Par . Here is an economical collection of 15 complete arrangements in a variety of styles. Perfect for quickly building a library of great sounding charts. Playable with 3 saxes, 2 trumpets, 1 trombone, piano, drums. Includes: Ain't No Mountain High Enough; Baby, It's Cold Outside; Blue 'n' Moody; Blue Train; Come Fly with Me; Final Countdown; Green Onions; Hawaii Five-O Theme; Livin' on a Prayer; Puttin' on the Ritz; Sesame Street Theme; Sway (Quien Sera); 25 or 6 to 4; What'd I Say; and You've Got a Friend in Me. Full-band demo recordings are included. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-04-05/ Recueil / Jazz Ensemble

Journey made this a hit in 1980 and the cast of Glee did it again in 2010. This solid arrangement is built on a driving 8th-note pulse and requires no solos. Sure to sound great with limited rehearsal time.

John Berry takes this vintage Beach Boys hit and adds just enough spice to make it really swing for jazz ensemble. A great addition to any holiday occasion.

Originally recorded in the '70s Bill Withers' distinctive slow rocker has become a classic. The minor mode adds to the flavor and Rick's version for young players skillfully passes the melody from section to section. Also included is a solo for tenor sax.

Includes: American Patrol April in Paris Blue Skies Boogie Woogie Bugle Boy I Ain't Got Nobody I'm Beginning to See the Light In the Mood It Don't Mean a Thing (If It Ain't Got That Swing) Ja-Da Just a Gigolo Leap Frog Little Brown Jug Night Train Satin Doll Stompin' at the Savoy Woodchopper's Ball.

Includes: American Patrol April in Paris Blue Skies Boogie Woogie Bugle Boy I Ain't Got Nobody I'm Beginning to See the Light In the Mood It Don't Mean a Thing (If It Ain't Got That Swing) Ja-Da Just a Gigolo Leap Frog Little Brown Jug Night Train Satin Doll Stompin' at the Savoy Woodchopper's Ball.

Elle est belle, admirable et elle est mon amour, mon Admirabelamour, et c'est pour la rejoindre au plus vite que je traverse la Place de l'Etoile à 18 heures dans cette voiture sans freins, accélérateur bloqué. Voici une des fictions que je peux me faire lorsque ce morceau, difficile, est correctement interprété. Certains accords sont chiffrés avec un point d'interrogation, par exemple F ?, Eb ?... Ceci, pour les solistes et accompagnateurs-improvisateurs éventuels, est une façon d'indiquer que si vos patterns nécessitent de se raccorder à une tonalité, c'est à peu près celle-ci qui convient. En effet, pour des raisons un peu plus que dodécaphoniques et un peu moins que sérielles, on ne peut, malgré certaines apparences, trouver de résolutions harmoniques ni dans un cadre tonal ni dans un cadre modal, pour la bonne raison que la somme du nombre de croches pour chacune des notes de la gamme chromatique est égale dans l'arrangement tout entier, et que toutes les notes sont équitablement réparties dans l'ensemble de l'harmonie. De plus la ligne de basse obéit à des règles telles que l'on n'y puisse déceler de tonique valable tout son long, et que le rythme lui-même, extrapolation d'une walking bass un-peu-très-beaucoup-ivre, ne doit pas chercher à ' justifier ' ses quatre temps par des accents usuels. Au contraire, jouer chaque note de cette partie comme si elle était un premier temps. (Claude Barthélemy) / Big Band / Partition

Recorded by Portugal. The Man. this pop hit contains an energetic drive and appealing retro style. In this easy arrangement the melody is passed from section to section and there are no solos required.

With the chicken-flavored title, this Kris Berg chart is just plain funky. The laid-back tempo is around 100 BPM, there is a suggested written tenor solo, and some slap bass licks on the hip bass part. The lead trumpet range for 'Chicks Dig It' is to written B above the staff. Optional flute and vibes too! (6:05) / Ensemble De Jazz

No one could pen a melody like Gershwin and this lesser known song is still a gem. The trombones take the lead the first time around followed by the trumpets and later the saxes. This medium swing chart is nicely scored for the entire ensemble with no solos required.

12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing ballads rock pop holiday Latin and a great warm-up chart titled 'Loosen Up.' This collection of charts is written for full instrumentation of 5 saxophones 3 trumpets 3 trombones and 4 rhythm but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes Tenor Sax 2 Trumpets Trombone Piano Bass and Drums. Optional parts are available for C Flute Tuba (doubles Bass part) Horn in F (doubles 1st Trombone) and Baritone Horn T.C. (doubles 1st Trombone).Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.

Advanced Jazz Ensemble Method-The comprehensive tutorial method for all Jazz ensemble instruments reaches the advanced level complete with a full CD of accompaniments.The Standard Of Excellence Jazz Ensemble Method is designed to introduce anddevelop Jazz playing styles either individually or in group instruction. The method combines a strong performance-centred approach with music theory music history ear training and listening but always with the emphasis uponimprovisation.The book is divided into three sections covering Swing Rock and Latin Jazz styles. Each section contains improvisation studies advanced improvisations and suggested solos that may be played with othermembers of the Jazz ensemble or with the accompanying CD. Disciplines covered include scale modes articulation understanding Jazz chord harmony and much more.This method is ideal for school-based teaching allowingstudents to study the tunes and techniques individually before coming together to enjoy the excitement and energy of a full Jazz ensemble!

Written for Frank Sinatra (and the title track of his 1958 album) this tune epitomizes the cool sounds of the swing era. Here's a smartly scored version for beginning bands written with modest ranges but still maintaining anauthentic style. Included is plenty of tutti ensemble playing plus short solos (or soli) for sax and trumpet. A great way to teach swing.