The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano

Tenor Book/2-CDs Pack-For aspiring and professional singers who love Broadway Alfreds Singers Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocalscores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiplevolumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-bar cut suggestions for each song make it the most useful andrelevant song library of its kind. Titles include: Im Not That Smart (The 25th Annual Putnam County Spelling Bee) · My Unfortunate Erection (Chips Lament) (The 25th Annual Putnam County Spelling Bee) · Dames (42nd Street) · Radames Letter (EltonJohn and Tim Rices Aida) · The Gypsy in Me (Anything Goes (1988 Revival)) · Ballad of Booth (Part III) (Assassins) · What Am I Doin? (Closer Than Ever) · Broadway Baby (Dames at Sea) · Blah Blah Blah (Delicious) · When the Earth Stopped Turning(Elegies) · You Gotta Die Sometime (Falsettos) · I Want to Make Magic (Fame: The Musical) · Sandy (Grease) · Donna (Hair) · Different (Honk!) · The Phone Call (Lucky Stiff) · Knowing Me Knowing You (Mamma Mia) · To Each His Dulcinea (Man of LaMancha) · Larger Than Life (My Favorite Year) · Im Falling in Love with Someone (Naughty Marrietta) · And Theyre Off (A New Brain) · Stouthearted Men (The New Moon) · Lucky to Be Me (On the Town) · A New Town Is a Blue Town (The Pajama Game) ·Extraordinary (Pippin) · Theres a Boat Dats Leavin Soon for New York (Porgy and Bess) · You Took Advantage of Me (Present Arms) · Alone in the Universe (Seussical the Musical) · Something to Live For (Sophisticated Ladies) · Strike Up The Band(Strike Up The Band) · Ballad of the Easy Life (The Threepenny Opera) · Calla Lily Lady (Two Gentlemen of Verona) · Loves Revenge (Two Gentlemen of Verona) · They Wont Know Me (Wish You Were Here) · If I Only Had a Brain (The Wizard of Oz).

For the occasion of the coronation of King George II and Queen Caroline, which took place in Westminster Abbey on October 11, 1727, Handel wrote four splendid anthems and personally supervised their performance which was, according to all reports, one of great magnificence. The four anthems were enthusiastically received, and one or more of them has been performed at every British coronation since 1727. Anthem #2 ('The King Shall Rejoice'), although less well-known than Anthem #1, is an equally splendid example of Handel's ceremonial style - what Burney has affectionately termed his 'big bow-bow manner'. This work contains an opening Allegro, brilliant and elegant rather than pompous - a grandiose setting of 'Glory and great worship hast thou laid upon him' - and a lively fugal Alleluia as a conclusion. Arranged for four-part chorus of mixed voices with organ or piano accompaniment. Edited and with keyboard reduction by Edouard Silas. / Chant Et Piano

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

The composer Rudolf Kelterborn about his work: ?I call the ten compositions for female voice and piano ?DUOS? because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways.

In the vocal part there are several variants, and this makes them accessible for different types of voice.

The 10 duos do not form a complete cycle that can be heard only as an entire work. Smaller groups can be put together and presented according to text-related or musical aspects.

The texts are by authors who have continued to inspire me for years.? / [10 Duos Pour Voix de Femme et Piano] / Classique / Partition / Agrafé /

Tenor Book/2-CDs Pack-For aspiring and professional singers who love Broadway Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocal scores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-barcut suggestions for each song make it the most useful and relevant song library of its kind. Titles include: Corner of the Sky (Pippin) · The Games I Play (Falsettos) · I've Got a Crush on You (Strike Up the Band) · Not While I'm Around (Sweeney Todd) · On the Street Where You Live (My Fair Lady) · and more.

15 empowering songs, including: Imagine, Lean on Me, One Call Away, Over the Rainbow, Times Like These and more! All songs are presented for piano, vocal and guitar with full lyrics and guitar chord diagrams.

Par VOLPI ANDREA / GERINI ALESSANDRO. The series ?Scuola superiore di musica? was designed to suit the needs of students from beginning to intermediate-advanced music courses. Canto polivocale moderno is an anthology of rock ? pop/rock songs engraving for two three and four voices. It makes use of a rich material as scores lyrics and audio online to ensure more tools are available to students. / Date parution : 2023-01-24/ Recueil / Piano

Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano