Une excellente organisation qui comprend des pièces pour trompette 1 / 2, cor en fa, cor en mi bémol et trombone / euphonium TC et la Colombie-Britannique. / Quatuor De Cuivres / niveau : Elémentaire / Set (Conducteur et parties séparées)

/ Quatuor De Cuivres / niveau : Elementaire / Set (Conducteur et parties séparées)

Arr. Jean-François Dion. Par ROSSINI GIOACHINO. 10'00 / Niveau : Cycle 3 / Musique de Chambre / Répertoire / Quatuor de Cuivres

Arr. Jean-François Dion. Par ROSSINI GIOACHINO. 13'30 / Niveau : Cycle 3 / Musique de Chambre / Répertoire / Quatuor de Cuivres

Arr. Simone Maffioletti. Par HAENDEL GEORG FRIEDRICH. 2'00 / Niveau : Cycle 3 / Musique de Chambre / Répertoire / Quatuor de Cuivres

Wind Ensemble. Par WAGNER RICHARD. 1 Trompette, 1 Cor, 1 Trombone, 1 Tuba ou 2 Trompettes, 1 Trombone, 1 Tuba/ Répertoire / Quatuor de Cuivres

Arr. Eric J. Hovi. Par MANCINI HENRY. English-German-French-Dutch / Niveau : Intermédiaire / Recueil / Quatuor de Cuivres

Par REICHE / KING. For trumpet, trumpet (or horn), horn (or trombone) and trombone (or tuba)./ Répertoire / Quatuor de Cuivres

Folksong from the Hebrides. Par REINSHAGEN FRANK. Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are - in a direct or wider sense - of „Celtic origin', in other words, they have been borrowed from the Irish, Scottish and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. Annotation on 'Aignish on the Machair'. The arrangement of Aignish on the Machair illustrates, above all, the melancholic character inherent in the harmonies of the original tune. A short rubato passage is followed by several variations over the flowing melody in 3/4 time. The short triplet passages embedded in these variations are quite demanding from the technical point of view - considering the key they are written in, however, these passages are not too difficult to play./ Répertoire / Quatuor de Cuivres