In 1648 Heinrich Schütz published a collection of 29 motets with five to seven ...(+)
In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled 'Geistliche Chor-Music? (Sacred Choir Music). Here, the term 'Chor? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally. This practice, common in Schütz's time, has been incorporated into Bärenreiter's new publication. The edition includes the twelve five-part motets at original pitch with basso continuo. In addition, instrumental parts for string and wind instruments can be purchased. These parts, which include the text, serve to support and complement the choral sound 'colla parte?. To enable varying tone-colour possibilities, instrumental parts are available in different transpositions.Of great significance is the detailed foreword on performance practice by Manfred Cordes.- Reflects the latest in musicological research based on the 'New Schütz Edition?- Includes a detailed foreword (Eng/Ger) on performance practice by a Schütz expert- Instrumental parts (strings, winds) available in transpositionsManfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory, counterpoint and ensemble and is also rector of the 'Hochschule für Künste Bremen?. He performs internationally as the director of the ensemble 'Weser-Renaissance Bremen?. / Choeur Mixte Et Basse Continue
Par SCHUBERT FRANZ. Mass No. 6 in E flat major, D 950, is a mass composed by Fra...(+)
Par SCHUBERT FRANZ. Mass No. 6 in E flat major, D 950, is a mass composed by Franz Schubert. It was originally scored for two tenor soloists, soprano, alto and bass soloists, SATB choir with divisi, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, violin I and II, viola, cello, and double bass and is presented in this edition as a vocal score for SATB. It was Schubert's final setting of the order of Mass, and is classified as a missa solemnis. / Urtext / Répertoire / Travaux Pour Choeurs
The set of instrumental parts to accompany Ed Lojeski's choral arrangement of 15...(+)
The set of instrumental parts to accompany Ed Lojeski's choral arrangement of 15 Beatles' classics. Contains Trumpet I and II, Tenor Sax, Trombone, Guitar, Bass and Drums. / 2 Trompettes, Saxophone Tenor, Trombone, Guitare, Guitare Basse et Percussions
Avec la publication des six et sept parties motets, une version révisée du 'Ge...(+)
Avec la publication des six et sept parties motets, une version révisée du 'Geistliche ChorMusic' est maintenant terminée.Comme Schütz a écrit dans sa préface à la collecte, toutes les parties aux motets peuvent être effectuées vocalement et / ou instrumentalement. Ces motets offrent plus petits choeurs et d'ensembles de nouvelles possibilités pour effectuer ces travaux, fondés sur la pratique de la performance historiquement informée.Le continuo basso réalisation fait suite à l'intention du compositeur d'utiliser le score simplement comme une base pour la performance, mais avec sa réalisation relativement simple, elle permet également à des artistes de créer leur propre version. Reflétant les dernières recherches sur la base du 'New Schütz Edition' Les parties instrumentales (cordes, vents) disponible en PoD Geistliche ChorMusic maintenant disponible complet en deux volumes / Choeur Mixte Et Basse Continue
Haydn presumably wrote his 'Missa brevis? in 1775 for the Brothers Hospitallers ...(+)
Haydn presumably wrote his 'Missa brevis? in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname, the 'Little Organ Mass', from the organ solo in the 'Benedictus?. This arrangement for female choir (SMezAA) is based on the complete edition of the 'Works of Joseph Haydn?.The original soprano and alto parts have, for the most part, been taken over, as has the soprano solo in the 'Benedictus?. The tenor and bass parts are distributed among the mezzo-sopranos and altos, with a few well thought-out alterations to preserve the harmonic structure. Heribert Breuer has retained the original substance with great skill while giving the work a wholly new and attractive sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and conductor of the Berlin Bach Academy.- Arrangement for SMezAA based on the Henle Complete Edition of the Works of 'Joseph Haydn?- Idiomatic piano reduction (BA 5694-90) / Soprano Et Orchestre
Smoke Gets In Your Eyes-Four popular classics by the likes of Cecil Mack and Col...(+)
Smoke Gets In Your Eyes-Four popular classics by the likes of Cecil Mack and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by brimming with the swing and swagger of the Barbershop style.Arranged for a quartet of Alto Tenor Baritone and Bass voices each piece includes a Piano accompaniment for easier rehearsal. Nield's ingenuous and effervescent writing sparkles with jazzy energy without ever becoming difficult to sing.The close-harmony style not onlypresents a uniquely satisfying and playful challenge to the singers but will also delight and amuse audiences everywhere no matter what the occasion!
A Beginner\'s Guide to Contemporary A Cappella Singing. Par DIETZ ROBERT. A capp...(+)
A Beginner\'s Guide to Contemporary A Cappella Singing. Par DIETZ ROBERT. A cappella teacher/performer/producer, Rob Dietz, expertly describes the nuts, bolts and artistry of creating contemporary a cappella music. Rob is the perfect person to write this text, produce the sample tracks available on line and draw from his vast community of a cappella experts for advice and experiences. Whether you are an a cappella newbie or seasoned expert, this resource is for you! The perfect - dare I say pitch perfect - book for anyone looking to start an a cappella group or program! -Deke Sharon, Arranger/Producer: The Sing-Off, Pitch Perfect Includes digital access for audio. The tracks, expertly produced by the author, are examples of concepts presented in the book including warm-ups, bass vocal techniques, and arranging ideas. / Date parution : 2022-07-23/ Etude / Choeur a Cappella
March of the Men of Harlech is the unofficial national anthem of Wales there i...(+)
March of the Men of Harlech is the unofficial national anthem of Wales there is an official one -- and is well known there. The rest of the world may know the piece from films like Zulu The Corn is Green and The Englishman WhoWent Up a Hill But Came Down a Mountain as well as from regimental songs.The rousing tune with its double-dotted rhythms and inspiring Choral cadence is a favourite with Welsh men’s Choruses. The words which have appeared inseveral forms concern the longest siege on British soil at the Castle of Harlech in 1468 though some insist they refer to an earlier siege during which the future King Henry V of England defeated Owen Glendower.This arrangementfor Men’s Chorus TTBB is sure to awaken patriotic fervour in Welsh audiences and appreciation in all others. Welsh lyrics are included in the bass line.
The light Latin flavor of this classic Beatles' song from the 1967 classic album...(+)
The light Latin flavor of this classic Beatles' song from the 1967 classic album Magical Mystery Tour will create a warm and wonderful concert moment. Available: SATB SAB SSA IPak (Flute Trumpet I & II Tenor Sax Trombone Synthesizer Guitar Bass Drums) ShowTrax CD. Approx. Time: 3:20.
All Creatures of Our God and King-(All Creatures of Our God and King). Now avail...(+)
All Creatures of Our God and King-(All Creatures of Our God and King). Now available for men's chorus this exciting work was recorded by First Call. Based on All Creatures of Our God and King and paired with a powerful African chorus it features fiery syncopations opportunities for soloists and a full complement of percussion instruments. Awesome! Available for SATB SAB TTBB 2-Part Instrumental Pak (parts for Guitar Bass Drums and Percussion) and ShowTrax CD. Performance Time: Approx. 4:25
Four popular classics by the likes of Cecil Mack and Cole Porter have been lovin...(+)
Four popular classics by the likes of Cecil Mack and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by brimming with the swing and swagger of the Barbershop style.Arranged for a quartet of Alto Tenor Baritone and Bass voices each piece includes a Piano accompaniment for easier rehearsal. Nield's ingenuous and effervescent writing sparkles with jazzy energy without ever becoming difficult to sing.The close-harmony style not onlypresents a uniquely satisfying and playful challenge to the singers but will also delight and amuse audiences everywhere no matter what the occasion!
Dvorak's Mass in D Op.86 was completed in 1887. It is scored for Soprano, Alto, ...(+)
Dvorak's Mass in D Op.86 was completed in 1887. It is scored for Soprano, Alto, Tenor and Bass soloists, SATB and organ, or SATB (with optional soloists) and orchestra. Edited by Michael Pilkington. / Choeur
Frauenchor. Par HAYDN FRANZ JOSEF. Haydn presumably wrote his 'Missa brevis” i...(+)
Frauenchor. Par HAYDN FRANZ JOSEF. Haydn presumably wrote his 'Missa brevis” in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname, the 'Little Organ Mass', from the organ solo in the 'Benedictus”. This arrangement for female choir (SMezAA) is based on the complete edition of the 'Works of Joseph Haydn”.
The original soprano and alto parts have, for the most part, been taken over, as has the soprano solo in the 'Benedictus”. The tenor and bass parts are distributed among the mezzo-sopranos and altos, with a few well thought-out alterations to preserve the harmonic structure. Heribert Breuer has retained the original substance with great skill while giving the work a wholly new and attractive sound.
Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and conductor of the Berlin Bach Academy.
- Arrangement for SMezAA based on the Henle Complete Edition of the Works of 'Joseph Haydn”
- Idiomatic piano reduction (BA 5694-90)/ Répertoire / Piano
Aulis Sallinen?s Barabbas Dialogues was commissioned by Naantali Music Festival....(+)
Aulis Sallinen?s Barabbas Dialogues was commissioned by Naantali Music Festival.It received its first performance on 11 June 2004 at Naantali Church(part of the Naantali Music Festival) with Mari Palo (soprano) Riikka Rantanen (mezzo) Topi Lehtipuu (tenor) Petteri Salomaa (baritone) Juha Kotilainen (bass) Kalle Holmberg (narrator) Ralf Gothoni (conductor and piano) Mika Väyrynen(accordion) Elina Vähälä (violin) Arto Noras (cello) Petri Alanko (flute) Michel Lethiec(clarinet) and Ari-Pekka Mäenpää (percussion)
La Lune Est Morte is a piece for SATB containing the score for Mixed voices or ...(+)
La Lune Est Morte is a piece for SATB containing the score for Mixed voices or Equal voices on music by Georges Liferman. With lyrics by Jacques Mareuil this lyrical piece is quite melancholy: “Cry Pierrots Poets and Black cats the Moon is dead” being the main recurrent sentence. The chorus is sung by all voices while the verses lyrics are only sung by the Tenor and the Bass accompanied by a melody of “o” by the two other voices. Georges Liferman is a French composer and writer. His work includes French songs and French musicals mainly with very famous interpretationsin France by artists such as France Gall Juliette Gréco and Yves Montant.
This classic by Stevie Wonder offers a heartfelt message and a soulful melody ov...(+)
This classic by Stevie Wonder offers a heartfelt message and a soulful melody over a gentle pop groove. A perfect showcase for your pop ensemble! Available separately: SATB SAB SSA Instrumental ePak (parts for Soprano Sax Guitar Bass and Drums) and ShowTrax CD. Performance Time: Approx. 2:35.
Four popular classics by the likes of Cecil Mack and Cole Porter have been lovin...(+)
Four popular classics by the likes of Cecil Mack and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites, David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by, brimming with the swing and swagger of the Barbershop style. Arranged for a quartet of Alto, Tenor, Baritone and Bass voices, each piece includes a Piano accompaniment for easier rehearsal. Nield's ingenuous and effervescent writing sparkles with jazzy energy without ever becoming difficult to sing. The close-harmony style not only presents a uniquely satisfying and playful challenge to the singers, but will also delight and amuse audiences everywhere, no matter what the occasion! / Voix Masculines
Four popular classics by the likes of Cecil Mack and Cole Porter have been lovin...(+)
Four popular classics by the likes of Cecil Mack and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by brimming with the swing and swagger of the Barbershop style.Arranged for a quartet of Alto Tenor Baritone and Bass voices each piece includes a Piano accompaniment for easier rehearsal. Nield's ingenuous and effervescent writing sparkles with jazzy energy without ever becoming difficult to sing.The close-harmony style not only presents auniquely satisfying and playful challenge to the singers but will also delight and amuse audiences everywhere no matter what the occasion!
Kantate zum Sonntag Sexagesimae. Leipziger Fassung. Par BACH JOHANN SEBASTIAN. T...(+)
Kantate zum Sonntag Sexagesimae. Leipziger Fassung. Par BACH JOHANN SEBASTIAN. The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded./ Répertoire / Choeur
Pour choeur à voix égales et piano ou ensemble instrumental (flûte, violon et...(+)
Pour choeur à voix égales et piano ou ensemble instrumental (flûte, violon et piano) ou ensemble instrumental au choix (ensemble de flûtes, de clarinettes, de bassons, quatuor de violoncelles, orchestre à cordes, orchestre de cycle I, II ou III, orchestre symphonique, harmonie ou toute autre formation). Il est aussi possible de ne chanter que la voix principale de la pièce (dès 9/10 ans) / Chant/Vocal/Choeur