By Cliff Friend, Cole Porter. Arranged by Betty Oliver. Female barbershop choir....(+)
By Cliff Friend, Cole
Porter. Arranged by Betty
Oliver. Female barbershop
choir. Women's voices, a
cappella. Suitable for
contest. Barbershop,
Uptune. Medium
By Cole Porter. Arranged by Lennie Niehaus. Jazz Ensemble / Jazz Band. The Stan ...(+)
By Cole Porter. Arranged
by Lennie Niehaus. Jazz
Ensemble / Jazz Band. The
Stan Kenton Orchestra
Library Series. Bright
Swing. Grade 4/5. Score
and set of parts
(Let's Fall In Love). By Cole Porter. Arranged by Mel Orriss. For flute choir: 6...(+)
(Let's Fall In Love). By
Cole Porter. Arranged by
Mel Orriss. For flute
choir: 6 flutes, alto
flute (optional). Flutets
series. Grade 1 to 8.
Score and parts. Duration
4'02. Published by
Wonderful Winds
By Cole Porter. Arranged by Johnny Richards. Jazz Ensemble / Jazz Band. The Stan...(+)
By Cole Porter. Arranged
by Johnny Richards. Jazz
Ensemble / Jazz Band. The
Stan Kenton Orchestra
Library Series. Latin /
Solo. Grade 4/5. Score
and set of parts
Piano SKU: BT.LCM9790570121281 Exam Material. Book Only. 48 pages. London...(+)
Piano
SKU:
BT.LCM9790570121281
Exam Material. Book Only.
48 pages. London College
Music #LCM9790570121281.
Published by London
College Music
(BT.LCM9790570121281).
English.
This
publication is part of a
progressive series of
handbooks, primarily
intended for candidates
considering taking LCM
examinations in Piano.
However, given each
handbook's wide content
of musical repertoire
andassociatededucational
material, the series
provides a solid
foundation of musical
education for any Piano
student, of any age,
whether they are
intending to take an exam
or not.
compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-In...(+)
compiled by Dr. Ed
Whitcomb. For Fiddle.
songbook. Canadian.
Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
224 pages. Published by
Mel Bay Publications,
Inc.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Stille Nacht.
Composed by Franz Xaver
Gruber. Arranged by
Lorenzo Bocci. Christmas
Collection. Festive and
Solemn Music. Score Only.
Composed 2012. 12 pages.
De Haske Publications
#DHP 1125069-140.
Published by De Haske
Publications
(BT.DHP-1125069-140).
9x12 inches.
English-German-French-Dut
ch.
When the song
Silent Night was
fi_x001F_rst heard, at
Christmas 1818 in the
village church of
Oberndorf, near Salzburg
in Austria, no one could
have dreamt of the
success this Christmas
carol would enjoy the
world over. The village
schoolteacher and
organist Franz Gruber -
the 150th anniversary of
whose death is marked in
2013 - composed the
melody for a poem by
Franz Mohr shortly before
Christmas. Today,
Silent Night is
sung in over 300
languages
worldwide.
Oberdor
f-Salzburg, Kerstmis
1818. Het lied Stille
Nacht van de
dorpsleraar en organist
Franz Gruber klinkt voor
de allereerste keer. Toen
zal niemand gedacht
hebben dat dit lied, dat
gebaseerd is op een
gedicht Franz Mohr, een
van de bekendste
kerstliedjes ter wereld
zou worden, vertaald in
meer dan 300 talen.
Lorenzo Bocci maakte een
mooie, pure bewerking van
dit lied, dat speelbaar
is voor elk orkest.
Als an
Weihnachten 1818 in der
Dorfkirche zu Oberndorf
bei Salzburg
(Österreich) das Lied
Stille Nacht
erstmals erklang, ahnte
wohl niemand, dass dieses
festliche Lied einmal
buchstäblich
weltberühmt werden
würde. Der
Dorfschullehrer und
Organist Franz Gruber,
dessen Todestag sich 2013
zum 150. Mal jährt,
hatte die Melodie kurz
vor Weihnachten zu einem
Gedicht von Franz Mohr
komponiert. Heute wird
Stille Nacht in
mehr als 300 Sprachen
weltweit
gesungen.
Quando
le inconfondibili note di
Stille Nacht
risuonarono la prima
volta nel 1818 nella
chiesa di Oberndorf nei
pressi di Salisburgo,
nessuno immaginava
l’enorme successo
che questo canto
natalizio avrebbe avuto
in tutto il mondo. Franz
Gruber, insegnante in un
villaggio, scrisse la
melodia poco prima di
Natale per accompagnare
una poesia di Franz Mohr.
Da allora Stille
Nacht è cantata in
oltre 300 idiomi nel
mondo intero.
Stille Nacht.
Composed by Franz Xaver
Gruber. Arranged by
Lorenzo Bocci. Christmas
Collection. Festive and
Solemn Music. Set (Score
& Parts). Composed 2012.
De Haske Publications
#DHP 1125069-010.
Published by De Haske
Publications
(BT.DHP-1125069-010).
9x12 inches.
English-German-French-Dut
ch.
When the song
Silent Night was
fi_x001F_rst heard, at
Christmas 1818 in the
village church of
Oberndorf, near Salzburg
in Austria, no one could
have dreamt of the
success this Christmas
carol would enjoy the
world over. The village
schoolteacher and
organist Franz Gruber -
the 150th anniversary of
whose death is marked in
2013 - composed the
melody for a poem by
Franz Mohr shortly before
Christmas. Today,
Silent Night is
sung in over 300
languages
worldwide.
Oberdor
f-Salzburg, Kerstmis
1818. Het lied Stille
Nacht van de
dorpsleraar en organist
Franz Gruber klinkt voor
de allereerste keer. Toen
zal niemand gedacht
hebben dat dit lied, dat
gebaseerd is op een
gedicht Franz Mohr, een
van de bekendste
kerstliedjes ter wereld
zou worden, vertaald in
meer dan 300 talen.
Lorenzo Bocci maakte een
mooie, pure bewerking van
dit lied, dat speelbaar
is voor elk orkest.
Als an
Weihnachten 1818 in der
Dorfkirche zu Oberndorf
bei Salzburg
(Österreich) das Lied
Stille Nacht
erstmals erklang, ahnte
wohl niemand, dass dieses
festliche Lied einmal
buchstäblich
weltberühmt werden
würde. Der
Dorfschullehrer und
Organist Franz Gruber,
dessen Todestag sich 2013
zum 150. Mal jährt,
hatte die Melodie kurz
vor Weihnachten zu einem
Gedicht von Franz Mohr
komponiert. Heute wird
Stille Nacht in
mehr als 300 Sprachen
weltweit
gesungen.
Quando
le inconfondibili note di
Stille Nacht
risuonarono la prima
volta nel 1818 nella
chiesa di Oberndorf nei
pressi di Salisburgo,
nessuno immaginava
l’enorme successo
che questo canto
natalizio avrebbe avuto
in tutto il mondo. Franz
Gruber, insegnante in un
villaggio, scrisse la
melodia poco prima di
Natale per accompagnare
una poesia di Franz Mohr.
Da allora Stille
Nacht è cantata in
oltre 300 idiomi nel
mondo intero.
Versailles Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1043670-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1043670-015
Composed by Christian
Bouthier. Flexible 4
Series. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043670-015. Published by
De Haske Publications
(BT.DHP-1043670-015).
Versailles,
composed by Christian
Bouthier, reflectsa
number of impressions of
the royal castle
inVersailles, near Paris.
There are four
movementsconsisting of Le
Chateau, Le grand
Trianon,L’Appartem
ent du Roi and Les
Grandes Eaux eachof which
depicts a different
aspect of Versaillesboth
inside and outside. Bring
a touch of regalnessto
any concert band
programme.
Versailles
, gecomponeerd door
Christian Bouthier, geeft
een aantal indrukken weer
van het koninklijke
kasteel te Versailles,
vlak bij Parijs. De vier
afwisselende delen
beschrijven
achtereenvolgens Le ch
teau (het
kasteelzelf), Le grand
Trianon (het extra
complex dat Lodewijk XIV
liet bouwen),
L’Appartement
du Roi (het
appartement van de
koning) en Les Grandes
Eaux (de
waterpartijen). De fraaie
thema’s worden
verklankt inboeiende,
gemakkelijk te spelen
muziek voor
blaasorkest.
Ve
rsailles, aus der
Feder von Christian
Bouthier, spiegelt eine
Reihe von Impressionen
des königlichen
Schlosses in Versailles
bei Paris wider. Die vier
abwechslungsreichen
Sätze beschreiben das
Schloss selbst, den
Nebenpalast Le Grand
Trianon, die Gemächer
des Königs und das
weitläufige System an
Wasserläufen und
Teichen, welches die
ganze Anlage einst
versorgte. Prächtige
Motive, verpackt in
interessante, leicht
spielbare Musik.
Versailles Ensemble de cuivres - Facile De Haske Publications
Brass Band - Grade 2 SKU: BT.DHP-1043670-030 Composed by Christian Bouthi...(+)
Brass Band - Grade 2
SKU:
BT.DHP-1043670-030
Composed by Christian
Bouthier. Flexible 4
Series. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043670-030. Published by
De Haske Publications
(BT.DHP-1043670-030).
Versailles,
composed by Christian
Bouthier, reflects a
number of impressions of
the royal castle in
Versailles, near Paris.
There are four movements
consisting of Le Chateau,
Le grand Trianon,
L’Appartement du
Roi and Les Grandes Eaux
each of which depicts a
different aspect of
Versailles both inside
and outside. Bring a
touch of regalness to any
concert band programme.
Versailles
, gecomponeerd door
Christian Bouthier, geeft
een aantal indrukken weer
van het koninklijke
kasteel te Versailles,
vlak bij Parijs. De vier
afwisselende delen
beschrijven
achtereenvolgens Le ch
teau (het
kasteelzelf), Le grand
Trianon (het extra
complex dat Lodewijk XIV
liet bouwen),
L’Appartement
du Roi (het
appartement van de
koning) en Les Grandes
Eaux (de
waterpartijen). De fraaie
thema’s worden
verklankt inboeiende,
gemakkelijk te spelen
muziek voor
blaasorkest.
Ve
rsailles, aus der
Feder von Christian
Bouthier, spiegelt eine
Reihe von Impressionen
des königlichen
Schlosses in Versailles
bei Paris wider. Die vier
abwechslungsreichen
Sätze beschreiben das
Schloss selbst, den
Nebenpalast Le Grand
Trianon, die Gemächer
des Königs und das
weitläufige System an
Wasserläufen und
Teichen, welches die
ganze Anlage einst
versorgte. Prächtige
Motive, verpackt in
interessante, leicht
spielbare Musik für
Brass
Band.