The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252.
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
When Hearts Tremble Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5
SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75).
ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major.
When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others .
Olympia Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant FJH
By Brian Balmages. Arranged by Brian Balmages. Beginning Band. FJH Beginning Ban...(+)
By Brian Balmages.
Arranged by Brian
Balmages. Beginning Band.
FJH Beginning Band. This
fanfare captures the
spirit of Olympia, the
birthplace of the Olympic
Games. The Games began in
776 B.C. In honor of
Zeus. Since then, they
have become the central
location for heroes and
champions to compete for
the highest honors in the
world. This work also
serves as a reminder that
heroes are all around us
- in teachers who stay
after school to help
students, in parents who
strive to give their
children the best
possible lives, and most
of all in students
themselves, the young
champions of our world
who see nothing between
them and their dreams.
The mallet part calls for
multiple sets of bells
(or other metallic
instruments such as the
vibraphone). Certainly,
two to three players can
really make this an
effective part. There are
two Percussion 1 parts
included: a normal part
and an advanced part. The
level of the snare
drummer will determine
which part should be
used. However, both parts
may be used
simultaneously if
percussionists are
available. Score for this
title: B1270S. Extra part
for this title: B1270P.
Concert Band. Level: 1.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Four Earth Songs Orchestre d'harmonie - Avancé De Haske Publications
Concert Band and Vocal Solo - Grade 5 SKU: BT.DHP-1094768-010 Poems by...(+)
Concert Band and Vocal
Solo - Grade 5
SKU:
BT.DHP-1094768-010
Poems by Graeme
King. Composed by
Marco Putz. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#DHP 1094768-010.
Published by De Haske
Publications
(BT.DHP-1094768-010).
9x12 inches.
English-German-French-Dut
ch.
The hymn Nun
ruhen alle Wälder (Now
All Forests Rest),
arranged by J.S. Bach
(No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word
“ruhen†(to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress -
“nun ruhen alle
Wälder†should
mean “now all
forests die†.
Massive industrialization
and globalization,
coupled with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on
humanity’s
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King’s clarity,
and intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King’s writing
with his own musical
language. The four
movements are as follows:
1. Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow The world
première of Four Earth
Songs took place on 7
July 2009 at the 14th
WASBE-Conference in
Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Wälder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Pütz
schreef het werk als een
muzikaal protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord
‘ruhen’
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou
‘nun ruhen alle
Wälder’ zelfs
kunnen betekenen:
‘nu sterven alle
bossen’. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen.
Pütz hoopt dat er op
een dag meer nadruk
gelegd zal worden op het
overleven van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Pütz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte ge
ntrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremière van
Four Earth Songs vond
plaats op 7 juli 2009
tijdens de 14e WASBE
Conference in Cincinnati
(VS). Dit werk is in
vriendschap opgedragen
aan dirigent Jouke
Hoekstra en zijn Fryskt
Fanfare
Der Choral
Nun ruhen alle Wälder,
hier in einer Bearbeitung
von J.S. Bach (Nr. 6 So
sei nun, Seele, deine aus
der Kantate BWV 13),
zieht sich wie ein roter
Faden durch diese
viersätzige
Komposition, die als
musikalischer Aufschrei
(Anfang!) gegen die
mutwillige,
profitgesteuerte
Zerstörung unserer
Umwelt gedacht ist.
Sicher hatte das Wort
ruhen“ vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heißen: Nun
sterben alle
Wälder“...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfähigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet“
heute kurz vor dem
Kollaps steht. Dieses
Werk soll jedoch nicht
nur anklagen, es soll
auch die verbliebenen
Schönheiten unserer
Natur aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Möglichkeiten der
musikalischen Umsetzung.
Die vier Sätze sind
wie folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlässlich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Four Earth Songs Orchestre d'harmonie - Avancé De Haske Publications
Concert Band and Vocal Solo - Grade 5 SKU: BT.DHP-1094768-140 Poems by...(+)
Concert Band and Vocal
Solo - Grade 5
SKU:
BT.DHP-1094768-140
Poems by Graeme
King. Composed by
Marco Putz. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2010. 84
pages. De Haske
Publications #DHP
1094768-140. Published by
De Haske Publications
(BT.DHP-1094768-140).
9x12 inches.
English-German-French-Dut
ch.
The hymn Nun
ruhen alle Wälder (Now
All Forests Rest),
arranged by J.S. Bach
(No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word
“ruhen†(to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress -
“nun ruhen alle
Wälder†should
mean “now all
forests die†.
Massive industrialization
and globalization,
coupled with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on
humanity’s
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King’s clarity,
and intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King’s writing
with his own musical
language. The four
movements are as follows:
1. Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow The world
première of Four Earth
Songs took place on 7
July 2009 at the 14th
WASBE-Conference in
Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Wälder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Pütz
schreef het werk als een
muzikaal protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord
‘ruhen’
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou
‘nun ruhen alle
Wälder’ zelfs
kunnen betekenen:
‘nu sterven alle
bossen’. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen.
Pütz hoopt dat er op
een dag meer nadruk
gelegd zal worden op het
overleven van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Pütz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte ge
ntrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremière van
Four Earth Songs vond
plaats op 7 juli 2009
tijdens de 14e WASBE
Conference in Cincinnati
(VS). Dit werk is in
vriendschap opgedragen
aan dirigent Jouke
Hoekstra en zijn Fryskt
Fanfare
Der Choral
Nun ruhen alle Wälder,
hier in einer Bearbeitung
von J.S. Bach (Nr. 6 So
sei nun, Seele, deine aus
der Kantate BWV 13),
zieht sich wie ein roter
Faden durch diese
viersätzige
Komposition, die als
musikalischer Aufschrei
(Anfang!) gegen die
mutwillige,
profitgesteuerte
Zerstörung unserer
Umwelt gedacht ist.
Sicher hatte das Wort
ruhen“ vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heißen: Nun
sterben alle
Wälder“...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfähigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet“
heute kurz vor dem
Kollaps steht. Dieses
Werk soll jedoch nicht
nur anklagen, es soll
auch die verbliebenen
Schönheiten unserer
Natur aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Möglichkeiten der
musikalischen Umsetzung.
Die vier Sätze sind
wie folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlässlich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Concert Band/Harmonie and Euphonium Solo - Grade 5 SKU: BT.AMP-354-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 5
SKU:
BT.AMP-354-010
Euphonium Concerto No.
3. Composed by Philip
Sparke. Elite Series. Set
(Score & Parts). Composed
2012. Anglo Music Press
#AMP 354-010. Published
by Anglo Music Press
(BT.AMP-354-010).
9x12
inches.
English-German-French-Dut
ch.
Diamond
Concerto was
commissioned by
Musikverein Mörschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven
Mead’s special
euphonium sound in his
head throughout the
composition process and
made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMörschied lies to
the west of Frankfurt am
Main in the area known as
the German Road of
Precious Stones, which is
famous for its thriving
gem industry. Because of
this it was decided to
give the commission a
local connection by
choosing the title,
Diamond Concerto.
Each of the three
movements is named after
a famous diamond:1 EARTH
STARis rather stern in
mood, opening with a free
fantasy for the soloist
over a static chord from
the band. This leads to
an Allegro Moderato in
minor mode where small
motives are gradually
repeated and developed by
both band and soloist.2
OCEAN DREAMuses a varied
quote from the
composer’s
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven
Mead’s suggestion,
in bebop style and takes
the form of a jazz waltz.
The quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Mörschied - met
dirigent Eric Grandjean -
voor een speciaal concert
met Steven Mead als
gastsolist. De
wereldpremière vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarrièr
e.Het plaatsje
Mörschied ligt ten
westen van Frankfurt am
Main, in het gebied dat
bekendstaat als de
Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van
Sparke’s werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben
für den Musikverein
Mörschied, westlich
von Frankfurt am Main an
der Deutschen
Edelsteinstraße
gelegen, wurde jeder der
drei Sätze von
Diamond Concerto
nach einem berühmten
Diamanten benannt: 1
EARTH STAR ist eher
stimmungstechnisch ein
Stern. Der Satz beginnt
mit einer freien Fantasie
des Solisten über
einem statischen Akkord
des Orchesters. Dieses
führt zu einem Allegro
Moderato in Moll, in
welchem kurze Motive von
sowohl Orchester als auch
Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthält, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthält
eine Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen
Holzbläsern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist für Euphonium und
Klavier erhältlich
(AMP 374-401) sowie
für Euphonium und
Brass Band (AMP 354-030).
Score and Parts.
Composed by Philip
Sparke. Anglo Music
Concert Band. Set (Score
& Parts). Composed 2012.
Anglo Music Press
#AMP354010. Published by
Anglo Music Press
(HL.44011228).
Diamond
Concerto was
commissioned by
Musikverein Morschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven Mead's
special euphonium sound
in his head throughout
the composition process
and made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMorschied lies to the
west of Frankfurt am Main
in the area known as the
German Road of Precious
Stones, which is famous
for its thriving gem
industry. Because of this
it was decided to give
the commission a local
connection by choosing
the title, Diamond
Concerto. Each of the
three movements is named
after a famous diamond:1
EARTH STARis rather stern
in mood, opening with a
free fantasy for the
soloist over a static
chord from the band. This
leads to an Allegro
Moderato in minor mode
where small motives are
gradually repeated and
developed by both band
and soloist.2 OCEAN
DREAMuses a varied quote
from the composer's
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven Mead's
suggestion, in bebop
style and takes the form
of a jazz waltz. The
quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Morschied - met dirigent
Eric Grandjean - voor een
speciaal concert met
Steven Mead als
gastsolist. De
wereldpremiere vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarriere.H
et plaatsje Morschied
ligt ten westen van
Frankfurt am Main, in het
gebied dat bekendstaat
als de Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van Sparke's werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben fur
den Musikverein
Morschied, westlich von
Frankfurt am Main an der
Deutschen
Edelsteinstrasse gelegen,
wurde jeder der drei
Satze von Diamond
Concerto nach einem
beruhmten Diamanten
benannt: 1 EARTH STAR ist
eher stimmungstechnisch
ein Stern. Der Satz
beginnt mit einer freien
Fantasie des Solisten
uber einem statischen
Akkord des Orchesters.
Dieses fuhrt zu einem
Allegro Moderato in Moll,
in welchem kurze Motive
von sowohl Orchester als
auch Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthalt, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthalt eine
Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen Holzblasern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist fur Euphonium und
Klavier erhaltlich (AMP
374-401) sowie fur
Euphonium und Brass Band
(AMP 354-030).
Diamond
Concerto est une
œuvre de commande de
la formation allemande
Musikverein Morschied,
dirigee par le Dr Eric
Grandjean, pour un
concert avec un invite
special, le soliste
Steven Mead. Ensemble,
ils ont cree cette
œuvre le 28 avril
2012 au theatre de la
ville
d'Idar-Oberstein.Cette
commande represente l'un
des points culminants
d'une amitie de trente
annees entre le
compositeur et le
soliste, leur relation
ayant donne naissance a
de nombreux
enregistrements et
concerts et, maintenant,
a un concerto. Pendant la
composition de cette
œuvre, Sparke avait
sans cesse a l'esprit le
son bien particulier de
l'euphonium de Steven
Mead, et il a employe
librement lavariete de
styles que ce virtuose
mondialement connu a
adoptes au cours de sa
brillante carriere de
soliste.Le village de
Morschied se trouve a
l'ouest de
Francfort-sur-le-Main,
dans la region surnommee
Route allemande des
pierres precieuses,
celebre pour son
industrie de la
joaillerie. C'est
pourquoi le compositeur a
decide de saluer cette
province en intitulant
son œuvre Diamond
Concerto. Les trois
mouvements sont chacun
nommes d'apres un diamant
celebre :1 EARTH STARDe
caractere plutot serieux,
ce mouvement debute avec
une fantaisie libre pour
le soliste sur un accord
statique de l'orchestre.
Vient ensuite un Allegro
Moderato en mode mineur
ou de courts motifs sont
progressivement repetes
et developpes par
l'orchestre et le
soliste.2 OCEAN DREAML'on
pourra entendre ici une
variante d'un extrait de
Music for Battle
Creek, incluant une
melodie lente et
emouvante, que le
compositeur ecrivit alors
dans l'optique d'une
future interpretation
realisee par Steven
Mead.3 BLUE HEARTSuivant
l'idee de Steven Mead, ce
mouvement est ecrit dans
un style de be-bop et
prend la forme d'une
valse jazzy. La partie
centrale,
quasi-improvisee,
comprend un passage
d'appel et reponse entre
le soliste et les
bois.Soliste: Difficulte
6Diamond Concerto
est aussi disponible pour
euphonium et piano (AMP
374-401) et euphonium et
brass.
Score Only.
Composed by Philip
Sparke. Anglo Music
Concert Band. Score Only.
Composed 2012. 64 pages.
Anglo Music Press
#AMP354140. Published by
Anglo Music Press
(HL.44011229).
Diamond
Concerto was
commissioned by
Musikverein Morschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven Mead's
special euphonium sound
in his head throughout
the composition process
and made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMorschied lies to the
west of Frankfurt am Main
in the area known as the
German Road of Precious
Stones, which is famous
for its thriving gem
industry. Because of this
it was decided to give
the commission a local
connection by choosing
the title, Diamond
Concerto. Each of the
three movements is named
after a famous diamond:1
EARTH STARis rather stern
in mood, opening with a
free fantasy for the
soloist over a static
chord from the band. This
leads to an Allegro
Moderato in minor mode
where small motives are
gradually repeated and
developed by both band
and soloist.2 OCEAN
DREAMuses a varied quote
from the composer's
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven Mead's
suggestion, in bebop
style and takes the form
of a jazz waltz. The
quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Morschied - met dirigent
Eric Grandjean - voor een
speciaal concert met
Steven Mead als
gastsolist. De
wereldpremiere vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarriere.H
et plaatsje Morschied
ligt ten westen van
Frankfurt am Main, in het
gebied dat bekendstaat
als de Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van Sparke's werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben fur
den Musikverein
Morschied, westlich von
Frankfurt am Main an der
Deutschen
Edelsteinstrasse gelegen,
wurde jeder der drei
Satze von Diamond
Concerto nach einem
beruhmten Diamanten
benannt: 1 EARTH STAR ist
eher stimmungstechnisch
ein Stern. Der Satz
beginnt mit einer freien
Fantasie des Solisten
uber einem statischen
Akkord des Orchesters.
Dieses fuhrt zu einem
Allegro Moderato in Moll,
in welchem kurze Motive
von sowohl Orchester als
auch Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthalt, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthalt eine
Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen Holzblasern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist fur Euphonium und
Klavier erhaltlich (AMP
374-401) sowie fur
Euphonium und Brass Band
(AMP 354-030).
Diamond
Concerto est une
œuvre de commande de
la formation allemande
Musikverein Morschied,
dirigee par le Dr Eric
Grandjean, pour un
concert avec un invite
special, le soliste
Steven Mead. Ensemble,
ils ont cree cette
œuvre le 28 avril
2012 au theatre de la
ville
d'Idar-Oberstein.Cette
commande represente l'un
des points culminants
d'une amitie de trente
annees entre le
compositeur et le
soliste, leur relation
ayant donne naissance a
de nombreux
enregistrements et
concerts et, maintenant,
a un concerto. Pendant la
composition de cette
œuvre, Sparke avait
sans cesse a l'esprit le
son bien particulier de
l'euphonium de Steven
Mead, et il a employe
librement lavariete de
styles que ce virtuose
mondialement connu a
adoptes au cours de sa
brillante carriere de
soliste.Le village de
Morschied se trouve a
l'ouest de
Francfort-sur-le-Main,
dans la region surnommee
Route allemande des
pierres precieuses,
celebre pour son
industrie de la
joaillerie. C'est
pourquoi le compositeur a
decide de saluer cette
province en intitulant
son œuvre Diamond
Concerto. Les trois
mouvements sont chacun
nommes d'apres un diamant
celebre :1 EARTH STARDe
caractere plutot serieux,
ce mouvement debute avec
une fantaisie libre pour
le soliste sur un accord
statique de l'orchestre.
Vient ensuite un Allegro
Moderato en mode mineur
ou de courts motifs sont
progressivement repetes
et developpes par
l'orchestre et le
soliste.2 OCEAN DREAML'on
pourra entendre ici une
variante d'un extrait de
Music for Battle
Creek, incluant une
melodie lente et
emouvante, que le
compositeur ecrivit alors
dans l'optique d'une
future interpretation
realisee par Steven
Mead.3 BLUE HEARTSuivant
l'idee de Steven Mead, ce
mouvement est ecrit dans
un style de be-bop et
prend la forme d'une
valse jazzy. La partie
centrale,
quasi-improvisee,
comprend un passage
d'appel et reponse entre
le soliste et les
bois.Soliste: Difficulte
6Diamond Concerto
est aussi disponible pour
euphonium et piano (AMP
374-401) et euphonium et
brass.
Part I, II, III and IV. Composed by Alex Poelman. The Best Original Compo...(+)
Part I, II, III and
IV. Composed by Alex
Poelman. The Best
Original Compositions for
Concert Band/Catalogue
Master Works Vol. 1.
Molenaar Masterpieces.
Recorded on The Seven
Wonders of the Ancient
World (ML.311080720).
Full set. Duration 20
minutes, 58 seconds.
Published by Molenaar
Edition (ML.012792100).
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115067-010 Composed by Jan d...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115067-010
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Opening
Pieces. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115067-010. Published by
De Haske Publications
(BT.DHP-1115067-010).
9x12 inches.
English-German-French-Dut
ch.
The Geuzen
Medal is an annual award
given to people or
organizations who have
found unique ways to
further democracy in the
world and help eliminate
dictatorships, racism,
and discrimination. The
original Geuzen fought
against Spanish
imperialism in Holland
during the16th century.
During the Second World
War a group resisting the
Nazis also named
themselves De Geuzen. Jan
de Haan incorporates
Psalm 43, sung by a group
of condemned prisoners
shortly before their
execution in 1943, into
Geuzen Medal Fanfare,
composed for the 25th
bestowal of this special
award.
Ieder jaar
weer wordt ze weer
uitgereikt: de
Geuzenpenning. Dit is aan
een persoon of
organisatie die zich op
bijzondere wijze inzet
voor de democratie en
tegen dictatuur, racisme
en discriminatie. In de
zestiende eeuw streden
deGeuzen tegen de Spaanse
bezetting. In de Tweede
Wereldoorlog was er
eveneens een verzetsgroep
die zich zo noemde. Een
deel van hen werd in 1943
veroordeeld tot de
doodstraf. Vlak voor de
voltrekking van het
vonnis zetten zij psalm43
in. Precies deze psalm
verwerkte Jan de Haan in
zijn openingswerk Geuzen
Medal Fanfare. Hij
schreef het ter
gelegenheid van de
vijfentwintigste
uitreiking.
Der
Geuzenpenning (Geuzen
Medal) wird jährlich
an Menschen oder
Organisataionen
verliehen, die sich auf
besondere Weise für
die Demokratie und gegen
Diktatur, Rassismus und
Diskriminierung
eingesetzt haben. Die
ursprünglichen Geuzen
kämpften gegen
spanische Besatzung in
Holland im 16.
Jahrhundert; im Zweiten
Weltkrieg nannte sich
eine Widerstandsgruppe
gegen die Deutschen
ebenfalls De Geuzen. Den
Psalm 43, den eine Gruppe
von Verurteilten 1943
kurz vor ihrer
Hinrichtung anstimmte,
verarbeitete Jan de Haan
in seinem
Eröffnungswerk De
Geuzen Medal Fanfare, das
er zur 25. Verleihung
dieses besonderen Ordens
schrieb.
Ogni
anno la “Geuzen
Medalâ€, viene
conferita dalla
Fondazione olandese
“Geuzen Resistance
1940-1945
Foundation†quale
tributo ad individui o
istituzioni che si siano
prodigate per la
democrazia o contro le
dittature, le
discriminazioni ed il
razzismo. Nel corso della
seconda guerra mondiale,
un gruppo di resistenti
riprese il nome di
“Geuzenâ€: 15
membri caddero
prigionieri e al momento
della loro fucilazione
cantarono il Salmo
43.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115067-140 Composed by Jan d...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115067-140
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Opening
Pieces. Score Only.
Composed 2011. 16 pages.
De Haske Publications
#DHP 1115067-140.
Published by De Haske
Publications
(BT.DHP-1115067-140).
9x12 inches.
English-German-French-Dut
ch.
The Geuzen
Medal is an annual award
given to people or
organizations who have
found unique ways to
further democracy in the
world and help eliminate
dictatorships, racism,
and discrimination. The
original Geuzen fought
against Spanish
imperialism in Holland
during the16th century.
During the Second World
War a group resisting the
Nazis also named
themselves De Geuzen. Jan
de Haan incorporates
Psalm 43, sung by a group
of condemned prisoners
shortly before their
execution in 1943, into
Geuzen Medal Fanfare,
composed for the 25th
bestowal of this special
award.
Ieder jaar
weer wordt ze weer
uitgereikt: de
Geuzenpenning. Dit is aan
een persoon of
organisatie die zich op
bijzondere wijze inzet
voor de democratie en
tegen dictatuur, racisme
en discriminatie. In de
zestiende eeuw streden
deGeuzen tegen de Spaanse
bezetting. In de Tweede
Wereldoorlog was er
eveneens een verzetsgroep
die zich zo noemde. Een
deel van hen werd in 1943
veroordeeld tot de
doodstraf. Vlak voor de
voltrekking van het
vonnis zetten zij psalm43
in. Precies deze psalm
verwerkte Jan de Haan in
zijn openingswerk Geuzen
Medal Fanfare. Hij
schreef het ter
gelegenheid van de
vijfentwintigste
uitreiking.
Der
Geuzenpenning (Geuzen
Medal) wird jährlich
an Menschen oder
Organisataionen
verliehen, die sich auf
besondere Weise für
die Demokratie und gegen
Diktatur, Rassismus und
Diskriminierung
eingesetzt haben. Die
ursprünglichen Geuzen
kämpften gegen
spanische Besatzung in
Holland im 16.
Jahrhundert; im Zweiten
Weltkrieg nannte sich
eine Widerstandsgruppe
gegen die Deutschen
ebenfalls De Geuzen. Den
Psalm 43, den eine Gruppe
von Verurteilten 1943
kurz vor ihrer
Hinrichtung anstimmte,
verarbeitete Jan de Haan
in seinem
Eröffnungswerk De
Geuzen Medal Fanfare, das
er zur 25. Verleihung
dieses besonderen Ordens
schrieb.
Ogni
anno la “Geuzen
Medalâ€, viene
conferita dalla
Fondazione olandese
“Geuzen Resistance
1940-1945
Foundation†quale
tributo ad individui o
istituzioni che si siano
prodigate per la
democrazia o contro le
dittature, le
discriminazioni ed il
razzismo. Nel corso della
seconda guerra mondiale,
un gruppo di resistenti
riprese il nome di
“Geuzenâ€: 15
membri caddero
prigionieri e al momento
della loro fucilazione
cantarono il Salmo
43.
Concert Band and Vocal Soloist (Score) - Grade 5 SKU: HL.44011763 Poem...(+)
Concert Band and Vocal
Soloist (Score) - Grade 5
SKU: HL.44011763
Poems by Graeme
King. Composed by
Marco Putz. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2010. De Haske
Publications #1094768.
Published by De Haske
Publications
(HL.44011763).
The hymn Nun
ruhen alle Walder (Now
All Forests Rest),
arranged by J.S. Bach
(No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word ruhen (to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress - nun
ruhen alle Walder should
mean now all forests die
. Massive
industrialization and
globalization, coupled
with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on humanity's
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King's clarity, and
intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King's writing with his
own musical language. The
four movements are as
follows: 1. Tears of
Nature 2. Grrrevolution
3. Stand up! 4. Tomorrow
The world premiere of
Four Earth Songs took
place on 7 July 2009 at
the 14th WASBE-Conference
in Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Walder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Putz schreef
het werk als een muzikaal
protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord 'ruhen'
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou 'nun
ruhen alle Walder' zelfs
kunnen betekenen: 'nu
sterven alle bossen'. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen. Putz
hoopt dat er op een dag
meer nadruk gelegd zal
worden op het overleven
van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Putz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte
geintrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremiere van Four
Earth Songs vond plaats
op 7 juli 2009 tijdens de
14e WASBE Conference in
Cincinnati (VS). Dit werk
is in vriendschap
opgedragen aan dirigent
Jouke Hoekstra en zijn
Fryskt Fanfare
Der
Choral Nun ruhen alle
Walder, hier in einer
Bearbeitung von J.S. Bach
(Nr. 6 So sei nun, Seele,
deine aus der Kantate BWV
13), zieht sich wie ein
roter Faden durch diese
viersatzige Komposition,
die als musikalischer
Aufschrei (Anfang!) gegen
die mutwillige,
profitgesteuerte
Zerstorung unserer Umwelt
gedacht ist. Sicher hatte
das Wort ruhen vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heissen: Nun
sterben alle Walder...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfahigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet heute
kurz vor dem Kollaps
steht. Dieses Werk soll
jedoch nicht nur
anklagen, es soll auch
die verbliebenen
Schonheiten unserer Natur
aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Moglichkeiten der
musikalischen Umsetzung.
Die vier Satze sind wie
folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlasslich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Le
cantique Nun ruhen alle
Walder, dont la ligne
melodique fut reprise par
Jean-Sebastien Bach pour
son choral So sein nun,
Seele, deine (Choral
ndeg6 - Cantate BWV 13),
est le fil conducteur de
cette oeuvre en quatre
mouvements concue comme
un cri contre la
destruction volontaire de
la nature pour le profit.
Plus de trois siecles
nous separent du temps de
Bach. Si les mots sont
restes les memes, leur
sens primitif connait
cependant quelques
nuances. Ainsi, au XXIe
siecle - considere comme
le << siecle du progres
>>, il conviendrait de
traduire Nun ruhen alle
Walder (les forets se
reposent ) par Les forets
se meurent. La
mondialisation et
l'industrialisation
massiveassociees a
l'avidite predatrice, a
la corruption politique,
aux actions humaines
irrationnelles et au
fosse grandissant entre
riches et pauvres
conduisent notre planete
bleue a se rapprocher
chaque jour un peu plus
du point de non retour.
Cette composition n'est
pas une accusation
acerbe, mais plutot une
exhortation a prendre
soin de cette beaute si
harmonieuse que nous
offre la nature. Et
peut-etre, prendrons-nous
enfin conscience de
l'importance d'une
situation de coexistence
avec la nature,
necessaire pour la survie
de l'espece humaine, et
non d'exploitation qui
conduit a la destruction.
Un jour, alors qu'il
naviguait sur Internet,
Marco Pütz
decouvrit l'oeuvre du
poete australien Graeme
King. Fascine par la
clarte de l'ecriture et
le rythme des vers, Marco
Pütz imagina les
multiples possibilites
d'adaptation et de mise
en musique qu'offrent les
poemes de King. Il
choisit quatre poemes sur
la nature pour creer son
oeuvre Four Earth Songs
(Quatre chants de la
terre). 1. Tears of
Nature (Les larmes de la
Nature) 2. Grrrevolution
3. Stand up! (Levez-vous
!) 4. Tomorrow (Demain)
Four Earth Songs est
dedie amicalement a
l'Orchestre de Fanfare de
Frise (Frysk Fanfare
Orkest) et a son chef,
Jouke Hoekstra. L'oeuvre
a ete donnee en creation
mondiale par l'orchestre
dedicataire a l'occasion
de la 14eme Convention de
la WASBE a Cincinnati
aux.
Concert Band and Vocal Soloist (Score & Parts) - Grade 5 SKU: HL.44011762 ...(+)
Concert Band and Vocal
Soloist (Score & Parts) -
Grade 5
SKU:
HL.44011762
Poems
by Graeme King.
Composed by Marco Putz.
De Haske Concert Band.
Concert Piece. Score
Only. Composed 2010. Hal
Leonard #1094768.
Published by Hal Leonard
(HL.44011762).
The
hymn Nun ruhen alle
Walder (Now All Forests
Rest), arranged by J.S.
Bach (No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word ruhen (to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress - nun
ruhen alle Walder should
mean now all forests die
. Massive
industrialization and
globalization, coupled
with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on humanity's
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King's clarity, and
intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King's writing with his
own musical language. The
four movements are as
follows: 1. Tears of
Nature 2. Grrrevolution
3. Stand up! 4. Tomorrow
The world premiere of
Four Earth Songs took
place on 7 July 2009 at
the 14th WASBE-Conference
in Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Walder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Putz schreef
het werk als een muzikaal
protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord 'ruhen'
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou 'nun
ruhen alle Walder' zelfs
kunnen betekenen: 'nu
sterven alle bossen'. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen. Putz
hoopt dat er op een dag
meer nadruk gelegd zal
worden op het overleven
van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Putz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte
geintrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremiere van Four
Earth Songs vond plaats
op 7 juli 2009 tijdens de
14e WASBE Conference in
Cincinnati (VS). Dit werk
is in vriendschap
opgedragen aan dirigent
Jouke Hoekstra en zijn
Fryskt Fanfare
Der
Choral Nun ruhen alle
Walder, hier in einer
Bearbeitung von J.S. Bach
(Nr. 6 So sei nun, Seele,
deine aus der Kantate BWV
13), zieht sich wie ein
roter Faden durch diese
viersatzige Komposition,
die als musikalischer
Aufschrei (Anfang!) gegen
die mutwillige,
profitgesteuerte
Zerstorung unserer Umwelt
gedacht ist. Sicher hatte
das Wort ruhen vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heissen: Nun
sterben alle Walder...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfahigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet heute
kurz vor dem Kollaps
steht. Dieses Werk soll
jedoch nicht nur
anklagen, es soll auch
die verbliebenen
Schonheiten unserer Natur
aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Moglichkeiten der
musikalischen Umsetzung.
Die vier Satze sind wie
folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlasslich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Le
cantique Nun ruhen alle
Walder, dont la ligne
melodique fut reprise par
Jean-Sebastien Bach pour
son choral So sein nun,
Seele, deine (Choral
ndeg6 - Cantate BWV 13),
est le fil conducteur de
cette oeuvre en quatre
mouvements concue comme
un cri contre la
destruction volontaire de
la nature pour le profit.
Plus de trois siecles
nous separent du temps de
Bach. Si les mots sont
restes les memes, leur
sens primitif connait
cependant quelques
nuances. Ainsi, au XXIe
siecle - considere comme
le << siecle du progres
>>, il conviendrait de
traduire Nun ruhen alle
Walder (les forets se
reposent ) par Les forets
se meurent. La
mondialisation et
l'industrialisation
massiveassociees a
l'avidite predatrice, a
la corruption politique,
aux actions humaines
irrationnelles et au
fosse grandissant entre
riches et pauvres
conduisent notre planete
bleue a se rapprocher
chaque jour un peu plus
du point de non retour.
Cette composition n'est
pas une accusation
acerbe, mais plutot une
exhortation a prendre
soin de cette beaute si
harmonieuse que nous
offre la nature. Et
peut-etre, prendrons-nous
enfin conscience de
l'importance d'une
situation de coexistence
avec la nature,
necessaire pour la survie
de l'espece humaine, et
non d'exploitation qui
conduit a la destruction.
Un jour, alors qu'il
naviguait sur Internet,
Marco Pütz
decouvrit l'oeuvre du
poete australien Graeme
King. Fascine par la
clarte de l'ecriture et
le rythme des vers, Marco
Pütz imagina les
multiples possibilites
d'adaptation et de mise
en musique qu'offrent les
poemes de King. Il
choisit quatre poemes sur
la nature pour creer son
oeuvre Four Earth Songs
(Quatre chants de la
terre). 1. Tears of
Nature (Les larmes de la
Nature) 2. Grrrevolution
3. Stand up! (Levez-vous
!) 4. Tomorrow (Demain)
Four Earth Songs est
dedie amicalement a
l'Orchestre de Fanfare de
Frise (Frysk Fanfare
Orkest) et a son chef,
Jouke Hoekstra. L'oeuvre
a ete donnee en creation
mondiale par l'orchestre
dedicataire a l'occasion
de la 14eme Convention de
la WASBE a Cincinnati
aux.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-337-140 For the victims of...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-337-140
For
the victims of the
Japanese earthquake and
tsunami, March 2011.
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2011. 16
pages. Anglo Music Press
#AMP 337-140. Published
by Anglo Music Press
(BT.AMP-337-140).
9x12
inches.
English-German-French-Dut
ch.
The composer
writes:On March 11th 2011
a massive 9.0- magnitude
earthquake occurred off
the coast of
north-eastern Japan.I'm
writing these programme
notes barely a week later
and the death toll caused
by the quake and
resulting tsunami already
exceeds 6000, with
thousands of people still
unaccounted for. I have
many friends associated
with many bands
throughout Japan and one
of these, Yutaka Nishida,
suggested I write a piece
to raise money to help
those affected by the
disaster. I was
immediately attracted by
the idea and have
arranged Cantilena (a
brass band piece recently
commissioned by the
Grenland International
Brass Festival, Norway)
for wind band, giving it
a new title tohonour my
friends in the Land of
the Rising Sun.I will be
donating royalties from
this piece to the
Japanese Red Cross
Society Emergency Relief
Fund and am delighted to
say that my distributors,
De Haske, who will
generously also donate
all net profits from
sales of this piece, have
pledged a substantial
advance payment to the
Red Cross so that what
little help this project
generates can be
immediate.It is my
sincere wish that this
'Band Aid' project will
allow wind bands around
the world support the
people of Japan, where
bands are a way of life
for many, in this
difficult time.Philip
Sparke
De
componist schrijft:Op 11
maart 2011 vond er vlak
bij de noordkust van
Japan een enorme
aardbeving - 9.0 op de
schaal van Richter -
plaats.Ik maak deze
werkbeschrijving
nauwelijks een week later
en het aantal doden dat
de aardbevingen de
daaropvolgende tsunami
hebben geëist, komt al
uit boven de 6000,
terwijl er nog steeds
duizenden mensen worden
vermist.Ik heb veel
vrienden die met orkesten
in heel Japan werken, en
een van hen, Yutaka
Nishida, steldevoor dat
ik een stuk zou schrijven
om geld bij elkaar te
krijgen voor hulp aan de
slachtoffers van de ramp.
Ik vond het meteen een
goed idee en ik heb
vervolgens Cantilena (
een brassbandwerk dat ik
recentelijk heb
gecomponeerd voorhet
Grenland International
Brass festival in
Noorwegen) gearrangeerd
voor harmonieorkest en er
een nieuwe titel aan
gegeven, als eerbewijs
aan mijn vrienden in het
land van de rijzende
zon.De royalty's die ik
voor dit werk krijg,zal
ik doneren aan het
Japanse noodhulpfonds van
het Rode Kruis, en ik ben
heel blij dat mijn
distributeur, De Haske,
die eveneens alle
nettowinst op dit werk
zal doneren, bereid is
alvast een grote
vooruitbetaling te doen
aanhet Rode Kruis, zodat
de hulp die uit dit
project voortkomt, hoe
bescheiden wellicht ook,
onmiddellijk in gang
gezet kan worden.Ik hoop
oprecht dat dit 'Band
Aid-project' het
blaasorkesten wereldwijd
mogelijk maakt de mensen
in Japante steunen - een
land waar blaasmuziek
voor velen een manier van
leven is.
Der
Komponist schreibt
über sein Stück:Am
11. März 2011
ereignete sich ein
Erdbeben der Stärke
9,0 vor der
nordöstlichen Küste
Japans.Diese
Werkbeschreibung schreibe
ich nur eine Woche
später. Die Zahl der
Todesopfer des Erdbebens
und des dadurch
ausgelösten Tsunamis
überschreitet bereits
die 6000, wobei noch
tausende Menschen als
vermisst gelten.Ich habe
zahlreiche Freunde in
Japan, die mit vielen
Blasorchestern im ganzen
Land verbunden sind.
Einer dieser Freunde,
Yutaka Nishida, schlug
mir vor, ein Stück zu
schreiben, um mit dem
Erlös den von der
Katastrophe betroffenen
Menschen zu helfen. Ich
war gleich begeistert von
dieser Idee und habe
daraufhin
Cantilena(ein
Brass-Band-Stück, das
ich jüngst für das
Grenland International
Brass Festival in
Norwegen komponierte)
für Blasorchester
bearbeitet und ihm zu
Ehren meiner Freunde im
Land der aufgehenden
Sonne einen neuen Titel
gegeben.Ich werde meine
Tantiemen für dieses
Stück dem Hilfsfonds
des Japanischen Roten
Kreuzes spenden. Ich bin
auch sehr froh, dass mein
Verlag De Haske, der
ebenfalls alle Erlöse
aus diesem Stück
spenden wird, dem Roten
Kreuz bereits im Voraus
eine bedeutende Summe
geschickt hat, damit der
kleine Beitrag, den
dieses Projekt beitragen
kann, sofort ankommt.Es
ist mein inniger Wunsch,
dass dieses Band
Aid“-Projekt
Blasorchestern auf der
ganzen Welt
ermöglichen wird, den
Menschen in Japan zu
helfen, wo Blasorchester
in dieser schweren Zeit
für viele ein Weg
sind, das Leben aufrecht
zu erhalten.“Philip
Sparke
La
recente tragedia del
Giappone, messo in
ginocchio dal terremoto,
ha spinto Philip Sparke a
comporre The Sun Will
Rise Again (Il sole
sorger nuovamente), un
brano che vuole essere un
messaggio di solidariet
al popolo nipponico, ma
anche un aiuto concreto:
gli introiti saranno
interamente devoluti, sia
dal compositore sia dalla
casa editrice De Haske,
alla Croce Rossa
giapponese.
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730...(+)
Score and Parts
Concert Band (Score and
Parts) - Grade 3
SKU:
HL.4008730
Concert
Band, Grade 3 3:50 Score
and parts. Composed
by Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392302.
Published by Hal Leonard
(HL.4008730).
ISBN
9798350119473. UPC:
196288195238.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Concert
Band, Grde 3 3:50
Score. Composed by
Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392301.
Published by Hal Leonard
(HL.4008731).
UPC:
196288195245.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Mixed Choir SKU: CF.CFD16 Composed by Charles H. Gabriel, Conrad Kocher, ...(+)
Mixed Choir
SKU:
CF.CFD16
Composed by
Charles H. Gabriel,
Conrad Kocher, Dennis
Allen, Fanny J. Crosby,
John Bacchus Dykes, John
Darwell, Lelia Morris,
Lowell Mason, Phoebe
Knapp, Robert Lowry,
Samuel Wesley,
Traditional, Various,
Walter Knapp, and William
H. Doane. Arranged by Bob
Burroughs, Dana Mengel,
Dennis Allen, Elizabeth
Campbell, Hal H. Hopson,
Ken Berg, Melodie Tunney,
Patrick M. Liebergen,
Ruth Elaine Schram, Stan
Pethel, and Walter Knapp.
Jewel Case. Carl Fischer
Concert Band Recordings.
Audio CD. With Standard
notation. Carl Fischer
Music #CFD16. Published
by Carl Fischer Music
(CF.CFD16).
ISBN
9780825860164. UPC:
798408060169.
Since
the beginning of the
Protestant Reformation,
hymns have been the tie
binding the hearts and
spirits of Christians
together. With their
beautiful melodies and
poetically penned words,
hymns are the universal
language of Christian
worship, the bond that
draws believers together
from all walks of life
and across the world.
With texts of faith and
inspiration, hymns speak
to present time with
words of assurance of
hope, and help direct us
toward the future in
glory. Next to the Bible,
they have endured as the
timeless voice of the
Christian faith, teaching
and inspiring believers
throughout generations.
In this collection of
“favoritesâ€
we offer listeners a
compilation of the
genre’s most
beloved and inspirational
hymns of faith. Arranged
by some of today’s
most distinguished church
music icons, the hymns in
this collection will
thrill and comfort the
faithful listener.
Drawing upon the words
and melodies of some of
the world’s
greatest hymn writers,
including Fanny Crosby,
Charles Wesley, and
Martin Luther, the
arrangers in this
collection maintain each
work’s original
integrity while
beautifully transporting
each hymn into the realm
of today’s modern
worship world. From the
stirring strains of
“Amazing
Grace†to the
majestic power of
“Holy, Holy,
Holy,†this
collection will inspire
Christian worshipers.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125256-140 A Tone Poem fo...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125256-140
A Tone Poem for Wind
Orchestra. Composed
by Satoshi Yagisawa.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2012. 28 pages.
De Haske Publications
#DHP 1125256-140.
Published by De Haske
Publications
(BT.DHP-1125256-140).
9x12 inches.
English-German-French-Dut
ch.
Like the
Eagle, We Soar and
Rise was commissioned
by Yuying Secondary
School Concert Band and
Yuying Alumni Association
for the 2010 centenary of
the school’s
foundation. The piece was
named by a friend of the
composer named Steven
Phua, who originally
suggested commissioning a
new piece to Satoshi
Yagisawa. The piece
furthermore takes its
name from the text of the
Yuying Secondary School
song.This composition is
based on three different
concepts: the first one
demonstrates ‘The
founders’ passion
for education’;
the second concept
illustrates
‘Hardship in war
time’; the third
one ‘To the
future’ describes
the inner strength people
find to overcome
struggles. Thispiece
concludes with a fanfare,
which is the sound of
hope that leads to a
brighter future in a
positive direction.The
world premiere of this
piece was conducted by
Faizal Bin Othman, who is
one of the leading
educators in Singapore,
and was performed by the
Yuying Secondary School
Concert Band.
Like the
Eagle, We Soar and
Rise is geschreven in
opdracht van de Yuying
Secondary School Concert
Band en de Yuying Alumni
Association, ter
gelegenheid van het
honderdjarig bestaan van
de school in 2010. Het
werk kreeg zijnnaam van
een vriend van de
componist, Steven Phua,
van wie in eerste
instantie het voorstel
kwam een nieuw werk bij
Satoshi Yagisawa in
opdracht te geven. De
titel is gebaseerd op de
tekst van het schoollied
van de Yuying
SecondarySchool. De
compositie is gestoeld op
drie verschillende
gegevens: het eerste
weerspiegelt de liefde
voor onderwijs van de
oprichters destijds, het
tweede behelst de
ontberingen in
oorlogstijd, en het derde
betreft de kijk op
detoekomst -waarbij de
innerlijke kracht van
mensen helpt
moeilijkheden te
overwinnen. Het werk
eindigt met een fanfare:
de klank van hoop die vol
optimisme een betere
toekomst verkondigt. De
wereldpremière werd
uitgevoerd door de
YuyingSecondary School
Concert Band, onder
leiding van Faizal Bin
Othman, een van de meest
gerenommeerde
muziekpedagogen in
Singapore.
Like
the Eagle, We Soar and
Rise war ein
Kompositionsauftrag des
Blasorchesters der Yuying
Secondary School und des
Yuying-Alumni-Verbandes
(Singapur). Anlass des
Auftrags war das
hundertjährige
Jubiläum der
Schulgründung im Jahr
2010. Der Werktitel
stammt von einem Freund
des Komponisten namens
Steven Phua, der auch die
Idee hatte, ein neues
Stück von Satoshi
Yagiswa schreiben zu
lassen. Außerdem
bezieht sich der Titel
auf den Text des
Schulliedes.Dieses Werk
basiert auf drei
unterschiedlichen
Konzepten: Das erste
spiegelt die Leidenschaft
der Gründer für das
Lehren wider; das zweite
Konzept beschreibt die
Not in Kriegszeiten; das
dritte Konzept mit dem
TitelTo the Future“
(zur Zukunft hingewandt)
handelt von der inneren
Stärke, die Menschen
entwickeln, um
Schwierigkeiten zu
überwinden. Das Werk
endet mit einer Fanfare,
die der Hoffnung auf eine
bessere Zukunft Klang
verleiht.Die Weltpremiere
von Like the Eagle, We
Soar and Rise wurde
von Faizal Bin Othman,
einem der führenden
Lehrbeauftragten von
Singapur, dirigiert. Es
spielte das Blasorchester
der Yuying Secondary
School.
La movimentata
storia di un istituto
scolastico in occasione
dei festeggiamenti per il
suo centenario, ha spinto
Satoshi Yagisawa a
comporre questo brano
basandosi su tre idee ben
distinte: la passione per
lo studio, la sofferenza
durante i periodi di
guerra e la speranza in
un futuro migliore,
simboleggiato dalla
fanfara finale.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125256-010 A Tone Poem fo...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125256-010
A Tone Poem for Wind
Orchestra. Composed
by Satoshi Yagisawa.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125256-010. Published by
De Haske Publications
(BT.DHP-1125256-010).
9x12 inches.
English-German-French-Dut
ch.
Like the
Eagle, We Soar and
Rise was commissioned
by Yuying Secondary
School Concert Band and
Yuying Alumni Association
for the 2010 centenary of
the school’s
foundation. The piece was
named by a friend of the
composer named Steven
Phua, who originally
suggested commissioning a
new piece to Satoshi
Yagisawa. The piece
furthermore takes its
name from the text of the
Yuying Secondary School
song.This composition is
based on three different
concepts: the first one
demonstrates ‘The
founders’ passion
for education’;
the second concept
illustrates
‘Hardship in war
time’; the third
one ‘To the
future’ describes
the inner strength people
find to overcome
struggles. Thispiece
concludes with a fanfare,
which is the sound of
hope that leads to a
brighter future in a
positive direction.The
world premiere of this
piece was conducted by
Faizal Bin Othman, who is
one of the leading
educators in Singapore,
and was performed by the
Yuying Secondary School
Concert Band.
Like the
Eagle, We Soar and
Rise is geschreven in
opdracht van de Yuying
Secondary School Concert
Band en de Yuying Alumni
Association, ter
gelegenheid van het
honderdjarig bestaan van
de school in 2010. Het
werk kreeg zijnnaam van
een vriend van de
componist, Steven Phua,
van wie in eerste
instantie het voorstel
kwam een nieuw werk bij
Satoshi Yagisawa in
opdracht te geven. De
titel is gebaseerd op de
tekst van het schoollied
van de Yuying
SecondarySchool. De
compositie is gestoeld op
drie verschillende
gegevens: het eerste
weerspiegelt de liefde
voor onderwijs van de
oprichters destijds, het
tweede behelst de
ontberingen in
oorlogstijd, en het derde
betreft de kijk op
detoekomst -waarbij de
innerlijke kracht van
mensen helpt
moeilijkheden te
overwinnen. Het werk
eindigt met een fanfare:
de klank van hoop die vol
optimisme een betere
toekomst verkondigt. De
wereldpremière werd
uitgevoerd door de
YuyingSecondary School
Concert Band, onder
leiding van Faizal Bin
Othman, een van de meest
gerenommeerde
muziekpedagogen in
Singapore.
Like
the Eagle, We Soar and
Rise war ein
Kompositionsauftrag des
Blasorchesters der Yuying
Secondary School und des
Yuying-Alumni-Verbandes
(Singapur). Anlass des
Auftrags war das
hundertjährige
Jubiläum der
Schulgründung im Jahr
2010. Der Werktitel
stammt von einem Freund
des Komponisten namens
Steven Phua, der auch die
Idee hatte, ein neues
Stück von Satoshi
Yagiswa schreiben zu
lassen. Außerdem
bezieht sich der Titel
auf den Text des
Schulliedes.Dieses Werk
basiert auf drei
unterschiedlichen
Konzepten: Das erste
spiegelt die Leidenschaft
der Gründer für das
Lehren wider; das zweite
Konzept beschreibt die
Not in Kriegszeiten; das
dritte Konzept mit dem
TitelTo the Future“
(zur Zukunft hingewandt)
handelt von der inneren
Stärke, die Menschen
entwickeln, um
Schwierigkeiten zu
überwinden. Das Werk
endet mit einer Fanfare,
die der Hoffnung auf eine
bessere Zukunft Klang
verleiht.Die Weltpremiere
von Like the Eagle, We
Soar and Rise wurde
von Faizal Bin Othman,
einem der führenden
Lehrbeauftragten von
Singapur, dirigiert. Es
spielte das Blasorchester
der Yuying Secondary
School.
La movimentata
storia di un istituto
scolastico in occasione
dei festeggiamenti per il
suo centenario, ha spinto
Satoshi Yagisawa a
comporre questo brano
basandosi su tre idee ben
distinte: la passione per
lo studio, la sofferenza
durante i periodi di
guerra e la speranza in
un futuro migliore,
simboleggiato dalla
fanfara finale.
Concert Band - Grade 6 SKU: BT.DHP-1002127-040 Composed by Jan Van der Ro...(+)
Concert Band - Grade 6
SKU:
BT.DHP-1002127-040
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002127-040.
Published by De Haske
Publications
(BT.DHP-1002127-040).
Valon is a
one-part composition. The
surprising opening
measures describe the
sudden entrance into
another world. After
these initial measures,
we hear a choral-like
melody, which is repeated
three times in different
instrumentations with
increasing intensity.
This represents the
procession of the ghosts
dwelling in the
underworld of Avalon,
headed by the mighty
magician Merlin.The
exalted sound is then
suddenly interrupted by a
fast movement, in which
ostinato figures
alternate with bi-tonal
motives. This represents
the attempt of some evil
characters to invade
Avalon. Mordred is the
leader of this horde and
together they disturb the
peace and quiet in the
otherwisecalm Avalon. The
flourish of trumpets
heralds the entrance of
the Knights of the Round
Table who drive away the
intruders and return to
their castle, Tintagel,
in a triumphal
procession. Upon their
return, the next problem
presents itself. An
inexplicable disease
plagues the resting
ghosts.The Knights and
the Council of the Wise
are convened to find out
the cause of this
problem. Musically this
can be heard in the
repetition of the initial
themes. The Knights and
the Council of the Wise
determine that the
presence of mortals is
the reason that the
resting ghosts are
suffering. There is
simply no room for mortal
souls in Avalon. After a
powerful statement by
King Arthur, we hear a
glissando referring to
the very first measures,
and… we are back in
the normal world. The
journey through the
underworld has come to an
end and a dream is over.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064118-010 Overture on Ha...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064118-010
Overture on Hark! The
Herald Angels Sing.
Composed by Wim Stalman.
Christmas Collection.
Christmas. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1064118-010. Published by
De Haske Publications
(BT.DHP-1064118-010).
9x12 inches.
English-German-French-Dut
ch.
In Hark! The
Herald Angels Sing, one
of the most sung
Christmas chorales in the
world, the announcement
of Jesus? birth is
highlighted. The melody,
originally written by
Felix
Mendelssohn-Bartholdy,
has been given words, in
which people are called
to listen to the glad
tidings as sung of by the
angels. In their
triumphant singing they
express their joy and
excitement about the
birth of Christ. In this
work, the chorale Hark!
The Herald Angels Sing
has been integrated in
its entirety, so that it
can be performed with
choir and/or community
singing. This is a
wonderful addition to the
Christmas concert band
repertoire
In
Hark! The Herald
Angels Sing (Hoor, de
englen zingen
d’eer), een
van de meest gezongen
kerstkoralen ter wereld,
staat de aankondiging van
Jezus’ geboorte
centraal. De melodie,
oorspronkelijk geschreven
door Felix
Mendelssohn-Barholdy,is
in meerdere talen
voorzien van een tekst
waarin mensen worden
opgeroepen te luisteren
naar de blijde boodschap
van de engelen. De titel
van dit openingswerk
verwijst naar een zin uit
de Engelse tekst: Join
thetriumph of the
skies! Opgewekte
klanken en ritmes
enerzijds en meer
ingetogen langere lijnen
anderzijds weerspiegelen
de vreugde en
verwondering bij de
viering van het
kerstfeest. In dit werk
is het koraal integraal
opgenomen,zodat het met
koor- en/of samenzang kan
worden
uitgevoerd.
Har
k! The Herald Angels
Sing handelt von der
Verkündung von Jesu
Geburt und ist eines der
meistgesungenen
Weihnachtslieder der
Welt. Heitere Klänge
und Rhythmen zum einen
und eine längere
untergeordnete
Melodielinie zum anderen,
reflektieren die
jährlich
wiederkehrende Freude und
das Staunen der Menschen
zum Weihnachtsfest. In
diesem Werk wurde der
Choral vollständig
verarbeitet, so dass es
mit Chor und/oder
Gemeindegesang
aufgeführt werden
kann.
Golden Peak Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196201-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196201-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2019.
De Haske Publications
#DHP 1196201-010.
Published by De Haske
Publications
(BT.DHP-1196201-010).
English-German-French-
Dutch.
Golden
Peak is a concert
piece that takes us deep
into the world of
volcanoes of the Auvergne
in central France. They
are dormant volcanoes
whose origins date back
from 7,000 to over 65
million years ago. Among
the most well-known are
the 80 volcanoes of the
Chaîne des Puys, a
spectacular natural
environment ranking among
the most fascinating
landscapes in the world.
The title of this dynamic
and rhythmic piece is a
reference to the local
spa town of Mont-Dore and
calls upon all sections
of the orchestra. The
central theme is very
mellow yet riveting and
the music depicts both
the dynamism and
tranquillity of the
region.
Golden
Peak is een
concertwerk dat ons
meeneemt naar een
vulkanische wereld: die
van de Auvergne in het
midden van Frankrijk. De
vulkanen daar zijn
slapende; hun oorsprong
gaat terug naar 7000 tot
meer dan 65 miljoen jaar
geleden. Tot de bekendste
behoren de tachtig
vulkanen van de Chaîne
des Puys, een uniek
natuurgebied dat tot de
boeiendste landschappen
van de wereld behoort. De
titel van deze dynamische
en ritmische compositie
verwijst naar de plaats
Mont-Dore aldaar. Het
werk doet een beroep op
alle secties in het
orkest. Het centrale
thema is mild en tegelijk
meeslepend, en verder
beschrijft de muziek
zowel de vitaliteit als
de rust van de
streek.
Golden
Peak ist ein
Konzertstück, das uns
tief in die Welt der
Vulkane in der Auvergne
in Mittelfrankreich
entführt. Es handelt
sich um erloschene
Vulkane, deren
Ursprünge zwischen
7.000 bis 65 Millionen
Jahren vor unserer Zeit
liegen. Zu den
bekanntesten gehören
die 80 Vulkane der
Chaîne des Puys, eine
spektakuläre Gegend,
die zu den
faszinierendsten
Landschaften der Welt
zählt. Der Titel
dieses dynamischen und
rhythmischen Stücks,
in dem alle
Instrumentengruppen des
Orchesters verwendet
werden, bezieht sich auf
die Kurstadt Mont-Dore.
Das zentrale Thema ist
sehr sanft und voller
Emotionen und die Musik
beschreibt sowohl die
Betriebsamkeit als auch
die Ruhe dieserRegion.
Golden Peak Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196201-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196201-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2019. 31
pages. De Haske
Publications #DHP
1196201-140. Published by
De Haske Publications
(BT.DHP-1196201-140).
English-German-French-
Dutch.
Golden
Peak is a concert
piece that takes us deep
into the world of
volcanoes of the Auvergne
in central France. They
are dormant volcanoes
whose origins date back
from 7,000 to over 65
million years ago. Among
the most well-known are
the 80 volcanoes of the
Chaîne des Puys, a
spectacular natural
environment ranking among
the most fascinating
landscapes in the world.
The title of this dynamic
and rhythmic piece is a
reference to the local
spa town of Mont-Dore and
calls upon all sections
of the orchestra. The
central theme is very
mellow yet riveting and
the music depicts both
the dynamism and
tranquillity of the
region.
Golden
Peak is een
concertwerk dat ons
meeneemt naar een
vulkanische wereld: die
van de Auvergne in het
midden van Frankrijk. De
vulkanen daar zijn
slapende; hun oorsprong
gaat terug naar 7000 tot
meer dan 65 miljoen jaar
geleden. Tot de bekendste
behoren de tachtig
vulkanen van de Chaîne
des Puys, een uniek
natuurgebied dat tot de
boeiendste landschappen
van de wereld behoort. De
titel van deze dynamische
en ritmische compositie
verwijst naar de plaats
Mont-Dore aldaar. Het
werk doet een beroep op
alle secties in het
orkest. Het centrale
thema is mild en tegelijk
meeslepend, en verder
beschrijft de muziek
zowel de vitaliteit als
de rust van de
streek.
Golden
Peak ist ein
Konzertstück, das uns
tief in die Welt der
Vulkane in der Auvergne
in Mittelfrankreich
entführt. Es handelt
sich um erloschene
Vulkane, deren
Ursprünge zwischen
7.000 bis 65 Millionen
Jahren vor unserer Zeit
liegen. Zu den
bekanntesten gehören
die 80 Vulkane der
Chaîne des Puys, eine
spektakuläre Gegend,
die zu den
faszinierendsten
Landschaften der Welt
zählt. Der Titel
dieses dynamischen und
rhythmischen Stücks,
in dem alle
Instrumentengruppen des
Orchesters verwendet
werden, bezieht sich auf
die Kurstadt Mont-Dore.
Das zentrale Thema ist
sehr sanft und voller
Emotionen und die Musik
beschreibt sowohl die
Betriebsamkeit als auch
die Ruhe dieserRegion.
