(Grade 1.5 - Score Only). By James Curnow. Curnow Music Concert Band. Grade 1.5. 19 pages. Curnow Music #088605. Published by Curnow Music

14 Formula 602 Sound Edge Hi-Hat Bottom

SKU: HL.3710140

14-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1043314. Published by Hal Leonard (HL.3710140).

UPC: 697643109261. 14.0x14.0x1.25 inches.

One of the world's most referred and legendary cymbal lines in history. Renowned and loved for its fine, pure, soft, delicate musical tone that requires precise playing. Alloy: CuSn20, also known as “Traditional Bronze” or “602 Bronze” Applications: Low to medium loud settings, especially well-suited for recording, live; jazz, fusion, blues, moderate pop and rock, country folk, acoustic music Sound: Warm, silvery, mellow, cool, light, fine, precise and controlled; Cymbals with clarity and retro vintage character combined with a velvety, sensitive, very responsive feel. Size: 14-inches Weight: medium bottom Volume: medium low to medium loud Stick Sound: soft, fairly dry Intensity: lively Sustain: medium Chick Sound: airy, light, papery Sound character: Rich, silvery, bright, somewhat mellow. Wide range, fairly complex mix. Quick and responsive feel with a soft and warm touch. Very controllable. Full, round and energetic open sound, paired with a light and airy chick sound. Ideal for playing at moderate volume level and a wide range of studio applications.

Study Score. Composed by Antonin Dvorak (1841-1904). Edited by Peter Jost. Henle Music Folios. Classical. Softcover. 68 pages. G. Henle #HN7399. Published by G. Henle

Cello - Grade 4

SKU: HL.250608

Unaccompanied Cello Solo. Composed by Anna Thorvaldsdottir. Music Sales America. Classical. Softcover. Composed 2017. 8 pages. Duration 660 seconds. Chester Music #CH86878. Published by Chester Music (HL.250608).

UPC: 888680908195. 9.0x12.0x0.4 inches. English.

The theme of this work is man & machine, as commissioned by Michael Nicolas. The theme is represented in that the Cellist becomes both in the piece man & machine where man indicates performing expressively with emotion, and a musical approach to the music, and machine indicates more precise rhythmic and technical accuracy, a somewhat stricter approach to the music. These two approaches gradually transition from one to another throughout the work. Anna Thorvaldsdottir frequently works with large sonic structures that tend to reveal the presence of a vast variety of sustained sound materials, reflecting her sense of imaginative listening to landscapes and nature. Her music tends to portray a flowing world of sounds with an enigmatic lyrical atmosphere.