| Petite Messe Solennelle
(ROSSINI GIOACHINO) Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Barenreiter
Par ROSSINI GIOACHINO. La 'Petite Messe solennelle' est le plus beau travail ces...(+)
Par ROSSINI GIOACHINO. La 'Petite Messe solennelle' est le plus beau travail ces dernières années de Rossini. Il a composé entre 1863 et 1864 à l'âge de 71 ans à titre de commission pour la comtesse Louise Pillet-Will pour la consécration de sa chapelle privée, où le travail a reçu sa première représentation en Mars 1864. Avec le 'Stabat mater', la masse est l'une des oeuvres sacrées mostimportant du compositeur.
L'instrumentation inhabituelle avec deux pianos et harmonium est tout à fait conforme à la tradition du clavier napolitaine du 18ème siècle qui a été cultivé en France à l'époque de Rossini. Il forme un contraste frappant avec le style des compositions sacrées de grande envergure comme l'a écrit, par exemple, Liszt et Bruckner. Rossini a expliqué qu'il a écrit la version orchestrale tard du travail datant de 1867 de crainte que s'il ne le faisait pas, d'autres compositeurs pourraient orchestrer la masse trop lourdement dans les accords ultérieurs.
La réduction pour piano par Andreas Kohs est très idiomatique et préserve en grande partie le caractère charmant de l'instrumentation inhabituelle.
- Basé sur le Urtext de la série 'oeuvres de Gioachino Rossini'
- Avant-propos en deux langues (anglais / allemand)
- Avec une part d'harmonium séparée et une partie de pianos I et II
'... Il est très difficile d'imaginer quelqu'un arriver à un texte plus savante, précis et pratiquement utile que cela.'
(Classics aujourd'hui Juillet 2010)
'Aucun compositeur dans la première moitié du 19e siècle a connu la mesure du prestige, la richesse, succès populaire ou de l'influence artistique qui appartenait à Gioachino Rossini. Ses contemporains l'ont reconnu comme le plus grand compositeur italien de son temps. Ses réalisations jeté dans l'oubli le monde de l'opéra de Cimarosa et Paisiello, la création de nouvelles normes par rapport auxquelles d'autres compositeurs devaient être jugés. C'est à la fois Bellini et Donizetti taillé styles personnels est indéniable, mais ils ont travaillé dans l'ombre de Rossini, et leurs personnalités artistiques ont émergé dans la confrontation avec ses opéras. Pas jusqu'à l'avènement de Verdi était Rossini remplacé au centre de la vie de l'opéra italien. '
(Philip Gossett, The New Grove Dictionary of Music and Musicians)/ Répertoire / Chant et Piano
20.83 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Peter Pan ou la
véritable histoire de
Wendy Moira Angela
Darling (BURGAN PATRICK) Soli, choeur mixte et accompagnement [Partition] Lemoine, Henry
Par BURGAN PATRICK. Du parlé au chanté, du réel à l\'imaginaire ' : une mise...(+)
Par BURGAN PATRICK. Du parlé au chanté, du réel à l\'imaginaire ' : une mise en abîme.
L\'histoire de Peter Pan - surtout connue à travers la lecture simplificatrice du dessin animé de Walt Disney - se révèle, dans le conte originel de James Matthew Barrie, une étonnante parabole sur l\'existence et sur la mort.
L\'opéra renforce la mise en abîme et le jeu sur l\'éternel retour en mettant en scène la perte prématurée du frère de Wendy qui n\'est autre que Peter, rejoint par elle dans l\'au-delà : le Neverland.
Trois mondes alternent sur la scène, selon des techniques assez cinématographiques (flash-backs, fondus, transitions abruptes).
Le premier, l\'axe central, met en présence deux actrices : Wendy, aujourd\'hui grand-mère, raconte son histoire à sa petite fille Lucie, avec toutes les déformations et contradictions dues peut-être moins à son âge qu\'à sa mythomanie.
Les deuxième et troisième mondes sont l\'illustration de son propos, les images vivantes de son souvenir : la chambre de son enfance, où les voix sont parlées mais cette fois-ci calées rythmiquement avec l\'orchestre, et le Pays imaginaire quant à lui entièrement chanté.
La présence de la musique est donc proportionnelle à la distance prise avec le réel, puisque les actrices parlent (ici et maintenant), les solistes parlent sur l\'orchestre (le souvenir), solistes et choeurs chantent où tout n\'est plus que musique (le rêve... l\'Ailleurs !).
Sirènes, fées, pirates, indiens, bêtes sauvages - disputes familiales, perte des enfants - nostalgie du regard sur son passé, etc. De la réflexion sur l\'enfance éternelle (seule la vie peut offrir le vieillissement) jusqu\'aux batailles les plus spectaculaires, puisse cet opéra - à l\'instar du conte de James Matthew Barrie - s\'ouvrir à tous les niveaux de lecture.
Patrick Burgan / Date parution : 2023-01-06/ Répertoire / Voix Solistes, Ch?ur et Orchestre
146.00 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Symphonie 2
"Ressurection"
(MAHLER GUSTAV) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Universal Edition
Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Sympho...(+)
Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Symphony No. 2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerization also ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony No. 2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors has been corrected./ Répertoire / Solistes, Choeur et Orchestre
55.44 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Georg Friedrich Händel:
I Will Magnify Thee:
Mixed Choir: Vocal Score Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Partition] Barenreiter
Handel?s four anthems were all composed during his London period in the Chapel R...(+)
Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket. Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ.These four works (O sing unto the Lord HWV 249a I will magnify thee HWV 250b As pants the hart HWV 251e Let God arise HWV 256b) with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems arepresented in clearly laid out Vocal scores with easy-to-play Piano reductions based on the Urtext from the ?Halle Handel Edition?. Their winningly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and the equally festive solo numbers. Today they sound as splendid as ever before. The full scores and Vocal scores also contain a German translation along with the original English.Scoring:- HWV 249a: soloists (AB) chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo.- HWV 250b: soloists (SATB) chorus (SATB) Oboe Strings Continuo.- HWV 251e: soloists (SAATBB) chorus (SAATBB) 2 Oboes Strings Continuo.- HWV 256b: soloists (AB) chorus (SATB) Oboe Strings Continuo.- Urtext from the ?Halle Handel Edition? at the forefront of musical scholarship.- First separate editions for performance purposes.- Clear and easy-to-play Piano reductions.- Original English text with underlaid German translation.- Full scores vocal scores and performance material available for sale.
14.50 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
O Sing Unto The Lord HWV
249a Chapel Royal Anthem:
Mixed Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Partition] Barenreiter
Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written inMarch 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
9.00 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
As Pants The Hart HWV
251e Chapel Royal Anthem:
Mixed Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Partition] Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As Pants The Hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As Pants The Hart? his fifth setting of this Psalm text was writtenin March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward Piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
14.00 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
Let God Arise HWV 256b
Chapel Royal Anthem:
Mixed Choir: Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
10.50 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
Let God Arise HWV 256b
Chapel Royal Anthem:
Mixed Choir: Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
6.00 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
Let God Arise HWV 256b
Chapel Royal Anthem:
Mixed Choir: Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
6.00 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
Let God Arise HWV 256b
Chapel Royal Anthem:
Mixed Choir: Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Partition] Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
12.50 GBP - vendu par Musicroom GB |
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| Franz Schubert: Mass In
B-Flat Major Op.Post.141
D 324: Mixed Choir: Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.Urtext of the New Schubert EditionFull score performance material (BA5621) and vocal score (BA5621-90) available for sale
53.50 GBP - vendu par Musicroom GB |
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| Benjamin Britten: The
World Of The Spirit (Full
Score): SATB: Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Chester
This concert version has been prepared by Donald Mitchell for Soprano Alto Ten...(+)
This concert version has been prepared by Donald Mitchell for Soprano Alto Tenor and Baritone soloists 1 or 2 speakers SATB choir and Orchestra. The text has been compiled by R. Ellis Roberts.The first performance ofthis concert version was given on 27th June 1998 in the Snape Maltings Concert Hall as part of the Aldeburgh Festival by Janice Watson (Soprano) Catherine Wyn-Rogers (Mezzo-Soprano) Timothy Robinson (Tenor) Neal Davies(Baritone) and David Evans (Speaker) with the Joyful Company of Singers and the City of London Sinfonia conducted by Steuart Bedford.Orchestration is for 2 Flutes2 Oboes2 Clarinets in B flat2Bassoons4 Horns in F2 Trumpets in C3 TrombonesTubaTimppaniSuspended CymbalClashed CymbalsGongSide DrumBass DrumTambourineHarpOrganStrings
69.99 GBP - vendu par Musicroom GB |
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| Missa Pro Defunctis
(SUPPE FRANZ VON) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic...(+)
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
103.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Missa Pro Defunctis
(SUPPE FRANZ VON) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic...(+)
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
12.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Missa Pro Defunctis
(SUPPE FRANZ VON) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic...(+)
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
12.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Missa Pro Defunctis
(SUPPE FRANZ VON) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic...(+)
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
134.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Missa Pro Defunctis
(SUPPE FRANZ VON) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic...(+)
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
12.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Missa Pro Defunctis
(SUPPE FRANZ VON) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic...(+)
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
12.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Missa Pro Defunctis
(SUPPE FRANZ VON) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic...(+)
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
12.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Missa Pro Defunctis
(SUPPE FRANZ VON) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic...(+)
Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
29.00 EUR - vendu par LMI-partitions Délais: En Stock |
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