SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.9700603

Composed by Franz Xaver Richter. Edited by Hans Gurski, Annette Naumann. This edition: Paperbound. Sacred vocal music, Masses, Latin, Christmas. Vocal score. Composed 1775. Reutter A 23. 72 pages. Duration 40 minutes. Carus Verlag #CV 97.006/03. Published by Carus Verlag (CA.9700603).

ISBN 9790007096366. Key: G major. Language: Latin.

Several elements contribute to the Christmas character of this mass, which is distinguished by the fine skillfulness of its composition: structural means, such as motives in triads, the symbol of gently rocking, traditional themes and a fitting instrumentation with trumpets and flutes. Because of its catchy, easiliy graspable quality this Messa Pastorale, published here in a first edition, is highly suited for liturgical use. Score available separately - see item CA.9700600.

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.9700612

Composed by Franz Xaver Richter. Edited by Hans Gurski, Annette Naumann. Violin 2. Sacred vocal music, Masses, Latin, Christmas. Single Part, Violin 2. Composed 1775. Reutter A 23. 28 pages. Duration 40 minutes. Carus Verlag #CV 97.006/12. Published by Carus Verlag (CA.9700612).

ISBN 9790007238889. Key: G major. Language: Latin.

Several elements contribute to the Christmas character of this mass, which is distinguished by the fine skillfulness of its composition: structural means, such as motives in triads, the symbol of gently rocking, traditional themes and a fitting instrumentation with trumpets and flutes. Because of its catchy, easiliy graspable quality this Messa Pastorale, published here in a first edition, is highly suited for liturgical use. Score and part available separately - see item CA.9700600.

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.9700605

Composed by Franz Xaver Richter. Edited by Hans Gurski, Annette Naumann. Sacred vocal music, Masses, Latin, Christmas. Choral Score. Composed 1775. Reutter A 23. 32 pages. Duration 40 minutes. Carus Verlag #CV 97.006/05. Published by Carus Verlag (CA.9700605).

ISBN 9790007129170. Key: G major. Language: Latin.

Several elements contribute to the Christmas character of this mass, which is distinguished by the fine skillfulness of its composition: structural means, such as motives in triads, the symbol of gently rocking, traditional themes and a fitting instrumentation with trumpets and flutes. Because of its catchy, easiliy graspable quality this Messa Pastorale, published here in a first edition, is highly suited for liturgical use. Score available separately - see item CA.9700600.

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.9700649

Composed by Franz Xaver Richter. Edited by Hans Gurski, Annette Naumann. Organ. Sacred vocal music, Masses, Latin, Christmas. Single Part, Organ. Composed 1775. Reutter A 23. 36 pages. Duration 40 minutes. Carus Verlag #CV 97.006/49. Published by Carus Verlag (CA.9700649).

ISBN 9790007238919. Key: G major. Language: Latin.

Several elements contribute to the Christmas character of this mass, which is distinguished by the fine skillfulness of its composition: structural means, such as motives in triads, the symbol of gently rocking, traditional themes and a fitting instrumentation with trumpets and flutes. Because of its catchy, easiliy graspable quality this Messa Pastorale, published here in a first edition, is highly suited for liturgical use. Score and part available separately - see item CA.9700600.

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.9700614

Composed by Franz Xaver Richter. Edited by Hans Gurski, Annette Naumann. Violoncello/double bass. Sacred vocal music, Masses, Latin, Christmas. Single Part, Cello/Double Bass. Composed 1775. Reutter A 23. 24 pages. Duration 40 minutes. Carus Verlag #CV 97.006/14. Published by Carus Verlag (CA.9700614).

ISBN 9790007238902. Key: G major. Language: Latin.

Several elements contribute to the Christmas character of this mass, which is distinguished by the fine skillfulness of its composition: structural means, such as motives in triads, the symbol of gently rocking, traditional themes and a fitting instrumentation with trumpets and flutes. Because of its catchy, easiliy graspable quality this Messa Pastorale, published here in a first edition, is highly suited for liturgical use. Score and part available separately - see item CA.9700600.

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.9700613

Composed by Franz Xaver Richter. Edited by Hans Gurski, Annette Naumann. Viola. Sacred vocal music, Masses, Latin, Christmas. Single Part, Viola. Composed 1775. Reutter A 23. 24 pages. Duration 40 minutes. Carus Verlag #CV 97.006/13. Published by Carus Verlag (CA.9700613).

ISBN 9790007238896. Key: G major. Language: Latin.

Several elements contribute to the Christmas character of this mass, which is distinguished by the fine skillfulness of its composition: structural means, such as motives in triads, the symbol of gently rocking, traditional themes and a fitting instrumentation with trumpets and flutes. Because of its catchy, easiliy graspable quality this Messa Pastorale, published here in a first edition, is highly suited for liturgical use. Score and part available separately - see item CA.9700600.

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.9700609

Composed by Franz Xaver Richter. Edited by Hans Gurski, Annette Naumann. 1x 97.006/21 flute 1, 1x 97.006/22 flute 2, 1x 97.006/23 bassoon 1, 1x 97.006/24 bassoon 2, 1x 97.006/31 horn 1, 1x 97.006/32 horn 2, 1x 97.006/33 trumpet 1, 1x 97.006/34 trumpet 2, 1x 97.006/41 timpani. Harmony parts. Sacred vocal music, Masses, Latin, Christmas. Set of Orchestra Parts. Composed 1775. Reutter A 23. 88 pages. Duration 40 minutes. Carus Verlag #CV 97.006/09. Published by Carus Verlag (CA.9700609).

ISBN 9790007238865. Key: G major. Language: Latin.

Several elements contribute to the Christmas character of this mass, which is distinguished by the fine skillfulness of its composition: structural means, such as motives in triads, the symbol of gently rocking, traditional themes and a fitting instrumentation with trumpets and flutes. Because of its catchy, easiliy graspable quality this Messa Pastorale, published here in a first edition, is highly suited for liturgical use. Score and parts available separately - see item CA.9700600.

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.9700611

Composed by Franz Xaver Richter. Edited by Hans Gurski, Annette Naumann. Violin 1. Sacred vocal music, Masses, Latin, Christmas. Single Part, Violin 1. Composed 1775. Reutter A 23. 28 pages. Duration 40 minutes. Carus Verlag #CV 97.006/11. Published by Carus Verlag (CA.9700611).

ISBN 9790007238872. Key: G major. Language: Latin.

Several elements contribute to the Christmas character of this mass, which is distinguished by the fine skillfulness of its composition: structural means, such as motives in triads, the symbol of gently rocking, traditional themes and a fitting instrumentation with trumpets and flutes. Because of its catchy, easiliy graspable quality this Messa Pastorale, published here in a first edition, is highly suited for liturgical use. Score and part available separately - see item CA.9700600.

SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.9700619

Composed by Franz Xaver Richter. Edited by Hans Gurski, Annette Naumann. Complete orchestral parts. Sacred vocal music, Masses, Latin, Christmas. Set of Orchestra Parts. Composed 1775. Reutter A 23. Duration 40 minutes. Carus Verlag #CV 97.006/19. Published by Carus Verlag (CA.9700619).

ISBN 9790007133771. Key: G major. Language: Latin.

Several elements contribute to the Christmas character of this mass, which is distinguished by the fine skillfulness of its composition: structural means, such as motives in triads, the symbol of gently rocking, traditional themes and a fitting instrumentation with trumpets and flutes. Because of its catchy, easiliy graspable quality this Messa Pastorale, published here in a first edition, is highly suited for liturgical use. Score and parts available separately - see item CA.9700600.

SATB vocal soli, SATB choir, bassoon, 2 violins, basso continuo

SKU: CA.3115019

Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Nach dir, Herr, verlanget mich. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed circa 1706. BWV 150. Duration 17 minutes. Carus Verlag #CV 31.150/19. Published by Carus Verlag (CA.3115019).

ISBN 9790007136819. Key: B minor. Language: German/English.

The cantata Nach dir, Herr, verlanget mich (O my Lord, I long for thee) BWV 150 is one of the earliest cantatas from Bach's Muhlhausen period. Its authenticity was long disputed, partly because of the stylistic characteristics of this early work, but also because the cantata only survives in sources dating from the period after Bach's death. However, in recent years a hidden dedication to Conrad Meckbach, a member of the Muhlhausen town council and patron of Bach, has been deciphered: the initial letters of the free poetry reveal the acrostic Doctor Conrad Meckbach (in the 18th century spelling), revealing a link to the city of Muhlhausen and almost certainly confirming Bach's authorship of the cantata. The occasion of the composition of the work is still unknown. The small instrumental scoring for just two violins, bassoon, and continuo, plus the fact that only the soprano is given a solo movement, suggest a performance with modest resources. Score and parts available separately - see item CA.3115000.

Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed choir-SATB, orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra) - Level 5

SKU: BA.BA09594

Composed by Jan Dismas Zelenka. Edited by Václav Luks. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. ZWV 12. Baerenreiter Verlag #BA09594_00. Published by Baerenreiter Verlag (BA.BA09594).

ISBN 9790260107526. 31 x 24.3 cm inches. Text language: Czech, English, German. Preface: Stockigt, Janice B. / Luks, Václav.

The â??Missa Divi Xaveriiâ? ZWV 12, an expansive and unusually richly scored work, marks a highlight in the uvre of Jan Dismas Zelenka (1679-1745). It was composed in 1729 while he was working at the Dresden court.

The principal source of this first edition is the damaged autograph score which had long been kept under lock and key. Passages missing because of its damaged condition have been supplemented using secondary sources or reconstructed by Václav Luks, clearly marked as such in the musical text.

The first performance to use the present new edition took place in the summer of 2014, when it was performed at the Utrecht Early Music Festival. A CD recording by Collegium 1704, conducted by Václav Luks, has been released by the label Accent (ACC 24301).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Johann Adolf Hasse (1699-1783). For Soli SSAATTB, SATB Choir, 2 Horns, 2 Flutes, 2 Oboes, Strings, Basso continuo. This edition: paperbound. Full score available separately - see item CA.5070900. Piano/Vocal score. Language: Latin. Composed 1763/64. 64 pages. Duration 42 min

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.4061205

Composed by Franz Joseph Haydn. Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Haydn: Harmoniemesse In B Xxii:14. Sacred vocal music, Masses, Latin. Choral Score. Hob. XXII:14. 24 pages. Duration 45 minutes. Carus Verlag #CV 40.612/05. Published by Carus Verlag (CA.4061205).

ISBN 9790007129125. Key: B flat major. Language: Latin.

The Harmoniemesse is the last of the High Masses which Haydn composed between 1796 and 1802 for the name day of the Princess Esterhazy, and at the same time it was the last composition which Haydn ever completed. It was given its name because of the important role which the wind instruments play in the Mass. In a number of passages the present critical edition differs from previous editions and, consequently, it follows other readings of the sources. Hence it is also to be regarded as a contribution towards a new evaluation of the work. Score available separately - see item CA.4061200.

Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Tenor Voice Solo, Alto Voice Solo, Bass Voice Solo, Mixed choir:SSATB, Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, 3V, Va, Bassi(Vc, double bass, bassoon, harpisc., Org))

SKU: BA.BA04014

Oratorio in three acts. Composed by George Frideric Handel. Edited by Kenneth Nott. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 30. Complete edition, Score. HWV 70. Baerenreiter Verlag #BA04014_00. Published by Baerenreiter Verlag (BA.BA04014).

ISBN 9790006442935. 33 x 26 cm inches. Text Language: English. Preface: Nott, Kenneth. Text: Thomas Morell.

“Jeph tha” is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind.
In “Jephtha”, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis , thereby portraying convincing and complex characters.

The chorus “How Dark, O Lord, are Thy Decrees” at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.

The vocal score is based on volume I/30 of the “Halle Handel Edition” (BA 4014), which contains the complete critical version of the music of the oratorio for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006509

Composed by Franz Schubert. Edited by Stefan Schuck. 1x 70.065/21 flute 1, 1x 70.065/22 flute 2, 1x 70.065/23 oboe 1, 1x 70.065/24 oboe 2, 1x 70.065/25 bassoon 1, 1x 70.065/26 bassoon 2, 1x 70.065/27 double bassoon, 1x 70.065/31 horn 1, 1x 70.065/32 horn 2, 1x 70.065/33 trombone 1, 1x 70.065/34 trombone 2, . Stuttgart Urtext Edition: Schubert. Harmony parts. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. D 383. Duration 37 minutes. Carus Verlag #CV 70.065/09. Published by Carus Verlag (CA.7006509).

ISBN 9790007244729. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and parts available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006503

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Vocal score. D 383. 64 pages. Duration 37 minutes. Carus Verlag #CV 70.065/03. Published by Carus Verlag (CA.7006503).

ISBN 9790007166007. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006513

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Viola. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola. D 383. 16 pages. Duration 37 minutes. Carus Verlag #CV 70.065/13. Published by Carus Verlag (CA.7006513).

ISBN 9790007244705. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006511

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Violin 1. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. D 383. 16 pages. Duration 37 minutes. Carus Verlag #CV 70.065/11. Published by Carus Verlag (CA.7006511).

ISBN 9790007244736. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006519

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Complete orchestral parts. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. D 383. Duration 37 minutes. Carus Verlag #CV 70.065/19. Published by Carus Verlag (CA.7006519).

ISBN 9790007165970. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and parts available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006514

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Violoncello/double bass. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello/Double Bass. D 383. 16 pages. Duration 37 minutes. Carus Verlag #CV 70.065/14. Published by Carus Verlag (CA.7006514).

ISBN 9790007244750. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006512

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Violin 2. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. D 383. 16 pages. Duration 37 minutes. Carus Verlag #CV 70.065/12. Published by Carus Verlag (CA.7006512).

ISBN 9790007244743. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006505

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. D 383. 24 pages. Duration 37 minutes. Carus Verlag #CV 70.065/05. Published by Carus Verlag (CA.7006505).

ISBN 9790007242916. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score available separately - see item CA.7006500.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048319

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Gloria. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Set of Orchestra Parts. Composed 1821/22. MWV A 1. Duration 21 minutes. Carus Verlag #CV 40.483/19. Published by Carus Verlag (CA.4048319).

ISBN 9790007137953. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and parts available separately - see item CA.4048300.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006500

Composed by Franz Schubert. Edited by Stefan Schuck. Sacred vocal music; use during church year: Lent and Passiontide, Holy Week; Stuttgart Editions (Urtext): Stuttgart Schubert Edition; occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Stuttgart Urtext Edition: Schubert. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. D 383. Duration 37 minutes. Carus Verlag #CV 70.065/00. Published by Carus Verlag (CA.7006500).

ISBN 9790007165994. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048311

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Violin 1. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Single Part, Violin 1. Composed 1821/22. MWV A 1. 8 pages. Duration 21 minutes. Carus Verlag #CV 40.483/11. Published by Carus Verlag (CA.4048311).

ISBN 9790007218768. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048314

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Violoncello/double bass. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Single Part, Cello/Double Bass. Composed 1821/22. MWV A 1. 8 pages. Duration 21 minutes. Carus Verlag #CV 40.483/14. Published by Carus Verlag (CA.4048314).

ISBN 9790007218799. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048313

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Viola. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Single Part, Viola. Composed 1821/22. MWV A 1. 8 pages. Duration 21 minutes. Carus Verlag #CV 40.483/13. Published by Carus Verlag (CA.4048313).

ISBN 9790007218782. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and part available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048309

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. 1x 40.483/21 flute 1, 1x 40.483/22 flute 2, 1x 40.483/23 oboe 1, 1x 40.483/24 oboe 2, 1x 40.483/25 clarinet 1, 1x 40.483/26 clarinet 2, 1x 40.483/27 bassoon 1, 1x 40.483/28 bassoon 2, 1x 40.483/31 horn 1, 1x 40.483/32 horn 2, 1x 40.483/33 trumpet 1, 1x 40. Stuttgart Urtext Edition: Mendelssohn. Harmony parts. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Set of Orchestra Parts. Composed 1821/22. MWV A 1. 42 pages. Duration 21 minutes. Carus Verlag #CV 40.483/09. Published by Carus Verlag (CA.4048309).

ISBN 9790007218751. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score and parts available separately - see item CA.4048300.

Orchestra SSATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4048307

Composed by Felix Bartholdy Mendelssohn. Edited by Pietro Zappala. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Innovative practice aids, Sacred vocal music, Mass sections, Christmas. Study score. Composed 1821/22. MWV A 1. Duration 21 minutes. Carus Verlag #CV 40.483/07. Published by Carus Verlag (CA.4048307).

ISBN 9790007092597. Key: E flat major. Language: Latin.

The Gloria, composed in early 1822 at the age of 13, is Mendelssohn's first creative venture in the field of church music on a larger scale. It is a direct result of his composition studies under the director of the Berlin Singakademie Carl Friedrich Zelter, but was no longer wholly a student work because the young composer hoped that Zelter would provide him with an opportunity to perform this work with the Singakademie. The enthusiasm for Handel and Bach which was sustained by the performances at the Singakademie influenced Mendelssohn's early creative style. In the Gloria Mendelssohn sought to emulate the model of the large-scale baroque cantata. The concluding fugue, the mysterious Qui tollis and lyrical solos ensembles in the place of solo arias give testimony to Mendelssohn's great talent and willingness to experiment. Score available separately - see item CA.4048300.