ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106014

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Cello/Double Bass. Composed 1723. BWV 60. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.060/14. Published by Carus Verlag (CA.3106014).

ISBN 9790007043452. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

Orchestra ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106007

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Study score. Composed 1723. BWV 60. 64 pages. Duration 20 minutes. Carus Verlag #CV 31.060/07. Published by Carus Verlag (CA.3106007).

ISBN 9790007043407. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106019

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Set of Orchestra Parts. Composed 1723. BWV 60. Duration 20 minutes. Carus Verlag #CV 31.060/19. Published by Carus Verlag (CA.3106019).

ISBN 9790007134044. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106013

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Viola. Composed 1723. BWV 60. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.060/13. Published by Carus Verlag (CA.3106013).

ISBN 9790007043445. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106005

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Choral Score. Composed 1723. BWV 60. 2 pages. Duration 20 minutes. Carus Verlag #CV 31.060/05. Published by Carus Verlag (CA.3106005).

ISBN 9790007043391. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106000

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Full score. Composed 1723. BWV 60. 60 pages. Duration 20 minutes. Carus Verlag #CV 31.060/00. Published by Carus Verlag (CA.3106000).

ISBN 9790007043377. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist..

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106011

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Violin 1. Composed 1723. BWV 60. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.060/11. Published by Carus Verlag (CA.3106011).

ISBN 9790007043421. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106009

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.060/21 oboe d'amore 1, 1x 31.060/22 oboe d'amore 2, 1x 31.060/31 horn, 1x 31.060/32 trumpet. German title: O Ewigkeit, du Donnerwort 4. Sacred vocal music, Cantatas, End of the church year, Whitsun. Set of Orchestra Parts. Composed 1723. BWV 60. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.060/09. Published by Carus Verlag (CA.3106009).

ISBN 9790007043414. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.

Orchestra ATB vocal soli, SATB choir, 3 oboes, tromba da tirarsi, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3102009

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. 1x 31.020/21 oboe 1, 1x 31.020/22 oboe 2, 1x 31.020/23 oboe 3, 1x 31.020/31 trumpet. Stuttgart Urtext Edition: Bach vocal. German title: O Ewigkeit, du Donnerwort 4. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1724. BWV 20. 28 pages. Duration 31 minutes. Carus Verlag #CV 31.020/09. Published by Carus Verlag (CA.3102009).

ISBN 9790007204976. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.

Score available separately - see item CA.3102000.

Orchestra ATB vocal soli, SATB choir, 3 oboes, tromba da tirarsi, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3102005

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, Trinity. Choral Score. Composed 1724. BWV 20. 8 pages. Duration 31 minutes. Carus Verlag #CV 31.020/05. Published by Carus Verlag (CA.3102005).

ISBN 9790007102999. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.

Score available separately - see item CA.3102000.

Orchestra ATB vocal soli, SATB choir, 3 oboes, tromba da tirarsi, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3102014

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, Trinity. Single Part, Cello/Double Bass. Composed 1724. BWV 20. 12 pages. Duration 31 minutes. Carus Verlag #CV 31.020/14. Published by Carus Verlag (CA.3102014).

ISBN 9790007205010. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.

Score available separately - see item CA.3102000.

Orchestra ATB vocal soli, SATB choir, 3 oboes, tromba da tirarsi, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3102019

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1724. BWV 20. Duration 31 minutes. Carus Verlag #CV 31.020/19. Published by Carus Verlag (CA.3102019).

ISBN 9790007135997. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.

Score and parts available separately - see item CA.3102000.

Orchestra ATB vocal soli, SATB choir, 3 oboes, tromba da tirarsi, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3102013

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1724. BWV 20. 8 pages. Duration 31 minutes. Carus Verlag #CV 31.020/13. Published by Carus Verlag (CA.3102013).

ISBN 9790007205003. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.

Score available separately - see item CA.3102000.

Orchestra ATB vocal soli, SATB choir, 3 oboes, tromba da tirarsi, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3102049

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, Trinity. Single Part, Organ. Composed 1724. BWV 20. 24 pages. Duration 31 minutes. Carus Verlag #CV 31.020/49. Published by Carus Verlag (CA.3102049).

ISBN 9790007205027. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.

Score available separately - see item CA.3102000.

Orchestra ATB vocal soli, SATB choir, 3 oboes, tromba da tirarsi, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3102000

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, Trinity. Full score. Composed 1724. BWV 20. 68 pages. Duration 31 minutes. Carus Verlag #CV 31.020/00. Published by Carus Verlag (CA.3102000).

ISBN 9790007102982. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.

SKU: BA.BVK02447

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: facsimile. In a slipcase. Documenta musicologica II/52. Composed for June 11, 1724. Facsimile. BWV 20. 24/64/15 pages. Baerenreiter Verlag #BVK02447_00. Published by Baerenreiter Verlag (BA.BVK02447).

ISBN 9783761824474. 38.3 x 24 cm inches. Text Language: German, English.

Johann Sebastian Bach opened the second year of his Leipzig church compositions on 11 June 1724 with a performance of the cantataO Ewigkeit, du Donnerwort. The work is based on a church hymn by Johann Rist that depicts, in riveting language, the terrors of the Last Judgment and the torments of Hell, followed by an admonition to live a life pleasing to God. The poem inspired Bach to write one of his most impressive church compositions altogether.

This remarkably extensive score with twelve sheets sheds particularly instructive and detailed light on Bach's creative process. The Bach Archive Leipzig acquired this priceless manuscript at the end of 2016, making it possible for the first time to reunite the original performance material and the handwritten score of a Bach chorale cantata. Our facsimile edition complements the edition of BWV 20 presented by James Webster almost 50 years ago in volume I/15 of the New Bach Edition.

* Autograph score reunited with the original parts
* Limited edition of 250 copies
* With a Commentary by Peter Wollny (Ger/Eng)

Vocal soli, mixed choir, orchestra (Soli, SATB Choir, Orchestra)

SKU: BA.BA05032-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Alfred Durr. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/27. Complete edition, Score, anthology. Baerenreiter Verlag #BA05032_01. Published by Baerenreiter Verlag (BA.BA05032-01).

ISBN 9790006462049. 33 x 26 cm inches. Language: German. Preface: Dürr, Alfred.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Kantaten BWV 129, 165, 176/ BWV 20, 39, 75). Composed by Johann Sebastian Bach (1685-1750). Edited by Alfred Durr; Robert Freeman; James Webster. For vocal soli, mixed choir, orchestra. This edition: Complete edition, Urtext edition. Linen. New Bach Edition. Series I, Volume 15. Score, anthology. Published by Baerenreiter Verlag

(Dialogus zwischen Furcht und Hoffnung. Kantate zum 24. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, [Cornetto], 2 Oboe d'Amore, Strings, Organ. BWV 60. Full score available separately - see item CA.3106000. Cantatas; Stuttgart Urtext editions; Use during church year: End of the church year, Pentecost. Level 3. Part: Violin 2. Language: German/English. Composed 1723. 4 pages. Duration 20 min

(Kantate zum 1. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Leisinger, Ulrich. For Soli ATB, SATB Choir, Tromba da tirarsi, 3 Oboes, Strings, Organ. BWV 20. Full score available separately - see item CA.3102000. Cantatas; Stuttgart Urtext editions; Use during church year: Trinity. Level 3. Part: Violin 1. Language: German/English. Composed 1724. 8 pages. Duration 31 min

(Kantate zum 1. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Leisinger, Ulrich. For Soli ATB, SATB Choir, Tromba da tirarsi, 3 Oboes, Strings, Organ. BWV 20. Full score available separately - see item CA.3102000. Cantatas; Stuttgart Urtext editions; Use during church year: Trinity. Level 3. Part: Violin 2. Language: German/English. Composed 1724. 8 pages. Duration 31 min

Soli ATB, SATB Choir, 2 Obda, Cor, 2 Vl, Va, Bc - Level 3

SKU: CA.3106049

Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Organ. Composed 1723. BWV 60. 24 pages. Duration 20 minutes. Carus Verlag #CV 31.060/49. Published by Carus Verlag (CA.3106049).

Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

(Dialogus zwischen Furcht und Hoffnung. Kantate zum 24. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo. This edition: Paperbound. German title: O Ewigkeit, du Donnerwort. Cantatas, End of the church year, Whitsun. Level 3. Vocal score. Language: German/English. Composed 1723. BWV 60. 32 pages. Duration 20 minutes. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Arranged by Mark Phillips. Easy Guitar. Classical. Softcover Audio Online. With guitar tablature. 76 pages. Published by Cherry Lane Music