Violin 1 (Violin 1) SKU: HL.51480733 Violin I. Composed by Franz J...(+)
Violin 1 (Violin 1)
SKU: HL.51480733
Violin I. Composed
by Franz Joseph Haydn.
Edited by Horst Walter.
Sheet Music. Paperbound.
Henle Music Folios.
Pages: Vl I Part = 7.
Classical. Individual
instrument part. 8 pages.
G. Henle #HN733.
Published by G. Henle
(HL.51480733).
ISBN
9790201807331. UPC:
884088178475.
9.25x12.25x0.027
inches.
This volume
completes Henle's urtext
series of Joseph Haydn's
three piano concertos.
Written in or around
1765, the delightful
first concerto is ideally
suited for playing at
home, for the relatively
undemanding part for
piano (or harpsichord) is
accompanied merely by a
string quartet. This
edition draws on the
musical text in our
complete edition of
Haydn's works,
guaranteeing an urtext of
the finest quality.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most
beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Second violin (2. Violin) SKU: BA.BA05389-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA05389-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Marius Flothuis. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
242, No. 7. 7 pages.
Baerenreiter Verlag
#BA05389_75. Published by
Baerenreiter Verlag
(BA.BA05389-75).
ISBN
9790006470440. 32.5 x
25.5 cm inches. Key: F
major.
About
Barenreiter Urtext
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Parts
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Bärenreiter Urtext
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composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA05389-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA05389-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Marius Flothuis. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
242, No. 7. 7 pages.
Baerenreiter Verlag
#BA05389_74. Published by
Baerenreiter Verlag
(BA.BA05389-74).
ISBN
9790006470433. 32.5 x
25.5 cm inches. Key: F
major.
About
Barenreiter Urtext
Orchestral
Parts
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Bärenreiter Urtext
Orchestral
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- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA08841-74 Composed by Claude Debussy. E...(+)
First violin (1. Violin)
SKU: BA.BA08841-74
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_74. Published by
Baerenreiter Verlag
(BA.BA08841-74).
ISBN
9790006541218. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA08841-75 Composed by Claude Debussy. ...(+)
Second violin (2. Violin)
SKU: BA.BA08841-75
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_75. Published by
Baerenreiter Verlag
(BA.BA08841-75).
ISBN
9790006541225. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA09092-74 A Symphony-Cantata after T...(+)
First violin (1. Violin)
SKU: BA.BA09092-74
A Symphony-Cantata
after Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
52, MWV A 18. 29 pages.
Baerenreiter Verlag
#BA09092_74. Published by
Baerenreiter Verlag
(BA.BA09092-74).
ISBN
9790006565818. 32.5 x
25.5 cm inches. Text:
Mendelssohn Bartholdy,
Felix (nach der
Luther-Bibel und Martin
Rinckart) / Monicke,
Charles Henry.
About
Barenreiter Urtext
Orchestral
Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA09092-75 A Symphony-Cantata after ...(+)
Second violin (2. Violin)
SKU: BA.BA09092-75
A Symphony-Cantata
after Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
52, MWV A 18. 27 pages.
Baerenreiter Verlag
#BA09092_75. Published by
Baerenreiter Verlag
(BA.BA09092-75).
ISBN
9790006565825. 32.5 x
25.5 cm inches. Text:
Mendelssohn Bartholdy,
Felix (nach der
Luther-Bibel und Martin
Rinckart) / Monicke,
Charles Henry.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10422-75 Composed by Antonin Dvorak. ...(+)
Second violin (2. Violin)
SKU: BA.BA10422-75
Composed by Antonin
Dvorak. Edited by Iacopo
Cividini. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 53. 12
pages. Baerenreiter
Verlag #BA10422_75.
Published by Baerenreiter
Verlag (BA.BA10422-75).
ISBN 9790260108134.
32.5 x 25.5 cm inches.
Key: A minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA09079-75 Composed by Felix Bartholdy ...(+)
Second violin (2. Violin)
SKU: BA.BA09079-75
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 31, MWV
A 9. 7 pages.
Baerenreiter Verlag
#BA09079_75. Published by
Baerenreiter Verlag
(BA.BA09079-75).
ISBN
9790006531400. 32.5 x
25.5 cm inches. Text:
Felix Mendelssohn
Bartholdy.
Latin
text from the Vulgate
(Psalm 113). German text
by Felix Mendelssohn
Bartholdy after Psalm 115
from the Lutheran
Bible.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA10403-74 Composed by Antonin Dvorak. E...(+)
First violin (1. Violin)
SKU: BA.BA10403-74
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 45/3. 7
pages. Baerenreiter
Verlag #BA10403_74.
Published by Baerenreiter
Verlag (BA.BA10403-74).
ISBN 9790260108301.
32.5 x 25.5 cm inches.
Key: A-flat
major.
About
Barenreiter Urtext
Orchestral
Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA10422-74 Composed by Antonin Dvorak. E...(+)
First violin (1. Violin)
SKU: BA.BA10422-74
Composed by Antonin
Dvorak. Edited by Iacopo
Cividini. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 53. 12
pages. Baerenreiter
Verlag #BA10422_74.
Published by Baerenreiter
Verlag (BA.BA10422-74).
ISBN 9790260108127.
32.5 x 25.5 cm inches.
Key: A minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA04718-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA04718-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Wilhelm Fischer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
134, No. 21. 7 pages.
Baerenreiter Verlag
#BA04718_74. Published by
Baerenreiter Verlag
(BA.BA04718-74).
ISBN
9790006453948. 32.5 x
25.5 cm inches. Key: A
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA04718-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA04718-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Wilhelm Fischer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
134, No. 21. 7 pages.
Baerenreiter Verlag
#BA04718_75. Published by
Baerenreiter Verlag
(BA.BA04718-75).
ISBN
9790006453955. 32.5 x
25.5 cm inches. Key: A
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10403-75 Composed by Antonin Dvorak. ...(+)
Second violin (2. Violin)
SKU: BA.BA10403-75
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 45/3. 7
pages. Baerenreiter
Verlag #BA10403_75.
Published by Baerenreiter
Verlag (BA.BA10403-75).
ISBN 9790260108318.
32.5 x 25.5 cm inches.
Key: A-flat
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA09079-74 Composed by Felix Bartholdy M...(+)
First violin (1. Violin)
SKU: BA.BA09079-74
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 31, MWV
A 9. 7 pages.
Baerenreiter Verlag
#BA09079_74. Published by
Baerenreiter Verlag
(BA.BA09079-74).
ISBN
9790006531394. 32.5 x
25.5 cm inches. Text:
Felix Mendelssohn
Bartholdy.
Latin
text from the Vulgate
(Psalm 113). German text
by Felix Mendelssohn
Bartholdy after Psalm 115
from the Lutheran
Bible.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA09027-74 Composed by Ludwig van Beetho...(+)
First violin (1. Violin)
SKU: BA.BA09027-74
Composed by Ludwig van
Beethoven. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
56. 13 pages.
Baerenreiter Verlag
#BA09027_74. Published by
Baerenreiter Verlag
(BA.BA09027-74).
ISBN
9790006529285. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA09027-75 Composed by Ludwig van Beeth...(+)
Second violin (2. Violin)
SKU: BA.BA09027-75
Composed by Ludwig van
Beethoven. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
56. 13 pages.
Baerenreiter Verlag
#BA09027_75. Published by
Baerenreiter Verlag
(BA.BA09027-75).
ISBN
9790006529292. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA09045-74 Composed by Antonin Dvorak. E...(+)
First violin (1. Violin)
SKU: BA.BA09045-74
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
104. 11 pages. Duration
37 minutes. Baerenreiter
Verlag #BA09045_74.
Published by Baerenreiter
Verlag (BA.BA09045-74).
ISBN 9790006537662.
32.5 x 25.5 cm inches.
Key: B minor.
About
Barenreiter Urtext
Orchestral
Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts
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editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
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Second violin (2. Violin) SKU: BA.BA09045-75 Composed by Antonin Dvorak. ...(+)
Second violin (2. Violin)
SKU: BA.BA09045-75
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
104. 11 pages. Duration
37 minutes. Baerenreiter
Verlag #BA09045_75.
Published by Baerenreiter
Verlag (BA.BA09045-75).
ISBN 9790006537679.
32.5 x 25.5 cm inches.
Key: B minor.
About
Barenreiter Urtext
Orchestral
Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin SKU: AP.48722 Violin Part. Composed by Dr. Shinichi Suzuki....(+)
Violin
SKU:
AP.48722
Violin
Part. Composed by Dr.
Shinichi Suzuki. This
edition: International.
MakeMusic Cloud;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. Book and CD. 48
pages. Alfred Music
#00-48722. Published by
Alfred Music (AP.48722).
ISBN 9781470644130.
UPC: 038081560342.
English.
Teach
violin with the popular
Suzuki Violin School! The
Suzuki Method of Talent
Education is based on
Shinichi Suzuki's view
that every child is born
with ability, and that
people are the product of
their environment.
According to Shinichi
Suzuki, a world-renowned
violinist and teacher,
the greatest joy an adult
can know comes from
developing a child's
potential so he/she can
express all that is
harmonious and best in
human beings. Students
are taught using the
mother-tongue approach.
Each series of books for
a particular instrument
in the Suzuki Method is
considered a Suzuki music
school, such as the
Suzuki Violin School.
Suzuki lessons are
generally given in a
private studio setting
with additional group
lessons. The student
listens to the recordings
and works with their
Suzuki violin teacher to
develop their potential
as a musician and as a
person.
This
Suzuki Book and CD is
integral for Suzuki
violin lessons. This
International Edition of
the Suzuki Violin School,
Volume 1 features: *
Engravings in a 9 x 12
format * New editing
of pieces, including
bowings and fingerings
* 16 additional pages
* Additional
exercises, some from
Shinichi Suzuki, plus
additional insight and
suggestions for teachers
* Glossary of terms
in English, French,
German, and Spanish *
Musical notation guide
* Fingerboard
position * CD
features new recordings
by Hilary Hahn in
collaboration with
pianist Natalie Zhu, as
well as piano
accompaniment only tracks
for play-along purposes.
Titles:
Principles of Study and
Guidance * Twinkle,
Twinkle, Little Star
Variations (Suzuki) *
Lightly Row (Folk Song) *
Song of the Wind (Folk
Song) * Go Tell Aunt
Rhody (Folk Song) * O
Come, Little Children
(Folk Song) * May Song
(Folk Song) * Long, Long
Ago (Bayly) * Allegro
(Suzuki) * Perpetual
Motion (Suzuki) *
Allegretto (Suzuki) *
Andantino (Suzuki) *
Etude (Suzuki) * Minuet
1, Minuett III from Suite
in G Minor for Klavier,
BWV 822 (Bach) * M.
About Suzuki
Method
The
Suzuki Method is based on
the principle that all
children possess ability
and that this ability can
be developed and enhanced
through a nurturing
environment. All children
learn to speak their own
language with relative
ease and if the same
natural learning process
is applied in teaching
other skills, these can
be acquired as
successfully. Suzuki
referred to the process
as the Mother Tongue
Method and to the whole
system of pedagogy as
Talent Education. The
important elements of the
Suzuki approach to
instrumental teaching
include the following:an
early start (aged 3-4 is
normal in most
countries); the
importance of listening
to music; learning to
play before learning to
read; -the involvement of
the parent; a nurturing
and positive learning
environment; a high
standard of teaching by
trained teachers; the
importance of producing a
good sound in a balanced
and natural way; core
repertoire, used by
Suzuki students across
the world; social
interaction with other
children. Suzuki students
from all over the world
can communicate through
the language of
music.
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 6 pages. Baerenreiter
Verlag #BA05897_74.
Published by Baerenreiter
Verlag (BA.BA05897-74).
ISBN 9790006563043.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 7 pages. Baerenreiter
Verlag #BA05897_75.
Published by Baerenreiter
Verlag (BA.BA05897-75).
ISBN 9790006563067.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA07894-74 Suite for Orchestra. C...(+)
First violin (1. Violin)
SKU: BA.BA07894-74
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
112. 8 pages.
Baerenreiter Verlag
#BA07894_74. Published by
Baerenreiter Verlag
(BA.BA07894-74).
ISBN
9790006564200. 32.5 x
25.5 cm inches.
In
the style of commedia
dell'arte
In
1918 Gabriel Faure, then
73 years old, received a
commission from Prince
Albert I of Monaco to
write stage music
invoking the atmosphere
of the commedia
dell'arte. The
four-movement orchestral
suite op. 112, consisting
of Ouverture, Menuet,
Gavotte and Pastorale,
combines previously
unpublished parts of this
stage music. The
Pastorale of 1919 was
Faure's last composition
for orchestra, the
Ouverture originated in a
piece of 1864 for piano
duet and the original
version of the Gavotte
was written for piano as
early as 1869. The
op. 112 orchestral
suite demonstrates how
the composer, now older
and more experienced,
reworked and improved his
earlier
music.
This
scholarly-critical
edition of the
four-movement Masques et
Bergamasques op. 112 is
based on Gabriel Faure
The Complete Works,
Volume IV/2.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07894-75 Suite for Orchestra. ...(+)
Second violin (2. Violin)
SKU: BA.BA07894-75
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
112. 7 pages.
Baerenreiter Verlag
#BA07894_75. Published by
Baerenreiter Verlag
(BA.BA07894-75).
ISBN
9790006564217. 32.5 x
25.5 cm inches.
In
the style of commedia
dell'arte
In
1918 Gabriel Faure, then
73 years old, received a
commission from Prince
Albert I of Monaco to
write stage music
invoking the atmosphere
of the commedia
dell'arte. The
four-movement orchestral
suite op. 112, consisting
of Ouverture, Menuet,
Gavotte and Pastorale,
combines previously
unpublished parts of this
stage music. The
Pastorale of 1919 was
Faure's last composition
for orchestra, the
Ouverture originated in a
piece of 1864 for piano
duet and the original
version of the Gavotte
was written for piano as
early as 1869. The
op. 112 orchestral
suite demonstrates how
the composer, now older
and more experienced,
reworked and improved his
earlier
music.
This
scholarly-critical
edition of the
four-movement Masques et
Bergamasques op. 112 is
based on Gabriel Faure
The Complete Works,
Volume IV/2.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA04892-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA04892-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Hellmut Federhofer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
243. 11 pages. Duration
35 minutes. Baerenreiter
Verlag #BA04892_74.
Published by Baerenreiter
Verlag (BA.BA04892-74).
ISBN 9790006459551.
32.5 x 25.5 cm inches.
Key: E-flat
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA05208-75 First version. Compos...(+)
Second violin (2. Violin)
SKU: BA.BA05208-75
First version.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. First version.
Single part. BWV 243A.
Duration 30 minutes.
Baerenreiter Verlag
#BA05208_75. Published by
Baerenreiter Verlag
(BA.BA05208-75).
ISBN
9790006503698. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA04716-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA04716-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Wilhelm Fischer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
132, No. 19. 11 pages.
Duration 16 minutes.
Baerenreiter Verlag
#BA04716_75. Published by
Baerenreiter Verlag
(BA.BA04716-75).
ISBN
9790006453832. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA04744-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA04744-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Hermann Beck. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
184(166a), No. 26.
Duration 9 minutes.
Baerenreiter Verlag
#BA04744_74. Published by
Baerenreiter Verlag
(BA.BA04744-74).
ISBN
9790006455119. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA09165-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin)
SKU: BA.BA09165-74
Composed by Wolfgang
Amadeus Mozart. Edited by
Gerhard Allroggen. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
16, No. 1. 6 pages.
Baerenreiter Verlag
#BA09165_74. Published by
Baerenreiter Verlag
(BA.BA09165-74).
ISBN
9790006528035. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA05311-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA05311-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Franz Giegling. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
417, No. 2. 7 pages.
Duration 14 minutes.
Baerenreiter Verlag
#BA05311_75. Published by
Baerenreiter Verlag
(BA.BA05311-75).
ISBN
9790006467112. 32.5 x
25.5 cm inches. Key:
E-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
