Trio Melancolique Clarinette, Violoncelle, Piano (trio) [Conducteur et Parties séparées] Rosewood Publications
By Natalia Rusu-Kozulina. For clarinet, cello (violin/viola). Winds, Strings and...(+)
By Natalia Rusu-Kozulina.
For clarinet, cello
(violin/viola). Winds,
Strings and Piano.
Alternate parts provide
many options for
performance. First
Edition. 20th Century.
Score and set of parts.
Published by Rosewood
Publications
(Kommunionskantate). By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofm...(+)
(Kommunionskantate). By
Georg Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. For AB
voices, 2 recorder, basso
continuo. This edition:
paperbound. TVWV 1:1212.
Cantatas; Stuttgart
Urtext Editions;
Communion. Score.
Language: German. 32
pages. Duration 17 min.
Published by Carus Verlag
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
Possible ensemble variations (V1) SKU: HL.49005795 Festliche Musik zu ...(+)
Possible ensemble
variations (V1)
SKU:
HL.49005795
Festliche Musik zu
allen Gelegenheiten.
Edited by Curt Boehme and
Willi Draths. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 24 pages. Schott
Music #ED 5600-11.
Published by Schott Music
(HL.49005795).
ISBN
9790001062558.
Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier - 2
Violinen, Violoncello und
Klavier - Violine und
Klavier - 2 Violinen und
Klavier - Violine,
Violoncello und Klavier -
Streichtrio: 2 Violinen
und Violoncello -
Streichquartett und
Klavier - Streichquartett
- Streichorchester mit
Kontrabass ad lib. -
Gesang und Streicher (ab
Trio). Die Klavierstimme
kann ebenso von der Orgel
bzw. einem Harmonium
ausgefuhrt, die Viola
durch eine 3. Violine
ersetzt werden.
Einzelstimmen sowie eine
vollstandige Textausgabe
zu diesem Band liegen vor
(ED 5600-10/15).
Vistas. Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation. 42 +
112 pages. Duration 25
minutes. Theodore Presser
Company #114-40698.
Published by Theodore
Presser Company
(PR.114406980).
UPC:
680160010806.
Shula
mit Ran’s second
string quartet, subtitled
“Vistas,â€
occupies a large canvas
that is cast in a
traditional fourmovement
mold, where the outer
movements present,
explore, and later return
to the work’s
principal musical
materials, surrounding a
slow movement and
scherzo-type third
movement with a trio. In
addition to tempo-based
titles, the individual
movements have subtitles
that are evocative of
each movement’s
character, as follows: I.
Concentric: from the
inside out II. Stasis
III. Flashes IV.
Vistas. My second
string quartet,
“Vistasâ€, is
a work cast in a
traditional four-movement
formal mold, with the
outer movements,
presenting and later
returning to the
work’s principal
musical materials,
surrounding a slow
movement and a
scherzo-type third
movement.While the four
movements’
“properâ€
names -- Maestoso con
forza, Lento, Scherzo
impetuoso, and
Introduzione; Maestoso e
grande – give some
indication of the general
character of the
individual movements, I
have also subtitled, less
formally, each movement
as follows:Â 1)
Concentric:Â from the
inside out 2)Â
Stasis 3) FlashesÂ
4) Vista. The images
evoked by these titles
tell one, I think, a bit
more about the inner
workings of the
quartet.In the first
movement, a prominently
presented opening pitch
(E) reveals itself, as
the movement unfolds, to
be a center of gravity
from which ever-growing
cycles of activity
gradually evolve.Â
While various important
themes come into being as
the movement progresses,
their impact on the
listener has, I believe,
a great deal to do with
their juxtaposition and
relationship to the
initial central point of
gravity.Stasis is, as the
name implies, a movement
where activity seems, at
times, almost
suspended. Being
also, as Webster’s
Dictionary reminds us,
“a state of static
balance and equilibrium
among opposing tendencies
or forces,†it
develops various
materials, including ones
from the first movement,
without bringing them to
points of
resolution.Flashes is
short and very fast,
evoking in my mind the
quick shimmer of
fireflies, a
“sudden burst of
lightâ€, but also a
“brief
timeâ€. Perhaps,
even, a
“smile�Final
ly, the last movement,
Vista, is not only
“a view or
outlookâ€, but also
“a comprehensive
mental view of a series
of remembered or
anticipated
events.â€Â After
a brief recall of the
opening of the second
movement, this movement
brings back all the
important themes of the
first movement in their
original order. But
just as going back can
never really mean going
back in time, the
movement is much more
than recapitulatory.Â
By cutting through
previously transitory
passages and presenting
the main ideas in a
fashion more direct yet
more evolved, it also
sheds new light on
earlier events, offering
a retrospective, synoptic
view of the first
movement as it brings to
culmination the work as a
whole. “Vistasâ
€ was commissioned by
C. Geraldine Freund for
the Taneyev String
Quartet of what was then
Leningrad. It was the
first commission given in
this country to a Soviet
chamber ensemble since
the 1985 cultural
exchange accord between
the Soviet Union and the
United States.
Violin, Cello and Piano Piano Accompaniment; String Duet (Score & Parts) SKU:...(+)
Violin, Cello and Piano
Piano Accompaniment;
String Duet (Score &
Parts)
SKU:
HL.49046306
Violin, Cello and
Piano Score and
Parts. Composed by
Jose Fernandez Diaz.
Ensemble. Classical.
Softcover. 16 pages.
Schott Music #ED21587.
Published by Schott Music
(HL.49046306).
ISBN
9781540070982. UPC:
842819109921.
Who
does not know the song
Guantanamera? Dating back
to a tune of the Cuban
musical style Guajira and
a text by the national
hero Jose Marti, it was
used by Jose Fernandez
Diaz in the 30s as a
refrain to improvise on
current day topics. Pete
Seeger reopened the Marti
original in 1963 at a
concert in New York's
Carnegie Hall - it became
a hymn to the American
trade union movement. The
song has since been sung
in countless versions,
right up to the Rudi
Voller battle song, which
echoed in 2002 in the
football stadiums. This
issue gives you the
opportunity to play the
world hit with piano trio
- have fun!
Jazz Ensemble plus solo flugelhorn - Grade 5 SKU: KN.04940S Composed by T...(+)
Jazz Ensemble plus solo
flugelhorn - Grade 5
SKU: KN.04940S
Composed by Thad Jones.
Jazz Summit. Kendor Music
Inc #04940S. Published by
Kendor Music Inc
(KN.04940S).
UPC:
822795049404.
As
recorded by the great
Thad Jones-Mel Lewis Jazz
Orchestra on the album
The Jazz Orchestra, this
bright swing journey for
experienced ensembles
begins with a unique trio
feature -- bari sax,
flugelhorn, bass -- then
presents each member of
the opening trio in
full-length solo
choruses. An extended
soli requires precise
playing from the sax
section, and the chart
ends with a brief reunion
of the opening trio
before a dramatic ritard
and final chord. Rhythm
section parts are
partially notated with
chords cued. Duration
5:40.
Three And One Ensemble Jazz [Conducteur et Parties séparées] - Avancé Kendor Music Inc.
Three and One by Thad Jones. For jazz ensemble plus Solo Flugelhorn. Standard ja...(+)
Three and One by Thad
Jones. For jazz ensemble
plus Solo Flugelhorn.
Standard jazz ensemble
plus Solo Flugelhorn.
Jazz Summit Series.
Bright Swing. Advanced.
Score and Set of Parts.
Published by Kendor Music
Inc