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| Poczatek Trio For Piano
Trio
Piano Trio: piano, violon, violoncelle [Partition]
Chester
5 movements derived from the score I wrote for the Michael Nyman Band in early 2...(+)
5 movements derived from the score I wrote for the Michael Nyman Band in early 2009 as a soundtrack to the film 'Poczatek'. For this project , I selected extracts from classic Polish feature and documentary films of the 50s, 60s and 70s and organised them into a sequence of 20 linked one minute 'single theme' films.This version was made specially for the Fidelio Trio. -Michael Nyman (2010) / Violon, Violoncelle Et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| 4 Pieces From 'The
Piano'
Piano Trio: piano, violon, violoncelle
Chester
Four Pieces from Michael Nyman's score to the film 'The Piano' arranged for Pian...(+)
Four Pieces from Michael Nyman's score to the film 'The Piano' arranged for Piano Trio. Score and Parts. / Violon, Violoncelle Et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Michael Nyman: The
Photography Of Chance
(Piano Trio): Piano:
Score and Parts
Piano Trio: piano, violon, violoncelle [Partition]
Chester
Short Version-For Violin Cello and Piano. Composer's Notes 'Even though this ...(+)
Short Version-For Violin Cello and Piano. Composer's Notes 'Even though this work was intended to celebrate (as instructed by the commissioner Brolly Arts of Salt LakeCity) the wildlife and landscape of Utah (and especially its birdlife notably the sora which has a noticeable influence on the melodic writing at times) the title refers ironically in this 'natural' context to the re-seeing’of (mainly industrial) reality in early Soviet photography. Aleksandr Rodchenko (1881-1956) drew attention to the new type of photographer as someone who photographs 'facts' and who is able through photography to fight against'looking like art' with high quality examples and to do this you have to experiment going as far as the ‘easelisation’ of the photographic art.The work was written for and first performed by the Ahn Trio in November2004 in Salt Lake City and is dedicated to the memory of John Peel the British radio disc jockey who died during the final stages of its composition.' - Michael Nyman
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| Michael Nyman: The
Photography Of Chance
(Piano Trio): Violin &
Cello: Score and
Piano Trio: piano, violon, violoncelle [Partition]
Chester
For Violin Cello and Piano. Composer's Notes 'Even though this work was inten...(+)
For Violin Cello and Piano. Composer's Notes 'Even though this work was intended to celebrate (as instructed by the commissioner Brolly Arts of Salt LakeCity) the wildlife and landscape of Utah (and especially its birdlife notably the sora which has a noticeable influence on the melodic writing at times) the title refers ironically in this 'natural' context to the re-seeing’of (mainly industrial) reality in early Soviet photography. Aleksandr Rodchenko (1881-1956) drew attention to the new type of photographer as someone who photographs 'facts' and who is able through photography to fight against'looking like art' with high quality examples and to do this you have to experiment going as far as the ‘easelisation’ of the photographic art.The work was written for and first performed by the Ahn Trio in November2004 in Salt Lake City and is dedicated to the memory of John Peel the British radio disc jockey who died during the final stages of its composition.' - Michael Nyman
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| Michael Nyman: Yellow
Beach: Piano Trio: Score
and Parts
Piano Trio: piano, violon, violoncelle [Partition]
Chester
This work was written in June 2002 for the Ahn Trio at their request. It is deri...(+)
This work was written in June 2002 for the Ahn Trio at their request. It is derived from some harmonies of 'Come Unto These Yellow Sands' from 'Ariel Songs (Prospero's Books)'.
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| Michael Nyman: Time Will
Pronounce For Violin
Cello And Piano: Chamber
Piano Trio: piano, violon, violoncelle [Partition]
Chester
For violin cello and piano'The title 'Time Will Pronounce'is taken from the las...(+)
For violin cello and piano'The title 'Time Will Pronounce'is taken from the last lines of Joseph Brodsky’s poem 'Bosnia Tune' which deals with the horror of the unnecessary unacceptable daily deaths in Bosnia during 1992 (andstill in 1993): ‘Time whose sharp blood-thirsty quill parts the killed from those who kill will pronounce the latter tribe as your type’. The violin and cello are (generally) treated as a unit independent of the piano. Theform (generally) alternates slow and fast tempi without motivation. The musical ideas are (generally) carried over from section to section. (Generally) the harmonic melodic and textual materials features third and semitonesderived (generally) from the movement of the bass part in the opening bars.
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