Vol. 1 - Recueil du Chef D'Orchestre. Concert Band Method. Essential Elements fo...(+)
Vol. 1 - Recueil du Chef
D'Orchestre. Concert Band
Method. Essential
Elements for Band. French
Edition. Score (with
Media Online). 358 pages.
Published by Hal Leonard
By Ralph C. Schultz. Arranged by Lynn L. Petersen. For Voices: Solo (medium). Pi...(+)
By Ralph C. Schultz.
Arranged by Lynn L.
Petersen. For Voices:
Solo (medium). Piano.
Wedding; Solo Sacred.
Level: easy. 3 pages.
Published by GIA
Publications.
Piano - intermediate SKU: HL.49008100 Composed by Barbara Heller. This ed...(+)
Piano - intermediate
SKU: HL.49008100
Composed by Barbara
Heller. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Composed 1984.
12 pages. Duration 15'.
Schott Music #ED 8620.
Published by Schott Music
(HL.49008100).
ISBN
9790001115490.
Scar
let Letters was composed
in 1984 on commission of
the pianist and
harpsichordist Franzpeter
Goebels (1920-1988) on
the occasion of the 300th
birth day of Domenico
Scarlatti. The original
working title 'Lettere
scarlattine' is a
concealed homage to the
Italian composer. The
compositional material is
limited to the tones D,
E, C, Es (= S, spoken
'Es' = E flat in German
notation) and A, derived
from the musical letters
of Domenico Scarlatti's
name, and the tones B (=
B flat in German nota
tion) and H (= B
natural), the initials of
my name. With 7 tones and
7 parts, this music is a
sort of story about my
imaginary encounter with
the composer Domenico
Scarlatti who was then
one of my favourite
composers. Sometimes I
also used compositional
means which I discovered
in the sonatas of
Scarlatti, such as quick
6/8 figures, afterbeat
octaves and repetitions
of short motifs. I tried
to translatethe clarity,
brightness and
cheerfulness, the
astounding modulations
and the pianistic
brilliance of his music
into my compositional
language.Barbara
HellerThe piece was
recorded on CD by the
American pianist Deborah
Richards (WERGO 6610-02).
First performance: 31.
October 1987
International Festival of
Women Composers, Unna;
Rosario Marciano,
piano.
Piano SKU: HL.50490229 16 Sonatas Piano. Composed by Domenico Scar...(+)
Piano
SKU:
HL.50490229
16
Sonatas Piano.
Composed by Domenico
Scarlatti. Edited by
Judit Pé and teri.
Baroque. EMB. Classical.
Softcover. 56 pages.
Editio Musica Budapest
#Z14695. Published by
Editio Musica Budapest
(HL.50490229).
ISBN
9790080146958. UPC:
884088531515.
9.0x12.0x0.208 inches.
Selected and edited by
Judit Peteri.
Easy
and moderately difficult
piano sonatas, including:
Sonata in C Major, K 200
• Sonata in E
Major, K 215 •
Sonata in D Major, K 377
• and more.
Ponte Vecchio Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band and Trumpet Solo - Grade 4 SKU: BT.DHP-1185814-010 For So...(+)
Concert Band and Trumpet
Solo - Grade 4
SKU:
BT.DHP-1185814-010
For Solo Bb Trumpet,
Euphonium or Solo Eb Alto
Saxophone and Concert
Band. Composed by
Satoshi Yagisawa. Solo
Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2018. De
Haske Publications #DHP
1185814-010. Published by
De Haske Publications
(BT.DHP-1185814-010).
English-German-French-
Dutch.
This work
was commissioned by the
Osaka Kyoiku University
Wind Orchestra. The world
premiere took place with
trumpet soloist, Osamu
Kumashiro and was
conducted by the
composer, who was
inspired by the famous
Ponte Vecchio (the
old bridge) during a
visit to Florence. The
solo part can also be
performed on euphonium or
alto saxophone.
Deze compositie
is geschreven in opdracht
van het Osaka Kyoiku
University Wind
Orchestra. De
wereldpremière werd
samen met trompetsolist
Osamu Kumashiro
uitgevoerd onder leiding
van de componist, die
zich tijdens een bezoek
aan Firenze heeft laten
inspireren door de
beroemde Ponte
Vecchio (oude brug).
Het werk is een muzikale
collage van indrukken die
Yagisawa in Italië
heeft opgedaan. De
solopartij kan ook op
euphonium of altsaxofoon
worden
gespeeld.
Dieses
Werk wurde vom
Blasorchester der Osaka
Kyoiku Universität in
Auftrag gegeben. Die
Welturaufführung fand
mit dem Trompeter Osamu
Kumashiro als Solist und
unter der Leitung des
Komponisten statt. Der
Komponist hat sich
während einer Reise
nach Florenz von der
berühmten Ponte
Vecchio (Alte
Brücke“)
inspirieren lassen. Das
Werk ist eine
musikalische Collage mit
den Eindrücken des
Komponisten von seiner
Italienreise. Die
Solostimme kann auch mit
dem Euphonium oder
Altsaxophon gespielt
werden.
Ponte
Vecchio è stato
commissionato
dall’Orchestra di
fiati
dell’Universit di
Osaka Kyoiku. La prima
esecuzione assoluta è
stata affidata al
trombettista Osamu
Kumashiro, in veste di
solista, con la direzione
del compositore stesso,
che si è ispirato al
celeberrimo Ponte Vecchio
durante una visita a
Firenze. La parte
solistica può anche
essere eseguita su
eufonio o sassofono
contralto.
Composed by Dimitri
Stepanowitsch
Bortniansky. Edited by
Marika Kuzma. Carus
digital: Extra digital
products. Full Score. 12
pages. Duration 10
minutes. Published by
Carus Verlag (CA.411276).
ISBN 9790007253639.
Key: C minor. Church
Slavonic/German.
Di
mitri Stepanowitsch
Bortniansky (1751-1825)
seems to have composed
the majority of his
liturgical works and most
of his Sacred Concertos
in the 1780s and 1790s,
before he was appointed
Kapellmeister to the
court ensemble in St.
Petersburg. Heidi Kirmsse
has added a German
singing text to the five
most popular pieces from
the complete volume (CV
4.111). The festive
Concerto no. 6 Ehre sei
Gott in der Hohe is for
Christmas, and no. 9 Heut
ist der Tag, den Gott,
der Herr, gemacht for
Easter. No. 15 Lasst uns
singen, kommt herbei is
in the major key and is a
very effective piece.
Tchaikovsky edited
Bortniansky's sacred
works and is said to have
particularly admired no.
32 O lass mich, Herr,
mein Gott, erkennen mein
Ziel. Bortniansky himself
probably best liked no.
33 Sag, meine Seele,
warum verzagest du? The
work was sung at his
funeral.
*addition
to the choral repertoire
with works from the
Orthodox liturgy/ Eastern
Europe *includes the
original Church Slavonic
text underlaid (in
transliteration). *eff
ective solo/tutti
alternations.
(Sechs Sinfonien). Composed by J.C. Bach. Edited by Hanspeter Gmur. For orchestr...(+)
(Sechs Sinfonien).
Composed by J.C. Bach.
Edited by Hanspeter Gmur.
For orchestra (2,2,0,1
(ad lib.)-2,0,0,0 -
Harpsichord - Strings).
Orchestral music. Score.
Op. 6/2. 22 pages.
Published by Doblinger
Music Publishers
Ponte Vecchio Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band and Trumpet Solo - Grade 4 SKU: BT.DHP-1185814-140 For So...(+)
Concert Band and Trumpet
Solo - Grade 4
SKU:
BT.DHP-1185814-140
For Solo Bb Trumpet,
Euphonium or Solo Eb Alto
Saxophone and Concert
Band. Composed by
Satoshi Yagisawa. Solo
Spectrum. Solo &
Concerto. Score Only.
Composed 2018. De Haske
Publications #DHP
1185814-140. Published by
De Haske Publications
(BT.DHP-1185814-140).
English-German-French-
Dutch.
This work
was commissioned by the
Osaka Kyoiku University
Wind Orchestra. The world
premiere took place with
trumpet soloist, Osamu
Kumashiro and was
conducted by the
composer, who was
inspired by the famous
Ponte Vecchio (the
old bridge) during a
visit to Florence. The
solo part can also be
performed on euphonium or
alto saxophone.
Deze compositie
is geschreven in opdracht
van het Osaka Kyoiku
University Wind
Orchestra. De
wereldpremière werd
samen met trompetsolist
Osamu Kumashiro
uitgevoerd onder leiding
van de componist, die
zich tijdens een bezoek
aan Firenze heeft laten
inspireren door de
beroemde Ponte
Vecchio (oude brug).
Het werk is een muzikale
collage van indrukken die
Yagisawa in Italië
heeft opgedaan. De
solopartij kan ook op
euphonium of altsaxofoon
worden
gespeeld.
Dieses
Werk wurde vom
Blasorchester der Osaka
Kyoiku Universität in
Auftrag gegeben. Die
Welturaufführung fand
mit dem Trompeter Osamu
Kumashiro als Solist und
unter der Leitung des
Komponisten statt. Der
Komponist hat sich
während einer Reise
nach Florenz von der
berühmten Ponte
Vecchio (Alte
Brücke“)
inspirieren lassen. Das
Werk ist eine
musikalische Collage mit
den Eindrücken des
Komponisten von seiner
Italienreise. Die
Solostimme kann auch mit
dem Euphonium oder
Altsaxophon gespielt
werden.
Ponte
Vecchio è stato
commissionato
dall’Orchestra di
fiati
dell’Universit di
Osaka Kyoiku. La prima
esecuzione assoluta è
stata affidata al
trombettista Osamu
Kumashiro, in veste di
solista, con la direzione
del compositore stesso,
che si è ispirato al
celeberrimo Ponte Vecchio
durante una visita a
Firenze. La parte
solistica può anche
essere eseguita su
eufonio o sassofono
contralto.
Sing, Sing, Sing Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1033406-210 Composed by Louis...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1033406-210
Composed by Louis Prima.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Score Only.
Composed 2003. De Haske
Publications #DHP
1033406-210. Published by
De Haske Publications
(BT.DHP-1033406-210).
De
swing-klassieker Sing,
Sing, Sing werd in
1937 een grote hit voor
het Benny Goodman
Orchestra. Het nummer is
geschreven door Louis
Prima, de trompettist van
dit orkest. Dit
arrangement van Naohiro
Iwai laat het
onvergetelijkegeluid van
de bigbands van de jaren
dertig
herleven.
Den
Swing-Klassiker Sing,
Sing, Sing, ein
großer Hit für das
Benny Goodman-Orchester
im Jahr 1937, hatte sein
Trompeter Louis Prima
geschrieben. Prima,
geboren in New Orleans,
wurde später nicht nur
bekannt für seine
Aufsehen erregenden
Bühnen- und
Radiovorstellungen, er
schuf auch seinen ganz
eigenen Jazzstil, eine
Mischung aus Dixieland
und Swing. Naohiro Iwais
Arrangement des
Jazzstandards Sing,
Sing, Sing macht den
unverwechselbaren Big
Band-Sound der 30er-Jahre
wieder
lebendig.
Macarena Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 4 SKU: BT.DHP-1063974-010 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 4
SKU:
BT.DHP-1063974-010
For Trumpet and
Concert Band.
Composed by Bernardo
Bautista Monterde.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Pop and Rock. Set
(Score and Parts).
Composed 2006. De Haske
Publications #DHP
1063974-010. Published by
De Haske Publications
(BT.DHP-1063974-010).
9x12 inches.
English-German-French-Dut
ch.
Here is your
chance for some audience
participation within your
concert programme. The
big Summer â??hitâ?? of
1995 was the Bayside Boys
with their version of a
modern Spanish song. Can
you remember the moves?
If so, why not
demonstrate them and
invite your audience to
join in with this
scintillating
arrangement. Guaranteed
to bring the house down!
In Sevilla ligt
de kleine Basilica de
Macarena, oftewel de
basiliek van de heilige
maagd - de
beschermheilige van de
toreros. Stierenvechters
komen hier bidden en
brengen offergaven voor
ze de arena betreden.
La Virgen de la
Macarenavan
Bernardino Bautista
Monterde, onsterfelijk
gemaakt door de grote
trompettist Rafael
Mendez, roept de sfeer
van bewondering en
bezetenheid van de
stierengevechten
op.
La Virgen de
la Macarenaâ?? lautet
der originale Titel
dieses Stückes von
Bernardo Bautista
Monterde, das eine
Marienprozession im
spanischen Sevilla
beschreibt. Die Melodie
wurde bereits in mehreren
Soundtracks, wie zum
Beispiel zu den Filmen
FOOLSRUSH IN (Herz
über Kopf) und FORCES
OF NATURE (Auf die
stürmische Art)
verwendet. Ein
glänzender Auftritt
für Ihren
Solotrompeter und das
gesamte
Blasorchester!
Sontuosa
costruzione moderna, la
basilica della Macarena
è celebre per la
Vergine della Macarena,
venerata a Siviglia e
protettrice dei toreri.
La passione e la
venerazione
incondizionata della
popolazione per la
Vergine della Macarena si
rinnovano ogni anno in
occasione della Settimana
Santa. Immortalata dal
grande trombettista
Rafael Mendez, La
Virgen de la Macarena
di Bernardo Bautista
Monterde evoca la
frenesia delle
corride.
Composed by Dimitri
Stepanowitsch
Bortniansky. Edited by
Marika Kuzma. Carus
digital: Extra digital
products. Full Score. 12
pages. Duration 7
minutes. Published by
Carus Verlag (CA.411151).
ISBN 9790007253615.
Key: C major. Church
Slavonic/German.
Di
mitri Stepanowitsch
Bortniansky (1751-1825)
seems to have composed
the majority of his
liturgical works and most
of his Sacred Concertos
in the 1780s and 1790s,
before he was appointed
Kapellmeister to the
court ensemble in St.
Petersburg. Heidi Kirmsse
has added a German
singing text to the five
most popular pieces from
the complete volume (CV
4.111). The festive
Concerto no. 6 Ehre sei
Gott in der Hohe is for
Christmas, and no. 9 Heut
ist der Tag, den Gott,
der Herr, gemacht for
Easter. No. 15 Lasst uns
singen, kommt herbei is
in the major key and is a
very effective piece.
Tchaikovsky edited
Bortniansky's sacred
works and is said to have
particularly admired no.
32 O lass mich, Herr,
mein Gott, erkennen mein
Ziel. Bortniansky himself
probably best liked no.
33 Sag, meine Seele,
warum verzagest du? The
work was sung at his
funeral.
*addition
to the choral repertoire
with works from the
Orthodox liturgy/ Eastern
Europe *includes the
original Church Slavonic
text underlaid (in
transliteration). *eff
ective solo/tutti
alternations Score
available separately -
see item CA.411100.
Macarena Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 4 SKU: BT.DHP-1063974-140 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 4
SKU:
BT.DHP-1063974-140
For Trumpet and
Concert Band.
Composed by Bernardo
Bautista Monterde.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Pop & Rock. Score
Only. Composed 2006. 32
pages. De Haske
Publications #DHP
1063974-140. Published by
De Haske Publications
(BT.DHP-1063974-140).
9x12 inches.
English-German-French-Dut
ch.
Here is your
chance for some audience
participation within your
concert program. The big
Summer ‘hit’
of 1995 was the Bayside
Boys with their version
of a modern Spanish song.
Can you remember the
moves? If so, why not
demonstrate them and
invite your audience to
join in with this
scintillating
arrangement. Guaranteed
to bring the house down!
In Sevilla ligt
de kleine Basilica de
Macarena, oftewel de
basiliek van de heilige
maagd - de
beschermheilige van de
toreros. Stierenvechters
komen hier bidden en
brengen offergaven voor
ze de arena betreden.
La Virgen de la
Macarenavan
Bernardino Bautista
Monterde, onsterfelijk
gemaakt door de grote
trompettist Rafael
Mendez, roept de sfeer
van bewondering en
bezetenheid van de
stierengevechten
op.
La Virgen de
la Macarena“ lautet
der originale Titel
dieses Stückes von
Bernardo Bautista
Monterde, das eine
Marienprozession im
spanischen Sevilla
beschreibt. Die Melodie
wurde bereits in mehreren
Soundtracks, wie zum
Beispiel zu den Filmen
FOOLSRUSH IN (Herz
über Kopf) und FORCES
OF NATURE (Auf die
stürmische Art)
verwendet. Ein
glänzender Auftritt
für Ihren
Solotrompeter und das
gesamte
Blasorchester!
Sontuosa
costruzione moderna, la
basilica della Macarena
è celebre per la
Vergine della Macarena,
venerata a Siviglia e
protettrice dei toreri.
La passione e la
venerazione
incondizionata della
popolazione per la
Vergine della Macarena si
rinnovano ogni anno in
occasione della Settimana
Santa. Immortalata dal
grande trombettista
Rafael Mendez, La
Virgen de la Macarena
di Bernardo Bautista
Monterde evoca la
frenesia delle
corride.
For
mixed choir (SATB) a
cappella: string
orchestra ad lib..
Composed by Peteris
Vasks. This edition:
Saddle stitching. Sheet
music. Schott Chorverlag
(Choral Music).
Classical. Performance
Material. Composed 1995.
Duration 7'. Schott Music
#C 49509-10. Published by
Schott Music
(HL.49001463).
ISBN
9790001127257. UPC:
073999769937.
8.25x11.75x0.125 inches.
Latin.
Full Score Concert Band (Score) - beginning SKU: HL.860547 Composed by Pa...(+)
Full Score Concert Band
(Score) - beginning
SKU: HL.860547
Composed by Paul
Lavender. Essential
Elements Explorer Level.
Published by Hal Leonard
(HL.860547).
UPC:
073999605471.
9.0x12.0x0.019
inches.
Explorer
Level (correlates with
Book 1, p. 11) Get your
beginning band off to a
great start on their
first concert! This
impressive-sounding
composition has bold
lines for brass and
contrasting melodies for
woodwinds all with
nothing faster than
quarter notes (8ths in
percussion). Guaranteed
success. (1:50).
About
Essential Elements Band
Method
Abo
ut Essential Elements
Band Method: Essential
Elements Band Method
provides a complete
system of books and
accompanying materials
that make the educator's
job easier, and the
students' learning more
thorough and enjoyable.
By Tom C. Rhodes, Donald
Bierschenk, Tim
Lautzenheiser, John
Higgens, Linda
Petersen.
Flûte traversière [Partition + Accès audio] Hal Leonard
Essential Elements 2000 - Flute Book 1. (Flute). For flute. Hal Leonard Essentia...(+)
Essential Elements 2000 -
Flute Book 1. (Flute).
For flute. Hal Leonard
Essential Elements Band
Method. Instructional and
Play Along. Instructional
book, accompaniment
CD/CD-ROM and
instructional/accompanime
nt video: DVD.
Introductory text,
instructional text and
illustrations. 48 pages.
Published by Hal Leonard
(Five Choral Preludes of the Romantic Period). By Carsten Klomp & Heiko Petersen...(+)
(Five Choral Preludes of
the Romantic Period). By
Carsten Klomp & Heiko
Petersen. For 2 trumpets,
horn, 2 trombones and
organ. Level 3.
Performance score and
wind score in C. Text
Language: English,
German. 10/17 pages.
Published by Baerenreiter
Verlag
Ponte Vecchio Saxophone Alto et Piano De Haske Publications
Alto Saxophone and Piano - advanced SKU: BT.DHP-1185888-401 Eb Alto Sa...(+)
Alto Saxophone and Piano
- advanced
SKU:
BT.DHP-1185888-401
Eb Alto Saxophone and
Piano. Composed by
Satoshi Yagisawa. De
Haske Saxophone Series.
Educational Tool. Book
and Part(s). Composed
2018. 12 pages. De Haske
Publications #DHP
1185888-401. Published by
De Haske Publications
(BT.DHP-1185888-401).
ISBN 9789043155502.
English-German-French-Dut
ch.
This work was
commissioned by the Osaka
Kyoiku University Wind
Orchestra. The world
premiere took place with
trumpet soloist, Osamu
Kumashiro and was
conducted by the
composer, who was
inspired by the famous
Ponte Vecchio (the
old bridge) during a
visit to Florence. This
work is a musical collage
of impressions following
the composers visit to
Italy. The solo part can
also be performed on
trumpet or euphonium.
Deze compositie
is geschreven in opdracht
van het Osaka Kyoiku
University Wind
Orchestra. De
wereldpremière werd
samen met trompetsolist
Osamu Kumashiro
uitgevoerd onder leiding
van de componist, die
zich tijdens een bezoek
aan Firenze heeft laten
inspireren door de
beroemde Ponte
Vecchio (oude brug).
Het werk is een muzikale
collage van indrukken die
Yagisawa in Italië
heeft opgedaan. De
solopartij kan ook op
trompet of euphonium
worden gespeeld.
Dieses Werk wurde
vom Blasorchester der
Osaka Kyoiku
Universität in Auftrag
gegeben. Die
Welturaufführung fand
mit dem Trompeter Osamu
Kumashiro als Solist und
unter der Leitung des
Komponisten statt. Der
Komponist hat sich
während einer Reise
nach Florenz von der
berühmten Ponte
Vecchio (Alte
Brücke“)
inspirieren lassen. Das
Werk ist eine
musikalische Collage mit
den Eindrücken des
Komponisten von seiner
Italienreise. Die
Solostimme kann auch mit
dem Trompete oder
Euphonium gespielt
werden.
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and
orchestra (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.PB-15164-07
Urtext. Composed
by Edvard Grieg. Edited
by E.-G. Heinemann.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Study
Score. 108 pages.
Duration 30'. Breitkopf
and Haertel #PB 15164-07.
Published by Breitkopf
and Haertel
(BR.PB-15164-07).
ISBN
9790004215906. 6.5 x 9
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
By Franz Joseph Haydn (1732-1809). Edited by Wilhelm Weismann. Arranged by Augus...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Wilhelm Weismann.
Arranged by August
Eberhard Muller. Choir
and piano. For Soprano
voice, Tenor voice, and
Bass voice (Soli), SATB
Choir, Piano. This
edition: Paperback.
Original Works,
Transcriptions, Liturgic
Composed by Carl Maria von Weber (1786-1826). For Piano. Masterworks; Piano Coll...(+)
Composed by Carl Maria
von Weber (1786-1826).
For Piano. Masterworks;
Piano Collection. Dover
Edition. Form: Sonata.
Masterwork; Romantic.
Book. Published by Dover
Publications
By Anton Bruckner (1824-1896). Arranged by Kurt Soldan. Choir and piano. For SSA...(+)
By Anton Bruckner
(1824-1896). Arranged by
Kurt Soldan. Choir and
piano. For SSAATTBB
Choir, Piano. This
edition: Paperback.
Liturgical, Mass,
Original Works,
Transcriptions, Choral.
Romantic Period;
Sacred/Hymns, German.
Large Vocal Score. 52
pages. Publ
Piano duets (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.EB-107...(+)
Piano duets (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.EB-10719
Urtext. Composed
by Edvard Grieg. Edited
by E.-G. Heinemann and
Einar Steen-Nokleberg.
Solo instruments;
Softbound. Edition
Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic. Piano
reduction. 72 pages.
Duration 30'. Breitkopf
and Haertel #EB 10719.
Published by Breitkopf
and Haertel
(BR.EB-10719).
ISBN
9790201807195. 9.5 x 12
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Urtext. Composed
by Edvard Grieg. Edited
by Emil-Gunter Heinemann.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic. Set
of parts. 144 pages.
Duration 30'. Breitkopf
and Haertel #OB 15152-30.
Published by Breitkopf
and Haertel
(BR.OB-15152-30).
ISBN
9790004344101. 10 x 12.5
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and
orchestra (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.PB-15164
Urtext. Composed
by Edvard Grieg. Edited
by E.-G. Heinemann.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Study
Score. Duration 30'.
Breitkopf and Haertel #PB
15164. Published by
Breitkopf and Haertel
(BR.PB-15164).
ISBN
9790004215906. 6.5 x 9
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Urtext. Composed
by Edvard Grieg. Edited
by Emil-Gunter Heinemann.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15152-23. Published by
Breitkopf and Haertel
(BR.OB-15152-23).
ISBN
9790004344088. 10 x 12.5
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.