Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a 'donkey” in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well. Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann André. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition./ Répertoire / Violon 2 (Partie Séparée)

Instrumental Play-Along. Par ANDERSON-LOPEZ K. / FRANCO G. / MOLINA A.. Cette collection contient 7 arrangements extraits du film d' animation Coco des studios Disney. Cet ouvrage comprend l' accès aux fichiers audio de démonstration et de playback, qui peuvent être téléchargés ou écoutés en streaming grâce au code indiqué à l' intérieur. A vous de jouer ! / Recueil / Violon

oeuvre complète de ?evcík couvre tous les domaines de la technique du violon , du niveau le plus élémentaire et des exercices spéciaux concernant les problèmes techniques individuelles en passant par les études analytiques des concertos standard . Aujourd'hui , plus de 130 ans plus tard , son ' école de violon ' encore les numéros entre les méthodes d'enseignement les plus importants pour les violonistes .La nouvelle édition de la ' School of Violin Technique ' de ?evcík op . 1 comprend quatre volumes et est essentiellement basée sur la première édition publiée au début du XXe siècle . Autres sources de papiers posthumes de Sevcik ont également été prises en compte .Jaroslav Foltýn , professeur de violon au Conservatoire de Prague ( comme ?evcík à la fois) , a fourni un commentaire méthodologique précis .- Nouvelle édition d'une méthode de violon qui a été utilisé par des générations de violonistes- travail séminal par un grand éducateur de violon- commentaire méthodologique par l'éditeur ( Cz / Eng / Ger)- Le début d'une série de nouvelles publications Bärenreiter des principales oeuvres de Sevcik / Violon

oeuvre complète de ?evcík couvre tous les domaines de la technique du violon , du niveau le plus élémentaire et des exercices spéciaux concernant les problèmes techniques individuelles en passant par les études analytiques des concertos standard . Aujourd'hui , plus de 130 ans plus tard , son ' école de violon ' encore les numéros entre les méthodes d'enseignement les plus importants pour les violonistes .La nouvelle édition de la ' School of Violin Technique ' de ?evcík op . 1 comprend quatre volumes et est essentiellement basée sur la première édition publiée au début du XXe siècle . Autres sources de papiers posthumes de Sevcik ont également été prises en compte .Jaroslav Foltýn , professeur de violon au Conservatoire de Prague ( comme ?evcík à la fois) , a fourni un commentaire méthodologique précis .- Nouvelle édition d'une méthode de violon qui a été utilisé par des générations de violonistes- travail séminal par un grand éducateur de violon- commentaire méthodologique par l'éditeur ( Cz / Eng / Ger)- Le début d'une série de nouvelles publications Bärenreiter des principales oeuvres de Sevcik / Violon

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorák used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorák scholar Klaus Döge succeeded in tracking down its location and evaluating this important source for the first time. It contains the 'Fassung letzter Hand' and, moreover, offers valuable insights into Dvorák's conducting workshop. It served as the principal source for the Breitkopf Urtext edition./ Répertoire / Violon 1 (Partie Séparée)

?evcík's complete works cover every area of violin technique, from the elementary level and special exercises on individual technical problems all the way to analytical studies of the standard violin concertos.His 'Preparatory Trill Studies? deal with the placement of the fingers, their pressure on the strings and their action on the fingerboard in elementary positions, proceeding from slow movements to trills.This edition is essentially based on the original print published at the outset of the 20th century, along with other sources from ?evcík's posthumous papers. The editor, Jaroslav Foltýn, is a professor of violin at Prague Conservatory, as was ?evcík himself.- Fundamental pedagogical work by a leading violin teacher- With methodological notes by the editor (Cz/Eng/Ger)- Moderate to advanced level of difficulty / Violon

The 'School of Bowing Technique? op. 2 is the second important violin tutor by Otakar ?evcík (1852-1934) and deals with the elementary technical demands of the right hand. Divided into three sections, the tutor contains more than 4,000 systematically arranged bowing exercises in increasing order of difficulty.This new edition of the 'School of Bowing Technique? combines the original six volumes in groups of two. It is largely based on the first edition, published in the early 20th century, and on other sources from ?evcík's estate. The editor, Jaroslav Foltýn, is a professor of violin at the Prague Conservatory, as was ?evcík himself.- New edition of a tutor that generations of violinists have grown up with- Fundamental work by a leading violin educator- Three volumes in increasing order of difficulty: easy - moderate - difficult- Methodological notes by the editor (Cz/Eng/Ger) / Violon

?evcík's oeuvre covers every area of violin technique, from the elementary level to special exercises on individual technical problems all the way to analytical studies of the best-known violin concertos. One of his most important pedagogical works is his opus 8, written between 1892 and 1895.This volume of exercises is devoted to changes of position and preparatory studies for scales over three octaves (in 3rds, 6ths, octaves and 10ths).Our new edition is based essentially on the original print, issued in the early 20th century, and on sources from ?evcík's posthumous papers.The editor, Jaroslav Foltýn, is professor of violin at Prague Conservatory, a position once held by ?evcík himself.- A fundamental pedagogical work from a superb violin teacher- With methodological notes by the editor (Cz/Eng/Ger)- Moderate level of difficulty / Violon