Flute and Piano - late intermediate SKU: BT.SY-2946 Spiel- und Vortrag...(+)
Flute and Piano - late
intermediate
SKU:
BT.SY-2946
Spiel-
und Vortragsstücke
parallel zu Flöte
spielen Band F. By
Elisabeth
Weinzierl-Wächter_Edmu
nd Wächter. Flöte
spielen. Studies &
Exercises. Book with Part
and Audio-Online.
Composed 2019. 79 pages.
Ricordi #SY 2946.
Published by Ricordi
(BT.SY-2946).
German.
Flöte
spielen macht Spaß und
ganz besonders im
Zusammenspiel mit
anderen. Man kann damit
gar nicht früh genug
beginnen! Diese Sammlung
abwechslungsreicher und
motivierender
Spielstücke ist auf
Flöte spielen Band
F abgestimmt, kann
aber natürlich auch
parallel zu anderen,
ähnlich aufgebauten
Schulen verwendet werden.
Die Klavierbegleitungen
sind weitgehend in
ähnlichem
Schwierigkeitsgrad wie
die Flötenstimme
gehalten, um zum
Musizieren mit
Gleichgesinnten
anzuregen. Sie stehen
nicht nur als gedruckte
Noten-Beilage, sondern
auch als Audiotracks
online zur Verfügung
und können dort nach
Bedarf im Abspieltempo
angepasst werden.
Flute (flute/piano) SKU: HL.48180025 For Flute and Piano. Composed...(+)
Flute (flute/piano)
SKU: HL.48180025
For Flute and
Piano. Composed by
Philippe Gaubert. Leduc.
Classical. CD. 12 pages.
Alphonse Leduc #AL11197.
Published by Alphonse
Leduc (HL.48180025).
UPC: 888680796297.
9.0x12.0x0.056
inches.
Philippe
Gaubert (1879-1941) was a
distinguished performer
on the flute. It comes as
no surprise, therefore,
that his compositions for
the instrument are at the
forefront of the flute's
repertoire, Romance being
no exception. After a
prominent career as a
flautist with the Paris
Opera, he was appointed
as professor of flute at
the Paris Conservatoire,
as well as principal
conductor of leading
orchestras. It was during
this time that Gaubert
composed, including his
Romance which premiered
in 1905. Addressing many
technical features,
including flourishing
semiquaver passages, a
wide range, emotion,
intervals, chromaticism
and complex rhythms,
Romance for Flute and
Piano is a challenging
yet riveting and stirring
piece for aspiring
flautists.
French conductor and composer, Albert Beaucamp (1921-1967) first studied organ w...(+)
French conductor and
composer, Albert Beaucamp
(1921-1967) first studied
organ with his father,
and then with Marcel
Dupre. His compositional
catalogue is relatively
small, however, Fantasy
for Flute and Piano
remains prominent in the
advanced flautist's
repertoire. Beaucamp is
best remembered for
founding the Rouen
Conservatory and
organising and conducting
many concerts. Published
in 1954, Fantasy reflects
typical French
romantic-modern
characteristics,
including flourishing
semiquaver passages,
chromaticism and much
dynamic contrast. For all
advanced flautists
seeking alternative
repertoire, Beaucamp's
Fantasy is a delightful
addition to the
repertoire
Flute SKU: HL.48187475 Composed by Philippe Gaubert. Leduc. Classical. So...(+)
Flute
SKU:
HL.48187475
Composed
by Philippe Gaubert.
Leduc. Classical.
Softcover. 20 pages.
Heugel & Cie #HE31013.
Published by Heugel & Cie
(HL.48187475).
UPC:
888680844684. 9x12
inches.
“Phil
ippe Gaubert (1879-1941)
was a distinguished
performer on the Flute.
It comes as no surprise,
therefore, that his
compositions for the
instrument are at the
forefront of the Flute's
repertoire, his Sonatina
being no exception. After
a prominent career as a
flautist with the Paris
Opéra, Gaubert was
appointed as professor of
Flute at the Paris
Conservatoire as well as
principal conductor of
leading orchestras. It
was during this time that
Gaubert composed,
including his Sonatina
for Flute and Piano,
which is made up of two
movements, the second
being a homage to
Schumann. Addressing many
technical features
including flourishing
semiquaver passages, a
wide range, lyricism,
intervals, chromaticism
and complex rhythms,
Sonatina is a challenging
yet riveting and stirring
piece for aspiring
flautists.&rdquo.
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
Composed
by Emile Pessard. Leduc.
CD. 4 pages. Alphonse
Leduc #AL9124. Published
by Alphonse Leduc
(HL.48186558).
UPC:
888680828318.
9.0x12.0x0.073
inches.
French
composer, Emile Pessard
(1843-1917) studied at
the Paris Conservatoire
where he won first prize
for harmony and the 1866
Prix de Rome. Andalouse
contributes to his
significant catalogue of
compositions. As well as
composing, Pessard taught
a wealth of prolific
students, including
Maurice Ravel and Jacques
Ibert. Extracted from his
Opus 20, Andalouse for
Flute and Piano
accompaniment displays
typical French romantic
features, including
semiquaver flourishes,
use of a wide tessitura
and syncopated rhythms.
For all aspiring
flautists seeking
alternative repertoire,
Pessard's Andalouse
ensures an exciting
performance..
(flute/piano) SKU: HL.48181507 Composed by Henri Busser. Leduc. Classical...(+)
(flute/piano)
SKU:
HL.48181507
Composed
by Henri Busser. Leduc.
Classical. Softcover. 11
pages. Alphonse Leduc
#AL21140. Published by
Alphonse Leduc
(HL.48181507).
UPC:
888680841584. 9x12
inches.
“Fren
ch composer, Henri
Büsser entered the
Paris Conservatoire in
1889. He won the 1893
Prix de Rome and led a
highly successful career
as a composer, conductor,
teacher and organist. His
compositions for a
variety of instruments
are exceptional,
Andalucia for Flute and
Piano being no exception.
As reflected in
Andalucia, which is named
after the popular Spanish
area of the same name,
Büsser's
compositional style was
sophisticated, yet true
to the 19th century
French tradition.
Elements of Andalucia
include, chromaticism,
exploitation of tonality,
complex rhythms and
semiquaver flourishes,
amongst other aspects.
For all advanced Flute
players, Büsser's
Andalucia is essential to
a varied
repertoire.&rdquo.