| O Come, O Come, Emmanuel (anthem) Chorale SATB SATB, Clavier - Intermédiaire Lillenas Publishing Co.
Arranged by Thomas Helmore and Gary Rhodes. For SATB choir and keyboard accompan...(+)
Arranged by Thomas
Helmore and Gary Rhodes.
For SATB choir and
keyboard accompaniment.
Anthem. Christmas,
general. Difficulty:
moderate. Octavo. 15
pages. Published by
Lillenas Publishing
Company
$1.75 $1.6625 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Four Songs for the Feast Chorale Unison - Débutant MorningStar Music Publishers
Unison voices, optional congregation, organ - Beginning SKU: MN.80-832 Co...(+)
Unison voices, optional
congregation, organ -
Beginning SKU:
MN.80-832 Composed by
Gary James. Song
Collection. Catholic Year
A Solemnity of the Most
Holy Trinity. Communion.
Octavo. MorningStar Music
Publishers #80-832.
Published by MorningStar
Music Publishers
(MN.80-832). UPC:
688670808328. Four
short lyrical
compositions as Fraction
anthems in Episcopal
liturgy or Communion
anthems. Texts from Book
of Common Prayer and Book
of Occasional Services.
Reproducible page for
congregation included.
Includes: 1. Blessed are
Those Who Are Called 2.
Be Known to Us 3. Christ
Our Passover 4. Lamb of
God. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christ Our Passover: Fraction Anthem (Choral Score) Chorale SATB - Intermédiaire MorningStar Music Publishers
SATB choir and organ, with optional brass quintet and timpani (Instrumental Part...(+)
SATB choir and organ,
with optional brass
quintet and timpani
(Instrumental Parts
include: Trumpets I and
II in B-flat and C, Horn
in F, Trombone I and II,
Timpani, Organ) -
Intermediate SKU:
MN.80-325 Composed by
Robert Lehman. 21st
Century. MorningStar
Music Publishers #80-325.
Published by MorningStar
Music Publishers
(MN.80-325). UPC:
688670803253.
English. The text
is from The Book of
Common Prayer, the music
is original. A melismatic
chant-like opening builds
steadily to a dramatic
declamation of the text
Therefore let us keep the
feast. Then the chant
line continues softly in
the accompaniment as the
final alleluias are sung.
The organ accompaniment
is quite sufficient but
can be augmented with
Brass Quintet. From
Mass of the
Resurrection (ECS
8325). $2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christ Our Passover: Fraction Anthem (Instrumental Parts) MorningStar Music Publishers
SKU: MN.80-325B Composed by Robert Lehman. MorningStar Music Publishers #...(+)
SKU: MN.80-325B
Composed by Robert
Lehman. MorningStar Music
Publishers #80-325B.
Published by MorningStar
Music Publishers
(MN.80-325B). UPC:
688670008177. $35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music For The Holy Eucharist Rite Ii Chorale [Octavo] Oxford University Press
| | |
| Take You to the Cross - Anthem Chorale Unison Word Music
Choir SKU: WD.080689463235 Composed by David Wise. Arranged by David Wise...(+)
Choir SKU:
WD.080689463235
Composed by David Wise.
Arranged by David Wise.
Choral. Sacred Anthem,
Eastertide, General.
Octavo. Word Music
#080689463235. Published
by Word Music
(WD.080689463235).
UPC:
080689463235. Hards
hips and brokenness can
be a heavy burden for our
hearts to bear; sometimes
our earthly trials leave
us wondering if Christ
has forgotten us, or even
questioning if
we’re really
loved. This new cinematic
anthem, arranged by David
Wise and orchestrated by
David Shipps,
doesn’t shy away
from the reality of our
struggles as believers;
but rather paints for us
a picture of
Christ’s redeeming
love…reminding us
to come to the foot of
the cross. For in the
cross, in Christ Jesus,
we have hope and
strength! $3.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Anthems Stainer and Bell
Choir SKU: ST.EC23 Composed by Nathaniel Giles. Edited by J Bunker Clark....(+)
Choir SKU: ST.EC23
Composed by Nathaniel
Giles. Edited by J Bunker
Clark. Library Volumes.
Edited by J. Bunker
Clark. First published in
1980. Pages: 165. Format:
Paperback. Dimensions
(mm): 254 x 177 x 12.
Choral Score. Stainer &
Bell Ltd. #EC23.
Published by Stainer &
Bell Ltd. (ST.EC23).
ISBN
9790220206948. A
Worcester man, Nathaniel
Giles (or Gyles) held
posts at St George's,
Windsor, and at the
Chapel Royal until his
death in 1633. His
anthems were widely
circulated during his
lifetime, but largely
forgotten thereafter.
Their texts are taken
from the Book of Common
Prayer, the Bible and
psalms, and from the
metrical translations of
Sternhold and
Hopkins. $106.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Little David, Play on Your Harp Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
Composed by Sheldon Curry. Sacred Anthem. Octavo. Lorenz Publishing Company #10/...(+)
Composed by Sheldon
Curry. Sacred Anthem.
Octavo. Lorenz Publishing
Company #10/4788L.
Published by Lorenz
Publishing Company
(LO.10-4788L).
$2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Raise the Praise for about 10 Singers - Perf/Accomp CD CD only [CD d'accompagnement] Lorenz Publishing Company
By Larry Pugh. For performance/accompaniment CD. Sacred. Choral collection. Publ...(+)
By Larry Pugh. For
performance/accompaniment
CD. Sacred. Choral
collection. Published by
Lorenz Publishing
Company.
$39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Overflow with Hope Chorale SATB SATB, Piano Lorenz Publishing Company
SATB choir, piano SKU: LO.10-5812L Composed by Pepper Choplin. Choral. Sa...(+)
SATB choir, piano SKU:
LO.10-5812L Composed
by Pepper Choplin.
Choral. Sacred Anthem,
Benediction, General,
Pentecost. Octavo. Lorenz
Publishing Company
#10/5812L. Published by
Lorenz Publishing Company
(LO.10-5812L). ISBN
9780787779962. Pepp
er Choplin is at his
creative best in this
accessible anthem that is
well-suited for general
worship as well as
Pentecost. Pepper gives
careful attention to both
the lyric and the tune,
and his melodic setting
of the word
â??overflowâ?
practically leaps off the
page! Featuring limited
ranges and much
repetition, this anthem
will be quickly learned
but not soon
forgotten. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Reflections Piano seul Theodore Presser Co.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
$21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O Come, O Come, Emmanuel (accompaniment CD) Chorale SATB SATB, Orchestre Lillenas Publishing Co.
SATB choir and orchestra - difficulty: moderate SKU: LP.765762176423 Arra...(+)
SATB choir and orchestra
- difficulty: moderate
SKU:
LP.765762176423
Arranged by Thomas
Helmore and Gary Rhodes.
Anthem. Christmas,
general. Split-channel,
stereo and demo CD.
Published by Lillenas
Publishing Company
(LP.765762176423).
ISBN 7-65762-17642-3.
UPC: 765762176423.
Orchestrated by Tim
Cates. Invite your
choir and congregation to
welcome the Savior and
rejoice at His coming
with this hopeful carol.
It's an addition to your
Christmas program that
won't soon be forgotten.
Arranged with robust
instrumentation by Gary
Rhodes, and orchestrated
majestically by Tim
Cates, this piece is full
of bold Christmas
spirit. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| America, The Beautiful Chorale SATB SATB [Octavo] Beckenhorst Press
By John Ness Beck Foundation. (SATB). Choral. Sacred. Published by Beckenhorst ...(+)
By John Ness Beck
Foundation. (SATB).
Choral. Sacred. Published
by Beckenhorst Press.
$2.10 $1.995 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Little David, Play on Your Harp - Performance/Accompaniment CD CD Chorale Lorenz Publishing Company
SKU: LO.99-3472L Composed by Sheldon Curry. Choral. Sacred Anthem. Perfor...(+)
SKU: LO.99-3472L
Composed by Sheldon
Curry. Choral. Sacred
Anthem.
Performance/accompaniment
CD. Lorenz Publishing
Company #99/3472L.
Published by Lorenz
Publishing Company
(LO.99-3472L). UPC:
000308144987. This
imaginative arrangement
will add a unique element
to your next concert or
worship service. After
opening in unison, the
piece expands into lively
call and response that
leads to a playful middle
section and a
not-to-be-forgotten
ending! $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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