998. De
Haske Publications #DHP
0981118-010. Published by
De Haske Publications
(BT.DHP-0981118-010).
This piece was
commissioned by the
‘Concert Band
Vlamertinge’ and
is a plea for peace: the
title translates as
‘Peace on
Earth’. This is
expressed by means of the
vocal contribution
expected from the
performers. In various
places of the piece you
can recognize, the words
‘Et In Terra
Pax’ - an appeal
for peace - at first
jumbled together but
later more rhythmically
structured, developing
into synchronized massed
voices.The work starts
with a pentatonic theme
based on the notes D, E,
G, A and C (taken from
‘ConCErtbAnD
VlAmErtinGE’ and
the name of the
conductor, NiCk
VAnDEnDriessChe). A
somewhat sad melody is
developed during an
orchestral climax which
leads to the
firstexplosion of sound
(measure 62 onwards).
Suddenly the opening
measures are recaptured,
albeit with a differently
colored sound: the words
‘Et In Terra
Pax’ bring the
first movement to a
close. A restless Allegro
follows which abruptly
stops and is replaced by
a calming cho-rale-like
passage. A narrator reads
aloud the poem
‘Sonnet’ by
the young poet Charles
Hamilton Sorley, who was
killed during World War
I. This poem fittingly
puts into words the
cruelty and senselessness
of war. After the
expanded recapitulation
of the allegro, the
broad, almost infinite
atmosphere of the
beginning returns.
Clarinet and English horn
play the pentatonic
opening theme once more,
this time broadly, while
the words ‘Et In
Terra... Pax’ are
repeated again and again
by the rest of the
orchestra.The composer
has purposely avoided all
forms of aggression and
bombastic sounds
regularly used in works
about war. Fear of
violence and destruction
can be heard and felt
during the allegro
passages. The charged
opening makes way in the
end for hope: May
peacefulness replace
cruelty in everyday life,
too.
Dieses Werk
wurde im Auftrag der
Concert Band Vlamertinge
geschrieben und ist ein
Plädoyer an den
Frieden: Der Titel
bedeutet dann auch
‘Frieden auf
Erden’. Dies kommt
unter anderem im vokalen
Anteil der
Ausführenden zum
Ausdruck. An
verschiedenenStellen des
Werkes erklingen, anfangs
durcheinander dann zu
einem rhythmischen und
strukturierten
Synchrongesang vereint,
die Worte ‘Et In
Terra Pax’ wie ein
flehendes Gebet für
den Frieden. Ein
pentatonisches Thema
formt den Anfang dieses
Werkes, basierend auf den
Noten D, E, G, A, und C,
die dem Namen:
‘ConCErtbAnD
VlAmErtingE’ und
dem Namen des Dirigenten
NiCk VAnDEnDriessChe
entstammen. Während
der orchestralen Klimax,
die zu einemersten
Klangausbruch führt
(ab Takt 62), entsteht
eine etwas traurige
Melodie. Plötzlich
werden dann die
Eingangstakte
wiederaufgenommen, wenn
auch mit einer
veränderten
Klangfarbe; die Worte
‘Et In Terra
Pax’ runden den
ersten Teil daraufhin ab.
Esfolgt ein unruhiges
Allegro, das
überraschend durch
eine Choralartigen
Passage voller Ruhe
unterbrochen wird. Eine
Sprechstimme liest
währenddessen das
Gedicht Sonnet des
jungen Dichters Charles
Hamilton Sorley vor, der
im ersten Weltkriegfiel.
Es findet für die
Grausamkeit und
Sinnlosigkeit des Krieges
die passenden Worte.
Nachdem das Allegro,
diesmal mit einigen
Ausbreitungen, wiederholt
wird, kehrt die weite,
beinahe unendliche
Atmosphäre des Beginns
wieder zurück.
Klarinettenspielen
zusammen mit einem
Englischhorn das
pentatonische
Eingangsthema ein letztes
Mal in ausgebreiteter
Fassung, wobei das
“Et In Terra
Pax’ durch den
Rest des Orchesters stets
wiederholt wird.Der
Komponist hat bewusst auf
jegliche Form der
Aggression oder
bombastischen Vertonung,
die in so vielen Werken
über den Krieg zu
finden ist, vermieden.
Dennoch ist die Angst vor
Gewalt und Zerstörung
vor allem in den
Allegro-Passagen deutlich
zuhören und zu
fühlen. Am Ende macht
die anfängliche
Spannung jedoch der
Hoffnung Platz: Möge
die Friedlichkeit auch im
täglichen Leben die
Grausamkeit
verbannen…. $229.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rainbow in the Clouds Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphoniu...(+)
Band Bass Clarinet,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Marimba,
Oboe, Percussion,
Suspended Cymbal,
Timpani, Triangle,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2 and
more. - Grade 3 SKU:
CF.CPS224 Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+2+4+8+8+2+2+2+2+2+2+4+4
+4+2+2+3+3+3+4+1+1+1+1+3+
12+2 pages. Duration 3
minutes, 11 seconds. Carl
Fischer Music #CPS224.
Published by Carl Fischer
Music (CF.CPS224).
ISBN 9781491152508.
UPC:
680160910007. Rainb
ow in the Clouds is
based on an old
traditional spiritual,
possibly an
African-American song
from the 19th century,
entitled God Put a
Rainbow in the
Clouds. Composer
Carol Brittin Chambers
was inspired by poetic
Maya Angelou to create of
setting of this beautiful
song. It is lush and
beautiful throughout and
will highlight the
musicianship of your
students. This would
serve as a welcome change
of pace piece on your
program for concert or
contest. Rainbow in
the Clouds was
commissioned by the
Pflugerville Middle
School Wind Ensemble in
Pflugerville, Texas,
directed by Shauna
Satrom. The piece
premiered in May 2017, in
memory and celebration of
Luis Ham, who was an
Assistant Principal at
Pflugerville Middle
School.This piece is
based on an old
traditional spiritual,
possibly an
African-American song
from the nineteenth
century, entitled God Put
a Rainbow in the Clouds.
The first time I heard
reference to this song
was in a Maya Angelou
video, in which she sings
a portion of it:
“When it looked
like the sun
wouldn’t shine
anymore, Oh, God put a
rainbow in the
clouds.†In the
video, Dr. Angelou honors
those who have
demonstrated kindness to
her in the past, and she
suggests that we all try
to be a blessing to
others. The Pflugerville
community believed that
Mr. Ham, with his
positive outlook, was
definitely a
“rainbow in the
clouds†for other
people.The piece begins
with a full ensemble
introduction, followed by
a woodwind treatment of
the first verse with a
fairly reserved tempo and
straight eighth-note
rhythm. When brass pick
up the melody on the
second phrase, we start
to hear the song more
like the original
spiritual, with
dotted-eighth, sixteenth
rhythms. The middle
section of the piece at
m. 22 begins to move at a
slightly quicker tempo,
and the mood becomes
lighter. This section
becomes a
call-and-response between
a euphonium solo and
upper woodwinds. The
final section of the
piece involves everyone
playing together joyously
and full, eventually
winding down with two
more solo statements in
flute and euphonium.Note
to the Conductor:Use this
piece to introduce or
reinforce the following
musical concepts:Lyrical,
expressive playing varied
stylesSolo
responsibilitiesKey
changes, tempo
changes. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rainbow in the Clouds Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphoniu...(+)
Band Bass Clarinet,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Marimba,
Oboe, Percussion,
Suspended Cymbal,
Timpani, Triangle,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2 and
more. - Grade 3 SKU:
CF.CPS224F Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#CPS224F. Published by
Carl Fischer Music
(CF.CPS224F). ISBN
9781491153185. UPC:
680160910687. Rainb
ow in the Clouds is
based on an old
traditional spiritual,
possibly an
African-American song
from the 19th century,
entitled God Put a
Rainbow in the
Clouds. Composer
Carol Brittin Chambers
was inspired by poetic
Maya Angelou to create of
setting of this beautiful
song. It is lush and
beautiful throughout and
will highlight the
musicianship of your
students. This would
serve as a welcome change
of pace piece on your
program for concert or
contest. Rainbow in
the Clouds was
commissioned by the
Pflugerville Middle
School Wind Ensemble in
Pflugerville, Texas,
directed by Shauna
Satrom. The piece
premiered in May 2017, in
memory and celebration of
Luis Ham, who was an
Assistant Principal at
Pflugerville Middle
School.This piece is
based on an old
traditional spiritual,
possibly an
African-American song
from the nineteenth
century, entitled God Put
a Rainbow in the Clouds.
The first time I heard
reference to this song
was in a Maya Angelou
video, in which she sings
a portion of it:
“When it looked
like the sun
wouldn’t shine
anymore, Oh, God put a
rainbow in the
clouds.†In the
video, Dr. Angelou honors
those who have
demonstrated kindness to
her in the past, and she
suggests that we all try
to be a blessing to
others. The Pflugerville
community believed that
Mr. Ham, with his
positive outlook, was
definitely a
“rainbow in the
clouds†for other
people.The piece begins
with a full ensemble
introduction, followed by
a woodwind treatment of
the first verse with a
fairly reserved tempo and
straight eighth-note
rhythm. When brass pick
up the melody on the
second phrase, we start
to hear the song more
like the original
spiritual, with
dotted-eighth, sixteenth
rhythms. The middle
section of the piece at
m. 22 begins to move at a
slightly quicker tempo,
and the mood becomes
lighter. This section
becomes a
call-and-response between
a euphonium solo and
upper woodwinds. The
final section of the
piece involves everyone
playing together joyously
and full, eventually
winding down with two
more solo statements in
flute and euphonium.Note
to the Conductor:Use this
piece to introduce or
reinforce the following
musical concepts:Lyrical,
expressive playing varied
stylesSolo
responsibilitiesKey
changes, tempo
changes. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bells of Joy Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Drum Set,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Suspended Cymbal,
Tam-tam and more. - Grade
3 SKU: CF.CPS109F
Composed by Traditional
Christmas Songs. Arranged
by Larry Clark Rae Moses.
SWS. Carl Fischer Concert
Performance Series. Full
score. With Standard
notation. 28 pages.
Duration 4 minutes, 9
seconds. Carl Fischer
Music #CPS109F. Published
by Carl Fischer Music
(CF.CPS109F). ISBN
9780825874307. UPC:
798408074302. 9x12
inches. Bells of
Joy is a new collage of
Christmas carols that can
be performed with choir
and band or just band
alone. You will hear the
popular tunes Carol of
the Bells, Joy to the
World, What Child is
This? in a stunning,
contemporary arrangement
that can be put together
in a few rehearsals. Well
worth the effort! $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Book of Urizen - Symphony No. 1 Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
En 1794,
l’écrivain,
peintre, graveur,
enlumineur, visionnaire
et philosophe mystique
anglais William Blake
(1757-1827) dénonce
dans The Book of Urizen
(Le Livre
d’Urizen), la loi
de fer du monde moderne.
Dans The Book
ofUrizen - la
première symphonie de
Jacob de Haan pour
Orchestre
d’Harmonie,
Soprano et un récitant
- des collages sonores
sont utilisés. The
Vision, la
première partie et
The Creation, la
deuxième partie de
TheBook of Urizen
sont disponibles sous le
numéro
d'éditionsuivant: DHP
1043551. The Web,
la troisième partie de
The Book of Urizen
est disponible sous le
numéro d'édition
suivant: DHP 1125252.
Télécharger
lesextraits audio ici:
track 1, track 2, track
3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252. $70.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| KYO-WA Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135400-140 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1135400-140
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Score Only. Composed
2013. 40 pages. De Haske
Publications #DHP
1135400-140. Published by
De Haske Publications
(BT.DHP-1135400-140).
9x12 inches.
English-German-French-Dut
ch. KYO-WA
is a suite in three
movements - Fanfare,
Chorale and
March, which
composer Satoshi Yagisawa
wrote individually year
on year between 2008 and
2010 for a symphonic wind
band. The word KYO in the
title can mean resonance,
but also togetherness,
working together and
competition. WA means
peace and harmony. These
ideas, together with a
broad palette of emotions
from sadness and fear to
hope and rapture, have
been woven into a piece
that is typical of his
new compositional
style.
KYO-WA
I> is een driedelige
suite, bestaande uit
Fanfare, Chorale
en March. Satoshi
Yagisawa componeerde dit
werk voor symfonisch
blaasorkest. Het woord
KYO in de titel is een
Japans homoniem. Het kan
zowel resonantie als ook
samen zijn, samenwerken
en wedstrijd betekenen.
WA betekent
‘harmonie‘ en
‘vrede‘. Dit
idee en een breed scala
aan gevoelens als
treurnis, angst, hoop en
ook verrukking verwerkte
Yagiswa in een werk dat
typisch is voor zijn
nieuwe
klankidioom.
KY
O-WA ist eine Suite
aus den drei Teilen
Fanfare, Chorale
und March, die
Satoshi Yagisawa einzeln
in den Jahren 2008 bis
2010 für ein
symphonisches
Blasorchester
komponierte. Das Wort KYO
im Titel ist ein
japanisches Homonym, das
sowohl Resonanz“
als auch
Zusammensein“,
Zusammenarbeit“ und
Wettbewerb“
bedeuten kann. WA
bedeutet Harmonie“
und Frieden“. Diese
Ideen und eine breite
Palette an Gefühlen
von Trauer, Angst und
Hoffnung bis hin zu
Entzücken
verarbeitete Yagiswa in
einem Stück, das
typisch für seinen
neuen Kompositionsstil
ist.
Fanfare,
Chorale et
Marche sont les
trois mouvements de la
suite KYO-WA,
composée par Satoshi
Yagisawa. Le mot KYO dans
le titre est un homonyme
japonais qui signifie la
fois résonance et
vivre ensemble,
coopération et
compétition. WA se
traduit par harmonie et
paix. Ces esquisses,
teintées d’un
éventail de divers
sentiments de tristesse
et de peur ont été
fédérées dans
Kyo-Wa par Satoshi
Yagisawa, sous une
formidable nouvelle forme
d’écriture.
KYO-WA è
una suite in tre parti,
Fanfare, Chorale e
March, composte
separatamente da Satoshi
Yagisawa nel 2008 e 2010
per un’orchestra
sinfonica. KYO è una
parola giapponese dai
molteplici significati:
risonanza,
collaborazione,
associazione e concorso.
WA significa armonia e
pace. Questi significati,
come anche
un’ampia gamma di
sentimenti che vanno dal
lutto, alla paura fino
alla speranza sono stati
trasposti in musica da
Yagisawa in un brano
dallo stile
caratteristico del
compositore
nipponico. $47.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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