BWV 1033 1031 1020 überliefert als Werke Johann Sebastian Bachs-Three SonatasBWV 1033 in C major for Flute and Basso Continuo.BWV 1031 in E-flat major and BWV 1020 in G minor for Flute and obbligato Harpsichord.Handed down as works by Johann Sebastian BachBach?s preferred instrument for chamber music after the Violin was the traverse Flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive.Our edition includes a preface (Ger-Eng) by Bach scholar Alfred Dürr and a ctitical report (Ger-Eng) listing the sourecs with source analysis.

The Flute sonata in G minor BWV 1020 one of the gems of 18th century Flute literature has been passed down to us over the years as a work of Johann Sebastian Bach but its authenticity is disputed. Recent research suggests that the composition most probably came from the pen of Bach’s oldest son Carl Philipp Emanuel. This new edition is an extract from the Bärenreiter edition BA 5220 which also includes the two Flute sonatas BWV 1033 in C major and BWV 1031 in E-flat major which are of similarly doubtful authenticity. The sonata in G minor has been edited by the renowned Bachscholar Alfred Dürr using the editorial guidelines of the New Bach Edition as a basis and it appears now for the first time as a separate performing edition.

Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Kuijken, B. / HenstrAlto, S./ Répertoire / Flûte Traversière et Basse Continue

Four Sonatas comprises: BWV 1034-1035 for Flute and Basso Continuo and; BWV 1030 and 1032 for Flute and obbligato Harpsichord.Bach’s preferred instrument for chamber music after the violin was the traverse flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive. The elegance and fluency of the flute writing reflects Bach’s understanding and love of the instrument.This Urtext edition provides you with an accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions as editedby Hans-Peter Schmitz and more recently revised by Ulrich Leisinger. The solo flute and cello/viola (continuo) parts are also included on separate inserts.