| Play Showtime Book 1
(Violin) Violon et Piano [Partition] Faber Music Limited
Play Showtime Book 1 presents hits from some of the greatest shows of all time, ...(+)
Play Showtime Book 1 presents hits from some of the greatest shows of all time, arranged for solo violin with piano accompaniment. Contents include Memory from Cats, Maria from West Side Story and On My Own from Les Miserables. / Instrumental Music / Recueil / Violon et Piano
13.31 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Snowman Suite, The
(Violin And Piano) (BLAKE
HOWARD) Violon et Piano [Partition] Faber Music Limited
Par BLAKE HOWARD. Histoire de Noël charmant Raymond Briggs du garçon qui a con...(+)
Par BLAKE HOWARD. Histoire de Noël charmant Raymond Briggs du garçon qui a construit un bonhomme de neige qui vient à la vie et leurs aventures ensemble, est devenue classique pour les enfants. Sa popularité a été rehaussée par des émissions de télévision fréquentes de la caricature film de primé le bonhomme de neige. Suite pour le violon et piano a été arrangé par David Mather. La musique se compose de la danse du Bonhomme de neige, marchant dans l'Air et de la danse de la boîte à musique./ Recueil / Violon et Piano
11.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Favorite Christmas Carols
for Classical Players:
Violin and Accomp.: Violon et Piano [Partition + Accès audio] Hal Leonard
With online audio of piano accompaniments-Twenty favorite Christmas carols arran...(+)
With online audio of piano accompaniments-Twenty favorite Christmas carols arranged for solo instrumentalists with online accompaniments available for download or streaming. Songs: Angels We Have Heard on High - Away in a Manger - Coventry Carol - Deck the Hall - The First Noel - God Rest Ye Merry Gentlemen - Good Christian Men Rejoice - He Is Born - In the Bleak Midwinter - Infant Holy Infant Lowly - Joy to the World - Lo How a Rose E'er Blooming - O Come All Ye Faithful - O Come O Come Emmanuel - O Holy Night - Once in Royal David's City - Silent Night - Still Still Still - Sussex Carol - What Child Is This'
19.99 GBP - vendu par Musicroom GB | |
| Benj Pasek Justin Paul:
The Greatest Showman:
Medley for Violin &
Piano: Violin Violon et Piano [Partition] Hal Leonard
Arranged by Lindsey Stirling for Violin and Piano-Lindsey Sterling has created h...(+)
Arranged by Lindsey Stirling for Violin and Piano-Lindsey Sterling has created her own medley of songs penned by Benj Pasek and Justin Paul for the hit movie The Greatest Showman. This medley for Violin and Piano includes: A Million Dreams • Never Enough • Rewrite the Stars. Includes a separate pull-out Violin part.
11.50 GBP - vendu par Musicroom GB Délais: En Stock | |
| Herbert Howells: Sonata
No.2: Violin:
Instrumental Work Violon et Piano Novello & Co Ltd.
Sonata No.2 for Violin and Piano by Herbert Howells.
24.99 GBP - vendu par Musicroom GB | |
| Herbert Howells: Three
Dances: Violin:
Instrumental Work Violon et Piano [Partition] Novello & Co Ltd.
Violin and Piano reduction of Three Dances Op. 7 for Violin and Orchestra. The T...(+)
Violin and Piano reduction of Three Dances Op. 7 for Violin and Orchestra. The Three Dances are delightful miniatures written in 1915 in relatively carefree student days (relatively because the Great War was already a year old and Howells through ill health which nearly killed him in 1917 was exempted from active service). They were composed for a young fellow-student George Whittaker a highly gifted violinist who had entered the College aged only eleven. Certainly the music has no hint of the momentous events beginning to take shape and which would fundamentally affect one of his closest friends Ivor Gurney and kill a number of others.
14.99 GBP - vendu par Musicroom GB | |
| Mendelssohn F. -
Concerto In E Minor Op.64
(1844) - Violon and Piano Violon et Piano Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...(+)
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
30.10 EUR - vendu par Woodbrass Délais: Sur commande | |
| Mendelssohn F. -
Concerto In E Minor Op.64
(1845) - Violon and Piano Violon et Piano Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...(+)
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
26.40 EUR - vendu par Woodbrass Délais: Sur commande | |
| Howard Blake: Walking In
The Air (The Snowman) -
Violin/Piano: Violin: Violon et Piano [Partition] - Intermédiaire Chester
Raymond Briggs' charming Christmas story about the adventures of a boy and the s...(+)
Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of theaward-winning cartoon film The Snowman.In this music booklet of the classic theme song Walking In The Air for Violin and Piano composer Howard Blake recreates the story in music based on thescenes from the film.
5.50 GBP - vendu par Musicroom GB Délais: En Stock | |
| Howard Blake: The Snowman
Suite (Violin/Piano):
Violin: Instrumental Work Violon et Piano [Conducteur et Parties séparées] - Facile Chester
Raymond Briggs' charming Christmas story about the adventures of a boy and the s...(+)
Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of theaward-winning cartoon film The Snowman.In this suite for Violin and Piano composer Howard Blake recreated the story in music based on the scenes from the film. The music includes the hit songWalking In The Air.
13.99 GBP - vendu par Musicroom GB | |
| Wieniawski H. - 2eme
Polonaise Brillante Op.
21 - Violon Et Piano Violon et Piano PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21Henryk Wien...(+)
2me Polonaise brillante pour violon avec acompagnement de piano op.21Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechli?ska Footnotes 1. See The Critical Commentary, p. ' and onward. 2. See V. Grigoriev, Henryk Wieniawski. ?ycie i twórczo??. [Life and Work] Warszawa - Pozna? 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes.Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w PoznaniuSeries: Henryk Wieniawski - Complete WorksCover: softbackNr ISMN: 979-0-2740-0753-9Number of pages: 34 8Format: N4 stoj. 235x305Language version of text: pol., Eng.
21.10 EUR - vendu par Woodbrass Délais: Sur commande | |
| Felix Mendelssohn
Bartholdy: Konzert In E -
Performing Edition:
Violin: Violon et Piano Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...(+)
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
22.50 GBP - vendu par Musicroom GB Délais: En Stock | |
| Forme di Felicita
(CAMPOGRANDE NICOLA) Violon et Piano [Partition] Breitkopf & Härtel
Par CAMPOGRANDE NICOLA. For a long time after Romanticism had come to the fore, ...(+)
Par CAMPOGRANDE NICOLA. For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow ?did not get it?: History and Progress ? it was thought - were proceeding along one clear path and Brahms ? who was composing sonatas and symphonies instead of nocturnes and symphonic poems ? had taken the wrong way. Almost one century later, Schönberg wrote an essay, Brahms, der Fortschrittliche ( Brahms, the progressive ), in which he explained that it wasn?t like that at all. Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present ? and the future ? can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1 , I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places ? even imaginary ones ? where we can give happiness a form of its own. Nicola Campogrande, December 2020 / Date parution : 2022-10-12/ Répertoire / Violon et Piano
30.96 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Let's Take The
Stage! Violon et Piano EMB (Editio Musica Budapest)
It's an unforgettable experience to go on stage for the first time and win appla...(+)
It's an unforgettable experience to go on stage for the first time and win applause with your playing. This album encourages children to make a first appearance and gives effective help in doing so. It brings together pieces that can earn real success: easy arrangements of favorite works by Dowland, Vivaldi, Handel, Bach, Haydn, Mozart, Weber, Schubert, Schumann, Liszt, Anton Rubinstein and Brahms. The CD enclosed with the publication includes recordings of the piano accompaniment for each piece and a full performance by noted Hungarian musicians. So the disc makes practice at home easier and gives assistance with performance style as well. The publication offers numerous pieces of advice to young violinists, including: how to get ready for a concert, how to control stage fright, and how to be confident on stage. In addition, some charming illustrations by Edit Szalma are included. / Violon Et Piano
23.16 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Let's play with
scales (IWAN EWA) Violon et Piano [Partition] PWM (Polskie Wydawnictwo Muzyczne)
Par IWAN EWA. Scrabble or Macao - these aren't that hard games yet. But how to p...(+)
Par IWAN EWA. Scrabble or Macao - these aren't that hard games yet. But how to play scales on the violin? It turns out that the rules are simple. First, you have to learn the song, because it gives you tips on how to play a new scale. Now even a minor scale full of flats will not be scary anymore! A song can be sung and played. The next step is to practice the melody and play it with the accompaniment of a piano. Is it hard? Check it out for yourself! / Date parution : 2022-11-08/ Etude / Violon et Piano
23.21 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Georges Delerue: Le
Concerto De L'Adieu
'Farewell Concerto':
Violin: Violon et Piano [Partition] Leduc, Alphonse
Composed by Georges Delerue a French composer specialised in film music Le L...(+)
Composed by Georges Delerue a French composer specialised in film music Le Le Concerto De L'Adieu is a piece for Violin and Piano accompaniment. Edited by Roberto Cani it lasts 9 minutes. This concerto is part of the original soundtrack of “Dien Bien Phu” (1992) by Pierre Schoendoerffer. It is used in the film for a scene which represents the loss of Dien Bien Phu: a concert is going to happen and while the music starts some sporadic images of the battle are shown. The concert finishes with the audience applauding and the next scene shows some soldiers having their last drink knowing the battle is already lost.The concerto goes through different phases to express what is seen through the images alternating melancholy desperation desolation and the feeling of lost power.
34.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Johann Christian Bach:
Concerto en ut mineur:
Violin and Accomp.:
Instrumental Violon et Piano - Intermédiaire Salabert
Henri Casadesus was passionate about early instruments, as we know from a number...(+)
Henri Casadesus was passionate about early instruments, as we know from a number of photographs showing him with viola d?amore, the subject of a manual he wrote entitled Tecnique de la viole d?amour. The Concerto en Ut mineur was first published in 1947 by Mica Salabert. The first edition gives the so-called ?original? part for solo violocello together with the score which, according to the preface, has been adapted for viola or cello or violin by Casadesus. However, stylistic analysis of the piece, together with some musicological research carried out after the appearance of the first edition reveals that the ?original? version for violoncello, on which the adaptation was supposed to be based, cannot be attributed to Johann Christian Bach, but is rather a work imitating his style written two centuries later. In spite of this, Concerto en Ut mineur encountered considerable success and continues to be studied and performed by both violinists and violoncellists today.
15.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Red Hot Violin (Grade
3-4): Violin:
Instrumental Album Violon et Piano [Partition] - Facile Faber Music Limited
Red Hot Violin is an exciting new series of graded performance repertoire with a...(+)
Red Hot Violin is an exciting new series of graded performance repertoire with a difference featuring sizzling arrangements of contemporary show-stoppers for intermediate Violin with Piano. With pieces in a wide variety of styles violinists of all ages will enjoy showing off these sparkling takes on popular favourites. They're perfect for inspiring students as a refreshing change from exam repertoire and would go down a storm at any concert or recital. Arranger and composer Rachel Jennings has been playing the violin since the age of six studying with Susan Sheppard and Jean Harvey and theory with Jonathan Rathbone. She runs a private teachingstudio in Nottingham.Danny Boy; Eye Of The Tiger; It's Only A Paper Moon; King Of The Road; On The Street Where You Live; Rudolph The Red-Nosed Reindeer; The Sleeping Beauty Waltz; Summer Holiday; You'd Be So Nice To Come Home To; YMCA.
9.99 GBP - vendu par Musicroom GB Délais: Info (stock) sur le site | |
| Red Hot Violin. Grades
5-6: Violin: Instrumental
Album Violon et Piano [Partition] - Intermédiaire Faber Music Limited
Red Hot Violin is an exciting new series of graded performance repertoire with ...(+)
Red Hot Violin is an exciting new series of graded performance repertoire with a difference featuring sizzling arrangements of contemporary show-stoppers for intermediate violin with piano. With pieces in a wide variety of styles violinists of all ages will enjoy showing off these sparkling takes on popular favourites. They’re perfect for inspiring students as a refreshing change from exam repertoire and would go down a storm at any concert or recital. Arranger and composer Rachel Jennings has been playing the violin since the age of six studying with Susan Sheppard and Jean Harvey and theory with Jonathan Rathbone. She runs a private teachingstudio in Nottingham.The A Team; Canarios; Cotton-Eyed Joe; Dream A Little Dream Of Me; I Wanna Be Like You; If Only I Had A Brain; One Day Like This; Sleigh Ride; Summer Nights.
10.99 GBP - vendu par Musicroom GB Délais: En Stock | |
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