| Children's Medley Ensemble de Percussions [Partition + CD-ROM] - Intermédiaire Tapspace Publications
(Percussion Sextet from Bach on Wood ). By J.S. Bach/Albert Ellmenreich. Arrang...(+)
(Percussion Sextet from
Bach on Wood ). By J.S.
Bach/Albert Ellmenreich.
Arranged by Brian
Slawson. For
glockenspiel, xylophone,
small marimba (4 octave),
5-octave marimba (low C),
vibraphone, three timpani
(32 , 29 , 26 ),
woodblock, triangle, 2
alarm clocks, drumkit, 3
cowbells, temple blocks,
ratchet, siren whistle (6
players). This edition:
Percussion sextet.
Concert Percussion
Ensembles. Medium. Folio
parts on CD-Rom. 10
pages. Duration 3:40
$35.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ancient Wonders Suite [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 3 SKU...(+)
Orchestra Cello,
Contrabass, Timpani,
Viola, Violin 1, Violin 2
- Grade 3 SKU:
CF.CAS126F Composed
by Todd Parrish. Sws.
Cas. Full score. 28
pages. Carl Fischer Music
#CAS126F. Published by
Carl Fischer Music
(CF.CAS126F). ISBN
9781491157459. UPC:
680160916030. 9 x 12
inches. Ancient
Wonders Suite is a
musical description of
four of the wonders from
the ancient world.
Movement one describes
the awe-inspiring
grandeur and size of the
Temple of Artemis located
in Ephesus (now present
day Turkey). Movement two
depicts the majesty of
the Great Lighthouse at
Alexandria, Egypt, which
lasted into the 14th
century. Movement three
portrays the mystery and
amazing craftsmanship
used to build the Great
Pyramid at Giza, the only
ancient wonder still
standing today. Movement
four represents the
overwhelming feeling one
might have felt gazing at
the Statue of Zeus at
Olympia, Greece. It
concludes with a majestic
feeling of victory,
celebrating the Olympic
spirit. Though written
through contemporary
means, this programmatic
work seeks to remember
the great architectural
achievements of past
generations. As a former
director with the Bay
Youth Orchestras of
Virginia, it was truly an
honor to write this piece
commemorating the years
of dedication and
inspiration from my
former colleague,
Christina Morton.
Movements were written
with the traditional
symphonic order in mind,
but they may be played in
any order or as
stand-alone works. The
timpani part is optional,
but very highly
recommended as it
significantly adds to the
majestic nature of these
works. Ancient Wonders
Suite is a musical
description of four of
the wonders from the
ancient world. Movement
one describes the
awe-inspiring grandeur
and size of the Temple of
Artemis located in
Ephesus (now present day
Turkey). Movement two
depicts the majesty of
the Great Lighthouse at
Alexandria, Egypt, which
lasted into the 14th
century. Movement three
portrays the mystery and
amazing craftsmanship
used to build the Great
Pyramid at Giza, the only
ancient wonder still
standing today. Movement
four represents the
overwhelming feeling one
might have felt gazing at
the Statue of Zeus at
Olympia, Greece. It
concludes with a majestic
feeling of victory,
celebrating the Olympic
spirit.Though written
through contemporary
means, this programmatic
work seeks to remember
the great architectural
achievements of past
generations. As a former
director with the Bay
Youth Orchestras of
Virginia, it was truly an
honor to write this piece
commemorating the years
of dedication and
inspiration from my
former colleague,
Christina
Morton.Movements were
written with the
traditional symphonic
order in mind, but they
may be played in any
order or as stand-alone
works. The timpani part
is optional, but very
highly recommended as it
significantly adds to the
majestic nature of these
works.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ancient Wonders Suite - Facile Carl Fischer
Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 3 SKU...(+)
Orchestra Cello,
Contrabass, Timpani,
Viola, Violin 1, Violin 2
- Grade 3 SKU:
CF.CAS126 Composed by
Todd Parrish. Folio. Cas.
Set of Score and Parts.
32+20+20+20+32+3+28
pages. Duration 8:12.
Carl Fischer Music
#CAS126. Published by
Carl Fischer Music
(CF.CAS126). ISBN
9781491157626. UPC:
680160916207. 9 x 12
inches. Ancient
Wonders Suite is a
musical description of
four of the wonders from
the ancient world.
Movement one describes
the awe-inspiring
grandeur of the Temple of
Artemis located in
Ephesus (present-day
Turkey). Movement two
depicts the majesty of
the Great Lighthouse at
Alexandria, Egypt.
Movement three portrays
the mystery and amazing
craftsmanship used to
build the Great Pyramid
at Giza. Movement four
represents the
overwhelming feeling one
might have felt gazing at
the Statue of Zeus at
Olympia, Greece.Â
Movements may be played
in any order or as
stand-alone
works. Ancient Wonders
Suite is a musical
description of four of
the wonders from the
ancient world. Movement
one describes the
awe-inspiring grandeur
and size of the Temple of
Artemis located in
Ephesus (now present day
Turkey). Movement two
depicts the majesty of
the Great Lighthouse at
Alexandria, Egypt, which
lasted into the 14th
century. Movement three
portrays the mystery and
amazing craftsmanship
used to build the Great
Pyramid at Giza, the only
ancient wonder still
standing today. Movement
four represents the
overwhelming feeling one
might have felt gazing at
the Statue of Zeus at
Olympia, Greece. It
concludes with a majestic
feeling of victory,
celebrating the Olympic
spirit.Though written
through contemporary
means, this programmatic
work seeks to remember
the great architectural
achievements of past
generations. As a former
director with the Bay
Youth Orchestras of
Virginia, it was truly an
honor to write this piece
commemorating the years
of dedication and
inspiration from my
former colleague,
Christina
Morton.Movements were
written with the
traditional symphonic
order in mind, but they
may be played in any
order or as stand-alone
works. The timpani part
is optional, but very
highly recommended as it
significantly adds to the
majestic nature of these
works.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sinfonia XVI: Transcendental Vienna Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-072-6 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-072-6
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 7:00. Published
by Manhattan Beach Music
(MH.1-59913-072-6).
ISBN
9781599130729. Prog
ram Notes: It was a happy
coincidence that the
commission for SINFONIA
XVI: TRANSCENDENTAL
VIENNA came from the
Henry David Thoreau
School located in Vienna,
Virginia. Thoreau is one
of the magic names in
American culture: Henry
David Thoreau, one of the
leading figures of the
Transcendentalist
movement, centered in
19th-century New England,
left us a body of unique
philosophical and
poetical writings. To
utter the words, Walden
Pond, is to invoke an
America long past in
physical actuality, but
still present in the
minds and hearts of many
American citizens. The
name, Vienna, of course,
summons thoughts of the
Old World: culture, fine
food, wine, civilized
cities. While
contemplating the form
that SINFONIA XVI should
take, I found myself
thinking of two pillars
of Viennese culture:
expressionism and the
waltz. Musically
speaking, expressionism
reached a zenith in the
works of Arnold
Schoenberg and Alban
Berg. It was Berg, in
particular, that I wanted
to invoke in the outer
movements of my
composition. I knew I
would also have to
include a waltz, and an
invocation of the
mysterious forces that
are contained in both
expressionism and
transcendentalism. Thus
was the structure of the
work generated. The outer
movements with their
vision of the night sky
and the stars, Aldebaran
and Sirius, frame the
central movements, which
are essentially two
versions of the same
material, and are quieter
and less dramatic. The
outer movements are
symmetrical, and share
both pitch and rhythmic
materials. Accordingly, I
see the work as a ternary
form, with the central
movements forming a unit
within the outer frame: A
(Movement 1) B (Movements
2 & 3) A' (Movement 4).
Harmonically, the work
can be summarized by the
two pitch-series which
occur in the opening bars
of Movement 1: the
initial 12-note row, with
a tonal center on F-sharp
(measures 1-6), and the
subsequent D-minor Dorian
7-note row (beginning in
measure 14). Aspects of
these materials occur in
all four movements, but
they are most strongly
present in Movements 1
and 4. Note that the
12-note row is not
subjected to the usual
serial procedures, but
instead is treated as a
signifier and is left
unchanged. Since the
fourth movement takes up
where the first movement
leaves off, I can
conceive of one
interpretation of
SINFONIA XVI as an
evocation of Thoreau
himself contemplating two
of the brightest stars on
a clear, cold night.
Aldebaran is an orange,
first-magnitude star,
located in the
constellation Taurus;
Sirius, the Dog Star, is
the brightest star in the
sky, and is located in
the constellation Canis
Major. Thoreau interrupts
his star-gazing to
entertain some inward
thoughts, waking dreams,
as it were, then returns
his gaze to the splendid
night sky and all its
treasures. Although many
other interpretations of
the material are
possible, it is important
to remember that the
abstract materials of the
piece -- pitch, rhythm,
structure -- are what
count the most. Ensemble
instrumentation: 1
Piccolo, 4 Flute 1, 4
Flute 2, 3 Oboe, 1 Eb
Clarinet (opt.), 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3
Bass Clarinet, 3 Bassoon,
3 Eb Alto Saxophone 1, 3
Eb Alto Saxophone 2, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 Horn
1, 2 Horn 2, 3 Trombone
1, 3 Trombone 2, 3
Euphonium B.C., 2
Euphonium T.C., 5 Tuba, 2
Timpani, 3 Percussion 1,
3 Percussion 2, 3
Percussion 3, 3
Percussion 4. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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